Heather Seggel

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If the teen years are a difficult passage, Untangled: Guiding Teenage Girls Through the Seven Transitions Into Adulthood seeks to map the journey, at least as it relates to girls. Lisa Damour divides this "tangle" into seven strands (parting with childhood, harnessing emotions, etc.) and offers wisdom drawn from her research and experience to help parents and, really, anyone who has girls in their care to understand and assist the process. Her advice is clear-headed, to the point and often surprising.

A psychologist and director of Laurel School’s Center for Research on Girls, Damour advises adults to make their limits clear and preferences known, but warns that if a girl responds with eye-rolling derision not to panic. Putting it out there consistently offers a sense of security to girls, who often want more boundaries than their behavior would suggest.

Damour brings a relaxed view to most situations, but tells parents to be careful about trying to regulate the two areas where a girl has control: homework and eating. She encourages girls to find creative ways to deal with the flawed adults in their lives as good practice for adulthood, recalling a student whose rebellion against her incompetent parents involved failing in school. Damour was quick to point out that if they were so awful, a strategy that ensured she'd be living with them indefinitely was not the way to go.

If you've puzzled over young female behavior, Untangled will help decode it. This childless reader couldn't put it down. It's a wise, funny, highly insightful guide to the mysterious minefield of adolescence.

If the teen years are a difficult passage, Untangled: Guiding Teenage Girls Through the Seven Transitions Into Adulthood seeks to map the journey, at least as it relates to girls. Lisa Damour divides this "tangle" into seven strands (parting with childhood, harnessing emotions, etc.) and offers wisdom drawn from her research and experience to help parents and, really, anyone who has girls in their care to understand and assist the process. Her advice is clear-headed, to the point and often surprising.
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Miss Maisie’s School for Wayward Girls is a stable home for young orphan Audacity Jones. She has good friends and good times but wishes for something to shake up the routine. When the school’s wealthy benefactor asks for a volunteer to come on a top-secret mission, problem solved—or is it? 

Newbery Honor winner Kirby Larson plops Audie into an adventure that has real roots in history: a plot to kidnap President Taft’s niece. Audie still grieves for her lost parents but lives very much in the here and now, using intelligence and intuition to solve each new problem that comes along. She gets help not just from her chums back at school but from a paperboy, his stable-hand grandfather, some circus performers and a cat with a knack for detective work.

Avid and reluctant readers alike will appreciate the Punishment Room at Miss Maisie’s. Audie’s hesitation to go there conceals the fact that it’s an enormous library with snacks and a fireplace—and not a bad punishment after all.

With an afterword that breaks down the true and fictional aspects of the story, Audacity Jones to the Rescue is rich in history and vocabulary, but it’s also great fun.

 

This article was originally published in the February 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Miss Maisie’s School for Wayward Girls is a stable home for young orphan Audacity Jones. She has good friends and good times but wishes for something to shake up the routine. When the school’s wealthy benefactor asks for a volunteer to come on a top-secret mission, problem solved—or is it?
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It’s hard to write about Shame and Wonder, albeit for good reason. David Searcy’s collection of 21 essays are unlike anything I’ve read before, though they feel achingly familiar. The subject matter is the stuff of everyday life, or an era just passed: comic strips, the prizes in cereal boxes, the craft of folding a perfect paper airplane. But woven through each essay is a haunting quality, humor and loss uncomfortably conjoined on the page.

The book opens with “The Hudson River School,” in which Searcy’s dental hygienist tells him the story of her father, a Texas rancher who uses a tape recording of his infant daughter’s crying to lure a sheep-thieving coyote to its doom. Searcy is unseated by the tale and ventures out to meet the man and ask him about the story. It’s a genial exchange, but on the page it assumes the spaciousness of a haiku, eerie, wide-open and wild. The story of a trip to Turkey sponsored by a tourist organization is filled with the rush of scheduled activity punctuated by bottles of Orange Fanta, but on a coastal ride in a hired car, “[A]ll of a sudden there’s the water. There’s the blue you get in children’s paintings. Blue as that primordial blue you’ve had in mind since childhood.”

The accessible tone of Shame and Wonder belies the depths these essays plumb. They come in peace, then sock you in the solar plexus. Read them; you’ll see. 

 

This article was originally published in the January 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s hard to write about Shame and Wonder, albeit for good reason. David Searcy’s collection of 21 essays are unlike anything I’ve read before, though they feel achingly familiar. The subject matter is the stuff of everyday life, or an era just passed: comic strips, the prizes in cereal boxes, the craft of folding a perfect paper airplane. But woven through each essay is a haunting quality, humor and loss uncomfortably conjoined on the page.
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The Hueys return for an illustrated trip through the world of opposites. If happiness is finding a coin for the soda machine, sadness is only a spilled bottle away. What’s the Opposite? starts at The Beginning and works through up and down, here and there, before tackling the heady concept of half-full versus half-empty. It’s enough to give a philosopher a headache; thankfully a Huey gets only a single crayoned curlicue’s furrowed brow.

Oliver Jeffers’ characters look a bit like thumbs, or Minions on a bad hair day—loose ovals with faces and as many stick arms or legs as the moment calls for. Even a horse in the book has a fully developed head and body perched atop four single crayon lines. Their colors pop against white backgrounds, so the tiniest quirk of a lip can suggest a big smile. When an unlucky Huey is shipwrecked on a hot desert island, things turn lucky when an electric fan washes ashore, then unlucky just as fast with the realization that there’s nowhere to plug it in. Victory, meet defeat.

Kids will love this book, which has plenty of details to seek and find, and parents will appreciate that it’s exuberant without being shrill. Oh, and What’s the Opposite of The Beginning? You can probably guess, but you’ll have to read the book to find out for sure!

The Hueys return for an illustrated trip through the world of opposites. If happiness is finding a coin for the soda machine, sadness is only a spilled bottle away. What’s the Opposite? starts at The Beginning and works through up and down, here and there, before tackling the heady concept of half-full versus half-empty. It’s enough to give a philosopher a headache; thankfully a Huey gets only a single crayoned curlicue’s furrowed brow.

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The Pyramid Texts were written 4,000 years ago, and their discovery promised insight into the thoughts and ideas of the day. The first translations by Western Egyptologists sold the Texts short; presuming that they were written by a primitive people obsessed with mythology and utterly devoid of curiosity about the world around them, the earliest translations are a mishmash of monsters, legends and a surprisingly intense focus on the hindquarters of baboons. Susan Brind Morrow isn't having it: In The Dawning Moon of the Mind: Unlocking the Pyramid Texts, she offers a new translation that finds poetry, science and thought itself bursting from every line.

Morrow studied Arabic and Egyptology in college (at Columbia and Barnard) and worked as an archaeologist after graduation. She has traveled widely in Egypt and Sudan and wrote an acclaimed 1998 memoir of her experiences there, The Names of Things: A Passage in the Egyptian Desert. In her new book, Morrow reveals what she has learned in 20 years of studying hieroglyphs, showing line by line how the ancient pictorial writing can contain shrewd puns, onomatopoeia and a haiku-like sense of perspective, compressing grand ideas into their essential and smallest details. She comments that "far from being alien and incomprehensible, religious thought and with it, writing as high art in deep antiquity, is superbly lucid."

In the texts themselves, passages that situate the body within the cosmos and explore the meaning of the cycles of death and rebirth are beautiful, and also presage Christian thinking on similar subjects. Parallels to Buddhist thought and Tantra are also evident here, Morrow argues.

With subject matter so old, it's impossible to say with certainty whether her view is correct. Morrow nevertheless makes a strong case for her close line-reading as having more merit than the work of her predecessors. Rather than project assumptions about the authors, she follows the text, and in so doing has opened up a piece of the ancient world to our eyes and understanding. The Dawning Moon of the Mind is rich on every level.

In The Dawning Moon of the Mind: Unlocking the Pyramid Texts, Susan Brind Morrow offers a new translation of the ancient Pyramid Texts that finds poetry, science and thought itself bursting from every line.
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“All begins cheerily” for some busy children whose daily experiences continually loop back to those three letters at the beginning of the alphabet. Awake Beautiful Child’s longest sentences are a mere three words, yet the book offers plenty to consider and enjoy.

Amy Krouse Rosenthal’s ABC sentences span a breakfast of apples, bananas and cantaloupe, but also include a photo taken at a birthday party (“Avoid blinking—Cheese!”) and the entreaty to “always be curious.” Gracia Lam’s illustrations juxtapose swaths of pastel with bolder details, many of which are extra ABC words for kids to seek and find. Some also recur, as when a cactus from the beginning of the story becomes a casualty of rowdy play later on. The cycle of a day—waking up in the morning, a refreshing afternoon nap, a busy afternoon full of activities and then the slow winding down toward bedtime—is captured sweetly here.

As if the extra ABCs illustrated throughout the book weren’t enough of a bonus, there’s also the amazing book cover: The jacket unfolds into a double-sided poster with still more visual treats to unpack. I’d be absolutely beyond cheered if this duo decided to tackle the entire alphabet in small batches. Awake Beautiful Child sure makes for a lovely beginning, and it’s one kids and parents both will love returning to.

“All begins cheerily” for some busy children whose daily experiences continually loop back to those three letters at the beginning of the alphabet. Awake Beautiful Child’s longest sentences are a mere three words, yet the book offers plenty to consider and enjoy.

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When Kevin Powell appeared on the first season of MTV's “The Real World,” he developed a reputation for hostility toward his white roommates. I remember thinking he was an adult miscast in a show full of kids, always running out the door to work. In The Education of Kevin Powell: A Boy’s Journey Into Manhood, we learn about the grinding poverty and loss that fueled that anger, which resurfaced time and again to threaten all he held dear.

Powell grew up in a series of grimy apartment buildings in and around Jersey City. With no father to speak of, his mother, aunt and cousin were his world, and his mother's repeated abuse left Kevin fearful and angry. His successes—going to college, doing groundbreaking journalism as rap music underwent major changes, and even that MTV gig—often led to dead ends or being let go as a result of his temper.

At its best, Powell’s memoir is richly descriptive. A preacher from his childhood has "an elastic honey-coated face, a short-cut afro with a razor-sharp part chiseled in on the left side, and a river-wide grin that felt fatherly and protective." But it's not until Powell visits Africa and, back at home, searches for his absent father, that his anger and rage abate, and those qualities often make him a less-than-sympathetic figure. It’s hard to reconcile his complaining about a girlfriend who left him with the revelation, casually mentioned several chapters later, that he cheated on her. He works to overcome his violent tendencies, but even as he’s speaking in public about the need to stop violence against women, he struggles to take his own advice.

The Education of Kevin Powell is not an easy read, but it feels necessary in this moment, both for its unflinching look at abuse and its consequences, and for showing the value of working to overcome all obstacles, including those of our own making. Powell seems to have found both a measure of calm and a new drive and vitality by story's end, and we can only hope the peace is lasting. 

When Kevin Powell appeared on the first season of MTV's “The Real World,” he developed a reputation for hostility toward his white roommates. I remember thinking he was an adult miscast in a show full of kids, always running out the door to work. In The Education of Kevin Powell: A Boy’s Journey Into Manhood, we learn about the grinding poverty and loss that fueled that anger, which resurfaced time and again to threaten all he held dear.

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Kady barely has time to register how awful her breakup with Ezra feels—these things still hurt, even in year 2575—when, later that same day, her home planet is attacked. Kady and Ezra fight their way onto an evacuating fleet, but they’re separated onto two different ships in the process. With the enemy on their tails, bad turns to worse for the survivors: A plague on one of the ships is leading to quarantines, and the artificial intelligence known as AIDAN is becoming increasingly difficult to trust. 

At more than 600 pages and presented as a dossier containing emails, ship schematics, private journals and the transcribed “thoughts” of AIDAN, Illuminae is a bit of a doorstopper, but one readers will be hard-pressed to set down after page one. Part of the fun is piecing together these sometimes funny, often scary fragments to discover the story within. Gory scenes of plague victims are especially chilling when juxtaposed against clinical tallies of the infected and dead. Many of the survivors have been conscripted into the military, and the subsequent male bonding and raunchy humor lighten the mood while also adding an element of realism.

Illuminae is a smart, sad, funny, philosophical, action-packed futuristic love story. It’s also part one of a planned trilogy, so start here and prepare to be impatient for the arrival of the next installment.

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Kady barely has time to register how awful her breakup with Ezra feels—these things still hurt, even in year 2575—when, later that same day, her home planet is attacked. Kady and Ezra fight their way onto an evacuating fleet, but they’re separated onto two different ships in the process. With the enemy on their tails, bad turns to worse for the survivors: A plague on one of the ships is leading to quarantines, and the artificial intelligence known as AIDAN is becoming increasingly difficult to trust.
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Celebrity memoirs often have a predictable arc: I was born, and for a brief while I was much like you, eating cereal and riding bicycles, then (big famous thing) happened and now here I am, not much like you at all. These memoirs fill a need, because we want to know about the famous thing but also the steps that led to it, in hopes that we might trade our own cereal bowls for shrimp forks. By that metric, Mary-Louise Parker’s Dear Mr. You, a memoir written by an actress, is the farthest thing imaginable from a celebrity memoir. For this we can rejoice and be glad.

Parker has written a collection of letters, many of them poems in epistolary drag, to men in her life: a grandfather she never knew; her father (“To convey in any existing language how much I miss you isn’t possible. It would be like blue trying to describe the ocean.”); an amazing neighbor; a doctor who saved her life; the hippie co-op colleague whose loincloth made him look like a “Malibu Jesus doll.” She apologizes to a cabdriver she screamed at one day and tackles the three heads of disastrous ex-boyfriends. There’s a tiny bit of beekeeping advice, but not a fried green tomato to be found. 

Dear Mr. You keeps many of its addressees vague, letting flashes of poetry and telling detail sketch an outline we can nearly feel. A few are clearly also famous, but if you can identify them, your fame-tracking software is more finely tuned than mine. Some, like the “Future Man Who Loves My Daughter,” are still pending.

Don’t pick up this book looking for gossip about “Weeds” or life on Broadway. Parker offers instead a portrait of a human life apart from the cycles of fame: private, flawed, strange, funny, polished and reflective of the people she’s encountered along the way.

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Celebrity memoirs often have a predictable arc: I was born, and for a brief while I was much like you, eating cereal and riding bicycles, then (big famous thing) happened and now here I am, not much like you at all. These memoirs fill a need, because we want to know about the famous thing but also the steps that led to it, in hopes that we might trade our own cereal bowls for shrimp forks. By that metric, Mary-Louise Parker’s Dear Mr. You, a memoir written by an actress, is the farthest thing imaginable from a celebrity memoir. For this we can rejoice and be glad.
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Despite waking up with the mother of all hangovers, Kate Weston has it pretty good. Ben, the childhood friend who made sure she got home safe from last night’s party, may be ready to take their relationship into new territory. But when a photo from the party turns up online showing one of Ben’s basketball teammates carrying an unconscious and barely clothed girl over one shoulder, all hell breaks loose. The town’s loyalty to their sports teams supersedes their concern for a girl who they quickly write off as “asking for it.” But Kate wants answers. What We Saw shows how close-knit communities are willing to close ranks when their interests are threatened.

Author Aaron Hartzler (Rapture Practice) based this story on the Steubenville, Ohio, rape case, where video footage showed kids watching an assault and egging on the participants. While What We Saw reads like a hybrid of mystery and romantic drama, it also includes a conversation (literally, in the classroom) about rape culture and should spark further discussion among readers. Perhaps most importantly, Hartzler keeps the story from feeling exploitative.

When a crime is committed, trial by social media is not the answer; What We Saw looks unflinchingly at the way the justice system fails victims and perpetrators today.

 

This article was originally published in the October 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Despite waking up with the mother of all hangovers, Kate Weston has it pretty good. Ben, the childhood friend who made sure she got home safe from last night’s party, may be ready to take their relationship into new territory. But when a photo from the party turns up online showing one of Ben’s basketball teammates carrying an unconscious and barely clothed girl over one shoulder, all hell breaks loose.
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Readers familiar with Jenny Lawson, as either The Bloggess or the author of the 2012 bestseller Let’s Pretend This Never Happened, are aware that she has created a tribe of perfectly flawed followers by telling hilarious stories about some of the darkest times in her life. Furiously Happy is similar in focus—you’ll find taxidermy, riotous fights with husband Victor and funny if slightly scary family stories—but Lawson’s latest book is even more open about the challenges posed by illness. It will make you laugh to the point of tears, but it could also help you make it through the toughest stuff life has to offer.

Lawson’s diagnosed illnesses, mental and physical, stack like layers of a wedding cake, and she often finds herself in the midst of a panic attack or rheumatoid arthritis flare-up while facing the public demands of her job. “It’s hard to understand anyone’s being depressed or anxious when they’ve been given a gift it seems anyone would kill for. . . . But still, it happens,” she writes. As a result, she has learned to show up for life even when it’s scary, but also to savor time at home, reach out to folks on Twitter for support on bad days and pay very close attention when things are going well. 

This adds up to a kind of mission statement, a commitment to wild joy in the face of adversity. If the downside of being a Bloggess is tough, the perks include asking the IRS for stuffed armadillo deductions, dressing as a koala to the great confusion of the Australian tourist industry and having the kind of connections needed to get new limbs made for a dead raccoon who suffered a postmortem rollercoaster mishap. Living well may be the best revenge but instead, why not be “furiously happy”?

 

This article was originally published in the October 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Readers familiar with Jenny Lawson, as either The Bloggess or the author of the 2012 bestseller Let’s Pretend This Never Happened, are aware that she has created a tribe of perfectly flawed followers by telling hilarious stories about some of the darkest times in her life. Furiously Happy is similar in focus—you’ll find taxidermy, riotous fights with husband Victor and funny if slightly scary family stories—but Lawson’s latest book is even more open about the challenges posed by illness. It will make you laugh to the point of tears, but it could also help you make it through the toughest stuff life has to offer.
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BookPage Nonfiction Top Pick, October 2015

Years before I read Eat, Pray, Love, I clipped a quote from Elizabeth Gilbert’s 2006 bestseller that I still have today. “Happiness is the result of personal effort,” she wrote. “You have to participate relentlessly.” This was not news I wanted to hear at the time, but a life spent waiting for the right bluebird to cross my path wasn’t working out too well, either. I started to put a little more shoulder into my efforts, and did, in fact, find myself enjoying life more. If you’re living a creative life (and news flash—you are), the same rules apply. In her latest book, Big Magic: Creative Living Beyond Fear, Gilbert contends that persistence and curiosity are the keys to pushing past your boundaries to live a bigger, happier life.

The writing here is so friendly and funny that Gilbert’s perspective on creative living goes down like lemonade in summer. I howled at her description of a childhood so bound by fear that a trip to the shore left her agonized by all the people who insisted on swimming (it hit a little close to home). Pace yourself and pay attention, though, and you’ll find substantive teaching about the paradoxical nature of creativity: You need to work at it with great consistency but little thought for the end result; rather than expect it to take care of you, financially or otherwise, it’s best to work in order to support your creativity; cultivating a sense of play is often the most direct path to your best and most serious work. 

Gilbert tells the story of a novel she almost wrote, which then took a circuitous path away from her and landed with Ann Patchett instead. She weighs the various ways one can respond to such wonders. (Hint: It helps to view them as wonders rather than resentments.) The short story that launched her career after years of work and rejection was only accepted after a series of crucial changes. Agonizing, yes, but, “screw it. Because let’s be honest: It wasn’t the Magna Carta we were talking about here; it was just a short story about a cowgirl and her boyfriend.”

Whatever tune your creativity whistles, Big Magic will renew your love for the dance.

Years before I read Eat, Pray, Love, I clipped a quote from Elizabeth Gilbert’s 2006 bestseller that I still have today. “Happiness is the result of personal effort,” she wrote. “You have to participate relentlessly.” This was not news I wanted to hear at the time, but a life spent waiting for the right bluebird to cross my path wasn’t working out too well, either. I started to put a little more shoulder into my efforts, and did, in fact, find myself enjoying life more. If you’re living a creative life (and news flash—you are), the same rules apply. In her latest book, Big Magic: Creative Living Beyond Fear, Gilbert contends that persistence and curiosity are the keys to pushing past your boundaries to live a bigger, happier life.
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That they're different as day and night is unarguable, but the first two women appointed to the U.S. Supreme Court elevated one another, and the status of women in this country, immeasurably through their combined efforts. Sisters In Law: How Sandra Day O'Connor and Ruth Bader Ginsburg Went to the Supreme Court and Changed the World profiles O'Connor and Ginsburg, their struggles for acceptance in a field designed to exclude them and the cases they worked on that had the greatest impact.

Author Linda Hirshman (Victory: The Triumphant Gay Revolution) keeps the life stories brief—O'Connor's Western upbringing and the can-do work ethic it instilled contrasts with Ginsburg's Brooklyn Jewish intellectual background, but both found their calling in the law and had to fight for the chance to practice. O'Connor "worked for no salary in order to get a law job at all at the outset of her career." Ginsburg's prim appearance lay at odds with her insistence, radical to many, that women were people in need of equal opportunities, not "protection" that ensconced them in lower-paying jobs or denied them agency over their own bodies. Her long background with the ACLU could have put her at odds with O’Connor, but the two needed one another enough to navigate their differences gracefully. Before sharing the bench, they watched one another's careers closely—one of O'Connor's first written opinions relied so heavily on Ginsburg's prior work, Martin Ginsburg jokingly asked his wife if she'd written it.

The book’s tales of sexism in the legal profession are infuriating (wet T-shirt contest in the office, anyone?), which makes every victory for women that much sweeter. If the details of individual cases are a bit hard for lay readers to follow, it's worth the effort to watch how opinions build upon one another, sometimes only to be undercut by subsequent rulings. Sisters In Law honors a unique pair of women—a Reagan appointee and the "Notorious RBG"—and their effect on our lives, which continues to this day.

That they're different as day and night is unarguable, but the first two women appointed to the U.S. Supreme Court elevated one another, and the status of women in this country, immeasurably through their combined efforts. Sisters In Law: How Sandra Day O'Connor and Ruth Bader Ginsburg Went to the Supreme Court and Changed the World profiles O'Connor and Ginsburg, their struggles for acceptance in a field designed to exclude them and the cases they worked on that had the greatest impact.

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