Katie Garaby

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Cat Sebastian’s We Could Be So Good is a sweet workplace romance that follows two men who work at a newspaper in late 1950s New York City. It reads like a love letter to the queer pulp novels of the era, but with an infusion of hope not often seen in literature about the time period. 

Nick Russo is a gruff, working-class journalist from Brooklyn who has worked his way up the ladder to become a lead journalist for The Chronicle. Charmingly naive Andy Fleming is the begrudging heir to his family media empire and Nick’s future boss. Nick is prepared to hate Andy, who he sees as a pretty boy who has had everything handed to him, but that’s easier said than done. During their first encounter, Nick finds Andy literally stuck—his tie jammed in a filing cabinet. Andy’s lovable mess charms the grumpy journalist, and soon Nick is helping Andy with small, everyday tasks like keeping track of keys as well as bigger issues like navigating the politics of the paper. Nick, who has long known he is gay, is content to merely pine for his hapless friend. But then Andy begins to question his own feelings for Nick and whether they could be more than platonic.

We Could Be So Good takes place in the oft-romanticized late 1950s, which are a particularly fascinating and high-stakes backdrop for a queer historical romance. It would be easy to fill both men with shame and self-loathing, given the threats to their safety. And yet this book is filled with so much hope. The queer scene was beginning to blossom in this era, with pulp novels acting like a road map for the LGBTQ+ community. Nick and Andy read these books, and Sebastian incorporates plot devices and tropes from them into her work. However, instead of the shame and violence that often accompanied contemporary 1950s narratives, Sebastian gives Nick and Andy a safe space to explore their sexuality. They even experience some (albeit minor) degree of acceptance from their families. These refreshing choices prevent the story from being bogged down by the toxicity of the time period, allowing the reader to experience queer optimism if not outright joy.

With We Could Be So Good, Sebastian adds a tender, heartening stunner of a love story to her already-impressive body of work.

Cat Sebastian’s midcentury romance is a tender, heartening stunner of a love story.
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In A Rogue at Stonecliffe, Candace Camp takes readers on a wild adventure full of romance and suspense in Regency England. 

More than a decade ago, the love of Annabeth Winfield’s life left without a word. Forced to wonder if she made it all up in her head, Annabeth begrudgingly attempted to get on with her life. She clearly didn’t mean as much to Sloane Rutherford as he meant to her. With time, Annabeth finds herself engaged to the perfectly fine, albeit a little boring, Nathan. So naturally, that’s when Sloane returns, warning Annabeth that she is in trouble.

Sloane has actually spent the last decade as a spy and is attempting to leave that life behind him when a ruthless, anonymous blackmailer threatens Annabeth. He is desperate to keep her safe, but the plucky Annabeth is not about to let Sloane lock her in a parlor. As the stakes increase and the two find themselves constantly together while trying to stop the blackmailer, old feelings rise to the surface and they wonder if there isn’t a bit of unfinished business between them.

A cornerstone of the historical romance subgenre with a mile-long backlist, Camp knows a thing or two about creating compelling characters. While the blackmailing plotline is often confusing, the love story is on point. The chemistry between Sloane and Annabeth absolutely crackles, and it’s perfectly believable that, despite being separated for a decade, these two would still be head over heels for each other. Folks who love a Regency romance rife with palpable sexual tension and intrigue will have a wonderful time reading A Rogue at Stonecliffe.

Those in search of a Regency romance rife with palpable sexual tension and intrigue will have a wonderful time reading A Rogue at Stonecliffe.
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Julie Anne Long’s How to Tame a Wild Rogue is a joyful, sexy and stylishly written Regency romance that reunites readers with the quirky found family of the Grand Palace on the Thames boarding house.

The sixth installment of Long’s Palace of Rogues series introduces its main couple, infamous  privateer Lorcan St. Leger and Lady Daphne Worth, in what is possibly the single greatest meet-cute this reviewer has ever read. After her father gambled away the family wealth and her fiancé left her for a governess, Daphne was forced to find work as a lady’s companion. But when her employer’s husband makes a pass at her, Daphne ties together her bedsheets and hoists herself out the window to escape him—only to find that the barrel she was relying on to help her reach the ground has been moved. Lorcan, curious as to why a beautiful woman is dangling out a window, decides to offer a hand. When the weather takes a turn for the worse, the pair take shelter at the Grand Palace on the Thames. In order to share the only remaining suite at the boarding house, the two must pretend to be husband and wife, but real feelings soon begin to take hold. As the tension between her and Lorcan escalates, Daphne must decide if she is willing to take a risk for love.

This excellent book will be best understood by those who are already familiar with the wonderful inhabitants of the Grand Palace on the Thames; newcomers will most likely want to start at the beginning of the series. The Grand Palace itself is a key part of what makes How to Tame a Wild Rogue so enjoyable, as Long is able to revisit a place that has already been the setting of so many love stories. She tells the story not only from Lorcan’s and Daphne’s perspectives, but also from the points of view of Angelique and Delilah, the owners of the Grand Palace who have starred in previous books in the series. Fans of these characters and their dashing husbands will be delighted by the insight Long provides into their lives post-happily ever after. They and their regular residents all feel like family, providing equal parts comedic relief and suspense. However, the strength of the supporting cast doesn’t draw attention from the compelling two main characters. Lorcan and Daphne are both desperate to be chosen and loved, and they respond with such tenderness to the possibility of healing from their pasts and building a new life with each other.

Long proves once again that she’s one of the queens of Regency romance in the wonderful How to Tame a Wild Rogue.

Julie Anne Long returns to the Grand Palace on the Thames with the utterly romantic How to Tame a Wild Rogue.
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If every story has already been told, then writers have the supreme challenge of telling old tales in new ways. Kate Goldbeck’s debut novel, You, Again, is the perfect example of how to do this successfully. A fresh take on the iconic rom-com When Harry Met Sally, You, Again is funny, deliciously awkward and uniquely romantic. 

What happens when Ari, a struggling comedian who doesn’t believe in love, meets Josh, a hopelessly romantic chef? Well, naturally, they find out they are sleeping with the same woman. While both figured that they’d never meet again, New York City has other ideas, and a series of maddeningly funny run-ins ensues. Until one day, five years after their initial meeting, when heartbreak has them both reeling and they form an unexpected friendship. But over time, the lines start to blur and Ari and Josh’s commitment to being “friends without benefits” slowly crumbles.

You, Again provides a clever and highly satisfying rendition of enemies-to-lovers, especially because it isn’t a solitary disappointing encounter that makes Ari and Josh enemies, as is often the case. Oh no. These two consistently enrage each other for years before life delivers them both humbling heartaches, allowing them to extend a bit of grace. This progression from mounting hostility to a weary truce makes their friendship and its inevitable romantic turn all the more satisfying in the end.

Josh and Ari are both flawed and funny messes who can’t seem to get out of their own way. And it’s very fun to watch them be messy. The magnetic push and pull that Goldbeck constructs between the two makes it obvious that keeping their relationship purely platonic won’t last. Ari, with her unapologetic and hilarious goading, and Josh, with his stubborn and oftentimes infuriating sense of righteousness, are perfectly crafted to first infuriate, then delight each other.

In one of the novel’s best scenes, Ari, riffing on the title of Brené Brown’s Daring Greatly, asks, “Is it possible to wallow greatly? Somebody write that book.” Well, congratulations, Goldbeck: You did it. You, Again wallows in fantastic, funny and romantic fashion.

You, Again is a fantastic, funny and uniquely romantic update of When Harry Met Sally.
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How does any good romance protagonist woo their intended? Do they leave secret gifts for their love to find? Do they mend a tear in their shirt as an act of service? Whatever it is, it usually isn’t to compare their future lover’s brown eyes to beef stew. And yet, the gruff but kindly Rufus d’Aumesty does exactly that to Luke Doomsday as they begin to circle each other in KJ Charles’ gorgeous and delightful A Nobleman’s Guide to Seducing a Scoundrel.

It’s been 13 years since the events of The Secret Lives of Country Gentlemen, the first book in Charles’ Doomsday Books duology. Rufus d’Aumesty has found himself unexpectedly named the Earl of Oxney, and has since been saddled with belligerent relatives who refuse to leave his home and are intent on proving his illegitimacy. One such attempt brings Luke, who played a key supporting role in the first novel, to the earl’s door with stories of a secret marriage and his own claim to the title. Luke is a frighteningly competent smuggler-turned-secretary, and Rufus, a career military man, desperately needs help sorting out the affairs of his newfound earldom. Before they know it, their tentative alliance against Rufus’ grasping family blossoms into the tenderest of love affairs. But each man has his secrets, and those secrets threaten to eat away at the very foundation of their relationship. Rufus and Luke must soon ask themselves what exactly they are willing to sacrifice for love.

There is a moment in this book, not quite midway through, when Luke is caught sneaking around the manor by Rufus. Emboldened from weeks of building tension, Luke glares at Rufus and charges him to either “sack me, fuck me, or leave me be.” Phew. Let me tell you, I mopped my brow and then hollered with glee. Charles’ ability to steam up the pages while also producing pure, fangirl-esque joy is a defining trait of her work. There isn’t a ton of waiting to get to the juicy bits in a Charles book, but somehow, she still makes you feel like you’ve spent hours begging for her characters to just kiss already. At times, it can feel like romance readers must choose between spice and plot, but we don’t have to make that choice here: It’s all there, perfectly laid out by an expert writer who unerringly produces novels that are masterfully crafted, deliciously adventurous and so, so horny. A Nobleman’s Guide to Seducing a Scoundrel is a nonstop, swoony adventure from start to finish.

KJ Charles concludes her Doomsday Books duology with the masterfully crafted, deliciously adventurous and so, so horny Nobleman’s Guide to Seducing a Scoundrel.

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