Linda M. Castellitto

Picture Day at Ghoulington Academy is fast approaching, and Itty Bitty Betty Blob is feeling frustrated at her inability to strike the perfect photo-ready pose.

The problem? In a world where cantankerousness is celebrated and scariness reigns supreme, Betty is an outlier: a smiley, bright pink monster who’s more sweet than scary. To her classmates’ irritation and teachers’ consternation, “While typical monsters stomped in storms, Betty rejoiced at rainbows,” and, even worse, “During Chorus, her GRRRs turned into GRRRA-LA-LAAAs!” 

In an effort to ease Betty’s nervous anticipation, her supportive mom gives her a fashionable yet frightful gown to wear, but Betty can’t help fretting as she follows the winding forest path to school on the big day. After all, she knows that her mom was just being nice when she lovingly said Betty looked “Positively putrid!”

Everything changes when a tiny adorable pink puff appears, beckoning Betty deeper into the woods to a “place as bright on the outside as she felt on the inside.” The multicolored oasis is populated by puffs of many hues, all of them eager to make Betty’s dress reflect who she really is via an exuberant makeover montage rivaling those in big-screen rom-coms. But what will happen when Betty arrives at school wearing a veritable bouquet of beautiful, brightly colored flowers (not to mention a gaggle of puffs that hitched a ride)? 

Constance Lombardo’s straightforward, sweetly witty prose will have readers rooting for Betty as well as nervously holding their breath on her behalf when she finally dares to embrace being different. And Micah Player’s boldly drawn, emotion-infused illustrations expertly embody everything from Ghoulington Academy’s imposing gothic architecture to the puffs’ extreme cuteness and slightly manic energy. There are lots of fun little details for itty bitty bibliophiles to discover upon rereads, too.

Itty Bitty Betty Blob’s nicely balanced combination of humor, emotion and inspiration (plus plenty of monster appreciation) makes it an absolute treat of a read—a warm and wonderful reminder to celebrate our differences and dare to share our joy with others.

Itty Bitty Betty Blob’s nicely balanced combination of humor, emotion and inspiration (plus plenty of monster appreciation) makes it an absolute treat of a read.

In her immersive and beautifully photographed debut, Hot Springs: Photos and Stories of How the World Soaks, Swims, and Slows Down, Maine-based photojournalist Greta Rybus ushers readers to 23 soaking spots worldwide via 200-plus images of ethereal landscapes, ruddy-cheeked bathers, striking architecture and even a blissed-out monkey. 

The book is steeped in steam and serenity, conveying the author’s lifelong reverence and enthusiasm for these “geological marvel[s]” that “giv[e] us a sense of belonging to each other and the earth.” From Mexico to Iceland, Japan to India, Alaska to Italy, Rybus shares fascinating details about each spring’s historical, cultural and spiritual significance, and reflects on their interconnectedness with the communities surrounding them. 

She visits springs both energizing and restful: In Portugal, a volcanic fissure only safe at low tide speaks to “the part of us that seeks out the thrilling, the tumultuous, the electrifying,” while the brutalist architecture of Switzerland’s Therme Vals creates a “meditative, inward, and connected atmosphere.” 

Whether they’re looking for a vacation destination or their next book to savor in the (hot) bath, readers are sure to join Rybus in marveling at “What a miracle a hot spring is: an earthly riot, a terrestrial bonus, an unexpected geologic twist!”

Steeped in steam and serenity, photojournalist Greta Rybus’ Hot Springs is perfect for those looking for a vacation destination or their next book to savor in the (hot) bath.

Sophia Henry Winslow and her neighbor Sophie Gershowitz are best friends with a lot in common. They both go by “Sophie,” love the color mauve, aren’t big fans of quesadillas and loathe gossip.

And both Sophies, as readers learn in Lois Lowry’s lovely and moving Tree. Table. Book., embody the saying that “age is just a number.” Although Sophie W. is 11 years old, and Sophie G. is 88 years old, they are undoubtedly kindred spirits who “have a true and lasting friendship, a friendship of the heart.”

When young Sophie’s parents explain to her that the elder Sophie has been having problems with her short-term memory—so much so that her son Aaron is considering moving her from their New Hampshire town to an assisted-living facility near him in Ohio—she is devastated. 

But also determined: She’s going to help Sophie G. prepare for cognitive testing so they won’t be separated. After all, “Sophie Gershowitz has taught me many things . . . I am still learning from her. And I think that learning from each other is one of the most important parts of friendship.” 

In order to prepare her friend for acing the most important exam ever, Sophie W. knows just the thing to use as a guide: the Merck Manual medical reference, provided by her friend and classmate Ralphie, whose dad is a doctor. Their precocious 7-year-old neighbor Oliver also joins the endeavor, cheering on the Sophies as they work through a series of exercises.

Lowry, winner of two Newbery Medals for The Giver and Number the Stars, does an excellent job building tension as Aaron’s impending visit—and the prospect of the Sophies’ lives changing forever—looms ever larger. When the test prep unlocks memories of Sophie G.’s childhood in Poland during World War II, Lowry conveys with sensitivity and realism Sophie W.’s sorrow upon realizing that things she’s only learned about in school have had a painful, lifelong impact on her beloved friend. 

Tree. Table. Book. is yet another story from a cherished author that will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.

Lois Lowry’s Tree. Table. Book. will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.

Jo-Lynn Kirby’s always been one of the boys: “For so long, I was the cool girl. I was loud and fun and untouchable, always hanging with the guys—no girls allowed but me.” So it was both a thrill and a surprise when she and Maddie Price became best friends, and together reveled in their popularity at Culver Honors High School—until Maddie abruptly dumped Jo at the end of ninth grade. Jo was deeply hurt, but she’d be fine with her guy pals, right?

As Meredith Adamo’s masterful debut Not Like Other Girls opens, it’s senior year and graduation is on the horizon. But instead of celebrating, Jo’s in survival mode, trying to be invisible.

Last fall, private nudes were stolen from her phone and sent to her classmates. Her grades plummeted, she was labeled “Senior Slut,” and even her supposedly lifelong buddies now ostracize and bully her. Jo’s dismissive parents and brother aren’t thrilled with her either, and a safe place feels like a thing of the distant past.

When Maddie goes missing, Jo decides to investigate in the name of their former friendship. She’s aided by her classmate Hudson, who proposes a faux romance that’ll get her back into the popular clique and closer to people who might know what happened. As the two ferret out information about Maddie, Jo also plumbs the murky depths of her own memories, unearthing truths about the last few years that provoke fresh pain but also bring her self-image—and the motivations of those around her—into sharper focus.

Maddie’s senior year is an eye-opening one, rife with revelations that change her life and offer hope for her future. Not Like Other Girls is a powerful book that’s likely to do the same for its readers as it delivers a fiercely feminist take on rape culture. Whether crafting authentic and immersive narration, spinning a sweet and sexy fake-dating storyline, or building a suspenseful and twisty mystery, Adamo proves herself to be absolutely an author to watch.

Whether crafting authentic and immersive narration, spinning a sweet and sexy fake-dating storyline, or building a suspenseful and twisty mystery, Meredith Adamo proves herself to be absolutely an author to watch.

In her creative and contemplative debut How Do I Draw These Memories?: An Illustrated Memoir, Jonell Joshua reflects on the people, places and events that helped her become the person—and artist—she is today. 

An interesting pastiche of illustrative styles give this mixed-media memoir a scrapbook-like feel, and Joshua’s artistic range is on full display in painterly full-page pieces, expertly drawn black-and-white comics and colorful, vibrant illustrations. Through the inclusion of photographs of prominent figures in her life, Joshua also illuminates the ways in which others’ perspectives can become woven into our own. 

The author’s childhood years were peripatetic: After Joshua’s father’s death when she was very young, she moved with her mother and brothers to her grandparents’ home in Savannah, Georgia. She and her brothers also lived with their other grandparents in New Jersey while her mother sought treatment for bipolar disorder. The author notes, “I envied the schoolmates who’d grown up together. . . . I kept tabs on how many [schools] I’d gone to. It was like a game I played in my head. Five elementary schools, four middle schools, one high school.” 

While How Do I Draw These Memories? begins with the author’s earliest memories and ends approximately in the present, the memoir moves back and forth chronologically in between, resulting in a reading experience that’s more akin to an assemblage. As Joshua moves from state to state, school to school, her memoir also switches between narrators and storytelling styles—straightforward prose, Q&A format, illustrated narratives, etc.

Additional insight is offered via sections like the informative and empathetic “Bipolar Disorder—From My Perspective” and a detailed chronicle of her path from post-high school uncertainty to where she is today: an illustrator whose clients include the New York Times, CRWN Magazine, and NPR; and someone whose memories remind her that “The moments of joy I felt growing up . . . felt immeasurable. The love I was raised with is the love I carry with me.”

An interesting pastiche of illustrative styles give How Do I Draw These Memories? a scrapbook-like feel. Jonell Joshua’s artistic range is on full display in painterly full-page pieces, expertly drawn black-and-white comics and colorful, vibrant illustrations.

“One last job” is a popular story trope, from the prolific criminal’s last heist before going straight to the world-weary detective’s final case before turning in their badge. In Dogland: Passion, Glory, and Lots of Slobber at the Westminster Dog Show, it’s a much-lauded samoyed named Striker who’s on the verge of retirement, and his big finale is the 2022 Westminster Dog Show.

Tommy Tomlinson, a Pulitzer Prize finalist and author of The Elephant in the Room, leads readers behind the scenes and in front of the judges as he crosses the country touring 100-plus dog shows, a three-year-long venture he affectionately calls “Dogland.”

With wry wit and fascinating detail, Tomlinson explores what it takes to be a contender for Best in Show. For example, dogs must first compete in often ill-attended smaller shows, called clusters, to gain experience and name recognition: “If Westminster is the Super Bowl, clusters are the regular season.” The dogs must be the best of “breed standard,” as if “humans decided that George Clooney was the consummate man, and we measured all other men by which ones were the Clooneyest.”

“Are those dogs happy?” is a question on the author’s mind as he tours the swirl of training, grooming and “for your consideration” ads in trade publications. Tomlinson spends copious time with Striker and his handler, Laura King, traces the history of canine competition and takes a look at dog shows in popular culture. (Perhaps not surprisingly, “People I talked to in Dogland seem ambivalent about [2000 mockumentary] Best in Show.”)

There’s no ambivalence in the connection between Striker and his handler, forged via countless hours together and a remarkable 111-show-winning partnership. Tomlinson’s love for dogs shines through in a moving essay about his late pooch Fred, and his playful “Pee Break” interludes that rank dogs in art, advertising and the like make Dogland ever more jovial. To wit, those lucky enough to meet a show dog mustn’t pet the dog’s carefully coiffed head, but rather “go for the scritch under the chin.” Wise words from a winning read.

 

Tommy Tomlinson’s wry, witty Dogland leads readers behind the scenes and in front of the judges at 100-plus dog shows around the country.

Under the Storm

In November 1994, the rural Swedish community of Marback was forever changed when Lovisa Markstrom’s body was found in the ruins of a massive farmhouse fire, and her boyfriend, Edvard Christensson, was charged with her murder and the subsequent arson cover-up.

There was never any doubt he did it. As rookie policeman Vidar Jörgensson muses, Edvard’s father was a violent man, and in Marback, “sons turn out like their fathers; daughters like their mothers. Weaknesses and burdens are passed down, just like in other places. Then again, so are strengths and good traits—but people seldom consider those.”

Edvard’s 7-year-old nephew, Isak Nyqvist, does, though: He simply can’t fathom that his beloved uncle could have done such a thing. Edvard’s always been kind and attentive, and he loved Lovisa. But Isak’s parents tell him he must keep quiet about it and they must cut all ties with Edvard so they can remain in Marback and have some semblance of peace.

Carlsson demonstrates impressive character development and a knack for slow-building suspense.

And so, in Christoffer Carlsson’s intricately crafted Under the Storm, a mantle of grief settles on Isak’s small shoulders, setting him on a life path marked by unresolved anger: at his uncle, his parents and the town that sees him as just the latest bearer of his family’s tainted bloodline.

Under the Storm has three parts. The first draws readers into the initial investigation. In the second, which takes place nine years later, a more experienced Vidar reexamines the case in the wake of possible new evidence. The third section, set in 2015, brings together the tragedies and tribulations of the preceding 30 years as Isak and Vidar push toward the truth, no matter the cost.

As in his internationally bestselling American debut, 2023’s Blaze Me a Sun, Carlsson demonstrates impressive character development and a knack for slow-building suspense as he invites readers to consider the shock waves that can emanate from “One single event. That was all it took to redirect the path of a life. Like the filament of a root moving through time.”

The Hunter’s Daughter

On the opening page of Nicola Solvinic’s standout debut, The Hunter’s Daughter, Sheriff’s Lieutenant Anna Koray greets the reader with the following: “The first time I killed a man was on Tuesday.”

That terrible result to a domestic violence incident brings Anna’s past crashing into the present, opening a Pandora’s box of memories that were locked away via hypnosis 30 years ago. It’s a fascinating premise, one that becomes darker and more twisted as the pages turn and Solvinic, a career criminologist, reveals that said memories are of Anna’s father, a serial killer known as The Forest Strangler.

This engrossing, often hallucinogenic read vibrates with increasing tension and danger.

With the help of the psychiatrist who originally created her “memory vault,” Anna (re)discovers her father was responsible for the deaths of at least 27 young women, each of them bound with poison ivy and arranged in horrifying flower-filled tableaux. Anna’s been living under an assumed identity since his capture. Even as she reels from the discovery, she learns that someone is killing in their rural Midwestern county once again, with a MO very similar to her father’s. Could it be him, somehow? Or is it a copycat? Making matters even worse, the killer’s been taunting Anna with their knowledge of her true identity, the revelation of which would destroy her career and the life she loves.

Solivinic draws readers into Anna’s confused, conflicted mind: She loses time, worries that she’s descending into madness and sees shadowy supernatural figures in the dense forest surrounding her home. For most of The Hunter’s Daughter, Anna straddles the uncertain territory between a repressed state and full knowledge, unsure whether she can trust her boyfriend, her colleagues or herself. It makes for an engrossing, often hallucinogenic read that vibrates with increasing tension and danger as Anna relentlessly works to determine whether biology and destiny are one and the same.

Under the Storm and The Hunter’s Daughter explore the aftermath of murder for both the perpetrators’ families and the dogged detectives assigned to the case.

Like so many of us, poet and Brown University professor Kate Schapira is deeply worried about the future of our planet. Rather than fret alone, in 2014 she set up her Climate Anxiety Counseling Booth (inspired by “Peanuts” character Lucy van Pelt) in downtown Providence, Rhode Island, as a means of communication and commiseration.

Now, she’s distilled what she heard, discussed, felt and learned into her debut book, Lessons From the Climate Anxiety Counseling Booth: How to Live With Care and Purpose in an Endangered World. Schapira, who writes in a voice resonant with empathy, encouragement and fierce determination, recommends the book be read “in order and together” because “the progression of stories, questions, and practices is designed to unwind tightly tangled grief, frustration, exhaustion, and inertia . . . into a followable path of courage, capability, and strength.”

Such a path was far from clear when her booth debuted in 2014: “No one I knew seemed to want to discuss it at all,” she writes, “and that made me feel frantic and alone.” But as her network of climate-conscious compatriots grew, Schapira developed a process to help readers “transform what [they] feel, with others, into connection and action,” which this book details across eight chapters rife with information and analysis.

Schapira also takes on capitalism and white supremacy, which she believes create and perpetuate climate change. For example, she describes so-called sacrifice zones, “places where ecology, including human well-being, is sacrificed for power and profit,” noting residents “are usually people culturally devalued by their city or nation.” And she cites the work of activists she encountered, like Mark, who walked a cross-continent barefoot pilgrimage to Brooklyn-based BK ROT, a compost-hauling service whose hiring practices ensure “some of the people hit hardest by capitalism and white supremacy feed themselves, their families, and the soil.”

Ultimately, Schapira writes, her book is “not the last word on anything—or the first word either,” but it’s certainly a valuable reading experience for those seeking shared solace as well as motivation for positive, productive communal action. An extensive contributors and resources section, as well as a glossary, nicely bolster Schapira’s smart, heartfelt and inspirational efforts.

Kate Schapira offers a guide to transforming climate angst into collective action in her inspiring Lessons From the Climate Anxiety Counseling Booth.

Home is where the heart is—but what makes that heart want to live in that home forever? As someone who’s moved 10 times in his adult life and is “fascinated by the kind of people whose grandchildren visit the home that they raised their children in,” interior designer Jeremiah Brent found himself wondering what makes people stay put. As he explains in his heartfelt introduction to The Space That Keeps You: When Home Becomes a Love Story, Brent “wanted to understand what it takes to fall in love with a space, because my fantasy was to truly come home.” The fruits of his exploration are contained in this sumptuous “emotional design” book filled with photos of, yes, beautifully decorated homes, but also carefully curated mementos, as Brent relays stories shared with him by nine families in the U.S. and abroad. From a Venetian palazzo to Oprah Winfrey’s home in Montecito, California, Brent thoughtfully distills what makes spaces special to those who reside in them, offering inspiration and aspiration to readers who appreciate “the beauty of intention and connection, perception and memory, ceremony and ritual—and most importantly, of life and love.”

Jeremiah Brent’s sumptuous The Space That Keeps You offers “inspiration and aspiration” to help you fall in love with your home.

Who doesn’t love a pretty village? In these two debut mysteries, rolling countryside, cobbled streets and grand medieval manors create perfectly pastoral backdrops for murder most foul. 

The Antique Hunter’s Guide to Murder

Freya Lockwood is at loose ends: Her ex-husband is forcing the sale of their London home; their daughter, Jade, has left for university; and it’s been years since Freya’s been enthused about anything aside from motherhood. 

She once worked as an antiques hunter alongside her mentor, the debonair and wickedly intelligent Arthur Crockleford. They returned stolen antiquities to their rightful owners, a pursuit both exhilarating and fulfilling. But after a trip to Cairo ended terribly, Freya cut contact. She hasn’t spoken to Arthur or returned to her hometown of Little Meddington in the 20 years since.

As C.L. Miller’s The Antique Hunter’s Guide to Murder opens, Freya’s beloved and fabulous Aunt Carole calls with news of Arthur. He’s been found dead in his Little Meddington shop, and Carole’s convinced he’s been murdered. To add to the emotional upheaval, Arthur left Freya a letter imploring her to find the culprit using cryptic clues he’s set out for her.

The quest begins at an antiques enthusiasts’ weekend at nearby Copthorn Manor. The ivy-covered mansion is set on beautiful grounds, but inside the house, things are far from pretty. The shifty cast of characters present is filled with likely suspects, all of whom are ill-mannered at best and dangerous at worst. Can Freya and Carole untangle the deadly connections between past and present before the killer strikes again?

Miller adds authenticity by name-checking real antiques with help from her late mother, the author and “Antiques Roadshow” expert Judith Miller. Readers will enjoy following the trail of clues alongside Freya and Carole, who must also contend with their conflicting feelings about Arthur. This series kickoff capably combines a treasure hunt, a murder mystery and complex relationship dynamics, and is sure to keep readers curious and engaged, while perhaps pining for their own special antique, too.

How to Solve Your Own Murder

Kristen Perrin’s How to Solve Your Own Murder also centers on amateur sleuths who are aunt and niece. Although in this lively, twisty tale, Great-Aunt Frances is the recently deceased victim, found in the library of her stately mansion in the village of Castle Knoll.

Her 25-year-old great-niece and aspiring mystery novelist, Annie, is present for this sad discovery, being one of the family members and advisors Frances summoned to Gravesdown Hall to discuss her will. But while Frances’ demise is a terrible shock to the group, it wouldn’t have surprised Frances herself: In 1965, a fortuneteller told the then-teenager, “All signs point toward your murder,” and she’s been trying to preemptively solve her own murder ever since.

Castle Knoll residents have long scoffed at Frances’ belief in the prophecy, and bristled at her investigations of their foibles and indiscretions—all of which are detailed on a floor-to-ceiling murder board. That board will come in handy, since Frances left Annie and the other guests at Gravesdown an assignment: Whoever solves Frances’ murder within the week will be the sole heir to her money and property. If the police crack the case first, the estate will be turned over to real estate developers, thus destroying the charm of the village filled with those who doubted Frances.

Those drawn into Frances’ game include Saxon, her nephew and the village coroner; handsome and enigmatic Detective Crane; and Walter, her lawyer and friend. There are secrets and conflicts of interest galore, plus multiple ways to access Gravesdown Hall undetected, making for an absolute pile of red herrings. And while Castle Knoll is “like a picture on a biscuit tin,” there’s plenty of ill intent roiling beneath its delightful surface. Can Annie stay safe and find the murderer before week’s end? 

Perrin juggles characters and clues with aplomb, sketching in the past via teen Frances’ journals and immersing readers in the present through Annie’s determined, good-hearted point of view. Readers will root for her as she gains hard-won confidence in this entertaining exploration of family secrets.

All whodunit fans know that little country towns are really dens of sin.

Allie Millington’s warmly emotional, wryly funny Olivetti is an engaging debut novel about the power of stories. This treasure of a tale offers hope for healing after incredibly hard times. 

It’s been a few years since what 12-year-old Ernest Brindle calls “the Everything That Happened,” which drastically changed his family life. His dad, Felix, disappears into his work; Ernest’s three siblings focus more on hobbies than togetherness; and Ernest memorizes words from his beloved Oxford English Dictionary to soothe his anxiety. He escapes to the roof of Valley View Apartments, where his family used to gather for stargazing, when he’s feeling misunderstood or lonely.

Ernest’s mom, Beatrice, has tried to bring the family closer again, to no avail. Through it all, a dark green typewriter named Olivetti (like the brand) has been silently watching, wishing he could help. “Humans take their mouths for granted,” he thinks. “I would do anything for the chance to say anything.” But it’s typewriter code “to never let what has been typed into us back out.” 

When Beatrice suddenly sells Olivetti to the Heartland Pawn Shop and disappears, Olivetti is as stunned and worried as the rest of the Brindle family. And when Ernest goes to the shop and confesses via typing that he thinks Beatrice fled because of him, Olivetti casts aside the typewriter code and offers his assistance. He’s not the only one: Quinn, the pawnshop owner’s confident daughter, informs Ernest that she’ll help track down his mom, too.

Boy and typewriter take turns narrating the trio’s suspenseful and stressful mission, and Millington uses flashbacks to fill in the contours of the Brindle family’s life and Olivetti’s unusual existence. The author winningly blends magic and realism, poignancy and mystery, as her characters close in on what’s happened to Beatrice, bonding through adversity along the way. Her lovely notion of a typewriter as a repository of secrets and dreams is finely rendered, and she imbues Olivetti’s heavy steel case and clackity keys with compassion and determination. This heartfelt tale movingly explores the beauty and importance of communication—whatever form it may come in—while encouraging readers to welcome the singular joy of finding kindred spirits in unexpected places.

Allie Millington winningly blends magic and realism, poignancy and mystery in Olivetti, a heartfelt tale that movingly explores the importance of communication.

When Debbie Fong took a bus tour with her family at age 8, an illuminated underground waterfall struck her fancy—and ultimately inspired the magical Cessarine Lake central to her wonderful graphic novel debut, Next Stop.

The Ignatz nominee and illustrator of the bestselling How to Be a Person has carefully crafted a contemplative tale that invites readers along on middle schooler Pia Xing’s weeklong summer bus trip across the desert. Her dad meant to come along, but a broken leg strands him at home. No worries, though: Pia’s a smart, trustworthy kid, and the tour guide, Caroline, is a family friend. 

Caroline’s plucky daughter, Sam, immediately befriends Pia, and the other travelers are kind and quirky. They share their hopes for what their visit to Cessarine Lake—known for “mak[ing] IMPOSSIBLE things happen”—will bring them, but Pia can’t bring herself to join the conversation. It’s only been a year since a tragic accident plunged her family into grief, and nine months since they moved to a new town for a fresh start. Pia’s mom blames her for what happened, and Pia’s dad is exhausted by his efforts to console his wife while protecting Pia. Perhaps, she hopes, the lake can help her assuage her family’s pain.

Each day of the trip reveals a new array of cleverly conceived tour-stop wonders, including a chicken-shaped hotel, a cactus petting zoo and a watermelon so huge it casts a shadow over the tour bus. Fong’s illustrations are witty and detailed with a strong eye for color. Sepia-toned flashbacks add context to Pia’s present-day emotions, and vividly kooky set pieces become increasingly peculiar the closer the bus gets to its mystical destination. Might magic be afoot after all?

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences. Charming and interesting back matter that reveals more about the author’s creative process and her background (including that childhood bus trip!) nicely rounds out a top-notch reading experience.

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences.

Despite her love for logic and science, 12-year-old Sahara Rashad longs for a trip from her home in Queens, New York, to Merlin’s Crossing, a wizard-themed amusement park.

Alas, as Nedda Lewers’ magical coming-of-age adventure Daughters of the Lamp opens, Sahara realizes her dad didn’t find her “Ten Reasons the Rashad Family Should Go to Merlin’s Crossing” list as compelling as the fact that her uncle Omar’s getting married next week, so they’re leaving for a two week visit with her mother’s family in Cairo. Sahara’s frustration at Merlin-deprivation is rapidly overshadowed by nervousness about staying with people she’s never met, in a place she’s never been. All of this is amplified by long-held guilt over her mom’s death while giving birth to her.

In Cairo, when there’s a bizarre break-in at the family store, and a necklace Sahara’s mother left her goes missing, Sahara and her cousin Naima start a mission to find the necklace and reveal the true nature of Omar’s snooty fiancée, Magda. This quest transforms into one to protect their family from ancient evil, in an exciting turn of events that draws poignant connections between present and past—among Sahara, her mother and their ancestors in 10th-century Baghdad.

Daughters of the Lamp is an engaging and entertaining series debut that takes readers on a thrilling journey through magical family history and mystery, while sensitively exploring the nature of identity and thoughtfully examining the ways in which the age-old struggle between good and evil can affect and inspire us all.

Daughters of the Lamp takes readers on a thrilling journey through magical family history and mystery, while sensitively exploring the nature of identity and the age-old struggle between good and evil.

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