Julie Hale

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No Tudor England here—these four novels transport readers to less familiar but no less fascinating historical settings.

In Asha Lemmie’s debut novel, Fifty Words for Rain, young Nori Kamiza—daughter of a well-born Japanese woman and her lover, a Black American soldier—is raised by her abusive grandmother in post-World War II Japan. Kept in the attic because her grandparents are ashamed of her, Nori becomes accustomed to a lonely existence. But her world widens when she bonds with her half-brother, Akira, and senses the possibilities for a new life. Lemmie constructs a moving, dramatic narrative that examines family, loyalty and prejudice through both Nori’s coming-of-age and her experiences as a biracial woman.

Call Your Daughter Home by Deb Spera is an unforgettable tale of female friendship set in the small town of Branchville, South Carolina, during the 1920s. Single mother Gertrude is desperate to provide for her children. She’s aided by Annie, a member of a powerful local family, who gives her a job, and by Annie’s Black housekeeper, Retta, who offers to look after Gertrude’s children. The novel’s Southern backdrop and indomitable female protagonists will draw readers in, and Spera’s exploration of race, class and history will provide plenty to talk about.

Set in 1918 Dublin, Emma Donoghue’s The Pull of the Stars tells the story of Julia Power, a nurse struggling to help pregnant female patients who have become infected and subsequently quarantined during the influenza epidemic that devastated the city. Julia’s narrow life of work and survival is forever changed by the arrivals of volunteer Bridie McSweeney and Dr. Kathleen Lynn, a possible Irish nationalist who may be wanted by the authorities. Donoghue’s compelling, compassionate novel unfolds over three days as the women face incredible challenges together. With its themes of female bonding, Irish politics and the nature of identity, this novel makes for a rewarding book club selection. 

Christina Baker Kline’s The Exiles is a powerful tale of female friendship set in 19th-century Australia. After being falsely accused of theft, London governess Evangeline Stokes—pregnant and alone—is sent by ship to the Australian penal colony of Van Diemen’s Land. Facing a future of uncertainty and hardship, Evangeline connects with Hazel Ferguson, a teenage midwife, and Mathinna, a young Aboriginal woman adopted by the governor of Van Diemen’s Land. From the intertwined stories of the three women, Kline spins an epic saga that book clubs will savor, with excellent discussion topics such as female agency and the rights of Indigenous communities.

No Tudor England here—these four novels transport readers to less familiar but no less fascinating historical settings.

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Growing up is hard to do—but great fodder for book club discussions.

Swimming in the Dark, Tomasz Jedrowski’s electrifying coming-of-age novel, takes place in 1980s Poland during a time of political upheaval. After they meet at a summer camp, Ludwik and Janusz begin a secret, passionate romance, spending idyllic hours together in nature. But the two don’t see eye to eye politically, and their relationship is threatened by Janusz’s devotion to the country’s embattled Communist regime. Jedrowski portrays the intense connection between two men in a repressive culture with wistfulness and emotional authenticity. The novel’s rich exploration of themes like loyalty and identity, as well as its less commonly trod historical setting, make it an excellent reading group pick.

The Girl With the Louding Voice, Abi Daré’s accomplished debut, tells the story of Adunni, a 14-year-old Nigerian girl who harbors hopes of getting an education and leaving poverty behind. Adunni faces many challenges, including an arranged marriage, but she’s determined to live life on her own terms—and to help other women. Language plays a major role in this lively, inspiring story, and Adunni’s remarkable voice is one readers won’t forget. Potential discussion topics include gender norms, societal expectations and the importance of agency.

Philippe Besson’s Lie With Me is an unforgettable exploration of early love and a piercing analysis of social class and self-image. With true passion, the novel’s narrator, a successful writer named Philippe, recalls an affair he had in high school with a classmate. Because he’s the school principal’s son, Philippe keeps his love for Thomas, the son of a farmer, a secret. He doesn’t talk to Thomas at school, and Thomas senses early on that their relationship is doomed. Molly Ringwald’s (yes, that Molly Ringwald) translation from the original French captures the bittersweet emotions at play during a formative time in the young men’s lives.

Etaf Rum’s tense, dramatic novel, A Woman Is No Man, follows three generations of Palestinian American women as they try to reconcile arranged marriages and motherhood with their personal desires. The story of Isra, who immigrates to America with Adam, her husband, forms the backbone of the novel. Isra and Adam settle in Brooklyn, where she struggles with an overbearing mother-in-law. Isra eventually gives birth to four daughters, including Deya, who wishes to attend college in open defiance of family expectations. Rum explores Arab American culture in a multilayered narrative that’s rife with discussion material.

Growing up is hard to do—but great fodder for book club discussions.

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Fight the winter doldrums with four fresh takes on the supernatural.

Danvers, Massachusetts, site of the 1692 witch trials, is the setting of Quan Barry’s enchanting novel We Ride Upon Sticks (Vintage, $16.95, 9780525565437). The year is 1989, and the teenage girls on the Danvers Falcons field hockey team are desperate to get to the state finals, so they sign a pact of sorts with the devil. The pact seems to work, as the team hits a winning streak, and all manner of witchy teenage mischief ensues. As many ’80s references as a “Stranger Things” fan could desire and a group of unforgettable female characters make this a delightful read, and Barry’s exploration of gender roles and female friendship will spur spirited discussion in your reading group.

In TJ Klune’s fantastical tale The House in the Cerulean Sea, Linus Baker, caseworker from the cold, impersonal Department in Charge of Magical Youth (DICOMY), must decide if a group of enchanted youngsters poses a threat to the future of the world. When he befriends the odd bunch (which includes a gnome, a strange blob and the actual Antichrist) and falls for Arthur Parnassus, their kindhearted and devoted caretaker, Linus’ loyalty to DICOMY wavers. Klune contributes to the tradition of using speculative fiction to obliquely discuss the experiences of marginalized groups in this funny, inventive and gently told novel.

Stephen Graham Jones’ chilling The Only Good Indians tells the story of Lewis and his three friends, Native American men who left the Blackfoot reservation in search of a different life and who share a bond from a traumatic event in their childhood. When Lewis is visited by an ominous elklike figure, mysterious deaths start to occur, and the men realize that their past has—literally—come back to haunt them. Jones’ atmospheric novel is compelling both as a horror novel and in its treatment of guilt, social identity and the complexities (and dangers) of assimilation. The canny, surprising ways he combines Native history and traditions with horror tropes will give your book club plenty to talk about.

J.D. Barker and Dacre Stoker offer a spine-tingling supplement to Bram Stoker’s iconic Dracula with Dracul. Bram is the main character and narrator of Barker and Stoker’s Ireland-set tale (and yes, Dacre Stoker is the real-life great-grandnephew of the Victorian author). As a boy, Bram has strange encounters with his nursemaid, Ellen Crone, who seems connected to a series of local deaths. When Bram and his sister, Matilda, learn years later that Ellen is a member of the bloodsucking undead, they find themselves in the center of a terrifying mystery. Reading groups will enjoy making connections between Stoker’s original story and this creepy companion novel as they examine the conventions and devices of both supernatural narratives.

Fight the winter doldrums with four fresh takes on the supernatural.

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Film historian Scott Eyman takes a fresh look at a movie legend in the sparkling biography Cary Grant: A Brilliant Disguise. Drawing upon extensive interviews and archival materials, including the star’s personal papers, Eyman shows that Grant (1904–1986), king of the romantic comedy and the very definition of dashing, was a man of contrasts forever troubled by his working-class past.

Born into a poor household in Bristol, England, Grant, whose real name was Archibald Leach, did not have a happy childhood. His father was an alcoholic. His depressed mother spent decades in an institution, while Grant was told that she was dead. At 14, he engineered his own expulsion from school in order to chase a career in show business. From stilt walking, acrobatics and pantomime in English music halls to American vaudeville revues and the Broadway stage, he didn’t stop until he’d landed in Hollywood.

In 1932, Grant made his first big film, Blonde Venus, with Marlene Dietrich. By 1939, he was a full-blown star. Absent-minded scientist (Bringing Up Baby), wisecracking socialite (The Philadelphia Story), ice-cold government agent (Notorious)—there was no bill he didn’t fit. During the late 1940s, Eyman writes, “Grant had first crack at nearly every script that didn’t involve a cattle drive or space aliens.”

But Grant’s past seems to have left him permanently scarred. Although he maintained a suave public persona and was widely cherished by friends and fellow actors, the truth about him was, of course, more complicated. As the author reveals, Grant had a reputation for stinginess and self-absorption and could be a mean drunk. On set, he was often anxious and tense.

Eyman’s consideration of the inner conflicts that drove Grant results in a wonderfully nuanced study of his life. Along with the star’s many marriages and bitter divorces, Eyman explores the rumors surrounding his sexuality and his LSD use, recounting it all in clean, unaffected prose. He mixes Grant’s personal story with several decades’ worth of Hollywood history, and his film analyses are eye-opening. Grant was “a man for all movie seasons.” They don’t make ’em like that anymore.

Film historian Scott Eyman takes a fresh look at a movie legend in the sparkling biography Cary Grant: A Brilliant Disguise. Drawing upon extensive interviews and archival materials, including the star’s personal papers, Eyman shows that Grant (1904–1986), king of the romantic comedy and the very definition of dashing, was a man of contrasts forever […]
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Set in Ireland and America, Sarah Stewart Taylor’s slowly simmering The Mountains Wild is the first entry in a new series featuring homicide detective Maggie D’arcy. A divorced mother of one living on Long Island, Maggie earned her investigative bona fides by solving a case involving a notorious serial killer that the FBI couldn’t crack.

Maggie originally felt called to become a detective after her cousin, Erin, vanished in the woods of Wicklow, Ireland, in the 1990s. At the age of 23, Maggie traveled there to look for Erin, but neither she nor the Irish police force, the Gardaí, could find her.

Decades later, Maggie remains haunted by her cousin’s disappearance. After Erin’s scarf is found by investigators searching for a woman named Niamh Horrigan, Maggie returns to Ireland—and reenters a maze of painful memories—to do some sleuthing. The authorities fear that a serial killer is at work and that Niamh may be latest his hostage.


ALSO IN BOOKPAGE: Sarah Stewart Taylor reveals the haunting events that inspired her debut novel.


Upon arriving in Dublin, Maggie meets up with her old friend Roly Byrne, a good-natured detective inspector, and becomes a temporary member of his investigative team. Together, they race to connect the pieces of the intricate mystery behind Niamh’s disappearance. The case becomes even more complicated when Maggie gets involved with former flame Connor Kearney, who was friends with Erin and may know more about her disappearance than he let on when he was originally questioned.

Taylor takes her time in unspooling the strands of the mystery, keeping the reader on edge all the while. Through transportive details of Dublin pubs and the Wicklow wilderness and a wonderful command of Irish history, she fashions an immersive setting for the narrative, which moves nimbly through the decades, flashing back to Maggie’s first trip to Ireland and providing glimpses of her friendship with Erin.

Featuring a memorable cast that includes cheeky Irish Gardaí, sinister suspects and a not-to-be-messed-with female lead, The Mountains Wild makes for perfect summer reading. Maggie is a first-class protagonist—an ace investigator and appealing everywoman with smarts and heart. Suspense fans will welcome her to the crime scene.

Set in Ireland and America, Sarah Stewart Taylor’s slowly simmering The Mountains Wild is the first entry in a new series featuring homicide detective Maggie D’arcy. A divorced mother of one living on Long Island, Maggie earned her investigative bona fides by solving a case involving a notorious serial killer that the FBI couldn’t crack. […]
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The Mist is the third and final book in Ragnar Jónasson’s electrifying Hidden Iceland series, which features Hula Hermannsdóttir, detective inspector with the Reykjavik Police Department. Like its predecessors, The Darkness (2018) and The Island (2019), Jónasson’s latest is a labyrinthine murder mystery set against the bleak backdrop of Iceland.

It’s Christmas 1987, and Erla and Einar Einarsson, who run a farm in the highlands—“the edge of the inhabited world”—are preparing for the holiday. In their part of Iceland, winter days don’t begin to brighten until 11 a.m., brutal blizzards are a regular occurrence and skiing is easier than walking or driving. The two receive few visitors and don’t have a television.

In the midst of a pummeling snowstorm, a stranger named Leó shows up at the farm looking for shelter. Leó claims to have become lost during a hunting trip with friends, but Erla doesn’t believe his story. She’s frightened of him from the start, and her fears worsen after the electricity goes out, leaving the farmhouse in darkness. As Erla tries to find out what Leó is after, the novel moves headlong toward a terrifying climax.

Two months later, Hulda, recently returned from personal leave after a tragedy involving her teenage daughter, is asked to look into a pair of murders that occurred at the farm. Although she struggles to keep her emotions in check, Hulda moves into detective mode, bringing her brisk, efficient investigative style to a sinister crime scene. But the circumstances at the farm are more complex than they appear, and Hulda soon discovers that the murders may be linked to the disappearance of a young woman named Unnur.

Jónasson turns the tension up to a nearly unendurable degree as the novel unfolds. His complete—and complex—narrative design isn’t revealed until late in the book, when the story’s multiple threads coalesce in a surprising conclusion. With this no-frills thriller, he continues to map Iceland’s outlying regions and to develop Hulda’s character, adding a new chapter to her story that followers of the series will savor. Masterfully plotted and paced, The Mist is atmospheric, haunting and not for the faint of heart.

The Mist is the third and final book in Ragnar Jónasson’s electrifying Hidden Iceland series, which features Hula Hermannsdóttir, detective inspector with the Reykjavik Police Department. Like its predecessors, The Darkness (2018) and The Island (2019), Jónasson’s latest is a labyrinthine murder mystery set against the bleak backdrop of Iceland. It’s Christmas 1987, and Erla […]
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Fans of Paula Hawkins will be thrilled by Allison Dickson’s The Other Mrs. Miller. Phoebe Miller is starting to believe her best years are behind her. Heiress to a fortune left by her philandering late father, she passes the days in a haze of alcohol. Arguments with her husband, Wyatt, add to her feelings of discontent. But her life takes an unexpected turn after the Napiers move in across the street. Ron, a doctor; Vicki, his wife; and Jake, their attractive and flirtatious teenage son, appear to be a model family. Vicki is eager to be friends, but Phoebe doesn’t quite trust her. She also suspects she’s being watched by the driver of a car that keeps returning to the neighborhood. When Phoebe receives a series of frightening notes that may have some connection to her father, she begins to fear for her life. With an impossible-to-predict plot and a very unexpected murder, Dickson’s book is required reading for suspense addicts. 

If you’re looking for a thriller you absolutely cannot predict.
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Cambria Brockman’s riveting debut, Tell Me Everything, takes place on the campus of an exclusive New England college, where six friends form a destructive connection. Introvert Malin comes out of her shell at Hawthorne College, bonding with five other students: Ruby, Max, John, Khaled and Gemma. They’re a close-knit group, but as graduation approaches, their relationships begin to unravel. Gemma drinks too much, and John is increasingly cruel to Ruby, who is now his girlfriend. Malin, meanwhile, excels academically while concealing her very dark past. The anxieties of senior year peak at semester’s end as she struggles to uphold her self-assured facade. She isn’t the only one in the circle who’s hiding something, and when a murder occurs, the six friends’ lives change forever. Narrated by Malin, whose intelligence and cunning drive the story, Tell Me Everything is an edgy exploration of loyalty and human desire. Readers in search of a true page-turner will savor this electrifying novel

Cambria Brockman’s riveting debut, Tell Me Everything, takes place on the campus of an exclusive New England college, where six friends form a destructive connection.

Blanche Potter thought she had put her past behind her. She never talked about what happened when she was 7 years old. She changed her last name. She moved to a new city. She started a life of her own. But as the daughter of Chuck Varner, a deranged mass shooter, Blanche realizes the past may be buried, but it never goes away completely. Blanche learns that lesson the hard way in Nathan Ripley’s shocking new novel, Your Life Is Mine. Things are going well in her career as an up-and-coming filmmaker when she is told that her estranged mother, Crissy, has been shot and killed at her trailer home. News of Crissy’s death, brought to Blanche by a sleazy journalist who knows of her past, opens the floodgates of her memories and traumatic childhood. But as she tries to reconcile her past experiences with the recent death of her mother, someone else is gunning for her as well. The cult of Chuck Varner lives on, and it’s up to Blanche to stop it before his crazed follower can strike again. Ripley pulls no punches here, creating a tense and atmospheric story of personal identity and survival, while asking whether you can ever escape your past.

 

Blanche Potter thought she had put her past behind her. She never talked about what happened when she was 7 years old. She changed her last name. She moved to a new city. She started a life of her own.

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Ethiopian writer Dinaw Mengestu’s second novel, How to Read the Air, provides an unforgettable look at an immigrant family adapting to life in America. Jonas, a high school teacher, is at loose ends thanks to his dying marriage. The son of Ethiopian parents Yosef and Mariam—anotstraither unhappily married pair—Jonas grew up in a tension-filled household in Peoria, Illinois. Trying to achieve some resolution with his past, Jonas retraces a road trip his parents took (from Peoria to Nashville) on their honeymoon. Through flashbacks that offer searing scenes from Jonas’ childhood, revealing an abusive Yosef and a miserable Mariam, the novel skillfully spans two generations. How Jonas learns to live with his legacy of displacement and disillusionment makes for a richly rewarding narrative. Mengestu, whose debut novel, The Beautiful Things That Heaven Bears (2007), also won critical acclaim, offers a beautifully constructed family drama that draws on timeless themes of identity and alienation.

 

Ethiopian writer Dinaw Mengestu’s second novel, How to Read the Air, provides an unforgettable look at an immigrant family adapting to life in America. Jonas, a high school teacher, is at loose ends thanks to his dying marriage. The son of Ethiopian parents Yosef and Mariam—anotstraither unhappily married pair—Jonas grew up in a tension-filled household […]
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In Must You Go?: My Life with Harold Pinter, Antonia Fraser draws on her diaries to create an intimate portrait of her 33-year union with one of the world’s most celebrated playwrights. Fraser and Pinter were both married with children when they connected at a party in the 1970s (they talked until 6 o’clock in the morning), and their coming together caused a sensation. Fraser’s husband, conservative MP Hugh Fraser, was Pinter’s anti­thesis—straitlaced, quiet and reserved. With the volatile playwright, Fraser experienced passion for the first time, and together they formed a formidable couple. Three years after Pinter won the Nobel Prize for Literature in 2005, he succumbed to cancer. Even as Fraser comes to grips with her grief, she is delightful company. The book is a mix of moods—humorous and wistful and meditative—but Fraser’s story is ultimately uplifting, as her love for Pinter clearly endures. This is an intriguing look at a match made in literary heaven.

 

In Must You Go?: My Life with Harold Pinter, Antonia Fraser draws on her diaries to create an intimate portrait of her 33-year union with one of the world’s most celebrated playwrights. Fraser and Pinter were both married with children when they connected at a party in the 1970s (they talked until 6 o’clock in […]
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In 2011, 29-year-old American Ballet Theatre dancer David Hallberg made international headlines—and history—when he announced that he was joining the Bolshoi Ballet in Moscow, one of the world’s most prestigious ballet troupes, by the invitation of the Bolshoi’s director.

The first American to join the Russian company as a principal dancer, Hallberg began splitting his time between the Bolshoi and the American Ballet Theatre (ABT) in New York City. He led a stress-filled life of training and travel (his days off were often spent on airplanes, commuting between countries), and the pressure caught up with him in 2015, when foot issues led to his exit from the stage. After two problematic surgeries, Hallberg—devastated—thought he’d never dance again.

In his brisk, beautifully executed new memoir, A Body of Work, Hallberg documents his rise to the top of the ballet world and coping with a career-threatening injury. Born with the perfect ballet physique—tall and long limbed with flexible feet—he began studying ballet seriously at age 13 in Phoenix, Arizona. He was teased at school but supported by his parents, who encouraged his desire to dance.

By the age of 20, Hallberg was living in New York and dancing with ABT. He provides an enthralling inside look at life in the studio—the physical pain, the hard-to-please partners, the struggle to transcend technique and achieve artistry. “Dancing virtuoso steps,” Hallberg says, “can feel like traversing a darkened room trying to avoid a trip wire.”

At the time of his injury in 2015, Hallberg had performance engagements around the world. The road to recovery took two-and-a-half years, including 10 months with the Australian Ballet’s reputable rehabilitation team. In scenes that are emotionally raw and moving, he recounts the painful comeback process.

Performing as effortlessly on the page as he does on the stage, Hallberg, who returned to ABT in top form this year, writes about the technicalities of his craft with clarity and precision. Readers of every taste will find much to relish in his inspiring book (balletomanes will consume it in a couple of sittings). Should Hallberg choose to take it on when he retires, a new role may await him: writer.

In 2011, 29-year-old American Ballet Theatre dancer David Hallberg made international headlines—and history—when he announced that he was joining the Bolshoi Ballet in Moscow, one of the world’s most prestigious ballet troupes, by the invitation of the Bolshoi’s director.

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From obscure author to literary legend—that’s the transition Karl Ove Knausgaard has made in recent years thanks to his acclaimed autobiographical work, My Struggle. In that six-volume series, he delivers a meticulously detailed chronicle of his upbringing in Norway and his life as a writer, husband and father.

Knausgaard has a gift for making the quotidian seem compelling. His inclusivity and exactitude of detail, along with his tendency to follow narrative tangents to their exhausted ends, allows him to replicate on the page the nature of his own experience in a way that feels both expansive and microscopic. This effect enlivens his new book, Autumn, the first of four essay compilations, each of which will be named for a season.

Autumn was written as Knausgaard awaited the arrival of his fourth child, Anne, and it serves as a sort of introduction to the material world. Knausgaard offers musings on items encountered during the routine business of living—from plastic bags, bottles and rubber boots to the drum kit he keeps in his office. He also focuses on nature and its power to astonish and on the mysteries of the human body. Whether he’s writing about a rainstorm (“the sound of thunder always heightens the sense of being alive”) or teeth (“miniature white towers in the mouth”), the scrutiny Knausgaard applies to everyday objects renews them for the reader.

The essays in this perceptive collection are no more than a few pages in length, and Knausgaard’s prose style throughout is unembellished and precise. But the book also has an underpinning of tenderness. Of his children, Knausgaard writes, “I want them to relish life and have a sense of its abundance.” In Autumn, he captures that sense—and much more.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

From obscure author to literary legend—that’s the transition Karl Ove Knausgaard has made in recent years thanks to his acclaimed autobiographical work, My Struggle. In that six-volume series, he delivers a meticulously detailed chronicle of his upbringing in Norway and his life as a writer, husband and father.

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