Elizabeth Mazer

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What’s in a name? A rose by another name might smell as sweet, but a Belle by another name would likely not be as rich. While cousins Arabella and Isabelle Grant are the closest and dearest of friends, they’re far from equals. Lady Isabelle, daughter of a marquis, has money, position . . . and debilitating social anxiety. Miss Arabella has beauty, charm . . . and barely a penny to her name. Arabella is treated as a charity case by Isabelle’s cruel, snobbish mother, yet everything changes when said mother dies and Isabelle’s great-aunt resolves to give her a London season, whether she wants it or not. Just the thought of balls and crowds terrifies Issie into palpitations. But Bella would shine in that setting. And since their nearsighted new guardian can’t tell which cousin is which, Issie concocts a plan for a little switch. It only has to last for the season, and then they can go home to their quiet lives and correct stations. No fuss, no muss, no harm done—as long as Bella keeps from falling in love, a task that’s easier said than done when she meets Lord Brooke. The attraction between them is palpable, but does he love her, or a Lady Isabelle who doesn’t exist?

The Wrong Lady Meets Lord Right has a plot Shakespeare himself might’ve used, and author Suzanne Allain fills it with playfulness, humor and a delightful cast of side characters. (My particular favorite is a maid who gives up altogether on figuring out which cousin to call “miss” and which to call “milady,” and calls them both “mislady.”) While Bella comes into her own as the toast of London and the woman who has wholly—and very truly—captured Lord Brooke’s heart, it’s just as captivating to see Issie emerge from her shell and form a romance with a handsome young doctor who stirs in her palpitations of a different sort. Love is in the air . . . along with confusion, misunderstandings and a whole lot of false assumptions. But where’s the fun in the course of love running smooth? All’s well that ends well—and all ends very well, indeed.

In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
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Beauty and the Beast truly is a tale as old as time. There’s a charm to it that seems evergreen—the idea of a beast softened and redeemed by love. But what about what the Beast’s love does for Beauty? Can it lift her out of a life in which she feels trapped? Can it awaken feelings in her that she’d never known were possible?

And most pressingly, can it bail her out of jail?

A jail cell is, in fact, where a series of mishaps leads Alexandra Brightwall in the opening scene of Julie Anne Long’s The Beast Takes a Bride. Her long-estranged husband, the war hero Colonel Magnus Brightwall—popularly known as Brightwall the Beast—is able to get her released, upon which he proposes a bargain. Magnus has a chance of being elevated to the nobility, and if Alexandra will appear on his arm and boost his reputation over the next several weeks, he’ll provide the resources for her to have a comfortable life, far away from him. But if she lets him down—again—she’ll be on her own, and she’ll never have a chance to make amends for the terrible mistake that drove them apart on their wedding night five years earlier. 

Fans of Long and her Palace of Rogues series will not be surprised to learn that the couple’s home base for Operation Reputation Restoration is the Grand Palace on the Thames, the boardinghouse by the London docks that is always filled with colorful characters and endearing old friends. (Newcomers might wish for a bit less time spent with previously established characters: not because they aren’t delightful, but because they take time away from our main couple.) All of Long’s creations have warmth, wit and sparkle to spare, but most especially the two leads. Alexandra is absolutely enchanting—utterly lovely inside and out. And while Magnus is decidedly unlovely at first glance, he is a fierce, sharp-witted force to be reckoned with, someone who loves with everything he has, which is quite a lot. Their passion is intense in their sensual moments together, but it’s also intensely sweet in the quieter scenes as they strain and struggle and inch toward a common understanding. As Beast rescues Beauty and Beauty redeems Beast, it’s the love they find together that saves them both.

Julie Anne Long’s latest historical romance has warmth, wit and sparkle to spare as it puts a Regency spin on Beauty and the Beast.
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Sometimes, opening up a fantasy book is about leaving your world behind. But sometimes, it’s more about stepping into a brand-new one, so vividly detailed that you know the textures and tastes and the smells in the air. That’s the kind of world Freya Marske has created in Swordcrossed, set in the bustling city of Glassport. Detailed, intricate and meticulously planned, this fantasy romance will dazzle genre fans who crave an immersive experience and a rich love story to lead them through it.

When Marske’s tale begins, Mattinesh Jay doesn’t have time for a love story. What he needs is money, enough to keep his disastrously unlucky family from financial ruin. That money will come at Matti’s upcoming wedding to Sofia Cooper, via his bride-to-be’s bond price (i.e., her dowry). The wedding has to go without a hitch, and that means hiring the best swordsman Matti can afford to be his ‘best man,’ a role that includes defeating any challengers at the ceremony. Given the unfortunate fact that a talented duelist has strong feelings for Sofia, a challenge is all but inevitable. When Matti falls victim to a scam and his financial situation gets even worse, the best swordsman he can afford is . . . well, the scammer himself: Luca Piere, a man who is as silver-tongued as he is deft, as dangerous as he is tempting, and as infuriating as he is gorgeous.

This is a book for those who like their romance mixed with a hefty dose of world building—and more than a bit of intrigue, as it’s quickly revealed that the failing fortunes of the Jay family owe more to sabotage than to bad luck. Unraveling all the different factors and parties involved takes over a lot of the story. But the love light still manages to shine through as Matti and Luca fight each other, then fight against their feelings for each other, and then finally learn to give in to what they truly want. Their happy ending is one of the most satisfying I’ve read all year, showing that luck might be at the whim of the gods, but love is always a gift.

Freya Marske’s dazzling Swordcrossed is an immersive fantasy with a rich love story at its heart.
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If you’re looking for spooky fun and adventure, there’s no better place to go than Thistle Grove. Author Lana Harper first introduced this wonderfully witchy town in Payback’s a Witch, and her latest entry, Rise and Divine, is the fifth and—alas—last story in the series. But man, what a note to end on!

If you’re not familiar with this series . . . for starters, you should probably read up. It’s a well-stuffed world (for my part, I’d have loved a character list) full of extensive, complicated relationships. But you mainly need to know that the Avramovs are one of the four families balancing the magic of Thistle Grove, and they do that by bringing the creep factor: dealing with the dead. The most dangerous tasks fall to Dasha Avramov, the family’s devil eater. If a demon latches onto you like a tick, she can set you free—but her close encounters with the dark side have a price. The world beyond the veil is impossibly seductive, and its pull makes it hard for Dasha to connect with the real, living world, including her ex-girlfriend and the love of her life, Ivy Thorn. Dasha’s struggles come to a head during the Cavalcade, a sacred Thistle Grove event, when someone foolishly knocks on the veil and something impossibly dangerous knocks back.

Harper always delivers on eerie atmosphere and warm heart. In her world, witchcraft is complex and interesting, with beautifully crafted details. But the real magic of this book lies in its rich, wonderful cast of characters. The romance between Dasha and Ivy is sweet and passionate, while the relationships Dasha has with other figures—the Avramov clan, the other families, a stranger with amnesia who has a crucial role to play—give the story depth and resonance, making us care deeply about what happens to Dasha and Ivy as they face off with the evil that threatens the town. Like Harper’s other creations, Dasha has a combination of wit and grit that makes her irresistible, and you’ll love Rise and Divine . . . no matter how sad you are to reach the last page and know it’s time to say goodbye.

Lana Harper brings Thistle Grove, her beloved paranormal romance series, to a close with the richly crafted, eerie yet warm Rise and Divine.
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A chunk of the chapters of Rainbow Rowell’s Slow Dance begin with the word “before.” Before, when they were high schoolers in Omaha, Nebraska, Cary and Shiloh were “odd couple” best friends. Quiet and focused, Cary was the straitlaced Navy ROTC kid. Shiloh was the theater nerd, the counterculture girl who could never sit still—but never quite knew where she wanted to go, either. And yet, they were inseparable. The kind of joined-at-the-hip friends who seemed destined to end up together, if they weren’t together already. But in the present day (read: 2006), they haven’t spoken in 14 years when Cary comes back to Omaha for a mutual friend’s wedding. Cary’s path led exactly where he expected: He’s now a Navy officer. Shiloh’s path led her somewhere she didn’t expect: She’s a divorcée with two kids, living in her mom’s rundown house. She and Cary have even less in common than they did before. The one thing that hasn’t changed is how much they love each other. The only difference is now, they might finally be ready to do something about it.

How Rainbow Rowell learned to stop worrying and love prom.

Rowell is the author of several beloved bestsellers for adults (Attachments) and teens (Eleanor & Park), and if I had to pick one word to describe her prose, it would be “sharp”: Every line is witty, insightful and uncompromising, with nothing airbrushed or glossed over. Shiloh and Cary’s lives, while often funny, are genuinely messy: not in a shallow, sitcom kind of way, but in a real, brutally honest way that makes the laugh catch in your throat. Because while both main characters are clever and funny, charming and appealing, the situations they’re in are also painfully relatable. They grapple with difficult family dynamics and deeply personal insecurities. Slow Dance isn’t just a story about two people who love each other. It’s about two people who like each other, who get each other and who come through for each other even when everything seems screwed up. It’s a romance that’s chaotic, fraught, emotionally charged—and beautifully real.

Witty, insightful and uncompromising, Rainbow Rowell’s Slow Dance is an emotionally charged and beautifully real romance.
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What happens when the characters in a romance know that they’re in one? Rom-coms are screenwriter Molly Marks’ bread and butter, so she’s already well aware of the tropes at play when she sees Seth Rubenstein at their high school reunion. He’s her first love, high school sweetheart, the one who got away, the one whose heart she broke. She’s the snarky cynic who runs from anything that looks like love, and he’s the wide-eyed dreamer who throws himself headlong into relationships because he still believes in true love, despite his highly successful career as a divorce attorney. They’re hitting every beat for a second-chance, opposites-attract romance, but Molly thinks she’s too smart to fall into that trap. She makes a bet with Seth: They’ll pick five couples and use their expertise to predict whether they’ll last or fail by their next reunion. Whoever makes the most correct predictions is the one who is truly right about love. But the fifth couple Seth picks to go the distance? It’s them.

In Just Some Stupid Love Story, author Katelyn Doyle takes her time with her characters. This isn’t a romance where perfect love is achieved in a matter of days. The timeline goes from Molly and Seth’s 15-year reunion in 2018 all the way to their 21-year one in 2023, including the height of the pandemic—which Doyle folds into the story very effectively, showing how COVID-19 acted as a pressure cooker for personal relationships. Seth and Molly’s relationship develops in fits and starts, often moving two steps forward and one step back even as their feelings for each other endure, sometimes painfully. Love doesn’t come quickly or easily in Just Some Stupid Love Story, and when it comes, it doesn’t fix everything. These characters legitimately struggle to overcome their fears, let go of their worst tendencies and show compassion even when faced with situations they don’t fully understand. While there are plenty of stories out there that say love conquers all, this one actually shows how and why. And that’s as surprising as it is satisfying.

Katelyn Doyle’s wise and satisfying Just Some Stupid Love Story follows a potential couple as their relationship develops in fits and starts over the span of five years.
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Gretchen Acorn is an ethical scammer. Yes, she pretends to be psychic, digging up info on deceased loved ones via social media, but she helps her clients. She brings them peace of mind, and that’s priceless, right? Or at least, priced low enough to not dent the accounts of the wealthy socialites she scams. And if she has to lie to herself a little to believe she’s not as destructive as her con artist father, then so be it. Gretchen’s very good at lying. But when her best client hires her to exorcise a friend’s goat farm so he can sell it, she’s the one who gets spooked to discover, well, an actual spook. The place is haunted by Everett, a charming, chatty, wildly flirtatious (just because he’s dead doesn’t mean he’s dead) spirit only Gretchen can see—and he carries an ominous warning. Everett triggered a curse years ago, and now the farm has to stay in the family. If the current owner, Charlie Waybill, sells the place and leaves, he’ll die. Not an easy message to pass on, especially when the (very hot, very grumpy, very skeptical) Charlie believes everything about Gretchen is a lie.

Happy Medium follows author Sarah Adler’s absolutely amazing debut, Mrs. Nash’s Ashes. Like its predecessor, Happy Medium is a grumpy-sunshine romance and, admittedly, Charlie works slightly less well than Mrs. Nash’s Ashes’ Hollis. While Charlie’s suspicion of Gretchen’s claims is natural, his continued harshness toward someone who’s actively helping him, with no personal benefit, feels a little extreme. But the way Adler shades her sunshine heroines is so lovely. Gretchen’s not exactly optimistic—she’d describe herself as ruthlessly practical—but her drive to do good, to seek out the positive, to embrace the weirdness of life instead of letting it throw her off course resonates throughout the book. She lights up the page, bringing more than just the farm (and Charlie’s heart) to life. You completely get why her customers always leave satisfied, and Adler’s readers will leave Happy Medium feeling the same way.

Sarah Adler’s grumpy-sunshine romance presents a delightful twist on the “sunshine” half: a ruthlessly practical scammer with a heart of gold.
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Everyone wants a shortcut to love, especially if a happily ever after is guaranteed. So it’s not surprising that Justin Dahl gets a big response when he explains his gift (or curse) on Reddit: Whoever he dates goes on to meet her perfect match right after things end with him. To his shock, Justin soon hears from Emma, a woman with the same problem. What starts as a half-joking suggestion soon starts to form into a real plan—what if they date each other? Wouldn’t that mean instead of being merely the gateway to love, they could finally have it for themselves . . . right after they break up?

It’s a fun premise, but if you think the plot stays frothy and candy-colored, then you don’t know author Abby Jimenez. Yes, Justin and Emma connect via meet cute (meet unusual, to be more precise) at the beginning of Just for the Summer, but Jimenez quickly develops the characters beyond rom-com archetypes as they deal with challenges that aren’t in the least bit quirky, overblown or played for laughs. Justin and Emma have amazing chemistry and terrific banter, but they also have genuine problems, including family catastrophes, emotional trauma, heavy responsibilities and—in Emma’s case—a mother best compared to a malfunctioning time bomb, set to blow everything up with no clear countdown. Just for the Summer has plenty of humor (a scene with baby raccoons being a personal favorite), but the emotions are real. The turmoil is real. The problems the characters face don’t come with easy answers or magic cures.

The story showcases an absolutely gorgeous outpouring of love in tandem with Emma and Justin’s delightful and warm central romance. Jimenez portrays a range of complex, interesting familial relationships, as well as some amazing friendships—particularly Emma’s with her bestie, Maddy. In Just for the Summer, even when love is difficult and devastating and very possibly cursed, it’s always worth it.

In Abby Jimenez’s Just for the Summer, two people cursed a la “Good Luck Chuck” try to break their unlucky streaks by dating each other—only to fall in love.
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Confession time: Persuasion is my favorite Austen novel. There’s just something about it that speaks to me. It’s the idea of growing into the person you’re supposed to be, into the love you’re finally ready to have. The fact that love doesn’t come easily or quickly makes it all the sweeter when it finally falls into place.

That sweetness is front and center in Melodie Edwards’ modernization of Persuasion, Once Persuaded, Twice Shy. Our present-day Anne Elliot is the executive director of a theater festival, which allows her, as in the original, to quietly keep the world running from behind the scenes. But her tidy, well-controlled life is thrown into a tailspin when her ex, Ben Wentworth, reappears in her life, eager to show her how completely and entirely he’s moved on. The quaint Canadian town of Niagara-on-the-Lake supplies the two of them with an ample supporting cast of lovable, quirky, exasperating and endearing characters, but it’s the enduring connection between Anne and Ben that’s the real draw. As they find their way back to each other, they also find their way back to the truest versions of themselves, letting go of old hurts and old burdens and old grudges along the way.

Of course, there are elements that get left behind when a story is transposed to a new time or place. (The author wisely addresses this in a letter to readers that gives context to some of her choices.) Will fans of the original miss the things that got lost in translation? They might. I missed the Harvilles, Captain Benwick and the whole boisterous Musgrove clan—even Mary, hypochondriacal misanthrope that she is. But Edwards’ update has plenty of compensations: There’s warmth, humor, Taylor Swift lyrics for every conceivable scenario and a love story that blooms as beautifully today as it did 200 years ago. The plot takes unexpected twists and turns, tied together with beloved tropes. And the grand finale is a happily ever after that certainly persuaded me, and that I believe will persuade you, too.

Once Persuaded, Twice Shy, Melodie Edwards’ modernization of Persuasion, is a sweet and often surprising take on Jane Austen’s classic novel.
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If you’re looking for the rom-commiest rom-com to ever rom or com, then look no further. Do you like stories with the rich and/or popular guy falling for the non-skinny, non-famous, non-glamorous girl? How about opposites attract? Maybe you want a fake relationship where a kiss just for show ends up feeling all too real? Or how about that perennial classic, There Was Only One Bed? You’ll find all of that and more in Charlotte Stein’s When Grumpy Met Sunshine, and if you think it sounds like too much, you’re wrong—it’s exactly enough, and a blast from start to finish.

The story opens with an epic meet-ugly. Alfie Harding meets Mabel Willicker when she’s introduced as the ghostwriter for his memoir. Alfie, a superstar Premier League footballer bearing an unmistakable resemblance to “Ted Lasso” ’s Roy Kent, is armored in black clothes, a bristling black beard, a 10-inch-deep frown and a voice that sounds “like very churlish gravel being shoved through an extremely sullen cement mixer.” Mabel, meanwhile, is in a pastel pink dress, with a plate of fairy cakes she baked for the occasion. Needless to say, the first meeting does not go well. But when they finally get to talking after another couple of hilariously disastrous encounters, they realize that they understand each other almost eerily well. As she uncovers unexpected bits and pieces about Alfie’s thoughts and feelings, Mabel also has the chance to unpack her own baggage. One wishes Stein allowed herself to linger longer on this part of the story, given how deeply enjoyable it is to watch her develop these characters and the increasingly rich connection between them. But the rom must com, so when the paparazzi spot Alfie with Mabel and the internet explodes with speculation, they soon end up in a fake relationship. Cue moments that are awkward to the max and growing sexual tension as all the pretending becomes less and less pretend. (FYI, this book definitely knows how to bring the heat.)

The similarities to “Ted Lasso” (not just Roy-core Alfie but also Mabel’s eventual editor, clearly modeled after the mustached coach himself) don’t stop with the characters. The warmth that drew people to that show—the joy of spending time with characters you genuinely like, who reveal themselves to be smarter and quirkier and more interesting than you expected—permeates the whole book. The tropes give the story its structure, but Stein adds heart and creativity that elevate it into something genuinely delightful. Mabel’s wry, funny voice is charming from the very start. (Seriously, just check out the book’s table of contents. The chapter titles alone will have you giggling.) And readers will absolutely adore Alfie who, behind his bristle, is as genuinely kind, genuinely chivalrous and genuinely, passionately devoted as any hero in recent memory. When Grumpy Met Sunshine is a classic feel-good story that’ll remind you why we all love rom-coms in the first place.

When Grumpy Met Sunshine has a very Roy Kent-esque hero, but the similarities to “Ted Lasso” don’t stop there: Warmth and joy permeate the entire book.
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For the first time in four years, Levi Matthews is returning to the winter wonderland that is Carrigan’s, the inn and Christmas tree farm where he grew up. The oldest child of the inn’s handyman and cook, Levi’s childhood was spent alongside Carrigan’s heir apparent, Hannah Rosenstein. Hannah visited her great-aunt’s inn as often as possible, much to the bemusement of her globe-trotting documentary filmmaker parents. Hannah’s only dream was to permanently live in the place she loved best, stable and settled with Levi, the person she loved most. But one person’s safe haven is another person’s stifling prison: The pansexual Levi was bullied as a child for all the ways he diverged from the small-town norm, whether it was his love of cooking or flamboyant appearance. Hence a painful, messy break ensued when Levi left to find himself and Hannah stayed behind. As For Never & Always begins, Levi, now a successful celebrity chef, returns home for Passover, knowing that he doesn’t want to contemplate a future without Hannah. But before they can find happiness, they’ll have to grapple not just with baggage from the past but also with an age-old question: A bird may love a fish, but where would they build their home?

Anyone familiar with the vibrant cast of characters at Carrigan’s, who were introduced in author Helena Greer’s debut, Season of Love, will know to expect plenty of humor and warmth baked into powerfully sweet relationships. In addition to its central romance, For Never & Always tells many love stories about friendship and family—by choice as well as by birth—all flawlessly illustrated in small, telling gestures. Even more to its credit, it doesn’t shy away from the things that love can’t fix. When Hannah and Levi were younger, they would default to sex to paper over the cracks in their relationship, whether it was Hannah’s anxiety or Levi’s increasing desire to leave Carrigan’s. Growing up means admitting that they need to address their problems openly, talk about what they’re feeling and really listen to each other.

For Never & Always is a wonderful example of what readers love about second-chance romances: a couple that is now ready for happily ever after in a way that they weren’t before. A forever love takes time, commitment and a level of maturity that you may not have when that first rush of love sweeps you away. The fact that Levi and Hannah are willing to wait and work for it is exactly what makes their happy ending feel so joyful and blessed.

With its hard-won happy ending, For Never & Always is a wonderful example of why readers love second-chance romances.
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Samira Abdel-Aziz might be in want of a husband but she’s definitely not in want of suitors, having received a slew of what she calls “doorknock appeals” arranged by her traditional Muslim family. But finding one with actual appeal—one who isn’t too “fundy” or too secular, too stylized (she nicknames an excessively gelled suitor “Manga Boy”) or too frumpy, too judgmental or too indifferent—is quite another matter entirely. Things finally start falling into place after a meet cute with the surprisingly charming Menem, but the road to happiness is still long, winding and stuffed with awkward family dinners, nosy relatives and unexpected jealousy from her friend (and former crush), Hakeem.

Amal Awad’s Courting Samira might be best described as an Australian Muslim Bridget Jones. Like Bridget, Samira is a wry, endearing woman with big dreams of what love should look like (e.g. the final kissing scene in The Princess Bride) but minimal success when it comes to figuring out how to get what she wants. Awad warmly displays the formal propriety of Arab Muslim courtship while still highlighting the humor of it all, along with an amused appreciation of its parallels to the Regency world of Jane Austen. (Let’s face it, if Elizabeth Bennet or Emma Woodhouse magically came to life in our modern world, a doorknock appeal would make a lot more sense to them than Netflix and chill.) However, while the love story Samira experiences may be chaste, it doesn’t feel dated or old-fashioned. Searching for romance is never easy and happiness is never where you expect to find it, but somehow, love will always manage to find a way.

Amal Awad’s Courting Samira is best described as a wry, endearing Bridget Jones set in Sydney’s Muslim community.
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What’s the best part of vacation? Is it sugar-white beaches and lots of tropical-themed drinks? Maybe the real allure is just the chance to get away from your everyday life: no alarm clocks, no deadlines, no crowded cubicles or the smell of fish cooking in the office microwave. But if that’s the case, then what would you do if you got all of the expected perks of vacation—but the worst, most annoying part of your job came with you?

That’s the situation Margaret finds herself in when she wins the coveted office quiz prize—an all-expense-paid trip to Zanzibar—but is forced to share it with the officemate she detests, Jagger. He’s everything she can’t stand: a clickbait writer at the same South African newspaper where she writes hard-hitting journalism; a popular playboy while Margaret’s love life is dead in the water; and worst of all, someone who coasts through life even as Margaret struggles with the one-two punch of her divorce and the death of her father. Jagger’s lighthearted attitude seems like a taunt, and tension between them has risen so high that Margaret added an actual, physical partition to their shared workspace to avoid having to see his smug face. But there’s no hiding from him at the beachfront Zanzibar resort, no matter how hard she tries . . . and it becomes harder and harder to ignore the way irritation is giving way to attraction—and maybe something more.

If you like an opposites-attract story, then you’ll be hard-pressed to find a more clear-cut example than Jo Watson’s What Happens on Vacation. The enemies-to-lovers vibe delivers: Margaret doesn’t have a single kind thought toward Jagger until quite far into the book, with Watson leaning in to humor and sharp repartee during their interactions. It’s a bit too sharp in spots—Margaret’s assumptions can be rather judgmental and harsh, especially since Jagger never retaliates. But Watson portrays Margaret’s struggles so honestly, especially her grief over the loss of her father, that it’s easy to understand why Margaret feels the need to build walls around herself. And Jagger is genuinely charming as he works to bring those walls down. Vacation’s really about letting yourself let go—of stress, cares, worries and doubts. And that’s exactly what happens on vacation for Margaret as she opens the door to love.

Fans of opposites-attract and enemies-to-lovers romances will be well-satisfied by Jo Watson’s What Happens on Vacation.

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