Hilli Levin

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Malla Nunn's fourth Detective Sergeant Emmanuel Cooper novel, Present Darkness, is our June Whodunit Top Pick! Set in 1953 Johannesburg during the early years of Apartheid, DS Cooper is grappling with the secret of his mixed race identity while aiding in a highly publicized murder investigation. But when one of the suspects turns out to be the son of Cooper's friend, Zulu DS Samuel Shabalala, Cooper can't shake the feeling that police corruption is playing a part. Our columnist, Bruce Tierney, can't get enough of Nunn's "fast-paced, intricate storylines . . .  deeply flawed hero and Oscar-worthy cast of supporting characters."

We chatted with Nunn about her Apartheid setting, her work as a filmmaker and more in a 7 questions interview.

Describe your book in one sentence.
When the son of Detective Sergeant Cooper’s best friend is accused of murder, Emmanuel plunges into the world of corrupt police, thieves and violent township gangs to find the truth.

What inspired you to set your Emmanuel Cooper series in 1950s, apartheid era South Africa?
The 1950s were brutal. My family (who are mixed race) lost jobs, land and relationships as a result of the hard line laws introduced in the early '50s. South Africa was divided into white and non-whites zones and activities that were previously frowned on (interracial sex for example) became criminal offences. I wondered how the police could enforce laws that were fundamentally criminal. The 1950s threw up huge moral choices for every South African and Detective Emmanuel Cooper is our guide through this tumultuous time.

What do you love most about Detective Sergeant Emmanuel Cooper?
I love that Cooper, a World War II vet, views South Africa from an outside perspective. He’s seen the worst in humans and believes that, black or white, people are people and equally capable of kindness and cruelty.

What was your favorite book as a child?
A book of fairy tales by Hans Christian Anderson. Blood, tears, drama and suffering!

What’s the best writing advice you’ve ever received?
‘Finish the book.’

How has your work as a filmmaker influenced your writing?
My novels have a strong visual element and are essentially fleshed out films in book form.

What are you working on next?
A novel set in North Carolina about a kick ass female who saves the world. I’m loving the new location.

Malla Nunn's fourth Detective Sergeant Emmanuel Cooper novel, Present Darkness, is our June Whodunit Top Pick! Set in 1953 Johannesburg during the early years of Apartheid, DS Cooper is grappling with the secret of his mixed race identity while aiding in a highly publicized murder investigation. But when one of the suspects turns out to be the son of Cooper's friend, Zulu DS Samuel Shabalala, Cooper can't shake the feeling that police corruption is playing a part. Our columnist, Bruce Tierney, can't get enough of Nunn's "fast-paced, intricate storylines . . . deeply flawed hero and Oscar-worthy cast of supporting characters."
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Sarah Morgan's latest novel, Suddenly Last Summer, is our July Top Pick in Romance! A quiet, snow-capped resort town in Vermont heats up when a successful, yet commitment-phobic young surgeon returns to help his family in a time of need. But soon the resort's fiery French chef, Élise, seems to be occupying most of his thoughts, and their no-strings-attached arrangement may prove difficult to keep casual.

We chatted with Morgan about her early literary inspirations, the Romance community and more in a 7 questions interview.

Describe your book in one sentence.
Suddenly Last Summer is about a workaholic surgeon and a French chef who have both chosen to live life free of romantic commitment, but then find that decision challenged when one steamy night in the forest becomes something more (he heals her heart – she feeds his soul!)

What do you love most about your fiery French heroine, Élise?
She’s deeply scarred, flawed but fiercely loyal to the people she cares about. I’d love to have her as a friend (and she can make a great cup of coffee!)

What are the sexiest scenes to write?
In this story it was definitely the scenes in the forest. There was so much heat and chemistry between Sean and Élise, and the outdoor setting helped intensify those steamy scenes.

You’ve said you fell in love with writing as a young child—which authors first inspired you?
I read so much as a child and went through different phases. When I was young I devoured stories with horses in them. My favorite was Mary O’Hara’s Flicka series: For a while I nagged my parents to move to Wyoming (we lived near London, but I was always an optimist!), and I loved Noel Streatfeild’s Ballet Shoes (I took a few ballet classes before I decided I preferred horses). In my teens I read Katherine by Anya Seton, and that started a passion for historical fiction.

What do you love most about the Romance community?
Romance readers are the best. Every day when I switch on my computer there are a bunch of uplifting emails in my inbox. I’m always surprised and touched by how many people take the time to write to an author about a book they’ve loved. I’ve met so many wonderful people through my writing career, both authors and readers (and authors who are readers!). The community is friendly, warm and supportive.

What’s at the top of your Summer reading list right now?
I’ve just finished The Rosie Project, which I thoroughly enjoyed. Next on my list is Nora Roberts’ latest, The Collector (I’m saving that for a long flight – can’t wait) and then I’m looking forward to the next Jill Shalvis, Then Came You.

What’s next?
The last in my O’Neil Brothers series, Maybe This Christmas, comes out in October, and I’m already working on a new contemporary romance series for HQN called Puffin Island, which will be out in 2015. It’s about three close friends who escape to Castaway Cottage on an island in Maine when life gets tough. There’s plenty of sea, sand and sex! I was worried I’d miss Vermont and Snow Crystal Resort, but having started work on this new series, I’m equally excited about Puffin Island. I’m just finishing the first book, which will be called First Time in Forever. I’ve loved writing it.

 

Author photo by Rosanna Hancock

Sarah Morgan's latest novel, Suddenly Last Summer, is our July Top Pick in Romance! A quiet, snow-capped resort town in Vermont heats up when a successful, yet commitment-phobic young surgeon returns to help his family in a time of need. But soon the resort's fiery French chef, Élise, seems to be occupying most of his thoughts, and their no-strings-attached arrangement may prove difficult to keep casual. We chatted with Morgan about her early literary inspirations, the Romance community and more in a 7 questions interview.
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Antonio Hill follows up his Spanish sun-soaked crime debut The Summer of Dead Toys with his second Inspector Salgado mystery, The Good Suicides. A cryptic and unnerving message is sent to a select group of managers at a cosmetics company: a horrifying photo of dogs hanging from a tree accompanied by the line, "Never forget." Soon, those on the receiving end of the email begin committing suicide in grotesquely creative ways, and the rattled Salgado is thrust into the investigation.

We caught up with Hill and chatted about Barcelona's best (and not-so-great) qualities, his work in literary translation and more in a 7 questions interview.

Describe your book in one sentence.
After a woman in her 30s jumps in front of a subway train, Inspector Héctor Salgado will discover that one of her colleagues killed his own family and himself not long ago; besides their tragic deaths, working in the same company is the only thing both people have in common. . . .

What do you love most about Inspector Héctor Salgado?
There are a few things in Héctor that I like. For one, he’s stubborn—in the good sense of the word. He never gives up, and not only because he’s paid for doing the job. He is very sensitive to the idea of truth. Justice cannot always be achieved, but at least, for him, we owe the victims the effort of finding the truth and exposing it to the light. He is a good friend and tries to be a decent father, although he knows he’s far from being perfect. But for me, even his bad temper is becoming a good quality now that he’s learning to manage that anger in a positive way.

Both of your novels have been set in Barcelona. What makes Barcelona such a good location for a mystery?
Barcelona is a great location for any sort of story, but it’s been especially [great] in crime fiction, and I can’t explain it. In my case, I wanted to portray a city I love deeply with all its contradictions: Barcelona can be charming and elusive at the same time, and its biggest ambition—to stand out from Madrid, the capital of Spain—has made it a cosmopolitan place. It is perhaps the most “European” of all Spanish cities, but little by little the city has forgotten the needs of its real inhabitants and decided to show the world only a beautiful, modern and sunny façade. The fact that I used a cosmetics lab as a setting in The Good Suicides has something to do with that false idea of beauty that the city tries to project.

Name one book you think everyone should read.
The good thing about reading is that you can choose from millions of books. But if I had to name one or two, I’d pick up To Kill a Mockingbird and One Hundred Years of Solitude.

You have translated a great deal of acclaimed literary fiction from authors such as David Sedaris and Jonathan Safran Foer. What do you enjoy most about translation? 
There is something voyeuristic in translation. You get to know an author’s work even better than him/herself sometimes, [if] only because you have to deconstruct every sentence in order to write it again in a foreign language and, at the same time, keep the rhythm of the prose. It is very hard work and not always appreciated enough by readers and publishers.

What’s at the top of your summer reading list right now?
John Connolly. I cannot wait to read his last novel published in Spain: The Wrath of Angels.

What are you working on next?
I have just finished the third Salgado novel, Los Amantes de Hiroshima, and I plan to take a real break for a couple of months.

Author photo by Jaume Recoder

Antonio Hill follows up his Spanish sun-soaked crime debut The Summer of Dead Toys with his second Inspector Salgado mystery, The Good Suicides. A cryptic and unnerving message is sent to a select group of managers at a cosmetics company: a horrifying photo of dogs hanging from a tree accompanied by the line, "Never forget." Soon, those on the receiving end of the email begin committing suicide in grotesquely creative ways, and the rattled Salgado is thrust into the investigation. We caught up with Hill and chatted about Barcelona's best (and not-so-great) qualities, his work in literary translation and more in a 7 questions interview.
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Kate Noble's The Game and the Governess is our August Top Pick in Romance! A tale of swapped identities with plenty of Jane Austen flair, the first novel in Noble's new Regency series gives a boastful Earl a much-needed reality check. Our reviewer, Christie Ridgway, calls this Romance "a delicious treat," and the insightful, strong-willed Phoebe is a heroine readers won't soon forget.

We caught up with Noble and chatted about her characters, the surprising feminism of Jane Eyre, writing for television and more in a 7 questions interview.

Describe your book in one sentence.
Trading Places comes to the Regency when Ned, the Earl of Ashby, decides to switch places with his secretary John Turner—wagering that he can get anyone to fall in love with him . . . but no one expects the governess, Phoebe Baker to turn everything on it’s head.

What do you love most about Ned, The Earl of Ashby?
I love his obliviousness. I know, it’s an odd thing to say, but it amuses me so much that he thinks he’s universally beloved because of his charm, when really, he takes a great deal for granted: his position as a peer, his friendship with Turner and how the world reacts to him. I loved watching him come down a peg or two as he learned what the world really thinks about him—and how he goes about adjusting his own opinion.

What do you love most about Phoebe Baker?
That she is subversively happy. Here is someone who has been dealt the worst kind of luck, but instead of letting it sour her attitude on life, she finds small things to be happy about. Happiness, for Phoebe, is a decision. One that she makes every single day. 

Name one book you think everyone should read.
Jane Eyre. It’s the most crackingly feminist of the popular romantic era novels. To have someone who is in a subservient role, a woman, with nothing to recommend her, say to the man who she loves that she’s a human being too and she cannot be treated immorally? Hot damn, does Jane have a spine.

How do you balance your time between writing for television—most notably for "The Lizzie Bennet Diaries"—as Kate Rorick and your Romance alter-ego, Kate Noble?
I have no idea. I find that I rocket back and forth between them blindly, hoping no one notices that I’m usually one or two steps behind on my endless to-do list.

What about the Regency era inspires you most?
The rules of the era mean that women had very little choice—but one choice they did have, which would greatly affect every other aspect of their lives, was whom they married. Therefore, they had to be very, very careful choosing the person they fell in love with—because love could be the most daring, dangerous thing they could do.

What are you working on next?
I’m hard at work on the next book in the Winner Takes All series! This story will belong to John Turner—the secretary with whom Ned traded places. He’s fairly mixed up by his experiences playing the Earl, as well… 

Kate Noble's The Game and the Governess is our August Top Pick in Romance! A tale of swapped identities with plenty of Jane Austen flair, the first novel in Noble's new Regency series gives a boastful Earl a much-needed reality check. Our reviewer, Christie Ridgway, calls this Romance "a delicious treat," and the insightful, strong-willed Phoebe is a heroine readers won't soon forget. We caught up with Noble and chatted about her characters, the surprising feminism of Jane Eyre, writing for television and more in a 7 questions interview.
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August is First Fiction Month on BookPage.com! Click here to read all our First Fiction coverage on the blog; click here to read our most recent coverage of debut novels. 

 

Elizabeth Little is making waves with her clever debut mystery, Dear Daughter. Written with what our Whodunit columnist calls "one of the cheekiest voices in recent memory," Little follows a now-notorious Los Angeles socialite's investigation into her mother's grisly murder: a murder that's been pinned on her. 

We caught up with Little and asked her about life in LA, her favorite heroines in mystery and more in a 7 questions interview.

Describe your book in one sentence.
When ex-LA It girl Janie Jenkins’s murder conviction is overturned—10 years after she went to prison for the death of her mother—she goes undercover to find out once and for all if she’s really as guilty as everyone says.

What do you love most about Janie Jenkins?
Her brains. I decided from the outset that Janie was going to be Paris Hilton: The Evil Genius Remix, and I’m so glad I did. She was such fun to write (even if I had to consult a dictionary sometimes)—and I hope she’s fun to read, too. She isn’t always the gentlest of creatures, but brilliant people tend to be brutally well defended, and I hope that people can see past the prickly surface to the much more expansive character inside.

How has your experience as an LA local influenced your interest in crime and mystery?
I’ve been a sucker for a good mystery since I was a kid: My after-school babysitter had the full library of classic Nancy Drews, and, as soon as I could read them, I worked my way through the entire collection. After that I graduated to Agatha Christie, to Ed McBain, to Elmore Leonard and so on and so forth.

But I’ve also always had a strong interest in noir, and coming to LA has really brought that out in my writing: compared to my beloved British whodunits, Dear Daughter has a harder stylistic edge, a more pessimistic worldview, a darker sensibility.

I often wonder how this book would have turned out if I had written it in any other city, because Janie is so purely a creature of Los Angeles: breezy-beautiful on the outside, sticky-dark on the inside. On the one hand we have beaches and bikram yoga and cafés where the employees are mandated to sit down each morning before work to discuss their “emotional experience.” But then we also have James Ellroy and the Black Dahlia and Sharon Tate. It’s such an eerie, ominous place really. This pervasive sense of past horrors—this underlying darkness that still resonates in the sunny present—has been absolutely key both to Janie’s character and also to the mood and atmosphere of the story as a whole.

(And maybe to me as a whole! But that’s a discussion for another time.)

Who are some of your favorite female protagonists in the mystery genre?
Harriet Vane, first and foremost, forever and ever. (She appears in several of Dorothy L. Sayers’s books, most notably Gaudy Night.) I also adore Mary Russell, the heroine of Laurie R. King’s Sherlock Holmes books. And I’m going to choose to classify the Harry Potter books as mysteries (which isn’t too far off, really) so I can also include Hermione Granger. Three brilliant, forceful women who are partnered with seemingly more powerful men but stubbornly outshine them all.

Name one book you think everyone should read.
The Hitchhiker’s Guide to the Galaxy.

What’s one piece of advice you would offer to a future debut author?
If you ever read a review that upsets you—that, like, makes your stomach sickly with shame and embarrassment and failure—go onto to Amazon and search for the book version of The Princess Bride. Then read the one- and two-star reviews.

Like this one:

I did not find it particularly funny and I did not like the characters. I suspect that it was a satire, but there was a nasty attitude that I really don't care to go back to.

There are similarly harsh reviews for the movie. For instance:

Silly movie, feels like it was written by a bunch of adolescents with only a beginning understanding of the great stories. Very juvenile.

If there are people out there who can hate The Princess Bride, there are people out there who can hate everything. You’re going to get bad reviews, but it doesn’t necessarily mean you’re bad . . . just that you’re in some good company.

What are you working on next?
Next up is my second mystery with another (hopefully) strong, memorable heroine. The working title is Do As I Say, and my narrator is a former shrink-to-the-stars whose patients all of a sudden start killing themselves—and it’s up to her to figure out what’s really going on. . . .

Author photo by Jonathan Vandiveer

Elizabeth Little is making waves with her clever debut mystery, Dear Daughter. Written with what our Whodunit columnist calls "one of the cheekiest voices in recent memory," Little follows a now-notorious Los Angeles socialite's investigation into her mother's grisly murder: a murder that's been pinned on her. We caught up with Little and asked her about life in LA, her favorite heroines in mystery and more in a 7 questions interview.
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Broadcast journalist and foreign correspondent Atia Abawi has spent years on the front lines of war and historical events, covering stories for outlets such as CNN and NBC. During her five-year residency in Afghanistan, Abawi became attuned to the stories of the people, their cultural traditions and the deeply rooted tensions and resulting violence that has plagued the country for so long. Her experiences inspired her first novel, The Secret Sky, which follows the budding romance of two teens from two very different tribes, who must struggle against opposition from both their families and the Taliban in order to forge a life together.

Abawi took some time to answer a few questions about this deeply moving debut, her writing process and the traditions and complexities of modern Afghanistan.

Your first trip to Afghanistan was in 2005 to work on a documentary film. How did the country you arrived in compare to the country you imagined?
It was completely different. I always figured the country would be unlike the country my parents knew because of the three decades of war that had passed. But the reality was jarring.

Landing at Kabul International Airport in 2005, you still saw Soviet-era tanks lining the side of the runway—the country looked like a junkyard of old relics. And although I had seen women in burqas (the all-covering blue fabric) on television, seeing it in person rattled me a little because I was hit with the realization that this isn’t the same city, culture and people my parents told me about. It’s not that burqas were uncommon in the past, they just weren’t as prevalent. And in the 1970s it was normal to see a woman in a burqa and a woman in a miniskirt walking down the same street.

Thirty years of fighting and bloody rivalries changed the whole dynamic of existence in Kabul and the rest of the country. My parents would be considered foreigners in this new Afghanistan, even though it was the country they were born and raised in. It honestly seemed that time had stopped in 1978 and that the country just reversed course with every passing year. I had to acquaint myself with this new country, just as I did with other countries I would travel to—ones I didn’t have a cultural connection to.

"I’d be lying if I said I wasn’t worried about the reactions—particularly from Afghans."

As a longtime journalist for CNN and NBC, what inspired you to write fiction, specifically a novel aimed at teens?
It was always a dream of mine to write a novel. But the longer I worked in news and reported on the grim everyday realities of war, I felt that dream fading away. I noticed I was losing the imagination and color I once had.

In news, you can’t use your imagination; you have to report on the facts—share the truth, not fantasy. And you are not often given the opportunity to share the hopeful stories—and there are hopeful stories, even in wartime—but tragedy always triumphs.

Because of a 2009 New York Times article my editor Jill Santopolo and publisher Michael Green had read on teenagers who fell in love in Afghanistan, they were looking for an author to write a YA novel about Afghan teens in a similar situation and had reached out to a friend of mine, who’d reached out to a group of us living in the country. During my time in Afghanistan, I’d met young Afghans who’d fallen in love and had tried to fight to stay together, so was able to bring my own experiences to the initial idea. But truly, this dream came true because of Michael and Jill—and I’ll forever be grateful to them for letting me bring some color back into my writing.

What were some of your favorite books during your own teenage years?
When I was in school I loved going to the school library and finding old books and checking them out. At one point I was reading a lot of books written a century before or based in other parts of the world. I loved how it would take me to another place I had never been before.

I also loved the Fear Street collection by R.L. Stine when I was younger, and of course the Harry Potter series.

Fatima and Samiullah are met with shocking amounts of violence, often from their own family members, for professing their love for one another. Why did you feel it was important not to censor or shy away from this common reality?
I’d be lying if I said I wasn’t worried about the reactions—particularly from Afghans.

I never wanted to censor out the darkness, but Afghans are very proud people and to share the flaws of the country and society is sometimes seen as shaming them.

But I figured the truth and realities on the ground needed to be shared. As a journalist, I have covered heartbreaking story after heartbreaking story in Afghanistan. I never wanted to sweep these realities under the rug. It would have been a disservice to those suffering and also to those working hard to make a change.

What do you hope American readers take away from this story?
I hope the reader will understand the humanity that lives amongst the horror in Afghanistan. The majority of the Afghan people want to live peaceful and happy lives; they don’t want war, they don’t want rivalries, they want change for the betterment of their families and society. But it is hard for them because of the everyday challenges they face in their lives—obstacles that we can’t even imagine having to deal with.

What was the most important lesson you learned during your time in Afghanistan?
Even in the worst of times, there is still hope. And sometimes that all you need.

You lived in Afghanistan for nearly five years. What were some of the things you loved the most about the land and the culture that are often overshadowed by war and unrest?
The beauty. The undeniable monstrosities of war have overshadowed the unimaginable beauty that remains there—the beauty of the land and the beauty of the people.

It is true that many people have been hardened by decades of brutality and war, but so many more still have these warm and inviting hearts, and they are proud of the little that they may have—and no matter how little they have, they will always share it with you. I’ve met some of the most generous and kind people there.

And the land . . . wow . . . I’ve seen landscapes that leave you in awe of the beauty the world offers.

What are you working on next?
I kind of want to step outside of the box for a short while and work on an Afghan cookbook with my mother. She’s honestly the best cook I know, and I have noticed I keep eating but never learning. I want to spend some time with her just logging her recipes, whether it is just for our family or to share with the world. I truly believe it is something that needs to be remembered. It especially hit me after years of living in modern-day Afghanistan that the cuisine has also been affected by the wars and poverty, and I’m afraid the generation of food that I grew up with will slowly fade.

 

Author photo by Conor Powell.

Broadcast journalist and foreign correspondent Atia Abawi has spent years on the front lines of war and historical events, covering stories for outlets such as CNN and NBC. During her five-year residency in Afghanistan, Abawi became attuned to the stories of the people, their cultural traditions and the deeply rooted tensions and resulting violence that has plagued the country for so long. Her experiences inspired her first novel, The Secret Sky, which follows the budding romance of two teens from two very different tribes, who must struggle against opposition from both their families and the Taliban in order to forge a life together.

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In Mary Jo Putney's latest historical romance, Not Quite a Wife, two estranged lovers are brought back together after a 10-year separation—except the pair are already husband and wife. Spymaster James Kirkland's dark and violent career prompted a young and innocent Laurel to head for the hills, but a fateful meeting may be enough to rekindle their passion for one another.

We chatted with Putney about her love of music, historical romance and more in a 7 questions interview.

Describe your book in one sentence.
A long estranged couple who never stopped loving each other must come together again to see if they can rebuild their marriage.

What do you love most about James and Laurel?
They're both very honorable people who care about helping others, but they do so in very different ways. James's work as a spymaster is vital, but it eats at his soul. Laurel is all warmth and compassion, and James needs that so much. She gives him warmth and love and in return he makes her feel loved and valued, which she needs. They balance each other.

Music is a key element of their connection. Does music play an important role in your own life as well?
I've no particular musical talent or knowledge, but I do love it. When I work, I always have music playing. Instrumental only because words distract me. I love Celtic music and Baroque, among others. Music seemed like a perfect way to show how James and Laurel connect. After they separate, his music is his one solace and a way of connecting with her, even though she's gone from his life: He keeps it so private that even his closest friends don't know what a talented musician he is. 

What do you love most about writing historical romance?
It's a great excuse to research history! Plus, because the setting is distant from modern life, it's possible to write dramatic, over the top characters and plots. It's also possible to deal with difficult issues, like alcoholism and death, because setting them in the past allows for some space and detachment.

Which authors first inspired you to start writing yourself?
I always loved reading and books, but I grew up in farm country. Lots of dairy cows, no writers. It never occurred to me that I could become a writer. The actual inspiration to start was getting a personal computer so I could get words down, and when I fixed them, they stayed fixed! But authors that influenced me greatly would be Robert A. Heinlein, Mary Stewart, Dorothy Dunnett and Georgette Heyer. They all shaped my love of storytelling. 

What’s at the top of your reading list right now?
I'm madly trying to finish a book, so I'm re-reading old favorites at the moment. Lois McMaster’s Bujold's Vorkosigan series. Beth Kendrick's smart, funny contemporaries. Patricia Briggs' urban fantasy because she does brilliant characterization. When my book is done, I'll go back to shopping around for new authors.

What are you working on next?
I'm currently working on my seventh Lost Lords book, which will be out next year and is titled Not Always a Saint. The hero, Daniel, is the brother of Laurel in Not Quite a Wife. Like her, he is caring and hardworking, a doctor who is also an ordained minister. The heroine, naturally, is a Wicked Woman for contrast!

 

Author photo by Marti Corn

In Mary Jo Putney's latest historical romance, Not Quite a Wife, two estranged lovers are brought back together after a 10-year separation—except the pair are already husband and wife. Spymaster James Kirkland's dark and violent career prompted a young and innocent Laurel to head for the hills, but a fateful meeting may be enough to rekindle their passion for one another. We chatted with Putney about her love of music, historical romance and more in a 7 questions interview.
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Fans of Tana French's Dublin Murder Squad novels have undoubtedly been eager to discover the protagonist of her fifth book, The Secret Place. The wait is over, and this time Detective Stephen Moran takes the spotlight in this clever, fast-paced mystery set at an all-girls Irish boarding school. 

We caught up with French and chatted about her love of crime fiction, why everyone should read To Kill a Mockingbird and more in a 7 questions interview.

Describe your book in one sentence.
Detective Stephen Moran gets his longed-for shot at the Murder squad when 16-year-old Holly Mackey brings him a postcard she’s found on the secrets board at her fancy boarding school: a photograph of a murdered boy, with the caption, “I know who killed him.”

Your Dublin Murder Squad series shifts narrators with each book. Why did you choose this structure?
I love reading the traditional series that follow one detective through all the ups and downs of life—P.D. James’s Dalgliesh books, for example—but I’m not interested in writing them. I’m more interested in writing about huge crossroads—moments when the narrator finds himself in a situation where whatever he decides to do will shape the rest of his life. The thing is, though, people don’t get those life-changing moments on a regular basis. So when I started thinking about a second book, I realized that I had three options: keep dumping my poor narrator into huge life-changing situations every couple of years, which not only is pretty implausible but would probably give him a nervous breakdown by about book four; go with the traditional framework of following him through more minor ups and downs, which, again, didn’t interest me; or switch narrator. So I went with the third option: I used a supporting character from In the Woods as the narrator of my next book, The Likeness, and so on.

This also means that I get to focus on different themes in each book, without losing the intensity of the narrator’s connection to the themes. For example, The Secret Place is about friendship, secrets, identity and how it’s defined—and those matter immensely to Stephen Moran, the narrator. For most of my other narrators, those issues aren’t all-important, so the events of this book wouldn’t have anything like the impact on them that they do on Stephen. Instead, their books spin around the themes that matter most deeply to them.

What did you enjoy most about writing from Detective Moran’s perspective?
Contented characters are mostly boring. Reading about someone who’s totally contented and secure is like watching a guy sprawled on his sofa shooting Playstation baddies and eating Doritos: He’s happy, but it’s not exactly fascinating viewing. Stephen Moran is the opposite of that guy: He’s restless right to the bone—constantly searching for the mythical something that will magically transform him into what he dreams of being. I enjoyed writing someone like that, because his lack of a real sense of himself colors the way he sees everything. When he has to work with Antoinette Conway, he’s wary of her because she’s tough and rough-edged, and he doesn’t want to find himself defined by that, even by association. When the case takes him into an elite boarding school, he loves it for the beauty and elegance that he longs to be part of. When their investigation leads them deeper and deeper into the web of friendships among the girls, he’s captivated—and, ultimately, changed—by the way these friendships define and transform them. I liked writing the ways that Stephen’s search for definition drove him forward.

What do you love most about crime fiction?
I love mysteries. I always have. I think this is one of the fundamental things that make us human—our fascination with mysteries, real or fictional, solved or unsolved—and the whole crime genre has grown from that fascination. The genre isn’t just about mysteries and their solutions: it’s about the complex techniques and systems that we’ve developed in order to solve them, about the dedication and passion we pour into that process, the experts who dedicate their lives to it, the ways we succeed or fail at it, about the profound effects mysteries have on those who get caught up in them from every angle . . . This genre is a paean to the crucial part that mysteries play within our lives, and I love that.

I also love the level of insight that crime fiction can offer. Murder happens in every time and place, but the specifics are shaped by the fundamental preoccupations of that society—its deepest fears, its priorities, its most intense desires, its history, its darknesses. In the great crime novels—Dennis Lehane’s Mystic River, say, or Stef Penney’s The Tenderness of Wolves—the murder becomes a window into the dark heart of the society where it happens.

How do you conquer writer’s block?
Touch wood, I don’t think I’ve ever had full-on writer’s block—the kind where a writer is paralyzed to the point where he or she can’t get anything down on paper—but I do get days or weeks when nothing works, I don’t get anywhere near enough written and what I do write is either awful or pointless (oh, look, it’s a cheesy dream sequence and four pages of irrelevant waffle about some character’s childhood). I fight it with rewrites, more rewrites, long walks and caffeine. Lots of caffeine.

Name one book that you think everyone should read.
To Kill a Mockingbird. There are other books that I love even more, in spite of their flaws, but I can’t think of any book that’s so close to perfection. To explore issues like classism and racism without ever being sanctimonious or preachy, to show the story through the eyes of a child without ever getting cutesy or patronizing, to weave together all those separate little storylines without ever letting them feel sloppy or disjointed–it’s a rare author who can manage even one of those, and Harper Lee makes them all look effortless. And that’s before I even start on the writing and the characterization and the atmosphere . . . No wonder she never wrote another book. Where do you go from there?

What’s next?
I’m working on my sixth book, and Antoinette Conway is the narrator this time. She and Stephen are partners in the Murder squad now, but she’s still not getting on well with the rest of the squad, to put it mildly. They pull a case that at first seems like a routine domestic murder, but gradually they realize that someone within their own squad is working against them—and they need to find out whether that’s because someone is desperate to get rid of Conway, or whether there’s more going on.

Author photo by Kyran O'Brien

Fans of Tana French's Dublin Murder Squad novels have undoubtedly been eager to discover the protagonist of her fifth book, The Secret Place. The wait is over, and this time Detective Stephen Moran takes the spotlight in this clever, fast-paced mystery set at an all-girls Irish boarding school. 

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Nature photographer Nancy Rose began making waves on photo sharing sites with her unique and playful photos featuring curious wild squirrels. Her adorable images went viral, and fans began asking for more, prompting Rose to release her first children's book, The Secret Life of Squirrels. We asked Rose a few questions about her passion for photography, her creative process and, of course, Mr. Peanuts. 

How did you first become interested in photography?
I bought my first film camera when I was in high school and loved taking pictures, but film was very expensive so I did not take as many photos as I wanted to. In 2007 my son signed me up for a photography class using a digital camera, and my interest was rekindled. I could finally afford to take lots and lots of photos, and this helped me learn to improve.

Where did the idea for this photo series come from?
I was putting birdseed and nuts out in my backyard and taking lots of photos of the birds and squirrels. One day a squirrel sat on top of a pumpkin, holding onto the pumpkin stem, and he reminded me of a captain steering his ship, so I thought how cool it would be to find a little boat for him to pose on. I never did find a boat, but, at the suggestion of a friend, I made a little mailbox out of cardstock and decorated it for Valentine's Day, and then added some tiny envelopes. To get the squirrel to "pose" for me, I hid peanuts inside the mailbox. He came along searching for the nuts, and I got some shots of him "mailing the letters." The photo was a big hit on Flickr, where I share my photos, so I was inspired to try more photos with some other props. I decided to make a calendar for my family and friends and created photos for each month of the year using props like Easter eggs, a Christmas tree,  a Halloween pumpkin, etc.

Why squirrels?
Squirrels are so curious and cute, and they can stand in poses almost human-like. Blue Jays also come to take the peanuts from my sets, but they don't pose the same way.

What is your process for making the miniatures?
I have always made crafts so I have lots of supplies in my craft room. Sometimes an idea just pops in my head and I am lucky I can find the things I need. The washer and dryer were made of empty milk cartons cut and folded into shape and covered with paper. The barbecue was made of tiny foil loaf pans and popsicle sticks. Most times I don't really have a full idea of what I am making—it just develops as I go along. Lots of trial and error. I might take some photos and then decide to add more details and change the props a bit. Every setting has to function as a "still life" on its own before the squirrel enters the scene, and I need to think about how the squirrel will likely behave, like standing to look into the washer or peeking into the dryer.

What do you love most about photography?
Photography is like meditation to me. I can get so immersed in what I am doing that I lose track of time. I always wanted to paint and draw but was not great at it, so photography allows me to express myself creatively. It is also a terrific exercise for the mind since there is always so much more to learn. My husband and I love to travel, and photography allows us to have memories of all our trips.

What’s the funniest thing you’ve seen Mr. Peanuts do with your props?
I found a small ceramic bathtub which was the perfect size for him. I made a tiny yellow rubber ducky out of cornstarch play dough and sat it on the side of the bathtub. To keep it in place, I inserted a toothpick into the ducky and down into a tiny "towel" which was draped over the edge of the tub. The squirrel came along and bit into the duck and carried it off, with the towel trailing along behind. He carried it up a huge pine tree and just when I thought it was gone forever, along came a Blue Jay and knocked it down to the ground where I was able to find it, and set it all up again.

Is there a particular scene you can’t wait to build and photograph next?
A fan of my squirrels mailed me a small grocery cart, just the perfect size, and I want to build a set and have him shopping for groceries.

What’s one piece of advice you’d like to give to young readers?
I think everyone should find a hobby or activity which gives you pleasure and helps you relax. It can be reading books, doing arts and crafts, playing a musical instrument, learning to cook or playing sports. We all need to find something that makes us happy, teaches us something new and keeps us from getting bored. Sometimes it takes a long time to learn how to be good at something so we should not give up too easily. Try lots of different things until you find the things you love and that you want to learn more about.

Will any other animals get their close-up?
As soon as I set up my little props and put peanuts out, I get a few Blue Jays and sometimes chickadees and crows who like to grab the nuts before the squirrel can get there. They often chase each other away, so it can be pretty funny watching them, but then I have to keep adding more peanuts.  At first I was upset because peanuts were so expensive and then I realized it was a small price to pay for all the laughter and joy they bring. A chipmunk who lives across the street also comes over now and then, but he is much more timid than the squirrels.

 

Photos used with permission of Little, Brown Books for Young Readers.

Nature photographer Nancy Rose began making waves on photo sharing sites with her unique and playful photos featuring curious wild squirrels. Her adorable images went viral, and fans began asking for more, prompting Rose to release her first children's book, The Secret Life of Squirrels. We asked Rose a few questions about her passion for photography, her creative process and, of course, Mr. Peanuts.
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In the dusty, crowded streets of Kolkata, two monkey species struggle for dominance and power. It’s rhesus versus langur in Richard Kurti’s Planet of the Apes-eque debut novel, Monkey Wars. Political stakes are high, blood is spilled, morality becomes hazy and a forbidden romance ignites in this smart, fast-paced story. BookPage contacted Kurti to talk about the inspiration behind his debut, his career as a screenwriter, the darker side of teen lit and more.

What was the inspiration for this unique story?
No one can choose their parents or which community they’re born into, but what if you happen to be born into evil? What if accident of birth puts you in the heart of a society built on the oppression of others, but one which also gives you huge privileges, so there is no incentive to question or rebel?

Ever since I was a teenager, I’ve wanted to write about this dramatic problem, but when I thought about placing the story in a particular society, the specific issues of that situation always seemed to overshadow the bigger philosophical problem. By complete accident I heard about a real war that broke out on the streets of Indian cities between rival monkey troops. Immediately I realized that by going back up the evolutionary tree I could write about all human societies by writing about none.

What kind of research did you do for this novel?
Huge amounts. I read books about monkeys and the politics of tyranny, and watched TV documentaries about India and animal behavior; I spent many hours online doing picture research and studying maps of Kolkata; I even downloaded Pentagon documents about military strategy and guerrilla warfare! I visited Gibraltar to see the wild apes, and of course went to different zoos . . . but the one place I didn’t get to was India (see next question).

Have you ever traveled to Kolkata, India? What is it about India that inspired you to set your novel there?
I fully intended to visit India to complete my research, but that turned out to be more complicated than I’d thought.

My first idea was to write a rough draft and then go to Kolkata, as that way I’d know exactly what I was looking for. By the end of the first draft, though, I realized the big things that needed to be sorted in the manuscript were about plot and character, not location; so I decided to finish the second and third drafts, then do the research trip.

But by the end of draft three, I thought I might as well try and get a publisher interested before I went; no point spending all that money if I couldn’t sell the story. Then as soon as the publisher made an offer, I was plunged straight into a hectic schedule of rewrites, so there was no time to go off to India!

Cut to the present, and now I’m almost scared to go in case the reality is nothing like the story.

You have many years of experience working in television and writing screenplays. How did this influence your writing process for the novel?
Organization. That was the main influence—I mapped out the plot and arcs of the entire story before I began writing chapter one. In screenwriting I have always done this, and it’s usually a contractual stage. The producers want to know the whole story before you write it.

Going for a cinematic feel was also very important. I wanted the key beats to be played out through action sequences rather than pure introspection, and often imagined myself watching the story unfold as a movie.

If you were a character in the world of Monkey Wars, what species of monkey would you be?
A Bonnet Macaque. Even though they’re wiped out early on in the novel, they have such style and seem so at one with the world.

This story is quite brutal and violent. Why was it important to include these darker aspects in a story aimed at teens?
My son is 15, and like a lot of people his age, his life has unfolded against a background of shocking violence in the world. He saw 9/11 happen live on TV; he has seen the wars in Afghanistan and Iraq on news footage and in movies; he knows people who lost family in the terror attacks in London.

Telling a story about tyranny and the struggle to defeat it has to involve the portrayal of violent conflict, and it would have been irresponsible to gloss over the horror of what that actually means. As long as the violence isn’t exploitative, I hope it earns its place in the novel.

Why do you think young readers are especially drawn to animal-based allegory?
Maybe it’s because animals are such a universal access point. You don’t have to cut through layers of cultural difference; you can look into their eyes and immediately relate to them.

What’s next for you?
I’ve just finished the second draft of the next book. It’s a fast-paced thriller set in a cutting edge, modern world. Although on the surface it’s very different to Monkey Wars, the new book is also built around a very tricky moral problem that has no easy solution, with two teenage protagonists caught up in the very heart of the conflict.

In the dusty, crowded streets of Kolkata, two species of monkeys struggle for dominance and power. It’s rhesus versus langur in Richard Kurti’s Planet of the Apes-eque debut novel, Monkey Wars. Political stakes are high, blood is spilled, morality becomes hazy and a forbidden romance ignites in this smart, fast-paced story. BookPage contacted Kurti to talk about the inspiration behind his debut, his career as a screenwriter, the darker side of teen lit and more.

Interview by

After eight years of unfulfilled promises, there may finally be a wedding at Twill Castle. In the second book in Tessa Dare's Castles Ever After series, Say Yes to the Marquess, Clio Whitmore has found independence and is ready to break her long engagement to the Marquess of Granville, but his brother is determined to see the two tie the knot. Of course, Rafe Brandon just has to keep from falling in love with Clio himself.

We caught up with Dare and chatted about the allure of castles, her favorite historical era and more in a 7 questions interview. 

Describe your book in one sentence.
A ne’er-do-well prizefighter tries to save his older brother’s wedding from disaster—but ends up falling for the bride instead. Also, there’s cake! Lots of cake.

What do you love most about writing historical romance?
I’ve just always loved the romance of historical settings. Since I spent my teenage years inhaling Jane Austen, Charlotte Bronte and Julie Garwood (among others), I think my formative reading permanently wired my brain to connect cravats, kilts and carriages with swoony romance.

What do you love most about your heroine, Clio Whitmore?
Clio has a lot of good qualities, such as patience and generosity . . . but I loved writing her more human touches. For instance, the fact that she “floor-skates” in stockingfeet around her inherited castle (because wouldn’t you?) and makes little happy noises when she eats cake.

What are the sexiest scenes to write?
The sexiest scenes are always the ones with the most raw emotion. A great love scene is about getting the characters naked in more ways than one. They have to reveal themselves, their deepest fears and their needs.

What inspired you to pen a whole series set at various castles?
Well, let’s be honest . . . partly, I just thought it would be great fun to be able to visit castles and call it research! But also, writing about women who’ve inherited castles gives me a way to write about heroines empowered to take on new challenges and make bold choices. In that day and age, a woman who owned property was a true rarity.

What’s your favorite period of English history?
My books are all set in the Regency, so I think I would have to say that one! It’s just a great setting for romance. The country was at war. The Enlightenment and Romantic period opened new worlds of knowledge and artistic expression. The class system was in force, but it was starting to become a tiny bit more flexible. Restrictive Victorian morals (and necklines) had yet to appear.

What are you working on next?
Next in the Castles Ever After series is When a Scot Ties the Knot. At last, I’m getting to write a hero in a kilt! Verra, verra exciting. 

 

Author photo by Raphael Maglonzo

After eight years of unfulfilled promises, there may finally be a wedding at Twill Castle. In the second book in Tessa Dare's Castles Ever After series, Say Yes to the Marquess, Clio Whitmore has found independence and is ready to break her long engagement to the Marquess of Granville, but his brother is determined to see the two tie the knot. Of course, Rafe Brandon just has to keep from falling in love with Clio himself. We caught up with Dare and chatted about the allure of castles, her favorite historical era and more in a 7 questions interview.
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Fans of cute and quirky romances are sure to fall hard for Tracy Brogan's Love Me Sweet. Just in time for Valentine's Day, we caught up with Brogan and chatted about what makes for a winning romance hero, being a proud Michigander, her ideal first date and more in a 7 questions interview.

Describe your book in one sentence.
A reality TV show darling on the run from scandal joins forces with an adventure show cameraman on a road trip full of mishaps, honky-tonk musicians, Elvis impersonators and a whole lot of sweet romance.

Delaney Masterson is a bit of a wild celebutante—what do you love most about her?
I love that her goal is to become her most authentic self and bring a little light into the world. She’s not interested in fame in spite of being surrounded by it. She’s a bit of a late bloomer . . . she’s spent her life trying to please her spotlight-seeking family and now, because of a cringe-worthy scandal, she’s on her own and finally trying to figure out what she wants from her life and who she wants to be. At the beginning of the story she feels a little victimized, but by the end she has owned up to her own power and has decided to refocus her energies on things that matter.

What do you find most attractive in a romance hero?
Physically, I must admit, I like ’em tall, dark and handsome. A killer smile, some broad shoulders . . . le sigh. But what is most attractive in any hero (or heroine, for that matter) is a great sense of humor and a great sense of purpose. If a hero can make me laugh while he’s rescuing a puppy or saving the world, I’m all in.

How does your home state of Michigan inspire your writing?
Funny you should ask! Weather certainly played a role in Love Me Sweet! I knew I wanted to write a story about someone pretending to be someone else, and I knew I needed a reason for the hero and heroine to be in close proximity of each other. I happened to be drafting this book during the winter of the infamous Polar Vortex. It was the worst winter my city had seen in 50 years. So I made that part of this story. The funny thing is, my agent lives in Florida, and when she read the manuscript she said, “Wow. I can really feel how cold they are!”

My other Bell Harbor books are set in the summer and that also plays into my plotlines. The weather here is notoriously unpredictable so Michiganders know that if you have a beautiful day, you’d better go outside and make the most of it. And my characters know that, too.

Describe your ideal first date.
It’s been a while since I went on a date! My husband and I have fun going to Lowe’s so I don’t think that would work for a budding romance. But I think the ideal first date would be one where the couple is doing an activity they both enjoy so neither feels uncomfortable, and there should be lots and lots of talking, listening and laughing. Now if someone were to take me on a date, I think I’d want to go to a great museum. Then have dinner at an elegant seafood restaurant. And hold hands. And everything would feel sparkly and tingly.

What are you working on next?
My next project is a Christmas novella called Jingle Bell Harbor. It’s about a woman who works at the world’s largest Christmas store and has lost all sense of holiday magic until she comes home to Bell Harbor and gets reacquainted with an old flame. After that, I’m working on a World War II novel that will be quite a departure from my other stories. Then it’s back to romantic comedy! I’ve recently signed a contract for four more.

What would you like to ask the next “7 Questions” Romance participant?
If you had to spend the weekend with one of your heroes, who would you chose and why?

Fans of "cute and quirky" romances are sure to fall hard for Tracy Brogan's Love Me Sweet. Just in time for Valentine's Day, we caught up with Brogan and chatted about what makes for a winning romance hero, being a proud Michigander, her ideal first date and more in a 7 questions interview.
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Fans of muscle-bound, tough-as-nails romance heroes are sure to find plenty to love in Lori Foster's Holding Strong, the newest installment in her Ultimate series, which takes place in the world of mixed martrial arts fighters. When Cherry Payton, a independent and charming daycare worker trying to put a painful past behind her, meets the ultimate alpha male, Denver Lewis, all bets on resisting their attraction are off. We caught up with Lori Foster and chatted about MMA, her ideal date night and more in a 7 questions interview.

Describe your book in one sentence.
A hunky MMA fighter wants more than just one night with a woman fleeing her past and those who would hurt her.

What inspired you to pen a series based in the world of MMA fighters?
I’ve always been a fan of MMA. The sport has been refined over the years and now features some of the most elite athletes in the world—very ripped, alpha athletes. Any high-level sports competition would require an intense schedule, keen intelligence and a lot of motivation and dedication which helps create the perfect backdrop for romantic conflict, as well as the perfectly capable hero.

This is actually my second series of MMA fighters, and the first was very popular with readers. I’ve loosely tied the series together with cameos from the first set of male protagonists in this series.

What makes your two heroes, Denver and Cherry, such a great match?
Their personalities are like the ying and yang of relationships. Cherry is smart and independent, and so madly in love with Denver that, when he doesn’t immediately reciprocate, she tries to hide her feelings and of course, Denver misinterprets that.

Denver is big and macho, something of a nice chauvinist because while he trusts in Cherry’s intelligence, he enjoys the role of bigger, stronger protector.

Once they do finally get together, Cherry wants to insulate their new relationship from all the ugliness of her past, but Denver badly wants to eradicate the ugliness for her.

Finally they have to work together and protect each other.

What does your ideal date night look like?
My husband and I have been together almost 37 years, and we’re very much in sync. We both love dinner out at a casual restaurant—steak for him, grilled chicken for me—and then an early movie, usually an action or horror flick. (He doesn’t mind “chick flicks” but I’m not a fan.) Then it's back home to relax together on the couch watching the news or one of our select TV series. We’re both very much homebodies, totally casual, and if we’re in crowds, we prefer them to be crowds of family and our menagerie of pets.

As an avid movie-lover, what’s your favorite book to film adaptation?
Now I feel terrible, but I’m not sure I’ve ever read a book that was made into a movie. The books I LOVE (romance novels) haven’t been made into movies, and the movies I love were not, to my knowledge, ever books. If they were, I didn’t read them.

I remember a wonderful Linda Howard book that was made into a TV movie, and if I hadn’t been told it was based on the book, I’d never have recognized it, so I can’t say it was a fave. The book, YES, the movie, definitely not. I’ve never read Fifty Shades, but I might eventually see the movie . . . maybe when it’s available in the privacy of my own home. 😉 Some of my favorite movies are A History of Violence, Perfect Get Away, John Wick and Equalizer. They may have been books, but I have no idea.

If you had to spend the weekend with one of your heroes, who would you choose and why?
Hmm . . . well, it’d be one of the guys on a lake, like one of the Buckhorn brothers, or Dare or Jackson from the Men of Honor series, or maybe even Joe Winston from the Visitation series. I’m going to say . . . Gabe, from the Buckhorn brothers, because the other guys I mentioned would intimidate me for sure, but Gabe is pretty laid-back and relaxed. I think we could just do a few boat rides and swim. 

What would you like to ask the next “7 Questions” Romance participant?
What’s their favorite character who was easier to write or a plot that kept him / her engaged. As an author, I know some are just plain harder than others. 🙂 The ones that practically write themselves make it all worthwhile!

Fans of muscle-bound, tough-as-nails romance heroes are sure to find plenty to love in Lori Foster's Holding Strong, the newest installment in her Ultimate series, which takes place in the world of mixed martrial arts fighters.

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