Keith Herrell

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As the first African-American basketball player in the Southeastern Conference, Perry Wallace earned plenty of headlines. But few of the articles under those headlines told Wallace’s real story, or described the emotions he felt as he made history almost half a century ago.

Andrew Maraniss, who graduated from Vanderbilt a generation after Wallace and first interviewed him for a black history class, takes readers behind the headlines with a meticulously researched book, Strong Inside: Perry Wallace and the Collision of Race and Sports in the South. The story is told unapologetically from Wallace’s side, but it’s a side that needs to be heard.

As valedictorian of his class at Nashville’s all-black Pearl High School in 1966 and leader of the state champion Pearl Tigers, Wallace was, on the surface, the perfect candidate to integrate the SEC. In many ways, Vanderbilt’s move succeeded, with Wallace starring on the court and, off the court, being chosen for Vanderbilt’s highest honor for a male student.

Unfortunately, the public only saw part of the story. Wallace was the target of vicious verbal abuse on the road and subtle and not-so-subtle racism in Nashville. A day after his graduation, Wallace gave a bombshell newspaper interview in which he described his Vanderbilt years as lonely and unfulfilling. Shortly thereafter, he left his hometown and settled in Washington, D.C., where he has enjoyed a successful career as a law professor.

Maraniss sets Wallace’s story against the backdrop of the civil rights movement. Strong Inside is superbly written, hard to put down and fascinating for sports fans and non-sports fans alike.

RELATED CONTENT: Read our Q&A with Andrew Maraniss on Strong Inside.

This article was originally published in the December 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

As the first African-American basketball player in the Southeastern Conference, Perry Wallace earned plenty of headlines. But few of the articles under those headlines told Wallace’s real story, or described the emotions he felt as he made history almost half a century ago.
Interview by

The author of a new book on Perry Wallace, who broke the color barrier in SEC basketball in the 1960s, explains why he decided to tell Wallace’s little-known story.

Why did you want to write Strong Inside?
Perry Wallace is a fascinating, brilliant person who overcame tremendously painful and challenging obstacles to make history—and yet most people have never heard of him. It’s as if nobody knew the story of Jackie Robinson. So it was an incredible opportunity to get to tell this story. It’s one I’ve wanted to tell since 1989, when I was a sophomore at Vanderbilt and wrote a paper about Wallace for a black history class.

A lot of research went into this book. How long did you work on it?
Eight years. My first interview was with Perry’s coach at Vanderbilt, Roy Skinner, in the fall of 2006. I spent several years just doing interviews and research before I began writing.

What do you admire most about Perry Wallace?
There are so many things to admire about Perry—his perseverance, his character, his desire to always do the right thing—but what I admire most about him is his intellect. Spending the last eight years talking to him has been an incredible education for me on everything from human nature to race relations to parenting.

You were born too late to see Wallace play high school or college basketball. Of all the games you describe in the book, which one would you have liked to have seen in person?
I would travel back to Oxford, Mississippi, on February 9, 1968, to see his game against Ole Miss, the first time an African American had ever played a basketball game there. By all accounts, the abuse he took from the crowd was as bad that night as any of his career—but Perry played one of his best games, completely dominating in the second half.

How hard was it for you to come to terms with the day-to-day segregation and racial attitudes of the South in the 1960s?
It was important for me to place Perry Wallace’s story in the context of the place and times in which he operated. He grew up in Nashville at the height of the civil rights movement and as a 12-year-old would sneak downtown to watch the sit-ins at the lunch counters. In college, he met Martin Luther King Jr., Fannie Lou Hamer and Stokely Carmichael when they passed through town. Perry’s story is as much a civil rights story as a basketball one.

Did you get any suggestions from your father [journalist and author David Maraniss] about writing this book?
The best advice came through years of osmosis: just reading his great writing ever since I was a little kid. I used to spread The Washington Post over the dining room table, and our sheepdog Maggie would jump up on the table and finish my cereal while I read the paper. Rest of the family was still asleep, I guess.

Put yourself in Wallace’s shoes. Knowing what you do now, would you have attended Vanderbilt and broken the color line in the SEC?
I don’t know that Perry would do it all over again knowing what he knows. And as strong a man as he is mentally and physically, if he has those doubts, there’s no way I could do it.

 

RELATED CONTENT: Read our review of Strong Inside.

 

This article was originally published in the December 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

The author of a new book on Perry Wallace, who broke the color barrier in SEC basketball in the 1960s, explains why he decided to tell Wallace’s little-known story.
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Margaret Eby explores the hometowns and stomping grounds of 10 Southern authors in her literary travelogue, South Toward Home.

What made you decide to write this book?
The idea for this book originated with a piece I wrote for the Paris Review Daily about Eudora Welty’s house. After her death, her once fabulous back garden had fallen into disrepair, but a team of Welty enthusiasts restored the place partially using passages from Welty’s fiction and letters to envision the garden as it once was. That got me thinking about the way that fictional places and real places overlap, particularly in Southern fiction.

What makes the South so tempting as a literary destination? 
For me, it’s because many of the writers I researched are part of our fairly recent history, which means that there are still people in these small Southern towns that knew them, or at least know their relatives. If you go to Jackson and start asking about Eudora Welty, pretty soon you’ll have half a dozen people with dinner party stories about her, or an offer to introduce you to her hairdresser. The memorials aren’t these museum-ified, airless things, they’re living parts of the fabric of that town.

You grew up in Alabama but now live in Brooklyn. As a former Southerner, what sort of emotions does a return arouse?
It’s funny. Even though at this point, I’ve lived away from the South for about a decade, every time I go back there, it’s a relief. It’s still home to me—it’s where my parents live, and where many of my good friends are, and I’ll always carry it with me. But it’s also a place with a lot of baggage and a history of real violence. Both those things were inescapable while I was doing my research—the pleasure of the place is hard to separate from the weight of its history.

Did your travels change your perspective on any of the authors?
Absolutely. I think one of the most touching parts of my research was talking to Harry Crews’ cousin. Crews styled himself as this macho, hyper-masculine author, but to his cousin, he was his prankster relative who he once tricked into peeing onto an electric fence.

Did you do a lot of research or just hit the road and go with your gut?
It was definitely a combination. I knew which sites I wanted to go to, and I read up a lot about the writers and the places they wrote about before I set off anywhere, but some of the things I found were strokes of pure luck. Like meeting Crews’ cousin—that was thanks to a combination of Crews’ longtime friend and biographer and the kindness of a traveling furniture salesman/preacher.

If you could do a sequel, which authors would you include?
I’d love to write about Zora Neale Hurston, Katherine Anne Porter and take a look at Cormac McCarthy’s Knoxville, Tennessee, before he decamped for the Southwest. I’d also love to write about Ellen Douglas, a really underrated Mississippi writer. 

If one of the authors could have magically appeared during one of your visits, which one would you pick?
Oh, man. I think it has to be John Kennedy Toole, just because I’d want to fill him in on the success of A Confederacy of Dunces and ask him about his life. Plus, I hear he could drink a mean Sazerac.
 

ALSO IN BOOKPAGE: Read our review of South Toward Home.
 

This article was originally published in the September 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Margaret Eby explores the hometowns and stomping grounds of 10 Southern authors in her literary travelogue, South Toward Home.
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A new biography offers a heartbreaking look at the life of Rosemary Kennedy, who was lobotomized and hidden away because of her disability.

Your two previous biographies focused on 19th-century figures. What prompted you to leap ahead 100 years and focus on the Kennedy family?

In January 2005, I saw Rosemary’s obituary in the Boston Globe. I knew who she was, but I felt there was more to know. As I started to explore her story, I became deeply moved by the struggles and obstacles she faced, and how her family dealt with those challenges.

Your publisher touts “major new sources” for the book. Can you elaborate on these sources and how they were useful?
I was fortunate to start research soon after the John F. Kennedy Library in Boston had begun to unseal the private papers of Rosemary’s parents, Joe and Rose Kennedy. The two collections contain many letters to and from Rosemary, as well as scores of documents from Rosemary’s teachers, doctors and caregivers. Unlike other Kennedy biographers, I have used all of Rosemary’s letters in crafting this biography—some of them I have transcribed and are seen here for the first time.

Did you have any contact with the Kennedy family? If so, how cooperative were they? Did you encounter any resistance?
I interviewed Anthony and Timothy Shriver—Eunice Kennedy Shriver’s sons—who recalled many fond memories of Rosemary and her frequent visits to their home. They, like most of their generation of Kennedys, are unclear about what happened to Rosemary.

There is definitely resistance within the family to engage in discussions about Rosemary. The John F. Kennedy Library still restricts access to some documents related to her, per Kennedy family wishes. Given her vulnerability in life, it is understandable that the family remains protective of her even now.

Joe and Rose Kennedy made multiple mistakes in Rosemary’s upbringing. Which of the two do you hold more culpable in how Rosemary’s life turned out?
I feel that it is impossible to blame one parent more than the other. They both made decisions that had profoundly negative consequences for Rosemary. They both wanted to consign her care to someone else and send her away from the family. And while Joe may have facilitated Rosemary’s lobotomy, Rose abdicated her responsibility as a mother when she let Rosemary be dropped out of their lives for the next 20 years.

Although it ends on a redemptive note, the book is often heartbreaking to read. Was it difficult to write from an emotional standpoint?
It was very difficult to write. I fell in love with Rosemary as I read her letters and learned more about her. She was an incredibly adorable child, a sweet and loving sister, and a beautiful daughter with her own potential. It is heartbreaking to think about what she endured growing up in such a high profile and competitive family in a society that rejected people with disabilities. Her letters expressing her loneliness and desperate pleas for approval from her parents are so painful. But the scene about the lobotomy was the most challenging to write. It is deeply troubling to know that there was no one to protect Rosemary from such callous doctors and desperate parents.

ALSO IN BOOKPAGE: Read our review of Rosemary.

Author photo by David Carmack

This article was originally published in the October 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

A new biography offers a heartbreaking look at the life of Rosemary Kennedy, who was lobotomized and hidden away because of her disability.
Interview by

Tasked with cleaning out her late parents’ house, Plum Johnson made some surprising discoveries, which she chronicles with wit and insight in They Left Us Everything.

There are multiple ways to interpret the book’s title. What does it mean to you?
When Mum and Dad died, I rolled my eyes at all their junk and thought: Oh jeez . . . they left us everything. But once we took the time to go through it, I understood the history we’d been given, and I thought: Wow—they left us everything! So the irony of the phrase stayed with me.

What was the best advice you got during the process? The worst?
The best advice was: Forgive yourself and forgive your parents, because everybody did the best they could. My brothers and I also made a pact that material possessions aren’t worth fighting over; relationships are more important. 

They Left Us Everything is dedicated to your children. Did this experience inspire you to make sure your affairs are more settled so they won’t have to go through what you went through?
No! The message is exactly the opposite: “Don’t self-edit.” I’m leaving my mess for my children to sort through. Hopefully, they’ll find out things about me that I never wanted them to know. We all have foibles that we try to hide from our children when we’re raising them. But it’s helpful for them to discover these things, especially when they look in the mirror and realize they’ve become us! I just hope I’m dead when they write their books.

You probably thought you had achieved closure with your demanding father, who died years earlier than your mother. What was it like to rekindle all those memories? 
I don’t look for closure, because I’ve learned that relationships continue even after death. I made peace with Dad during his slow descent into Alzheimer’s. We had 15 years of gentleness, which was lovely. 

If your parents were still alive and you could ask questions of them, what would you ask?
I would probe more deeply into their relationships with their own parents. I never asked those questions, and I wish I had. After Mum died, I found all these letters written to her by her own mother, and they were dated throughout her childhood. This surprised me. I didn’t know her mother had been so frequently absent.

What’s it been like to become a first-time author at the age of 68? Do you have more books on the horizon?
I’ve always been a late-bloomer. Sometimes confidence comes late in life. I had a high school teacher who used to pound on her desk and shout, “Don’t write until you have something to say!” She effectively shut me up for the next 50 years. I kept asking myself, “Is this worth saying? Is that worth saying?” I used to look at all the piles of books on remainder tables—each one representing five years of someone’s life—and think, why bother? But this book just burst forth. It unplugged a cork of non-confidence. Now I have so much to say I can hardly wait to tell it all.

Author photo © Carter Johnson. 
 

ALSO IN BOOKPAGE: Read our review of They Left Us Everything.
 

This article was originally published in the August 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Tasked with cleaning out her late parents’ house, Plum Johnson made some surprising discoveries, which she chronicles with wit and insight in They Left Us Everything.
Interview by

In her latest book, Off the Charts, Ann Hulbert explores the lives of 15 brilliant child prodigies and the lessons they can provide for parents in today’s hyper-competitive world. We asked Hulbert about the pitfalls of early genius, common mistakes made while parenting prodigies and more. 

Off the Charts seems to be about parents almost as much as children. What are the most common mistakes parents can make when confronted with genius?
In a nutshell: Parents are prone to butt in too much, and to forget that childhood happens only once and goes by very quickly. Remarkable talents in children usually emerge because they go hand-in-hand with unusually intense interests. A small boy notices numbers everywhere and loves doing complicated calculations in his head. A little girl is a total bookworm and gets hooked on typing, creating her own startling poems or stories. Kids who are so avid about their preoccupations, and who make such extraordinary progress, generally welcome adult interest and encouragement. They need it, too. But they also thrive with absorbing play, pursued for its own sake—not an adult specialty. What parents are all too tempted to do, especially when stunned by youthful genius and steeped in a rug-rat-race culture like ours, is to turn self-driven pursuits into a structured enterprise with milestones to meet in a hurry. When their zeal blinds them to children’s own perspective, beware.

Why is society so fascinated with child prodigies?
Seeing children do amazing, age-inappropriate feats is bound to be both thrilling and unsettling. As rarities who flout the natural order of development, prodigies have been greeted down the ages as wondrous anomalies. But they’ve also been scrutinized as auguries bearing messages—often conflicting ones—about change. Phenomenal children raise hopes that human potential may reach new heights; for example, when Harvard welcomed two very precocious boys, both great at math, in 1909, their fathers promised genius could be unleashed in others and social progress would accelerate. Seventy years later, computer prodigies challenged adult authority, stirring fears of grown-ups left in the dust—and of rising inequality in an ever faster-paced future. Excitement and apprehension greet prodigies again and again, guaranteeing lots of attention—and confusion, too. These days, as we worry over the excesses of a meritocracy that prizes early high achievement, burned-out prodigies confirm our worst fears, even as off-the-charts young marvels continue to inspire us.

Did your research shatter any preconceived notions you had about child prodigies?
I expected the trajectories of prodigies to be more streamlined than the meandering paths of ordinary children. The truth is, the lives of the children I explore—even the studiously choreographed existence of, say, Shirley Temple—contain lots of ups and downs, unforeseen obstacles, lucky breaks and unpredictable swerves. For the autistic prodigious savants I write about, that’s especially clear. But family situations and social contexts, not just the prodigies’ own rare talents, play a big part in the struggles and successes they all experience.

And so does adolescence. When I started out, I had no idea that adolescent crises would prove so important in the lives of those who perform at adult levels in childhood. You might think, as I did, that precocious accomplishment would help forge a child’s identity early. But for every prodigy in my book—from the headstrong Bobby Fischer to a dreamy young novelist named Barbara Follett—the quest for independence and autonomy turns out to be, if anything, unusually fraught. That became very obvious as I worked hard at providing what too often gets left out: the kid’s perspective.

Do brain scans offer any insight into child genius?
Brain scans haven’t yet revealed much about possible innate sources of prodigious achievement in childhood. Studies of brain abnormalities in autistic savants have seemed potentially promising, but have so far yielded only intriguing hypotheses (such as that left-brain injury may be associated with unusual musical and artistic skills). Signs that intensive nurture leaves a mark on brains hardly seem surprising. One imaging study of young musicians showed more growth in the corpus callosum (which enables communication between the brain’s hemispheres) in kids who practiced a lot over two and a half years than in kids who practiced less. So there’s neurological grist for the old how-to-get-to-Carnegie-Hall joke.

How would you describe yourself as a parent? Have the stories youve uncovered affected your parenting style, or made you rethink any approaches you might have used?
I routinely lamented the stress that my two kids (now young adults) experienced in their high-powered private school, once they moved on from the pretty relaxed lower school years. I also sighed over the many extracurricular advantages they had in their busy lives, feeling how unfair it was that they were so enriched and stimulated—and worrying that crammed schedules and résumé-padding could too easily kill genuine interests and commitments. And then when SAT-prep time came, I signed them up for it anyway. This close-to-home ambivalence about early super-performance was no small part of what inspired me to embark on the book.

In your opinion, what's the measure of success for a child prodigy?
I tell inspiring stories of youthful gifts that continued to thrive, and sadder stories of children who got derailed as they outgrew prodigyhood. I think Norbert Wiener, one of the Harvard boys who opens the book—who went on to become the founder of cybernetics—put it best: What every prodigy deserves to get, in the course of his inevitably unusual childhood, is the “chance to develop a reasonably thick skin against the pressures which will certainly be made on him and a confidence that somewhere in the world he has his own function which he may reasonably hope to fulfill.”

Would you like to have been a child prodigy (or perhaps you were!)? If so, what do you wish you were particularly gifted at?
I did have a brief phase of writing horse-related stories under a pen name, but I’m grateful to have been spared being a prodigy. I wish I’d learned how to play the piano well. But looking back, I’m glad that an utter lack of natural talent didn’t stop me from plugging away at the keys (for far fewer than 10,000 hours, but . . .). Among many rewards, I took real pleasure, in my teenage doldrums, from stumbling through pieces that I loved.

Do you have a favorite case history from the book? The story of Marc Yu and his “Tiger Mom” seemed to particularly fascinate you.
The bonus of spending as long as I did writing about prodigies was getting to meet Marc at age 6 and being able to keep checking in until he was on the brink of applying to college. I’d never heard such a young child play so well, or seen a mix of high spirits and unrelenting industriousness like his. I eagerly—and anxiously—followed his and his mother’s arduous quest to prepare him for a soloist’s career. And then their story converged with the storm over “Tiger Mother” tactics. I could not have predicted they would prove so articulate and so willing to talk openly about their struggles.

Piecing together the historical stories was a very different challenge, and I found myself especially curious about two remarkable girl writers of the 1920s, the poet Nathalia Crane and the novelist Barbara Follett. The idea of literary prodigies is likely to sound odd: Precocious super-achievement is most commonly found in rule-driven domains like math, chess, music and computers. The girls’ blend of innocence and mature insight entranced adults, yet also roused their suspicions: Who or where was their writing really coming from?

Did you find that the child prodigies you researched, from math and musical geniuses to writers and chess players, all had something (besides genius) in common?
They shared remarkable powers of focus, and they all worked extremely hard—and in just about every case, they were not kids who effortlessly got along with peers (or had time to spend getting better at mingling).

What’s next for you?
I’m not sure yet.

 

ALSO IN BOOKPAGE: Read our review of Off the Charts.

Author photo by Nina Subin.

A portion of this article was originally published in the January 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In her latest book, Off the Charts, Ann Hulbert explores the lives of 15 brilliant child prodigies and the lessons they can provide. 

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