Linda M. Castellitto

Like so many of us, poet and Brown University professor Kate Schapira is deeply worried about the future of our planet. Rather than fret alone, in 2014 she set up her Climate Anxiety Counseling Booth (inspired by “Peanuts” character Lucy van Pelt) in downtown Providence, Rhode Island, as a means of communication and commiseration.

Now, she’s distilled what she heard, discussed, felt and learned into her debut book, Lessons From the Climate Anxiety Counseling Booth: How to Live With Care and Purpose in an Endangered World. Schapira, who writes in a voice resonant with empathy, encouragement and fierce determination, recommends the book be read “in order and together” because “the progression of stories, questions, and practices is designed to unwind tightly tangled grief, frustration, exhaustion, and inertia . . . into a followable path of courage, capability, and strength.”

Such a path was far from clear when her booth debuted in 2014: “No one I knew seemed to want to discuss it at all,” she writes, “and that made me feel frantic and alone.” But as her network of climate-conscious compatriots grew, Schapira developed a process to help readers “transform what [they] feel, with others, into connection and action,” which this book details across eight chapters rife with information and analysis.

Schapira also takes on capitalism and white supremacy, which she believes create and perpetuate climate change. For example, she describes so-called sacrifice zones, “places where ecology, including human well-being, is sacrificed for power and profit,” noting residents “are usually people culturally devalued by their city or nation.” And she cites the work of activists she encountered, like Mark, who walked a cross-continent barefoot pilgrimage to Brooklyn-based BK ROT, a compost-hauling service whose hiring practices ensure “some of the people hit hardest by capitalism and white supremacy feed themselves, their families, and the soil.”

Ultimately, Schapira writes, her book is “not the last word on anything—or the first word either,” but it’s certainly a valuable reading experience for those seeking shared solace as well as motivation for positive, productive communal action. An extensive contributors and resources section, as well as a glossary, nicely bolster Schapira’s smart, heartfelt and inspirational efforts.

Kate Schapira offers a guide to transforming climate angst into collective action in her inspiring Lessons From the Climate Anxiety Counseling Booth.

Home is where the heart is—but what makes that heart want to live in that home forever? As someone who’s moved 10 times in his adult life and is “fascinated by the kind of people whose grandchildren visit the home that they raised their children in,” interior designer Jeremiah Brent found himself wondering what makes people stay put. As he explains in his heartfelt introduction to The Space That Keeps You: When Home Becomes a Love Story, Brent “wanted to understand what it takes to fall in love with a space, because my fantasy was to truly come home.” The fruits of his exploration are contained in this sumptuous “emotional design” book filled with photos of, yes, beautifully decorated homes, but also carefully curated mementos, as Brent relays stories shared with him by nine families in the U.S. and abroad. From a Venetian palazzo to Oprah Winfrey’s home in Montecito, California, Brent thoughtfully distills what makes spaces special to those who reside in them, offering inspiration and aspiration to readers who appreciate “the beauty of intention and connection, perception and memory, ceremony and ritual—and most importantly, of life and love.”

Jeremiah Brent’s sumptuous The Space That Keeps You offers “inspiration and aspiration” to help you fall in love with your home.

Who doesn’t love a pretty village? In these two debut mysteries, rolling countryside, cobbled streets and grand medieval manors create perfectly pastoral backdrops for murder most foul. 

The Antique Hunter’s Guide to Murder

Freya Lockwood is at loose ends: Her ex-husband is forcing the sale of their London home; their daughter, Jade, has left for university; and it’s been years since Freya’s been enthused about anything aside from motherhood. 

She once worked as an antiques hunter alongside her mentor, the debonair and wickedly intelligent Arthur Crockleford. They returned stolen antiquities to their rightful owners, a pursuit both exhilarating and fulfilling. But after a trip to Cairo ended terribly, Freya cut contact. She hasn’t spoken to Arthur or returned to her hometown of Little Meddington in the 20 years since.

As C.L. Miller’s The Antique Hunter’s Guide to Murder opens, Freya’s beloved and fabulous Aunt Carole calls with news of Arthur. He’s been found dead in his Little Meddington shop, and Carole’s convinced he’s been murdered. To add to the emotional upheaval, Arthur left Freya a letter imploring her to find the culprit using cryptic clues he’s set out for her.

The quest begins at an antiques enthusiasts’ weekend at nearby Copthorn Manor. The ivy-covered mansion is set on beautiful grounds, but inside the house, things are far from pretty. The shifty cast of characters present is filled with likely suspects, all of whom are ill-mannered at best and dangerous at worst. Can Freya and Carole untangle the deadly connections between past and present before the killer strikes again?

Miller adds authenticity by name-checking real antiques with help from her late mother, the author and “Antiques Roadshow” expert Judith Miller. Readers will enjoy following the trail of clues alongside Freya and Carole, who must also contend with their conflicting feelings about Arthur. This series kickoff capably combines a treasure hunt, a murder mystery and complex relationship dynamics, and is sure to keep readers curious and engaged, while perhaps pining for their own special antique, too.

How to Solve Your Own Murder

Kristen Perrin’s How to Solve Your Own Murder also centers on amateur sleuths who are aunt and niece. Although in this lively, twisty tale, Great-Aunt Frances is the recently deceased victim, found in the library of her stately mansion in the village of Castle Knoll.

Her 25-year-old great-niece and aspiring mystery novelist, Annie, is present for this sad discovery, being one of the family members and advisors Frances summoned to Gravesdown Hall to discuss her will. But while Frances’ demise is a terrible shock to the group, it wouldn’t have surprised Frances herself: In 1965, a fortuneteller told the then-teenager, “All signs point toward your murder,” and she’s been trying to preemptively solve her own murder ever since.

Castle Knoll residents have long scoffed at Frances’ belief in the prophecy, and bristled at her investigations of their foibles and indiscretions—all of which are detailed on a floor-to-ceiling murder board. That board will come in handy, since Frances left Annie and the other guests at Gravesdown an assignment: Whoever solves Frances’ murder within the week will be the sole heir to her money and property. If the police crack the case first, the estate will be turned over to real estate developers, thus destroying the charm of the village filled with those who doubted Frances.

Those drawn into Frances’ game include Saxon, her nephew and the village coroner; handsome and enigmatic Detective Crane; and Walter, her lawyer and friend. There are secrets and conflicts of interest galore, plus multiple ways to access Gravesdown Hall undetected, making for an absolute pile of red herrings. And while Castle Knoll is “like a picture on a biscuit tin,” there’s plenty of ill intent roiling beneath its delightful surface. Can Annie stay safe and find the murderer before week’s end? 

Perrin juggles characters and clues with aplomb, sketching in the past via teen Frances’ journals and immersing readers in the present through Annie’s determined, good-hearted point of view. Readers will root for her as she gains hard-won confidence in this entertaining exploration of family secrets.

All whodunit fans know that little country towns are really dens of sin.

Allie Millington’s warmly emotional, wryly funny Olivetti is an engaging debut novel about the power of stories. This treasure of a tale offers hope for healing after incredibly hard times. 

It’s been a few years since what 12-year-old Ernest Brindle calls “the Everything That Happened,” which drastically changed his family life. His dad, Felix, disappears into his work; Ernest’s three siblings focus more on hobbies than togetherness; and Ernest memorizes words from his beloved Oxford English Dictionary to soothe his anxiety. He escapes to the roof of Valley View Apartments, where his family used to gather for stargazing, when he’s feeling misunderstood or lonely.

Ernest’s mom, Beatrice, has tried to bring the family closer again, to no avail. Through it all, a dark green typewriter named Olivetti (like the brand) has been silently watching, wishing he could help. “Humans take their mouths for granted,” he thinks. “I would do anything for the chance to say anything.” But it’s typewriter code “to never let what has been typed into us back out.” 

When Beatrice suddenly sells Olivetti to the Heartland Pawn Shop and disappears, Olivetti is as stunned and worried as the rest of the Brindle family. And when Ernest goes to the shop and confesses via typing that he thinks Beatrice fled because of him, Olivetti casts aside the typewriter code and offers his assistance. He’s not the only one: Quinn, the pawnshop owner’s confident daughter, informs Ernest that she’ll help track down his mom, too.

Boy and typewriter take turns narrating the trio’s suspenseful and stressful mission, and Millington uses flashbacks to fill in the contours of the Brindle family’s life and Olivetti’s unusual existence. The author winningly blends magic and realism, poignancy and mystery, as her characters close in on what’s happened to Beatrice, bonding through adversity along the way. Her lovely notion of a typewriter as a repository of secrets and dreams is finely rendered, and she imbues Olivetti’s heavy steel case and clackity keys with compassion and determination. This heartfelt tale movingly explores the beauty and importance of communication—whatever form it may come in—while encouraging readers to welcome the singular joy of finding kindred spirits in unexpected places.

Allie Millington winningly blends magic and realism, poignancy and mystery in Olivetti, a heartfelt tale that movingly explores the importance of communication.

When Debbie Fong took a bus tour with her family at age 8, an illuminated underground waterfall struck her fancy—and ultimately inspired the magical Cessarine Lake central to her wonderful graphic novel debut, Next Stop.

The Ignatz nominee and illustrator of the bestselling How to Be a Person has carefully crafted a contemplative tale that invites readers along on middle schooler Pia Xing’s weeklong summer bus trip across the desert. Her dad meant to come along, but a broken leg strands him at home. No worries, though: Pia’s a smart, trustworthy kid, and the tour guide, Caroline, is a family friend. 

Caroline’s plucky daughter, Sam, immediately befriends Pia, and the other travelers are kind and quirky. They share their hopes for what their visit to Cessarine Lake—known for “mak[ing] IMPOSSIBLE things happen”—will bring them, but Pia can’t bring herself to join the conversation. It’s only been a year since a tragic accident plunged her family into grief, and nine months since they moved to a new town for a fresh start. Pia’s mom blames her for what happened, and Pia’s dad is exhausted by his efforts to console his wife while protecting Pia. Perhaps, she hopes, the lake can help her assuage her family’s pain.

Each day of the trip reveals a new array of cleverly conceived tour-stop wonders, including a chicken-shaped hotel, a cactus petting zoo and a watermelon so huge it casts a shadow over the tour bus. Fong’s illustrations are witty and detailed with a strong eye for color. Sepia-toned flashbacks add context to Pia’s present-day emotions, and vividly kooky set pieces become increasingly peculiar the closer the bus gets to its mystical destination. Might magic be afoot after all?

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences. Charming and interesting back matter that reveals more about the author’s creative process and her background (including that childhood bus trip!) nicely rounds out a top-notch reading experience.

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences.

Despite her love for logic and science, 12-year-old Sahara Rashad longs for a trip from her home in Queens, New York, to Merlin’s Crossing, a wizard-themed amusement park.

Alas, as Nedda Lewers’ magical coming-of-age adventure Daughters of the Lamp opens, Sahara realizes her dad didn’t find her “Ten Reasons the Rashad Family Should Go to Merlin’s Crossing” list as compelling as the fact that her uncle Omar’s getting married next week, so they’re leaving for a two week visit with her mother’s family in Cairo. Sahara’s frustration at Merlin-deprivation is rapidly overshadowed by nervousness about staying with people she’s never met, in a place she’s never been. All of this is amplified by long-held guilt over her mom’s death while giving birth to her.

In Cairo, when there’s a bizarre break-in at the family store, and a necklace Sahara’s mother left her goes missing, Sahara and her cousin Naima start a mission to find the necklace and reveal the true nature of Omar’s snooty fiancée, Magda. This quest transforms into one to protect their family from ancient evil, in an exciting turn of events that draws poignant connections between present and past—among Sahara, her mother and their ancestors in 10th-century Baghdad.

Daughters of the Lamp is an engaging and entertaining series debut that takes readers on a thrilling journey through magical family history and mystery, while sensitively exploring the nature of identity and thoughtfully examining the ways in which the age-old struggle between good and evil can affect and inspire us all.

Daughters of the Lamp takes readers on a thrilling journey through magical family history and mystery, while sensitively exploring the nature of identity and the age-old struggle between good and evil.

The shocking disappearance of four people infuses suburban Palmetto, Illinois, with confusion and fear in Melissa Albert’s gripping supernatural horror thriller, The Bad Ones.

Among the missing is high school junior Nora Powell’s best friend, Becca Cross. As children, the duo established a creative partnership and spent hours in the woods together, with Nora writing stories about the goddesses they imagined, while Becca took photographs. When Becca’s parents died, Nora did her best to absorb Becca’s grief and be a source of constancy in an unstable world. But as Becca’s demeanor turned darker, revealing a discomfiting desire for vengeance, the girls began to drift apart.

As The Bad Ones begins, they haven’t spoken for months. Nonetheless, when Nora gets a text from Becca in the middle of the night, she rushes to Becca’s house and is nonplussed to discover she isn’t there. Nora’s bewilderment transforms into alarm when she realizes nobody has any idea what might’ve befallen Becca or the other three missing people, thanks to a bizarre lack of witnesses or evidence.

Tentative hope arrives in the form of clues Becca left for Nora, many of them referencing the goddess-centric activities of their youth and the urban legend that inspired them. Perhaps, if Nora can uncover the origins of the goddess game Palmetto students have been playing for decades, she can figure out where Becca went—and what she may have done. Nora eventually allows her classmates—shy, handsome James and amateur reporter Ruth—to join her efforts. Can they unravel the mysteries swirling around that fateful night before someone else disappears?

Albert, bestselling author of the Hazel Wood series and Our Crooked Hearts, expertly alternates between high school mundanity and supernatural spookiness, complemented by an impressive flair for the atmospheric. The Bad Ones is a compelling, often delightfully creepy coming-of-age tale that thoughtfully explores the nature of friendship, grief and the perilous power of unwavering belief.

 

The Bad Ones is a compelling, often delightfully creepy coming-of-age tale that thoughtfully explores the nature of friendship, grief and the perilous power of unwavering belief.

Careful listening and watchful waiting are essential to every investigator’s toolkit, and the characters in award-winning Dublin Murder Squad author Tana French’s suspenseful, slow-burning thriller The Hunter elevate those skills to an art form—not just former Chicago detective Cal Hooper but also his neighbors in Ardnakelty, a tiny village on Ireland’s west coast.

Since readers met Cal in 2020’s The Searcher, he and 15-year-old villager Trey Reddy have established a close rapport and started a carpentry business. Cal is also dating Lena, who’s conflicted about remaining in her hometown: Ardnakelty is lovely, but the shadow of the mountain often feels foreboding, and its residents revel in gossip and grudges. 

The village can be a bit of a pressure cooker, and is especially so this summer: It’s exceptionally hot and dry, and the locals are edgy about the prospect of crop failure and financial hardship. The farmers are getting bored, and as Cal’s amusingly insouciant yet vaguely menacing neighbor Mart tells him, “Boredom makes a man’s mind restless, and then he tries to cure the restlessness by doing foolish shite.”

That’s when Trey’s father, Johnny, reappears after four years away doing who-knows-what. He’s quite charming, wholly unreliable and has a proposition for the farmers: There’s gold in the mountain, and some has washed down to the land—perhaps their land. Would they like to invest in a plan to extract that gold, as led by Johnny and his business partner, a Londoner named Cillian Rushborough? The farmers are intrigued, while Cal, Lena and Trey are skeptical. Their trepidation intensifies as the planning process stirs up hostility among the townspeople, and rises to a fever pitch when a man is found murdered. Who among them did it? And who might be next? 

The Hunter’s finely crafted internal monologues and nerve-wracking dialogues ably convey the unique tensions of living in a remote small town, especially when one is uncertain which neighbor (or neighbors) might’ve committed a crime. It’s an immersive, thought-provoking tale that revels in the quiet moments—whether that of conversational gaps more revealing than spoken words, or a place of natural beauty that offers respite but never promises peace.

Tana French’s immersive, thought-provoking The Hunter revels in the quiet moments, but knows true peace is elusive.

A case of mistaken identity blossoms into a beautiful friendship in Ann Kim Ha’s clever and heartwarming picture book A Friend for Eddy

Eddy, an adorable orange goldfish, lives in a clear bowl with only decorative rocks and a plant for company. He swims and blows bubbles to his heart’s content, but while “his favorite game, / chase-your-tail” is highly entertaining, he longs for someone else to play with. 

One delightful day, a small yellow fish outside taps on the glass of the bowl and joins Eddy in a game of tag. The next day, the fish returns for more hijinks, with another friend in tow! Not only does this new buddy look exactly like the first yellow fish, he’s just as much fun.

It’s an idyllic new state of affairs. Now that he’s experienced the joys of camaraderie, Eddy wants to join his two pals outside, so he takes a big risk by swimming in fast circles, resulting in a whirlpool that propels him out of his bowl. Soaring through the air is glorious (“He felt weightless and free!”) but alas, short-lived, as Eddy plummets to the table his bowl rests upon.

The book transforms into a bit of a thriller as Eddy realizes what readers discovered a few pages ago: Those two yellow fish are not fish at all. They’re a cat’s eyes! Young readers will gasp as the cat rises up—mouth wide open, pointy teeth on display—and draws Eddy into its gaping maw. What will happen to Eddy now? 

Those who connected with Ha’s Walter Finds His Voice will be similarly inspired by the intrepid Eddy, and appreciate his and his feline friend’s ability to buck conventional wisdom and forge a close bond. A Friend for Eddy’s richly hued, evocative visuals convey an exciting range of emotions while drawing readers into Eddy’s watery world. Its upbeat text and surprising storyline highlight the upsides of trying new things—and being open to the idea that friends can be found in the most unlikely places.

A Friend for Eddy’s upbeat text and surprising storyline highlight the upsides of trying new things—and being open to the idea that friends can be found in the most unlikely places.

Daniel Lewis’ informative, engrossing, often poetic Twelve Trees: The Deep Roots of Our Future is a veritable wonderland of fascinating facts.

Did you know that “a mature redwood adds, on average, a ton of wood to its mass every year”? Or that the Laboratory of Tree-Ring Research (LTRR) was founded in Arizona in 1937, and there are 100-plus tree ring labs worldwide? Or that, contrary to its unassuming appearance, “a pine needle is akin to a skyscraper, bustling with movement and life,” including air- and water-movement systems not unlike HVAC and plumbing?

Twelve Trees is also an engagingly written experiential memoir of the author’s quest to learn more about the trees he views as crucial to human life—past, present and future. From California (where he’s senior curator for the History of Science and Technology at the Huntington Library and teaches at Caltech) to Easter Island, central Africa to Amazonian Peru and beyond, Lewis leads readers on an awe-inspiring tour of a dozen trees that, he writes, “have been on long journeys, have many accomplices as well as enemies, and need our help to survive.”

After all, trees “populate our daily lives. They’ve been part of our sight lines and metaphors, our byways, our contexts.” They record our history: At the LTRR, the author learned how bristlecone pine rings bear evidence of drought, flood and fire, thus providing data that scientists and scholars can use to analyze and predict such events. And they can be vital to culture, health and government all at once. In India, the sandalwood tree’s wood is used in important ceremonies; its oil has “helped millions through both folk and modern medicine”; and it is the subject of numerous laws regarding trade, harvesting, poaching and preservation.

Lewis is fiercely protective of and endlessly enthusiastic about the precious leafy entities—eucalyptus, ebony, baobab, olive and more—that enrich our lives and support our very existence. Twelve Trees offers extensive insight into the ways in which humans and trees are interconnected, for better or worse, and urges readers to remember that the “salvation of trees can be the salvation of humans.”

 

Written with boundless enthusiasm by Daniel Lewis, Twelve Trees offers extensive insight into the ways in which humans and trees are interconnected.

Some of Ben Guterson’s most treasured childhood memories center around two now-defunct grand old department stores in downtown Seattle: Frederick & Nelson and The Bon Marché. They “were absolutely places of magic for me,” the author reminisces in a call from his home in the foothills of the Cascade Mountains.

“At Christmastime, I would go to the second floor and take the escalator down to the first floor. . . . [A]ll the decorations, the trees, the glitter, the tinsel, the displays, the lights, the color, everything slowly revealed itself to me and I’d think I was descending into the heart of winter wonderland,” he says. “I fell in love with department stores because of that.”

Guterson’s appreciation of those bygone commerce centers and cultural touchstones is on marvelously magical display in The World-Famous Nine, his inventive, exciting middle grade mystery-adventure novel set in the storied Number Nine Plaza department store (aka “The Nine”).

The Nine is a blend of cleverly cultivated experiences and artfully arranged merchandise all under one roof. Unlike other department stores, that roof is 19 stories in the air and has an enormous Ferris wheel on top of it. The luxurious floors below contain a monorail, a display with a real iceberg and real penguins, an art gallery, rotating restaurants and more.

On the very first page of The World-Famous Nine, 11-year-old Zander Olinga rides an escalator down to the store’s main floor and into an astonishing new chapter of his life. What’s meant to be a fun five-week visit with his glamorous grandmother Zina Winebee, who owns The Nine, while his professor parents go on a research trip, soon turns into something much more thrilling and dangerous. Zander must undertake an urgent quest to unravel long-held family secrets by solving peculiar puzzles and tracking down a lost object that will protect The Nine and everyone in it from a terrible fate.

Read our review of ‘The World-Famous Nine.’

That’s a tall order for a kid, to say the least, but Zander’s new friend Natasha Novikov is confident the two of them can figure things out. He’s afraid of heights but great at solving puzzles, and she knows the store inside and out. Besides, one of Zander’s hobbies is creating mandalas, which are vital to their mission, if the ten-foot-tall sandstone boulder with “carved elaborate circular patterns” that has pride of place in The Nine is any indication. (Hint: it is.)

Guterson’s own affinity for mandalas—he draws them daily—not only inspired key elements of the complex mystery in The World-Famous Nine but also the artwork that appears within. Kristina Kister’s wonderful illustrations immerse readers in the dazzling world and unique denizens of The Nine, and Guterson’s impressively detailed mandalas grace the book’s pages as well. “I highly recommend it,” Guterson says about drawing mandalas. “It’s a really cool, creative and relaxing thing to do. I don’t want to sound too new-agey here, but . . . to engage in a creative act that’s not verbal or word-oriented in any way, I have found that to be extremely helpful.”

While the mandalas will be new to Guterson’s fans, The World-Famous Nine’s plethora of puzzles and wordplay will feel happily familiar to readers who delighted in the code-cracking, riddle-solving aspects of his previous books: the Winterhouse trilogy (Winterhouse, the first in the series and Guterson’s debut, was an Edgar Award and Agatha Award finalist) and The Einsteins of Vista Point.

Although the author now has multiple mysteries under his writerly belt, he still finds it challenging to strike just the right balance: “You don’t want to make the mystery or the solving of clues so easy that kids can spot it right away and then get frustrated with your hero, like, ‘Why is that main character so dumb when I figured it out already?’” But, he says, “You also don’t want to make it so hard that, when it’s revealed, someone says, ‘No one ever really could’ve figured that out!’”

“I think when you’re that age and you discover a book or an author that you love, it can just completely solidify a love of reading.”

Guterson has found that his true satisfaction and joy is writing for middle grade readers. In fact, he’s got even more books on the way: The World-Famous Nine is the first in a series, with its sequel, The Hidden Workshop of Javier Preston forthcoming. After all, he says, “I think when you’re that age and you discover a book or an author that you love, it can just completely solidify a love of reading. I find it really exciting to think that maybe my books . . . could do for a kid what the books I love did for me when I was that age.”

Photo of Ben Guterson by Harvey Photography.

The author incorporates magic and mandalas in The World-Famous Nine.

By the time she was 12, Ámbar Mondragón knew how to treat bullet wounds. When she turned 13, her father, Victor, gave her a sawed-off shotgun plus shooting and hot-wiring lessons. And as Nicolás Ferraro’s My Favorite Scar opens, 15-year-old Ámbar is tending to her father’s latest injury: He’s returned from a night out with a bullet hole in his upper chest and his murdered friend Giovanni’s body in the passenger seat of his car.

To Ámbar, this horrifying turn of events isn’t all that shocking. Rather, it’s just another terrible moment in the life she’s lived since the age of 9, when Grandma Nuria, who cared for Ámbar after her mother abandoned her, had a fatal heart attack. Dad came to get her, and Ámbar since adjusted to an existence rife with violence and loneliness, one where she wonders if she’ll ever feel happy or secure. After all, while the titular “favorite scar” refers to Dad’s tattoo bearing her name, “He might carry my name on his skin, but he never held me in his arms. He chose my name, but he was never around until he didn’t have any other choice.”

Now, Ámbar has to tag along as Dad embarks on a singularly vicious road trip, determined to exact bloody revenge on those who betrayed him and Giovanni. My Favorite Scar is a nihilistic road novel of unrelenting bleakness that takes readers on a hair-raising tour of Argentina’s criminal underworld. The duo stop at bars, burial sites and hideout shacks where Dad delivers interrogations, warnings and beatings as Ámbar plays lookout or getaway driver, often with sawed-off shotgun in hand.

As in Cruz, his first novel translated into English, Ferraro explores the effects of criminals’ choices on children who become unwitting and/or unwilling accomplices. His deftly created suspense builds with every mile driven, every fake ID used, every drop of blood spilled. Will the cycle of violence ever end? Will Ámbar ever be anything but “what other people have left behind”? My Favorite Scar is a pitch-black coming-of-age tale that reverberates with oft-poetically expressed pain and sadness—and maybe, just maybe, a hint of hope.

Nicolas Ferraro’s My Favorite Scar is a nihilistic, hair-raising road trip through Argentina’s criminal underworld.

Number Nine Plaza, most often called “The Nine,” is a uniquely dazzling place: “the largest, most famous, and most extraordinary department store in the entire world.” And Zander Olinga is lucky enough to be the grandson of the woman who owns it, Zina Winebee, who is going to look after him for several weeks while his parents are away on a research trip.

But as 11-year-old Zander soon learns in Ben Guterson’s imaginative and entertaining mystery-adventure novel The World-Famous Nine, his arrival coincides with what Grandma Zina considers “a very challenging time for the store.” It’s the 90th anniversary of the disappearance of a special sandstone slab with a mandala on it that, according to legend, would touch off massive devastation if it fell into the wrong hands.

Ben Guterson discusses the Christmas magic of department stores in our interview.

There’s a Ferris wheel atop this 19-story skyscraper, and the interior contains wonders like a monorail, a Tiffany glass ceiling and a real iceberg. Aside from being gobsmacked by the fabulous scope of The Nine, Zander is determined to solve the mysteries rising up from his family’s past and save the store. Natasha Novikov, the 11-year-old daughter of The Nine’s plumber, decides to help him. Currently spending several hours a week swinging high above the building’s restaurants to entertain their patrons, she loves The Nine and knows almost every inch of the place. It also helps that the artistic Zander was already fascinated with mandalas and puzzles, and Natalie knows where odd inscriptions are hidden around the building.

Guterson, known for his Winterhouse Trilogy and The Einsteins of Vista Point, once again makes excellent use of his trademark ability to create puzzles and conjure clues in this innovative tale that pits clever and intrepid preteens against dark forces, dodgy family secrets and dastardly adults. Readers will breathlessly turn the pages as they wonder: Can the duo solve the mysteries of The Nine in time to save it from those who wish it—and them—ill? Impressive illustrations by Kristina Kister capture the wild grandeur of The Nine, and hand-drawn mandalas by Guterson himself add to the book’s uniquely appealing mystique.

Ben Guterson makes excellent use of his trademark ability to create puzzles and conjure clues in this innovative tale that pits clever and intrepid preteens against dark forces, dodgy family secrets and dastardly adults.

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