Emily Booth Masters

Mac Slater isn’t cool or popular, and he doesn’t care. But after attempting to jump over a group of kids in a flying bicycle, he is approached by the creators of the “Coolhunters” website about the possibility of becoming a coolhunter. Mac doesn’t think he knows what cool is, but he agrees to join the contest when he learns that winning the job will earn him a trip to New York from his home in Kings Bay, Australia.

The very hip Cat Devrees is also up for the title, and Mac’s initial attempts to outcool the coolest teen in town don’t go very well. An unyielding competitor, Cat is the obvious choice for the position; Mac appears to be just a small obstacle as she seeks to claim her prize. To compete, the two teens seek out what they think is cool and post their ideas online. The person with the most online votes will win the job.

The website creators gamble on Mac in the hopes that he’s so uncool he’s cool. Mac isn’t so sure, so he has to test himself and consider: Is “cool” found in new products and fashions and trends, or is “cool” something a little more elusive? Through seeking cool, Mac learns a few lessons about himself—and who he really aspires to be.

Kids searching for a place in what seems to be the strictly coded world of cool versus uncool will find hope and a new life outlook in Mac Slater Hunts the Cool. The novel is a refreshing and irreverent take on the underdog protagonist seeking and reaching new heights. And while Mac Slater is an obvious choice for boys, it will appeal to girls, too, because the themes are relevant to kids everywhere.

Emily Booth Masters reviews from Nashville, Tennessee.

Mac Slater isn’t cool or popular, and he doesn’t care. But after attempting to jump over a group of kids in a flying bicycle, he is approached by the creators of the “Coolhunters” website about the possibility of becoming a coolhunter. Mac doesn’t think he…

Seventeen-year-old Mia has her entire life ahead of her. She’s a shoo-in for the prestigious Juilliard School of Music, and the biggest decision she has to make is whether to move to New York on her own or stay in Oregon with her boyfriend Adam. That decision seems trite in comparison to the one she faces after a deadly car crash changes the course of her life forever.

If I Stay  is a page-turner, save the moments when reflection is required. In a fairly slim volume, author Gayle Forman manages to create a believable and virtually blameless character in Mia. Readers will find themselves drawn to empathize with Mia and nearly all of the other characters at some point.

Mia contemplates her love for the cello, her boyfriend Adam and her best friend Kim. She also considers what life will be like having lost so much. Life and death are the two choices presented to Mia, but the first-person account offers no insight into who is presenting that decision. Religion, faith and pre-conceived notions about life after death play no role in this bare-bones depiction of the psychological inner-workings of one young woman.

Soon to be a film, If I Stay calls to mind Alice Sebold’s The Lovely Bones, but readers must cope with the tragic events in the novel without having the satisfaction of a specific character to blame. Teen readers will be thrilled, horrified, saddened and excited by the subject matter. The implications of Mia’s choice—and eventual decision—will resonate with readers of all ages.

Seventeen-year-old Mia has her entire life ahead of her. She’s a shoo-in for the prestigious Juilliard School of Music, and the biggest decision she has to make is whether to move to New York on her own or stay in Oregon with her boyfriend Adam.…

Janie Gorman strives to be a normal high school freshman, but the fact that she lives on a goat farm doesn’t help her much in her quest for “normal.” She hops on the school bus smelling of goat poop (thanks to her morning chore of milking the goats), and she eats lunch in the library, because none of her friends have the same lunch period as her. To make matters worse, Janie’s mom insists on writing an extremely embarrassing blog about “farm life.” None of these trials are made any easier by Janie’s knowledge that she was the one who recommended the move to the farm in the first place!

In a realistic and funny voice, Janie manages to make fun of herself and her peculiar situation in a way that provokes genuine empathy. She experiences her first real crush on a boy and feels the pain of trying to hang onto an old and cherished friendship in the face of quite a few challenges. She learns that making new friends can be just as wonderful as hanging onto the old, and she deals with the loss of someone important to her, learning a lot about herself in the process. She does all of this with humor and a great deal of self-awareness. Although she wants to be “normal,” she begins to embrace what it is that makes her different, and that is refreshing and fun to read.

Although Frances O’Roark Dowell is a best-selling and highly acclaimed author of novels for young readers, Ten Miles Past Normal is her first novel for teens. She lives up to her acclaim in this unusual coming-of-age story about a 14-year-old girl who is far from normal, but very endearing.

 

Janie Gorman strives to be a normal high school freshman, but the fact that she lives on a goat farm doesn’t help her much in her quest for “normal.” She hops on the school bus smelling of goat poop (thanks to her morning chore of…

Linger, the much-anticipated sequel to Maggie Stiefvater’s New York Times bestseller Shiver, finds Grace and Sam still in love—and still human. While Sam tries to convince himself that the cure he endured at the end of Shiver actually did turn him from a werewolf back into a human being, Grace continues to struggle with her relationship with her parents. Sam is no longer a part of the pack, but he does not feel free of the ties that bind him to the wolves. He feels responsible for the newest wolves, and he struggles with his new post-mythological-being identity.

Linger explores Sam and Grace’s romance more explicitly than Shiver, making this installment in the Wolves of Mercy Falls series more appropriate for slightly older audiences. The addition of two new points of view, those of Isabel and Cole, could have made the story cumbersome to read. Instead, it is the new voices that drive the intense feeling of secrecy and intrigue. Bad-girl Isabel, one of Grace’s friends, becomes almost likable as more of her personality is revealed, while the introduction of a new werewolf, Cole, is by far the book’s most enticing storyline. Cole’s history as a damaged and dysfunctional rock star is exciting, making Linger not only a fantastic sequel to Shiver, but also a stand-alone thriller of a story.

Mercy Falls remains a sad and lonely place, full of mystery and longing. The presence of the wolves is never far from the thoughts of the citizens, regardless of whether they are aware of their supernatural characteristics. While Shiver left the reader hoping for a sequel, Linger leaves the reader needing a sequel. There are so many questions unanswered—and there is a strong desire to read more of Grace and Sam’s love story. Linger is a gift to those that love Shiver, and it is yet another remarkable piece of poetic and beautiful writing from the supernaturally talented Maggie Stiefvater.

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Read an interview with Maggie Stiefvater about Linger.

Linger, the much-anticipated sequel to Maggie Stiefvater’s New York Times bestseller Shiver, finds Grace and Sam still in love—and still human. While Sam tries to convince himself that the cure he endured at the end of Shiver actually did turn him from a werewolf back…

Interview by
Maggie Stiefvater’s first book in the Wolves of Mercy Falls series, Shiver, came out in the summer of 2009 to acclaim from both reviewers and readers. (At BookPage, we called it “a perfect indulgence for readers of all ages.”) Though it garnered the inevitable comparisons to Twilight and other recent supernatural romances, Stiefvater’s elegant writing lifted Shiver above the rest of the crowded field.

 

Now in Linger, Stiefvater expands the story to include not only Sam and Grace, the star-crossed lovers of Shiver, but also Sam’s werewolf pack and Grace’s friend Isabel, who has her own connection to the wolves. Stiefvater’s writing is as lovely as ever, and Linger will leave readers quivering in anticipation for Forever, the third and final book in the series.
 
We contacted the 28-year-old author at her home in Virginia to ask about werewolves, happy endings and the upcoming film version of Shiver.
 
Supernatural romance seems to be the genre of choice right now. Do you think about your readers’ tastes when you’re writing, or do you simply move forward with the story you feel compelled to write?
I’m very dubious about writing to the market. It’s one thing to tweak a current book to be more marketable (like removing all of the f-bombs from Shiver, for instance) and another thing entirely to write what you think is the next big thing. I think a story that you write for yourself, that you love, that you connect with on a thematic level—it’ll last longer. Readers can tell if you’re playing marbles for keeps.
 
I’ve always loved contemporary fantasy so it was a no-brainer as to what I’d end up writing. Growing up, I was the kid in the library with my head turned sideways, looking for the unicorn/fantasy stickers on the spines of the library books.
 
Have you always had a fascination with werewolves, or did you have to start from scratch in researching your chosen subject matter?
Actually, I always felt certain I would never write about werewolves or vampires. I thought they were trendy monsters and you would never catch me being trendy, oh no! But then I was tossing around this idea of writing a bittersweet love story for teens, and it just happened to coincide with a short story competition for YA werewolf fiction. Events conspired to bring together that idea of a bittersweet mood, a bad werewolf short story and a well-placed dream.

 

After that, it was researching I went. Not so much about werewolves, because I didn’t want all the slobbering and shedding that had gotten attached to the lore. Since I was used to writing about old, old faerie lore, it was great to be able to dive back in and see where the wolf legends started. I would say I spent much more time researching real wolves than the jeans-wearing sort. I want the real bits to be true.
 
If you had to choose only one category for the series, would you say the books are more fantasy or romance? Which category is more important to the stories?
I guess I’ll go with romance out of the two—although I think when you say “romance,” readers assume there is a happy ending, and I don’t think that’s a promise I’m willing to make. But I’d rather people paid attention to the coming of age, not the paranormal elements, if they were going to pay attention to one over the other. The supernatural bits are always a metaphor for something real.
 
What do you think about the fact that the film rights to Shiver have already been purchased? Do you worry that the film version won’t be able to live up to the version you created?
I am amazingly calm about it, considering how neurotic I can be about projects. I think it’s because, at this stage, I have no influence over the film at all, so I don’t feel any personal responsibility over what the final product looks like. In my head, I know what I want the film to look like—a really simple, moody piece filled with small gestures and pretty photography more than explosions and sweeping romantic subplots. But that’s if I made it. I’m cautiously optimistic that they’ll come up with something that might not be the same, but might be pretty darn lovely in its own right.
 
You added two more points of view in Linger (those of Isabel and Cole). Will there be additional points of view in the third book, Forever?
I think four is a personal high for me. Any more voices in my head than that and I think it’s time to call in professional help.
 
Your web site notes that Forever will be the final book in the series. Are you planning to wrap everything up, or will you leave a few things for the reader to question?
Don’t think I don’t spy you dancing on the edge of spoilery! I don’t think I’ll ever wrap up an ending entirely. I think the endings that have stuck with me over the years are the ones that leave a question or don’t give you everything you thought you wanted.
 
Why did you choose Rainer Maria Rilke as Sam’s favorite poet?
I had a very limited knowledge of Rilke when I started out—just some of his more common quotes and poems—but as I delved more deeply into Sam’s backstory, it made sense to give him an interest in something that tied together some of the German language backstory and his interest in lyrics and poetry. Also Rilke examines a lot of the same concepts that Sam does. It got me into reading a lot more German poetry, in translation and not, and annoyingly, I had to abandon a lot of poetry that I liked because it just didn’t fit in with Sam’s character. I try to find poetry that fits with Sam’s voice: introspective, wistful and simple. No rhyming couplets for our werewolf hero.
 
You composed the music for your books’ trailers, and of course Sam’s lyrics are a big part of the books, as well. Have you ever published any poetry or had any of your song lyrics recorded?
Actually, the closest I’ve come to having any of my poetry published is the snippets of poetry that appear at the beginning of each chapter in Ballad, one of my faerie YA novels. They are attributed to a fictional poet briefly mentioned in the text, and I’ve gotten dozens of emails asking if the volume they supposedly come from really exists. I had never thought myself actually capable of writing poetry until that moment (with the exception of a rhyming poem about a chiropractor I wrote when I was 15).
 
I am afraid that the most I have done with my lyrics is to record myself (badly) singing werewolf songs on YouTube for the amusement of my readers. I’ve played with several bands with several different instruments, but I think my talents—in a twist I realize is incredibly ironic—extend to the non-verbal.
 
That’s right. That’s me saying that sometimes, New York Times best-selling authors are better when they leave the words to other people.
 
Maggie Stiefvater’s first book in the Wolves of Mercy Falls series, Shiver, came out in the summer of 2009 to acclaim from both reviewers and readers. (At BookPage, we called it “a perfect indulgence for readers of all ages.”) Though it garnered the inevitable…
Interview by

The Mortal Instruments series has been a blockbuster success—generating three bestsellers, attracting thousands of fans around the world and inspiring a movie adaptation now in the works. But for author Cassandra Clare, the whirlwind of attention and acclaim has come as a complete surprise.

“Everything having to do with [the series’] success is unexpected to me,” Clare says by phone from a retreat in Mexico, where she’s spending a month away from the wintry weather in New York and devoting herself to writing.

A former journalist who worked for several entertainment magazines, Clare moved to New York City in 2004 and began writing the book that would launch her phenomenal urban fantasy series for teens. Originally conceived as a trilogy, The Mortal Instruments debuted with City of Bones in 2007, landing on the bestseller lists and winning several awards (including an American Library Association Teens’ Top Ten Award). Clare’s next two novels, City of Ashes (2008) and City of Glass (2009), garnered just as much positive reaction and even more sales.

On April 5, Mortal Instruments fans will be treated to another thrilling installment—City of Fallen Angels. The fourth entry in the series promises love, blood, betrayal and revenge— not to mention more time with Clary, Simon, Jace and the other characters who keep readers coming back for more.

“Part of what’s gratifying is that the series has been very successful around the world,” Clare says. “It’s been translated into 35 languages now, and I receive more and more communication from people all over the world. I get to travel to places I’ve never been—Italy and Poland and Germany and Australia and New Zealand.”

The series is set in New York City’s Downworld, a place filled with werewolves, vampires and faeries, where 15-year-old Clary is reluctantly at the center of the action. Clary learns that not only is she a Shadowhunter—a demon killer—but she may be the key to destroying rogue Shadowhunter Valentine. As she is drawn into the hunt, her companions include the handsome Shadowhunter Jace and her best friend Simon, a vampire.

Looking back on the series’ beginnings, Clare says the setting was a crucial part of the story. “I had just moved to New York City from Los Angeles, and I knew that I wanted New York City to be the setting, and I wanted it to be almost like a character in the book. My vision going into it was a trilogy loosely structured on Dante’s Inferno,” she says.

Considering her taste for the epic, Clare’s choice of Dante’s 14th-century poem for inspiration isn’t surprising. “I love Jane Austen, I love the Brontës. I love anything epic and gothic and thrilling,” she says.

Clare’s pen name comes from “The Beautiful Cassandra,” a Jane Austen short story. “Jane Austen is my favorite writer, and that’s why I picked the name Cassandra—and also because it’s not just a short story; it’s a short story she wrote when she was 13 or 14 years old, so it’s her teenage work.” Her love for Austen is clearly reflected in her own writing, and one of her current projects is “a non-fantasy, realistic updating of Pride and Prejudice.”

For now, though, the focus is on City of Fallen Angels, which readers are breathlessly awaiting. The contents of the upcoming book are a closely guarded secret, but Clare has some advice for fans when they finally dive into the new book:

“For those who are close readers, when you are reading City of Fallen Angels, you should look out for characters that have appeared in the prequel series before,” she says. “If you have read Clockwork Angel, they’ll pop out at you, and that’s a lot of fun.”

Clockwork Angel, which was released in 2010, is the first entry in The Infernal Devices series, a prequel to The Mortal Instruments.

“I’m pretty compulsive, especially because I’m now writing two series at once, so I outline everything, and I know everything that’s going to happen ahead of time,” Clare explains. “Alternating books keeps me from getting tired of the characters. I write one book in The Mortal Instruments and then one book in The Infernal Devices.”

Writing two series at once has kept the characters fresh, she says. “When I was done with City of Glass, I thought, oh, God, I never want to look at these [characters] again. But after I turned in Clockwork Angel, by then I missed those characters.” Her fans are not at all tired of her characters, and they anxiously await not only the April release of City of Fallen Angels, but the future releases of City of Lost Souls and City of Heavenly Fire, which are expected to mark the end of The Mortal Instruments series.

Fans will also eventually get the chance to see The Mortal Instruments characters on the silver screen. A film adaptation is in production, with actress Lily Collins cast in the role of Clary, and much speculation regarding potential actors to play Jace. So far, Clare has been impressed with the film producers’ interest in her opinions, although she says she has no influence over casting decisions. “I grew up in Hollywood. My grandfather was a movie producer,” says Clare, so the filmmaking process is not exactly a mystery to her. And she’s definitely looking forward to seeing her characters brought to life in cinematic form by director Scott Stewart.

Though Clare may find her success unexpected, her star is still rising. It’s safe to say that whatever her gothic-loving mind dreams up next will be devoured by avid young (and not-so-young) readers the world over.

The Mortal Instruments series has been a blockbuster success—generating three bestsellers, attracting thousands of fans around the world and inspiring a movie adaptation now in the works. But for author Cassandra Clare, the whirlwind of attention and acclaim has come as a complete surprise.

“Everything having…

Interview by

In Dust Girl, Sarah Zettel has masterfully combined magic and history into a mysterious novel set during the Dust Bowl-plagued 1930s. Callie LeRoux makes the ideal heroine for this clever mash-up: She's part fairy, biracial and sick from the dust that inundates her Kansas town. Not to mention, her love interest is a Jewish hobo and her mother vanished in a dust storm.

Zettel’s novel, woven with classic jazz and blues music, is a wholly original take on fairy mythology. She combines the spirit of the Depression-era Midwest with the magical conflicts between the Seelie and Unseelie courts of fairies. The result is a novel that can be experienced through all of the senses: Taste the dust; hear the music; feel the gritty wind; smell the sweat; and see the Dust Bowl through Callie’s eyes.

Dust Girl is a combination of historical fiction and fantasy literature. How did you come up with this particular combination?
Well, partly it was because I'd never seen it done. I've always been fascinated by U.S. history and folklore, and love stories that make use of it. I grew up reading all the Wizard of Oz books, so those were always a part of my personal mental landscape. At the same time, I discovered stories about Paul Bunyan and other work heroes and tall tales. Plus, when I was a kid, I came across a set of stories by Manly Wade Wellman about a man named John who had a guitar with silver strings [and] a set of magic powers, and who walked through Appalachia having adventures and confronting ghosts and monsters. Those stories knocked me back on my heels and remain some of my favorites. So all of this was very much in the back of my mind what I was thinking of when I started considering my own ideas for a new fantasy series.

Sometimes the reader can actually hear the blues music playing in the background of this novel. What was your motivation for making music such an integral part of your storytelling?
My introduction to the history of the Dust Bowl and Depression was actually through music. My parents were big fans of traditional musicians like Woody Guthrie, Leadbelly and Pete Seeger. I grew up listening to Woody Guthrie's recordings of Dust Bowl ballads. So, when I came to write a book set in that time and place, it seemed natural to me that the music be included.

"That kind of poverty can make a person strong in some ways and leave them very scarred in others."

Have you always held an interest in fairies, or did you simply choose to write about them and then embark upon the work of researching the appropriate lore?
I have always adored fairy tales and fantasy. I grew up reading traditional fairy tales and folklore, and my father was a science fiction fan from way back, so I went straight from the Brother's Grimm to authors like Tolkein, Andre Norton, Ray Bradbury and Lord Dunsany because that was what was on the shelves at home.

In the same vein, how much time did you spend researching the Dust Bowl era? You manage to evoke that time in American history so well.
I knew something about the Depression and the Dust Bowl from family history, the folk music I grew up with and of course authors like John Steinbeck and the haunting photos of Dorothea Lange. For extra research I read The Worst Hard Time by Timothy Egan, which is an excellent book about those who weathered the "dirty years." Kansas State University has done a fantastic job collecting oral histories from survivors of those times and they've posted them online. That's where I found details like the windmills glowing green from the static electricity in the dust storms. Then, too, I got lucky. I found a memoir of a Kansas farmer from right near where I put Callie in the University of Michigan library, and while I was listening to Pandora radio on my computer, an Alan Lomax recording came up of Woody Guthrie describing how he lived through "Black Sunday," the day of the worst, largest dust storm in U.S. history.

You’re already an award-winning science fiction and fantasy author. What made you decide to try your hand at writing for young adults?
Some of the best and most exciting science fiction and fantasy happening today is happening in the young adult section. There's an incredible breadth of subject, an energy and an excitement in the new books. I really wanted to be a part of that.

The world you create in Dust Girl is so captivating and unique, yet it seems so incredibly real! How did you go about creating the tableau of this novel?
This is where being a science fiction author gave me a head start. I had practice at building worlds I'd never seen and imagining what it would be like to walk there. Of course, this time I had all these magnificent first-hand accounts to draw on, and long, broad history of American folklore as well. 

You deal not only with the issue of racism but also with that of anti-Semitism in Dust Girl. Did you view these as peripheral themes of the novel or did you know from the beginning that you would be tackling these difficult issues within your story?
I very much wanted the book to address questions of identity. Frankly, it is not possible to discuss questions of identity in American history without discussing race and religion. You also can't talk about U.S. popular culture, especially in the ‘30s [at] the height of Jim Crow and segregation, without talking about race and culture. So it had to be there. 

Callie reveals, “If I had to be crazy, I wanted my mama's kind of crazy, because she was never afraid.” What is your own mother like, and did you draw any inspiration from her—or perhaps from your own experience as a mother—in creating the mother/daughter relationship?
There's a lot of my mother in this book. She was born at the end of the Depression and remembered very well the toll it took on her family. My grandfather worked as a "line walker" for the Rock Island Line, and they never had enough. That kind of poverty can make a person strong in some ways and leave them very scarred in others. This was part of the dichotomy I tried to present in Callie's mother Margaret.

I understand you practice Tai Chi. Does the practice help you in your writing?
Tai Chi affects my writing primarily by enabling me to calm down and take a break from the process. One of the problems with being a writer is it can get hard to shut your brain off. It's always working, always struggling with this idea or that one. You need to be able to step away, take a mental break. Tai Chi helps with that. Also, of course, it helps to maintain physical health. Sitting and typing all day is really bad for you, so it's important as a writer to have a good exercise program of some sort for balance. It also has had the side effect of teaching me some martial arts, which do tend to show up in fight scenes.

So, you married a rocket scientist. Is he your worst critic or your biggest fan?
VBG. It's funny. I knew he was the guy for me as soon as we met. It was at a party at a friend's, and there I was, busy explaining to him what I'd discovered about wave motion in Lake Erie for a science fiction story I was working on, and he was not only paying attention, he was grinning. I knew at that moment this was somebody I could talk to about anything and everything. He's helped with every one of my books, whether it's designing ships and space stations for the science fiction, or helping bounce ideas around for the fantasy and mysteries. This includes Dust Girl. There I was, struggling with how to show fairies and fairy magic in a really American context. The idea of Hollywood and the movies being how the Seelie court—the bright, golden, shiny side of the American fairies—manifest themselves and their glamour in our world came easily. But what about the Unseelie court? The night side, the less obviously beautiful, but still tempting, still magnificent, still powerful? I was saying all this to Tim, and he looked right at me and said, "You want a court? ‘Count’ Basie. ‘Duke’ Ellington. ‘Lady’ Day.” And I had it as soon as he said it. The Seelie Court was Hollywood, but the Unseelie Court was jazz.

Are you willing to reveal any teasers for the next two novels in the trilogy?
Let's see. Callie and Jack's relationship continues to change and grow. Their travels continue as well, first to California and then to Chicago where they both have to come to terms with their families. Callie finds out she and Shimmy are a long way from being the only part-fairy people out in the human world, and that a prophecy can have more than one way of coming true.

RELATED CONTENT
Read a review of Dust Girl.

In Dust Girl, Sarah Zettel has masterfully combined magic and history into a mysterious novel set during the Dust Bowl-plagued 1930s. Callie LeRoux makes the ideal heroine for this clever mash-up: She's part fairy, biracial and sick from the dust that inundates her Kansas…

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