Linda M. Castellitto

Kendall Kulper’s A Starlet’s Secret to a Sensational Afterlife opens in 1934 Chicago, in an America damaged and wearied by the Great Depression. Only trips to the movies keep 18-year-old Henny going, because “I wasn’t Henrietta Newhouse who scrubbed the washrooms and clutched at every saved penny. . . . I was just a pair of eyes and a pair of ears, taking it all in.” 

Fans of the author’s Murder for the Modern Girl (2022) will recognize the Newhouse name; that book’s protagonist, Ruby, is Henny’s older sister. Ruby prowled Chicago solving mysteries, but Henny is set on California. “I wanted to be a literal star, something huge and bright and fierce and burning,” Henny says, “that turned everyone who came close to it warm and glowing.” 

Declan Collins is far less passionate about being a stuntman, but as his best friend and manager, Pep, reasons, it’s a good gig for a man who cannot be injured. It’s getting harder for Declan to hide his invincibility, so Pep arranges a screen test with Henny. To her delight, she’s signed by Silver Wing Studios as the next big starlet while, to his chagrin, Declan is enlisted as her faux boyfriend. 

Their chemistry sparks steamy sidelong glances and hot-tempered spats, making for an entertaining will-they-won’t-they energy. Eventually, the two share secrets: Declan is helping a PI search for a missing actor named Irma, and Henny has been seeing ghosts. The first was her friend Midge, who supposedly quit Hollywood and moved home; she’s soon joined by a heartbreakingly large group of young women who also disappeared after being signed by Silver Wing. Can the duo find out what happened without getting harmed themselves?

A Starlet’s Secret to a Sensational Afterlife is an engrossing supernatural murder mystery, a fierce ode to feminism and a potent reminder of the dark underside of glamour and fame. Indeed, Kulper writes in her acknowledgments, “So much of this book was inspired by the real activists, whistleblowers, truth-tellers, and courageous survivors who spoke up about the injustices of the Hollywood system. . . . Your bravery, hope for change, and dedication to equality, fairness, and justice push us all to work harder and do better.”

A Starlet’s Secret to a Sensational Afterlife is an engrossing supernatural murder mystery and a fierce ode to feminism.

Marlow Briggs is a 17-year-old cursebreaker for hire, the most in-demand badass in Caraza City, a metropolis in the gritty region known as the Marshes. It’s an always interesting, occasionally life-threatening existence of evading gangs and sneaking around speak-easies. Her curse-sensing cat, Toad, keeps her company, and she works with her best friend, Swift, at the Bowery Spellshop.

A year ago, she was living an entirely different life in fancy Evergarden with her mother. One terrible day, Mom went missing and Marlow fled to the Marshes, an area lacking the beauty and amenities of Evergarden but rife with clients who need her magical know-how and investigative savvy.

As Katy Rose Pool’s inventive and engaging Garden of the Cursed opens, a potential client turns up in the form of Adrius Falcrest, Marlow’s former friend and scion of one of the wealthy and powerful Five Families. Despite their now-frosty relationship, Adrius implores her to break a curse that threatens the lives and fortune of his family.

Marlow agrees to a fake-dating situation in order to explain her and Adrius’ unlikely reunion. His habitual snideness and family’s snobbery ensure the couple’s antagonism persists as Marlow’s investigation proceeds, making a difficult job even tougher. Pool, best known for her Age of Darkness trilogy, adeptly explores the ways miscommunication and mistrust can warp relationships of all sorts. But with help from Swift and the new friends Marlow makes along the way, Pool also shows how strong friendships can provide sustenance and joy.

As Marlow picks her way through a minefield of class conflict, criminality and frustrating uncertainty, she realizes her mother’s fate may be tied to Adrius’ curse. Mom’s disappearance is “the great unsolved mystery of her life. The question that lived under her skin, that prodded at her when her thoughts were otherwise quiet.”

Pool keeps Garden of the Cursed moving right along, punctuating the story with suspenseful conflict and emotional reckonings, then revving up to a cliff-hanger ending that will leave readers eager for the next installment in this exciting duology.

Garden of the Cursed is an exciting start to a duology starring a teenage cursebreaker.

Imagine: You’re minding your own business, serenely enjoying your Star Popz cereal, when suddenly . . . an onslaught of aunts! That’s what happens to the expressive little girl at the heart of bestselling author Adam Rex’s Oh No, the Aunts Are Here, an openhearted and uproarious ode to the mayhem that ensues when effusive relatives tumble into town.

And tumble they do in Lian Cho’s vivid and kinetic illustrations, which perfectly capture what it’s like to experience a ruckus that’s delightful but kind of overwhelming. Readers who need time to warm up to visitors will identify with the beleaguered niece’s array of facial expressions, from a clenched-teeth grimace (“The aunts hug you and fix your hair and tell you how big you’ve gotten and fix your hair”) to open-mouthed horror (“They’re here, they’re here, on every floor; the aunts don’t lock the bathroom door”). Readers will also appreciate detail-packed spreads that depict a range of aunt-filled scenes, from a car’s back seat awash with stuffed animals (“They were just telling their girlfriend how much you like horses”) to a busy getting-ready-for-bed tableau (“your room is going to smell like lotion now”).

Clever rhyming and repetition make for a fun read-aloud (“Fanny packs. / A snack. / Pack that snack back in the fanny pack”), and a bounty of hilarious Easter eggs will ensure increased cackling with every reread. Rex also incorporates fantasy into his story as the aunts’ intensity is used for heroic good, encouraging readers to consider the upsides of a more intense personality type.

Oh No, the Aunts Are Here is a spirited gem of a book that courses with energy and enthusiasm as it explores what it’s like to have a quiet life temporarily transformed into a very different sort of existence. And as a bonus, there’s a funny surprise ending. If hyperbole were a person, it would be every one of these memorable aunts—inimitable relatives who are, as the little girl ultimately concedes and one aunt’s T-shirt proclaims, truly “Aunt-tastic.” 

Oh No, the Aunts Are Here is a spirited gem of a book that courses with energy and enthusiasm as it explores what it’s like to have a quiet life temporarily transformed into a very different sort of existence.

Swimming and mini golf and reading and hiking and piling all together at one table to eat or solve jigsaw puzzles . . . phew! When the school year ends for a little boy named Ravi, a boisterous family vacation filled with fun activities, delicious food and lots of bonding time begins. 

As Ravi explains in Newbery Honor winner Rajani LaRocca’s sweetly nostalgic Summer Is for Cousins, he and his parents, sister Anita, aunties, uncles, grandparents and five cousins all stay in “a house that’s not any of ours, / near the ocean / and a lake.” 

It’s always wonderful to see his family again, but Ravi is feeling a little uncertain this year. His older cousin Dhruv has grown up so much; his voice is deeper, he’s gotten even taller, and what if he doesn’t remember that he and Ravi have the same favorite ice cream flavor? (It’s banana—delicious but hard to find.) Fortunately, as the pages turn and the days pass, Ravi is able to put aside his worries and remember how kind and supportive his cousin is. With Dhruv’s encouragement, he even goes on the rope swing he was too afraid to try last year! “Dhruv is my big cousin,” Ravi thinks, “but now I’m bigger, too.”

Abhi Alwar’s colorful and emotive illustrations enhance the warmth of LaRocca’s appealing tale, empathetically conveying Ravi’s initial hesitancy and burgeoning confidence. All 15 family members have charming visual cues, too, so readers can spot their favorites on every page. For example, shutterbug Anita is never without her instant camera, while Puja’s barrette keeps her hair in place whether she’s building sandcastles or barreling along on a bicycle. Animals get in on the fun too: An energetic dog frolics across the pages, and inquisitive ducks avidly supervise the family’s water-based activities.

Summer Is for Cousins nicely hits all the emotional beats of a superfun family-filled vacation and reassures readers that people may grow and change, but affection endures.

Summer Is for Cousins nicely hits all the emotional beats of a superfun family-filled vacation and reassures readers that people may grow and change, but affection endures.

Wannabe detectives and aspiring magicians alike will delight in The Grimoire of Grave Fates, an anthology of 18 interlinked stories penned by such beloved YA authors as Kat Cho, Marieke Nijkamp, Mason Deaver, Darcie Little Badger and Kwame Mbalia.

The compelling Agatha Christie-esque whodunit is set at the Galileo Academy for the Extraordinary, a prestigious school founded by famous “astronomy sorcerer” Galileo Galilei that educates future sorcerers. In recent eras, the academy has adopted a “more global view of magic,” resulting in updated classes, travel to different countries and policies meant to ensure greater diversity and inclusivity.

Unfortunately, this has had no effect on the employment of Septimius Dropwort, a professor of magical history—and a proud, vocal, abusive bigot. It’s not surprising, then, that when he’s found murdered on school grounds, nary a tear is shed. But accusations aplenty arise: Since he has mistreated and alienated pretty much everyone, everyone is therefore a viable suspect.

The book’s writers have created an appealing cast of characters with a range of backgrounds, abilities and personalities, all of whom are preoccupied with fulfilling their magical destinies while attempting to excel in a place that can feel inhospitable. 

As The Grimoire of Grave Fates editors Hanna Alkaf (Hamra and the Jungle of Memories) and Margaret Owen (Little Thieves) write in their note to readers, “Some readers may have felt painfully excluded from stories about witches, wizards, and magic schools that could not imagine people like them; some have been deliberately shut out. Above all, we hope that everyone can see themselves somewhere in these pages.” 

As the story progresses and the students join forces to find the killer before one of them is blamed, they gradually realize they’re not as alone as they first thought. Delightful details abound: Taya, in the art-based magic program, has a lioness familiar named Ketesl; Maxwell blends math and magic; and Jamie sneezes ice crystals after walking through a ghost. Together, the students home in on the elusive culprit, attempt to evade harm and collectively remind the school that its extraordinary attendees deserve more support—a resonant message of hope for a better future, magical or otherwise.

This YA anthology set at a magical academy offers a resonant message of hope for a better future.

Owls are adorable, alluring and enduringly fascinating. They’ve been featured in everything from ancient cave paintings to the works of Picasso, iconic Tootsie Pop commercials, the Harry Potter series, mythology and poetry.

“What is it about owls that so enthralls us?” asks bestselling author, prolific science writer and passionate bird advocate Jennifer Ackerman (The Genius of Birds, The Bird Way) in the very first line of her wide-ranging and wonderful new book, What an Owl Knows: The New Science of the World’s Most Enigmatic Birds. She explores this question with her trademark thoroughness and care, leading readers on an in-depth tour through the extraordinary world of owls. Scientists, field researchers, academics and volunteers (aka “citizen scientists”) serve as dedicated guides, as eager as the author to share knowledge and admiration in hopes of inspiring others to protect these special birds.

Jennifer Ackerman shares which owly items in her home and closet are her favorite.

Ackerman chronicles her travels to places such as the Mission Mountains in Montana; Norfolk Island in Australia; southeastern Brazil; and Waynesboro, Virginia, in chapters covering owls’ evolution, communication, breeding, migration and—of course—wisdom. She visits wildlife centers, peers up at countless trees and tromps through nighttime landscapes with fellow owl lovers to hear about the astonishing things they’ve discovered. There are funny tidbits, too; as one Montana field researcher quipped, “This is not the first time we’ve found a nest when someone had to pee.”

Less quotidian revelations include the thrill of first hearing great horned owlets vocalizing in their eggs and the gratifying achievements of education in Kikinda, Serbia, where hundreds of long-eared owls roost in the town square. (A public awareness campaign transformed superstitious fear into immense hometown pride.) During her reporting, Ackerman also learned about new research indicating that owls are more clever and intentional than previously realized: They have emotions, engage in altruism and play. “We think we know something about them, and then, poof! they dispel our theories, offering up bent or broken rules and unexpected qualities,” she writes.

Ackerman also reminds readers that owls are at risk of extinction, thanks to “human-induced climate change” via deforestation and development, rodenticides, wildfires, et al. What should we do? “Everything in our power,” she writes, to learn about and preserve owl populations around the world. Reading the edifying and immersive What an Owl Knows is an excellent place to start.

Bestselling author and passionate bird advocate Jennifer Ackerman goes around the world to find out why owls so intrigue humans in her wide-ranging and wonderful new book.

The old saying “If you do what you love, you’ll never work a day in your life” was seemingly coined for Jacintha “Jack” Cross and Gabe Medway, both of whom are even more enamored with their jobs because they get to work with the person they love most. The married couple runs a London penetration testing firm that does extensive security assessments for a range of well-paying clients. Gabe handles the digital aspects and Jack the physical; as she sneaks around supposedly secure buildings in search of vulnerabilities, her husband is the flirtatious and supportive voice in her earpiece.

Alas, not long into bestselling author Ruth Ware’s action-packed thriller Zero Days, everything comes crashing down: After a late-night job, Jack arrives home to discover Gabe has been murdered. Even worse, she is the prime suspect.

Reeling from shock, contending with horror and confusion and highly skeptical of law enforcement, Jack goes on the run. She puts her prodigious skills and hard-won confidence to use as she attempts to solve the crime and identify the real killer. “Solve the next problem,” she tells herself. “And then the next one after that. Keep putting one foot in front of the other. Until you can’t walk any further.”

Ruth Ware thinks you need a password manager.

Ware humanizes the badass Jack by rendering her vulnerable to injury, self-doubt and exhaustion. There’s London’s vast CCTV system to consider, too, plus the impossibility of knowing who she can trust to help her find shelter, money and information. She’s got her sister, Helena, and Gabe’s oldest friend, Cole, in her corner, but Jack can’t shake her fear and wariness as she moves through the city and plumbs the dark web in search of answers. 

In Zero Days, Ware creates escalating tension while immersing readers in Jack’s tumultuous emotions and instinctive decision-making. She layers her story with fascinating details about Jack’s unusual profession while offering an implicit (and clearly well-researched) warning about the vagaries of technology. The book’s focus on the impact of intense grief is balanced by glimmers of hope among the devastation. As Jack reflects, “Gabe’s death had brought me close to the worst of humankind—but there were still good people out there.”

Ruth Ware’s action-packed thriller Zero Days is as much an exploration of grief as it is a warning about the vagaries of technology.

After 18-year-old Roy Matthews was executed for murdering high school seniors Eliza Dunning and Travis Pratt, the small town of Ludlow heaved a massive sigh of relief that evil had been banished from their Kansas community.

But Eliza’s younger sister, Greer, isn’t so sure. She’s long been convinced the case was not as open-and-shut as it seemed, leaving her with a “nagging feeling I’d carried for fourteen years, like a claw in my gut, telling me this wouldn’t be over until every dark secret had been dragged out into daylight.” 

As Amy Engel’s multilayered and engrossing I Did It For You opens 14 years later, those feelings surge to the surface when Greer’s father calls to tell her another teenage couple has been killed—in the same way, in the same location, with the same type of weapon. 

The police consider it a copycat crime but Greer doesn’t, and she rushes from her Chicago home to Ludlow, eager to assuage her guilt at not pushing harder that awful summer. Could she have prevented this new crime? Will the truth help repair her broken family? Can she unearth the truth before the killer strikes again?

Engel imbues her protagonist with an authentic, contemplative voice. Greer grew up loving Ludlow because of its beauty, “the sound of wind whispering through wheat, the metallic smell of a thunderstorm rolling in fast from the north,” and reveling in the way she felt free to be herself among people she’d known forever. But since Eliza died she’s been adrift, unable to enjoy her life because her sister’s was cut short.

Back in Ludlow, Greer slips into familiar patterns but also makes a surprising new friend: Roy’s older brother, Dean, who joins her quest for truth. This allows Engel, a former criminal defense attorney, to sensitively explore what it’s like to be left behind from the perspective of not only the victim’s family but that of the perpetrator’s, a choice that makes I Did It For You stand out from other hometown mysteries. It’s a tense and immersive novel that considers the delight and darkness of living in a close-knit small town, as well as the ways in which unresolved anger and shame can eat away at a life.

I Did It For You is a tense and immersive mystery that considers the delight and darkness of living in a close-knit small town.

In the five far-ranging, multipart essays that make up her profound, often piercing new book Thin Skin: Essays, Jenn Shapland moves between numerous weighty topics—turning a curious eye upon everything from capitalism to nuclear power to climate change to personal identity—and draws connections only to tear them apart in her exploration of “the idea of our utter physical enmeshment with every other being on the planet.”

“To dig in the earth disturbs and destroys, but it also unearths, aerates,” Shapland writes. “To what extent is my own research a form of extractivism, a digging and unearthing that is painful to me, to the people I interview, to the people I tell about what I learn, to you?”

Despite this pain, Shapland dons a tall stack of writerly hats—historian, memoirist, naturist, harbinger—and sets what she discovers against the backdrop of her own life, as in her critically acclaimed My Autobiography of Carson McCullers. Sometimes there is affirmation of her lived experiences; more often, such personal application raises additional questions about what she and we have been taught to be correct, true, acceptable.

In the titular “Thin Skin,” Shapland shares that a dermatological condition requires her to “build up my skin each day to face the world,” but New Mexico, where she lives with her partner, Chelsea, and their cats, has caused her sensitivities to flare. No wonder: Multiple fascinating, devastating interviews discuss Los Alamos National Laboratory and the poisonous radioactive waste that now lurks within the state’s beautiful landscape. And in “The Toomuchness,” she examines her own culpability in perpetuating capitalism, gazing at her jampacked closet and its resident moths as she considers, “Why is private property, accumulation, the only way to see our relationship with the world?”

Shapland interrogates other aspects of the personal and the political throughout, such as in “The Meaning of Life,” where she asks why having children is still a societal default, pointing out that “children are part of the system that entrenches us in capitalist striving and labor production and endless competition.” As in all of her Thin Skin essays, Shapland challenges readers to broaden their perspective and perhaps even join her in being thin-skinned, in order “to feel keenly, to perceive things that might go unseen, unnoticed, that others might prefer not to notice.”

In her profound, often piercing new book Thin Skin, Jenn Shapland challenges readers to broaden their perspective and perhaps even join her in being just a little bit more sensitive.

It’s been several years since Guinevere “Nev” Tallow’s mother disappeared, and their life has since been dominated by their father’s destructive habits—trying numerous get-rich-quick schemes and imploring Nev to pay off the loan sharks that storm into their apartment and fill the air with anger and threats.

By the start of bestselling graphic novelist Ethan M. Aldridge’s first prose novel Deephaven, Nev has decided they’ll no longer be dragged down by a selfish and uninterested parent. Instead, they’ll plunge into the unknown, thanks to a full scholarship offered by the prestigious Deephaven Academy. For Nev, their first day going to Deephaven provides a deeply meaningful opportunity to “be the person they needed to be . . . to finally feel comfortable in their own skin, a chance to start over.”

That’s no small feat: Nev tends to be shy, more an observer than a joiner (“They really, really, weren’t good at conversations”). But they’re determined to find a home in this gothic manse.

As befits an eerie dark academia tale, the academy is rife with dark hallways, rooftop gargoyles and a sense of foreboding that overlays the hustle and bustle of a new school year. The principal and prefects are polite but seem to be hiding something. For example, Nev wonders, why is the east wing closed for repairs when there’s no structural damage to be seen? And if the wing is indeed empty, why is a scratching sound coming from behind its walls?

Nev likes to wear a big green coat, its many pockets filled with components they use to make intricate mechanical toys. Solving puzzles is second nature, and they resolve to use their “mechanical mind and magpie instincts” to figure out—with the help of new friend Danny—what’s really going on at the school. It’s a scary proposition, and Aldridge’s twisty narrative and spine-chilling illustrations heighten the suspense of Nev’s daring mission in this engaging page-turner of a series kickoff. Spooky yet heartfelt, Deephaven is sure to delight fans of Netflix’s “Wednesday” and anyone who likes a cleverly conceived gothic tale featuring creepy creatures and found family.

Ethan M. Aldridge’s twisty narrative and spine-chilling illustrations heighten the suspense of Nev’s daring mission in this engaging page-turner of a series kickoff.

Julia Kelly has written numerous international bestsellers in the realms of contemporary and historical romance as well as historical fiction (The Last Dance of the Debutante). Now, she’s setting her writerly sights on historical mystery with the new Parisian Orphan series, set in London during the Blitz.

In the meticulously researched, murder-and-intrigue-laden A Traitor in Whitehall, Kelly turns the locked-room trope up a notch by beckoning readers deep underground to the Churchill War Rooms (CWR), a command center established by Prime Minister Winston Churchill. It was constructed to be safe from bombs and prying enemy eyes, cloaked in concrete and characterized by tight security measures—but although every employee is extensively vetted, the CWR is not immune to the darkest human impulses.

Why Julia Kelly decided to set a murder mystery within Churchill’s secret headquarters.

Evelyne Redfern learns this the hard way in the most horrifying first week at work ever. After a patriotic-yet-unchallenging stint at a munitions factory, she is hired for the CWR typing pool by an old family friend, Mr. Fletcher, who knew Evelyne’s parents, French society page regular Genevieve and louche British adventurer (as well as neglectful parent) Sir Reginal Redfern. Their bitter and highly publicized divorce when Evelyne was a child earned her the media nickname “The Parisian Orphan.” 

Now in her 20s, Evelyne has been enjoying the relative anonymity of London but, after months of boredom at her factory job, is ready to make a more meaningful contribution to the war effort. She’s keeping an eye out for anything unusual at the CWR, per Mr. Fletcher’s instructions. Certainly, stumbling across the body of a recently murdered co-worker fits the bill. It’s a shocking yet fortuitous discovery: Since age 16, Evelyne has been a constant reader of mystery novels, and she thinks, “having adjusted to the reality of there being a dead body in my presence, I had been drawn to investigate.”

A minister’s aide named David Poole joins Evelyne’s crime-solving efforts; he’s been on the hunt for a mole, and it’s likely the murder is linked with treason. Kelly emphasizes the duo’s relentless search for the killer via tense, realistic interrogations and nerve-wracking cat-and-mouse sequences through underground hallways and the streets of London. A cast of opinionated side characters and a wealth of fascinating historical details add to the fun in this engaging, atmospheric series kickoff.

A murder takes place in Winston Churchill’s secret war rooms in Julia Kelly’s engaging, atmospheric A Traitor in Whitehall.

Leonie Swann’s darkly humorous cozy mystery The Sunset Years of Agnes Sharp, translated from the German by Amy Bojang, features a quirky cast of older characters who live together in Sunset Hall on the outskirts of a British village called Duck End.

The residents also share space with a free-range tortoise named Hettie who, in the book’s attention-grabbing first chapter, discovers the body of housemate Lilith in the garden shed—a death the group has not yet reported to the authorities.

Understandably, it’s a huge relief when the police come knocking and it’s not Lilith they’re concerned with, but rather their neighbor Mildred, found dead on her terrace from a gunshot. The group decides their neighbor’s murder presents an opportunity: They’ll simply figure out who killed her and attribute Lilith’s death to the murderer as well. They’ve got the qualifications, as several of them have done sleuthing work in the past, and they’ve got the time. Easy peasy! 

Carrying out their plan is more difficult than anticipated, not least because Agnes, a cranky force of nature who often leads the group, has been feeling and acting off lately. Her memories are jumbled, her perceptions a bit askew and she’s been fainting quite often, making it difficult to inspire confidence while withstanding police questioning. There’s plenty of wariness among the other residents, too; after all, they don’t know each other that well, and why does the house gun keep going missing, anyway?

As tensions mount and the police grow increasingly suspicious of Sunset Hall, Swann conveys with wit and empathy the push-pull of wanting to achieve things but feeling hobbled by age, infirmity or self-doubt. As in her first novel, 2007’s Three Bags Full: A Sheep Detective Story, Swann assembles an unusual group of intrepid detectives and manages to find the fun among the fear in an engaging and offbeat tale of murder and occasional mayhem.

Leonie Swann gives the “quirky older sleuths” trope a jolt of black comedy in The Sunset Years of Agnes Sharp.

If you’re a Maria Bamford fan, you’ve probably already ordered your copy of her hilarious, devastating, fascinating new memoir Sure, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere. If you aren’t yet clued into her comedic stylings, you might look at the wide-eyed, beautiful woman on the cover and think, “What do I know her from?”

The answer is: loads of things, from stand-up specials to “Arrested Development” to “Lady Dynamite” to iconic Target commercials (or perhaps you’ve heard her in “Adventure Time” and “Big Mouth”). She’s an accomplished comedian who’s brought joy to countless people—and she also has from mental illness, having battled debilitating obsessive-compulsive disorder, eating disorders and bipolar disorder since childhood.

The author is a winsome and unapologetic tour guide through her life thus far, musing on her “splintered, discomfiting need to reveal all my thoughts and flaws—which is either radical honesty or narcissistic showboating” and sharing her hope that “if I can be grandstandingly open about something taboo, maybe someone else might feel a little less isolated by knowing my own sad story (and have a few laughs)?” Bamford reflects on the groups she’s joined in search of achievement, belonging and healing, including Suzuki Violin, Overeaters Anonymous and Debtors Anonymous. She’s also a self-taught expert in the work of Julia Cameron (The Artist’s Way) and Richard Simmons (Richard Simmons’ Never-Say-Diet Book).

Sure, I’ll Join Your Cult is the definition of kaleidoscopic: In addition to loopy riffs, career insights and beautifully sad recollections of her mother’s illness and death, there are painfully honest chapters about the time period in which Bamford’s “mind/body had become a vibrating razor blade of electric psychic pain.” The resulting psychiatric hospitalizations were often grueling, but ultimately offered a hopeful path forward.

The importance of getting such help is central to Bamford’s story and at the heart of her hopes for readers. She writes that, rather than a book about triumphing over obstacles, Sure, I’ll Join Your Cult is more of a “series of emotional sudoku puzzles . . . I haven’t figured it out.” And no matter where readers are on their own puzzle-solving journeys, she wants them to internalize something the late Jonathan Winters said to her after her first hospitalization: “You just keep going, kid.”

Celebrated comedian Maria Bamford is a winsome and unapologetic tour guide through her own life, reflecting on her search for achievement, belonging and healing.

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