Jill Lorenzini

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Like an insect flying around your living room, Bug in a Vacuum by Mélanie Watts grabs your attention. A vacuum may seem an easy way to get rid of pests, but to one fly, this undignified “end” is actually a beginning. Snatched from his life mid-journey, the fly is initially in awe of the wondrous, nebulous world in which he has landed. Flying among the myriad items also caught in the vacuum’s voracious belly, the fly eventually realizes he’s trapped. Now his real journey begins, through the Kübler-Ross stages of grief (as advertised and summarized by household cleaners, a microwave dinner and a box of tissues).

Attempting to escape, the fly tries everything—including arming the dust bunnies—before he settles into his new (permanent?) home among the dice, broken crayons and paperclips. Echoing his grief is the family dog, Napoleon, who tries to rescue his similarly trapped chew toy. Is this really the end of our spunky friend?

Watts (Scaredy Squirrel) has created an irresistible tale that will have readers rooting for her buggy-eyed hero and eager to know what’s next. Watts cleverly keeps the narrating text to a minimum, so her fascinatingly detailed illustrations move the plot and tell the story. Watts’ art perfectly captures the vacuum’s vast collection; one might suspect she spent significant time poring over an open vacuum bag. Adding to the hilarity is the fly’s nonstop chatter, in familiar idioms and exclamations, directed toward the vacuum’s inanimate residents.

While significantly longer than most picture books, the story moves quickly with its vibrant pictures and our hero’s fidgety determination. Bursting with witty, all-ages-friendly quips, Bug in a Vacuum will pull you in, happy ending guaranteed.

Like an insect flying around your living room, Bug in a Vacuum by Mélanie Watts grabs your attention. A vacuum may seem an easy way to get rid of pests, but to one fly, this undignified “end” is actually a beginning.

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Sometimes the most incredible stories are the true ones, the stories passed through generations, eventually becoming legend. Rebecca Bond’s Out of the Woods, based on her grandfather’s childhood at Lake Gowganda in Ontario, Canada, is one of these.

Life in his mother’s hotel provided Antonio with myriad things to discover. Between days spent helping cook and stoke fires, and evenings spent listening to hotel guests make music and tell tales, Antonio’s life was happy and busy. But more than anything, Antonio was enthralled by the elusive animals of the forest. When a summer forest fire threatens Antonio’s home, the hotel’s inhabitants take refuge in the lake. But they aren’t alone in the water. Readers will share Antonio’s disbelief as the forest creatures—also fleeing the blaze—join them. Predator and prey alike quietly, peacefully share the lake. 

With a skillful artist’s hand and an eye for intriguing detail, Bond captures not only one remarkable event in 1914, but also an era. Hunters and loggers, tourists and miners fill the pages, along with near-forgotten trappings of their world: kerosene lamps and tobacco pipes, wood-burning stoves and travelers’ trunks. Bond’s stylized drawings do more than just evoke the setting and the time; her lines echo tree bark, the animals’ rough fur and thick wool blankets on beds. Bond tells the story simply but illustrates with the pride that comes with telling a story you’ve not just heard, but inherited.

A beautiful story in its own right, Out of the Woods rings with an honesty that will captivate readers of all ages. By passing along her grandfather’s tale, Bond reminds us that the most fascinating stories are those that really happened.

 

This article was originally published in the August 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sometimes the most incredible stories are the true ones, the stories passed through generations, eventually becoming legend. Rebecca Bond’s Out of the Woods, based on her grandfather’s childhood at Lake Gowganda in Ontario, Canada, is one of these.
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Along the busy sidewalk of the bustling world, behind hurrying grown-up legs, stoplights and storefronts, the little girl in the red jacket discovers a treasure: flowers. There are dandelions in the concrete crevice of a pole, purple blooms in the sidewalk cracks, blossoms against the brick buildings. As she gathers her overlooked treasures, hints of color begin to pop from the black-and-white illustrations: the colored pattern of a woman’s dress; glass bottles in a storefront window; yellow taxicabs; and little brown sparrows. The little girl shares her bouquet, laying flowers on the breast of a dead bird, tucking them into the collar of a dog and weaving them into her mother’s hair. As the girl and her father travel from the city to the park and home, the world blossoms into full color.

With Sidewalk Flowers, poet JonArno Lawson and illustrator Sydney Smith prove themselves masters of a beautiful, unique art: the wordless picture book. Lawson and Smith—both with multiple awards to their names—are an inspirational team, telling a story so compelling and complete, the reader forgets they are “reading” in silence. Without words to weigh it down, Sidewalk Flowers unfolds naturally and gracefully, letting the reader’s imagination take over; car engines and cell phone chatter fade out of focus as we begin to observe from the child’s perspective. With a gentle, deft hand, Lawson and Smith strike the perfect balance of thoughtful message and childlike wonder.

Like wildflowers in a freeway ditch, Sidewalk Flowers stands out on the bookshelf with its simple message and gorgeous illustration. But perhaps the most special thing about this book is what happens in your world after it leaves your hands.

Along the busy sidewalk of the bustling world, behind hurrying grown-up legs, stoplights and storefronts, the little girl in the red jacket discovers a treasure: flowers. There are dandelions in the concrete crevice of a pole, purple blooms in the sidewalk cracks, blossoms against the brick buildings.

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Whether your younger sibling is on the way or is 30 years old, it’s never too early or too late for Little Miss, Big Sis

Little Miss is ready to be a fantastic big sis. She tackles the diapers and drool with enthusiasm, dinner and mini-disasters with panache. She becomes baby’s best cheerleader, fort-builder, tear-drier, playmate—truly a big sis.

With numerous best-selling titles to both of their names, Amy Krouse Rosenthal and Peter H. Reynolds have complementary styles that make their books stand out on the shelf—and in readers’ hearts. Rosenthal (Little Pea) makes the most of every word; her precise rhyming language imitates a young child’s speech pattern and keeps the message focused. Reynolds (Ish) is the master of charming, colorful sketches that entice the eye. While having a new baby in the house can be overwhelming, Reynolds’ skilled, kid-friendly illustrations present big changes in a cozy and approachable manner.

Little Miss, Big Sis is an excellent “big sibling” book for its simplicity and adorable, non-gushy sentiment. Being a big sis brings all kinds of excitement and adventure; it should also come with this book.

 

This article was originally published in the June 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Whether your younger sibling is on the way or is 30 years old, it’s never too early or too late for Little Miss, Big Sis.
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Tad the tadpole’s dad is a phenomenal frog. With large, noisy Dad as inspiration, Tad learns to sing loudly (especially early in the morning), swim fast and snap up flies with his sticky tongue. Tad follows Dad everywhere, preferring Dad’s lily pad to his own cozy pondweeds. But as Tad grows from happy tadpole to spirited frog, Dad’s lily pad gets smaller, as does Dad’s patience for sleepless nights.

It’s clear why David Ezra Stein has won so many awards for his children’s books. Every page of Tad and Dad swims with bold, colorful illustrations. Tad’s big-eyed, exuberant expressions convey his adoration and pride, while Dad’s sleep-deprived eyes will entertain any grown-up who has been woken by flailing toddler limbs. Stein easily and expertly captures the excitement of a growing child and knows how to make readers smile.

Whether it’s bedtime or storytime, Tad and Dad is meant to be shared by big and small, so gather your tadpoles, no matter how jam-packed your lily pad.

 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Tad the tadpole’s dad is a phenomenal frog. With large, noisy Dad as inspiration, Tad learns to sing loudly (especially early in the morning), swim fast and snap up flies with his sticky tongue. Tad follows Dad everywhere, preferring Dad’s lily pad to his own cozy pondweeds. But as Tad grows from happy tadpole to spirited frog, Dad’s lily pad gets smaller, as does Dad’s patience for sleepless nights.
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Author-illustrator Emma Yarlett first caught my attention with her picture book Sidney, Stella, and the Moon, and now I can’t stop re-reading her newest offering, Orion and the Dark. One glance at the cover and my book-stuffed heart says, “Yay!” My instincts rarely fail, and neither does Yarlett.

Orion’s fears are myriad: dogs, deep water, monsters, plaid. But the most terrifying thing of all looms at the end of each day, hovering at the top of a steep climb up to Orion’s bed: the Dark. Despite his most creative solutions, bedtimes—and the Dark—are unavoidable. But delightfully, the Dark is less monstrous than Orion feared. Together, they explore and de-scary all the nighttime sounds and places, from closets and drains to ceiling fans and snoring.

Yarlett is the best kind of author-illustrator, incorporating exciting fonts into her whimsical images, pulling the reader in again and again. Her text is simple enough for young children, but clever asides will keep adults entertained. Quirky sketches and thought bubbles fill each colorful page to perfection. Best of all are two die-cut pages in which the Dark literally embraces Orion—and the reader’s imagination.

Night-shy children will find companionship in Orion and comfort in the Dark’s gentle, friendly appearance, while grown-up readers will invent excuses to keep this book on their own shelves.

 

This article was originally published in the April 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Author-illustrator Emma Yarlett first caught my attention with her picture book Sidney, Stella, and the Moon, and now I can’t stop re-reading her newest offering, Orion and the Dark. One glance at the cover and my book-stuffed heart says, “Yay!” My instincts rarely fail, and neither does Yarlett.
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Have you ever bemoaned the price of stamps as you hauled a large package to the post office? Maybe it’s time to consider alternative methods of conveyance. Special Delivery has some exciting—if slightly unusual—suggestions.

A hefty mailing fee launches spirited Sadie on an adventure to surprise her lonely Great-Aunt Josephine with an elephant. Luckily, Sadie has an aviator’s helmet full of courage and creativity, and her elephant is equally bold. They hastily hop an ill-equipped airplane and follow an alligator tour guide. They tempt fate on a monkey-bandit-infested train, and an ice cream truck takes them the last leg of their journey.

Written by Caldecott-winning Philip C. Stead, Special Delivery will win the approval of little readers who wish for an outlandish story. Sadie’s voice provides most of the dialogue, and young adventurers will identify with her unruffled single-mindedness. Energetic illustrations by Matthew Cordell fill in the rest of the story and take the lead for a few full-color spreads.

With animal antics and lighthearted danger, Special Delivery is almost as much fun as, say, getting an elephant in the mail.

 

RELATED CONTENT: Stead and Cordell go Behind the Book for Special Delivery.

This article was originally published in the March 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Have you ever bemoaned the price of stamps as you hauled a large package to the post office? Maybe it’s time to consider alternative methods of conveyance. Special Delivery has some exciting—if slightly unusual—suggestions.
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Slinking through the grass with panache, Duck believes he is a cat, just like his friend Cat. Or, at the very least, he will be when he grows up. But when Duck tries to follow Cat up a tree, his lack of claws (and general lack of catness) becomes sadly apparent. Trying to find a game they can play together, Cat accidentally jumps off the dock, lands in the water and is quickly transformed into a miserable, soaking mess. Duck has no claws and no cat ears, but his webbed feet may save the day.

Carin Bramsen’s masterful second book starring Duck and Cat, after Hey, Duck!, is the perfect mix of cute story and gentle lesson. Bright, welcoming illustrations—from the big blue sky, the sturdy red barn, even the softness of the fur and feathers—construct a friendly, comfortable world. Children are given permission to dream big while reinforcing the idea that we all have strengths and weaknesses.

Bramsen uses simple, rhyming dialogue to engage young listeners and to provide that soothing, rolling rhythm that is essential for nighttime and calm time. Duck and Cat’s words appear in different fonts, which is helpful when sharing read-aloud turns with beginning readers.

Two double-page spreads (Duck’s tree-climbing attempt and Cat’s water rescue) are completely wordless, which allows the reader full sound-effect interpretation and lets Bramsen’s illustrations stand alone. Duck’s sweet, wide-eyed expressions make these scenes truly charming.

Adorable baby animal stories are always hard to resist, but Just a Duck? ups its value with a lesson: The best of friends are made when each has a unique chance to shine.

Slinking through the grass with panache, Duck believes he is a cat, just like his friend Cat. Or, at the very least, he will be when he grows up. But when Duck tries to follow Cat up a tree, his lack of claws (and general lack of catness) becomes sadly apparent.

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Stuffed pink rabbit in hand, Bear is completely and utterly ready for bed. But his coffee-fueled neighbor, Duck, is ready to play. He rings the doorbells, climbs a ladder to Bear’s window, even breaks out the emergency key—all the while ignoring Bear’s increasingly grumpy, terse protestations. Will Duck get his way, or will Bear lose his temper?

Author Jory John (All My Friends Are Dead) easily handles the dry humor that has taken over children’s literature in recent years. Duck’s energetic appeals will have even the littlest pajama-clad readers laughing, as he jumps from smoothie-machine mess to rock-and-roll attire. Illustrator Benji Davies perfectly captures bleary-eyed Bear’s frustration. His bold images stand out against calm, simple backgrounds, focusing attention on Bear and Duck’s expressions and personalities.

While bedtime-procrastination stories abound, John’s tale offers plenty for readers of all ages. Kids will laugh at large, grumpy Bear’s pink-flowered bathrobe. Parents (who have seen these delay tactics in action) will commiserate with Bear’s lack of sleep and under-eye circles. Both young and old will anticipate—and appreciate—the ending’s twist. The story is just long enough to fill the “just one more book!” request, but not so overly involved that it disrupts the bedtime flow. The pages are colorful and interesting, but not so chaotic that it couldn’t be a last story before lights out.

Most kids go through a favorite-book phase; break the boredom with Bear and Duck. From kid-friendly dialogue to sleepy-time-friendly illustrations, Goodnight Already! will be an oft-requested book. P.S.: Tell little readers to keep an eye on Bear’s rabbit.

Stuffed pink rabbit in hand, Bear is completely and utterly ready for bed. But his coffee-fueled neighbor, Duck, is ready to play. He rings the doorbells, climbs a ladder to Bear’s window, even breaks out the emergency key—all the while ignoring Bear’s increasingly grumpy, terse protestations. Will Duck get his way, or will Bear lose his temper?

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