Dolly Sickles

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Debut author Maiga Doocy weaves a charming, captivating tale with Sorcery and Small Magics, the first installment of her Wildersongs Trilogy.

Leovander Loveage is a successful sorcerer, but only when it comes to minor charms; he keeps the stakes low and colors inside the lines. His lesser spells may not ever win his father’s respect, but his lighthearted enchantments make people happy, and he’s accepted that powerful magic never works out for him. His nemesis, Sebastian Grimm, is his opposite. Grimm’s approach to magic is confident, strong—and gets on Leo’s nerves.

Leo and Grimm are students at the Fount, where Leo is a scriver, or writer of spells, and Grimm is a caster. They get into trouble when Grimm accidentally casts an illegal spell that binds Leo to obey his commands. It’s a power imbalance that is refreshingly never abused: Rather, it compels these two young sorcerers to work together to find a counterspell before anyone finds out what happened. They’ll have to employ the help of a powerful sorcerer who supposedly lives deep in the Unquiet Wood, a forest full of monsters and other dark things. As they embark on a quest together, it becomes clear that this grumpy-sunshine pairing just needed the right opportunity to find their way to happiness.

Doocy makes the academic pursuit of magic seem so normal and tactile that the reader feels they might open their own desk drawer and find quills and paper and ink. Matching the light tone of Leo’s witty narration, the stakes of using forbidden magic aren’t high beyond the personal fallout for him and Grimm: The world won’t end, the walls around the Fount won’t crumble, nobody’s going to die—but they will get cast out of school. Leo and Grimm are realistically flawed, lovingly hopeful characters, both of whom discover that they have more inner strength than they ever suspected. The two men have “never been anything but too much for each other,” but by the end of Sorcery and Small Magics, “too much” is just enough.

A sorcerer’s rival accidentally casts an obedience spell on him in Maiga Doocy’s witty and refreshing Sorcery and Small Magics.
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Karina Halle’s latest royal rom-com, The Royals Upstairs, takes place at the historic and lovely Skaugum Estate, a remote retreat in the Norwegian countryside where two former lovers reignite their affair.

James Hunter is the Norwegian royal family’s new personal protection officer. He’s an experienced, regimented man with a penchant for suits and a preference for being on the go in the buzz of a big city. He meets the surprise news that, instead of jet-setting around the world, he’ll be stuck at an isolated manor on the outskirts of Oslo with . . . the opposite of enthusiastic revelry. To make matters worse, when James arrives he learns that the former love of his life, Laila Bruset, is the family’s nanny.

Laila loves her work, even though her hands are very full with Bjorn and Tor, the two unruly, wild young Norwegian princes. She’s got a spine of steel and a heart full of determination, but even her quiet strength falters with the arrival of James. When they were together, he abruptly ended things, flooding her with feelings of rejection and unworthiness that she has no intention of revisiting.

Both James and Laila have experienced tragedies and loss that make them hesitant to take a leap of faith, but time and maturity offer a new lens through which to consider their potential. Besides, what else is there to do on their days off out in the boondocks? As readers, we have the advantage of perspective: Knowing the sad circumstances of James’ and Leila’s pasts lets us understand their hesitation better than they do. In their crowded worlds of constant spotlight and care for their charges, both are remarkably alone. They see each other, though, and can be themselves together—and being at odds is more painful than the circumstances that drew them apart. The romance here is a slow burn, and the characters often put themselves through more misery than is warranted, but in the end, The Royals Upstairs is a transportive pleasure for us commoners.

Karina Halle’s The Royals Upstairs is a transportive pleasure for us commoners.

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