Lori K. Joyce

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BookPage Children's Top Pick, February 2018

Two-time Newbery Medal-winning author Christopher Paul Curtis’ latest middle grade novel, a coming-of-age tale set in 1858, will resonate with readers for its timeless themes of justice, self-awareness and questions of right and wrong.

Little Charlie Bobo’s family are white sharecroppers for the Tanner plantation. It’s a meager existence, so Charlie’s father tries a few side hustles to earn more money, including joining the Tanner’s overseer and slave catcher, an unremittingly mean and clever man, in a scheme. However, Charlie’s father dies before he can complete his part of the bargain, and the overseer makes 12-year-old Charlie take his father’s place.

At first Charlie is excited to be traveling to Detroit to break up what the overseer explains is a gang of thieves who stole thousands of dollars from the Tanners. On the trip, Charlie carefully observes the overseer and eventually comes to several troubling conclusions about their mission. Charlie is further conflicted when he realizes one of the “stolen goods” is a boy not too different from himself. Without any guidance, Charlie must make several grown-up decisions of his own.

The historical accuracy of The Journey of Little Charlie educates readers on the efforts to capture runaway slaves and the fortitude of those who journeyed north to freedom. In this tale set in the past, modern parallels abound, offering a clear gateway for discussions that are painfully important today. As Curtis writes in his author’s note, the leap taken by Charlie is “[a] step that is available to all of us.”

 

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Two-time Newbery Medal-winning author Christopher Paul Curtis’ latest middle grade novel, a coming-of-age tale set in 1858, will resonate with readers for its timeless themes of justice, self-awareness and questions of right and wrong.

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Mix medieval romance with present-day Texas teens, and you have a recipe for a romance that sparkles with acceptance and a keen insight into what defines a person in a relationship.

Lily, who’s been diagnosed with ADHD, gets in trouble for breaking a sliding wall between classrooms. Abelard, a boy on the autism spectrum, was on the other side of the wall and also gets in trouble. As they await their punishments, Lily impulsively kisses Abelard. Simultaneously horrified and pleased, the teens awkwardly navigate that event.

Before long, shy Abelard texts Lily, but they aren’t ordinary texts. He confidently uses sentences taken from The Letters of Abelard and Heloise, the actual medieval love letters written between the two legendary figures. Lily’s father taught her to read using those letters, and Lily soon recognizes the source of Abelard’s words. She is smitten.

Because Abelard is sensitive to being touched, the teens learn how to pilot these unchartered waters of kissing and other physical manifestations of love. To further complicate the budding relationship, Lily is determined to live on the West Coast with her father for the summer, and maybe permanently, while Abelard has a chance to attend a faraway, prestigious school for autistic youth.

Laura Creedle’s The Love Letters of Abelard and Lily gives discerning insights into a romance that isn’t textbook perfect, and will challenge readers to look at love anew, especially when supplemented by the medieval tale of love that still stands the test of time.

Mix medieval romance with present-day Texas teens, and you have a recipe for a romance that sparkles with acceptance and a keen insight into what defines a person in a relationship.

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With grace and humor, author Marcella Pixley’s Ready to Fall captures the intricacies of a teenage boy with crippling grief and an illness he believes is all too real.

Max has a problem, and it’s in his head. When his mother dies of cancer, he invites her brain tumor into his head in a misguided attempt to stay close to her. Max is now convinced the tumor lives in his head, and it’s a really bad tenant. He imagines that it throws parties and bangs around at all hours of the day and night, belching and shouting. As a result, Max finds it impossible to think, feel or do much of anything.

Max’s concerned guardians send him to an artsy new school with hopes that a fresh start will get him involved in life again. Their plan begins to work as Max joins the cast of the school’s production of Hamlet. To bond, the cast participates in trust falls (hence the title of the book), and even though he’s unable to complete the trust fall, Max does begin to feel comfortable with his new friends, even to the point of sometimes forgetting about his raucous tumor. However, family complications—such as seeing his father kiss an attractive single mother from his school—threaten to shatter any tenuous emergence from his darkness.

Readers will ache for Max, but they will also revel in his effervescent teen spirit.

With grace and humor, author Marcella Pixley’s Ready to Fall captures the intricacies of a teenage boy with crippling grief and an illness he believes is all too real.

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Julie Mayhew’s The Big Lie takes place in 2014—but in a world very different from our recent 2014. In this alternative history, the Nazis won World War II and are the harsh ruling party. Free thoughts, freedom of expression and any orientation other than heterosexual are crimes against this state.

Jessika Keller is a patriotic schoolgirl, a talented ice skater and a citizen of the Greater German Reich in England. Jessika’s next-door neighbor and best friend says things about governmental leaders that make Jessika uncomfortable and confused. Whenever she has dinner at her friend’s house, the dinner conversation evolves into politics, with her friend’s parents speaking out against the current regime. At first, she is shocked, but gradually she begins to question aspects of her life and society that she never thought about before these conversations.

Also confusing Jessika are her mixed feelings towards two peers: one a member of her own sex and one of the opposite sex. She knows that romantic feelings towards girls are in direct opposition to her father’s beliefs, but can she deny this part of herself? In this coming-of-age story, Jessika must grapple with several very real and scary ideas, ultimately deciding what she stands for and what she’s willing to risk, whether it affects her family, her friends or her country. Mayhew includes helpful historical notes and English translations of the German used in this fast-paced, imaginative story.

Julie Mayhew’s The Big Lie takes place in 2014—but in a world very different from our recent 2014. In this alternative history, the Nazis won World War II and are the harsh ruling party. Free thoughts, freedom of expression and any orientation other than heterosexual are crimes against this state.

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The childless weekend getaway after nearly a decade of marriage and two kids is a scenario that brings up either wishful thinking or pleasant memories. Kaira Rouda’s Best Day Ever traces 24 hours of what promises to be the perfect romantic weekend, but instead goes wildly awry.

The husband, Paul Strom, narrates Rouda's story, which is unusual in women-focused thrillers. After few pages, readers will realize that Paul is the ultimate unreliable narrator. We soon learn that he's both narcissistic and delusional, and Mia, Paul’s wife, readily gains our sympathy.

Paul and Mia's idyllic ride to the lake house quickly disintegrates as Mia asserts independence over little things (calling the babysitter) or larger ones (taking a part time job). As Mia’s actions tax Paul’s patience, he struggles to appear pleasant, nonthreatening and maintain his thin veneer of control, which greatly increases the novel's creepy factor.

Not to mention, Paul keeps alluding to a special surprise he has for Mia that weekend. His repeated thoughts about the surprise have readers wondering about his plan and fearing for Mia’s safety.

When Paul meets Mia’s male friend, one she’s managed to make despite Paul’s nearly incessant oversight, he assumes the two are having an affair. Mia and her friend have something even more intricate than an affair, as revealed in the intense ending. Rouda's thrill-ride of a novel highlights the fact that can you never know what goes on behind the facade of a seemingly flawless marriage.

The childless weekend getaway after nearly a decade of marriage and two kids is a scenario that brings up either wishful thinking or pleasant memories. Kaira Rouda’s Best Day Ever traces 24 hours of what promises to be the perfect romantic weekend, but instead goes wildly awry.

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Cate Holahan’s latest thriller, Lies She Told, masterfully weaves together the parallel tales of two troubled young wives, sweeping readers along as each story echoes and advances the narrative. Both protagonists and readers must attempt to distinguish between truth and lies.

In one story, writer Liza Cole is desperate to write another bestselling novel after lackluster recent sales. She also wants to conceive a child and is in a medical trial using new drugs that may help her achieve that goal. Her husband’s law partner/best friend is missing and presumed dead, creating family tension by distracting him from Liza’s goal of starting a family.

The other storyline follows Beth, who is the protagonist of the new book Liza is writing. In the story, Beth has just had a baby, and she suspects her husband of having an affair. Once she gets proof, she actively pursues her husband and his lover, planning revenge on the guilty parties.

Chapters alternate between Beth’s story and Liza’s life and make for compelling reading. Two superbly written stories in one book are a tension-filled treat for readers. Even more fascinating, there are mysterious parallels between the stories that spin and undulate with ever-growing similarities.

Holahan’s previous novel, The Widower’s Wife, catapulted to success last year, drawing critical acclaim and a spot on at least one best books of the year list. Lies She Told is another thriller where nothing is as it seems. This is a fast-paced read that will keep readers riveted as the surprise endings of both story lines blossom into a crescendo of compassion and conflict resolution.

Cate Holahan’s latest thriller, Lies She Told, masterfully weaves together the parallel tales of two troubled young wives, sweeping readers along as each story echoes and advances the narrative. Both protagonists and readers must attempt to distinguish between truth and lies.

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Curses, golden alligators and a blood-red moon form the backdrop for Tumble Wilson (a girl) and Blue Montgomery (a boy), who are searching for their places in life. The second middle grade novel from Cassie Beasley (Circus Mirandus), set at the edge of the Okefenokee swamp in Georgia, imbues the everyday with mystical and magical elements to captivate readers.

Blue’s family has been cursed for over 200 years. However, their curse is unique, because each member of the family receives a different curse, which can cause conflict. Blue’s father’s curse is to always win, and Blue’s is to always lose. But the curses can be altered: When the rare blood-red moon rises, one person in the family can change his or her curse.

After being dumped by his father at his grandmother’s house for the summer, Blue—feeling resentful, sad and abandoned—expects the worst. But the special moon will soon appear, and his granny’s house becomes overrun with kooky relatives, all hoping to meet the golden alligator named Munch and to change their future.

Meanwhile, Tumble has just moved in down the dirt lane, and she’s determined to be a superhero. Misfits Tumble and Blue form a fast bond, and eventually they realize Tumble also has a curse—one that will stretch the bonds of family and friendship.

Throughout this magical book, the setting of rural Georgia wends its enigmatic presence to cast a lasting spell.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Curses, golden alligators and a blood-red moon form the backdrop for Tumble Wilson (a girl) and Blue Montgomery (a boy), who are searching for their places in life. The second middle grade novel from Cassie Beasley (Circus Mirandus), set at the edge of the Okefenokee swamp in Georgia, imbues the everyday with mystical and magical elements to captivate readers.

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Parents want to develop kindness and generosity of spirit in their children. The One Day House by Julia Durango, illustrated by Bianca Diaz, is a wonderful launching pad to start children on a trajectory of altruism.

Young Wilson has an elderly friend, Gigi. Wilson notices some things around Gigi’s house aren’t quite right: The house paint is dull; there isn’t a fence for a pet; animals snuggle cozily in the chimney; and the piano is out of tune. Wilson tells Gigi that one day he would like to fix these things for her. Gigi warmly replies that Wilson is what brightens her days, and that he is all the company and warmth she needs. He is what creates the music in her heart. However, Wilson tells everyone what he plans to do—one day. Wonderfully, “one day” arrives with Wilson and the diverse community working together to fulfill Wilson’s entire wish list, giving Gigi a fully repaired, bright golden house.

Vividly illustrated collages (using watercolors, gouache, bright acrylic colored paints, ink, pencils, crayons, markers, cut-out pictures and photo transfers) create the illusion that Wilson created the plans for Gigi’s house. The end papers look like homemade paper, with bits of newsprint showing through. All the artwork evokes a homey, happy vibe, like the spirit of helpfulness in Wilson and Gigi’s community.

The final pages offer suggestions of ways young people can get involved in their own neighborhoods, to create “one days” in their own communities.

Parents want to develop kindness and generosity of spirit in their children. The One Day House by Julia Durango, illustrated by Bianca Diaz, is a wonderful launching pad to start children on a trajectory of altruism.

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A worker finds tiny bones, the bones of an infant long buried, when excavating an East London backyard for a development project. Thus begins Fiona Barton’s second psychological thriller. After the success of Barton’s bestselling and finely wrought first book, The Widow, readers have high expectations for The Child, a story that once again features Kate Waters, a thorough and “old school” reporter who has a winsome way with people. In this novel Kate’s personality and background are more developed, though the mystery remains front and center.

Spurred by a small article mentioning the gruesome discovery of the baby’s bones, Waters decides to investigate. She wants to know who buried the baby and what kind of sordid, desperate circumstances would prompt such an action. Three other key female characters also see the article and Water’s subsequent reports detailing her investigation.

One of these women, Angela, gave birth to a child in 1970 who was kidnapped from her hospital room while Angela showered. The baby was never found, and Angela is convinced the recently unearthed child is her baby girl. She tells the police and Waters what she believes. While waiting for ultimate confirmation, the story undulates and ripples with frisson. Barton again uses multiple points of view shifting between Waters, Angela and two other women—a mother and daughter—to create a continuous story line.

The mother and daughter have a solid connection to East London, but seemingly not to Angela or the baby. With Water’s skillful, empathetic questioning, she begins to recreate the events of long ago, right down to a 1980s disco-themed reunion of the residents of the block where the worker found the remains. Barton’s stories ring with authenticity as she, like Waters, has 30 years of experience in journalism. Barton fulfills all expectations in this installment: The Child resoundly delivers.

A worker finds tiny bones, the bones of an infant long buried, when excavating an East London backyard for a development project. Thus begins Fiona Barton’s second psychological thriller.

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John Newbery, the father of children’s literature and namesake of the Newbery Medal, is revered by all who read and write books for children. Balderdash!: John Newbery and the Boisterous Birth of Children’s Books, written by Michelle Markel, introduces a new generation to Newbery’s legacy.

The book follows Newbery’s career, which begins as a printer and ends as a publisher who revolutionized children’s literature by printing over 100 fun and entertaining titles for children. It’s an animated and lively tale, ever faithful to Newbery’s philosophy that children need amusing books. Children’s books in the 1740s were didactic and boring, but Newbery promoted purchasing a book accompanied by gender-specific toys, a brilliant marketing campaign that was met with success on both sides of the Atlantic.

Nancy Carpenter’s illustrations have a sprightly and energetic style. The edges of the pages are painted to look like an old-time storybook and lend a certain gravitas to the narrative. The mod, marbleized endpapers are reminiscent of Newbery’s first book for youngsters. Fonts in different sizes add interest to the text.

Balderdash! reads as a delightful invitation to children: When readers turn the first page, they enter the expansive world of John Newbery, and after their journey, readers are securely deposited in the wonderful world of reading, in a book nook for children. Extra biographical information and a selected bibliography make this book perfect for teachers and librarians.

John Newbery, the father of children’s literature and namesake of the Newbery Medal, is revered by all who read and write books for children. Balderdash!: John Newbery and the Boisterous Birth of Children’s Books, written by Michelle Markel, introduces a new generation to Newbery’s legacy.

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The unlikely pairing of a young girl from Minnesota obsessed with bees and an up-and-coming baseball player from the Dominican Republic produces pure magic in Kurtis Scaletta’s latest middle grade novel.

During a family vacation to Florida, Maya’s family catches a Minnesota Twins’ baseball training camp game. One young player notices Maya’s older sister and signs her outstretched baseball. At that moment, Maya decides to become a fan of that player, Rafael Rosales, even though he has the worst statistics on the team.

Multiple storyline undulate throughout to form a coherent whole. The backstory of a young Rafael growing up in the Dominican Republic reveals how he joined the Twins; Maya’s story highlights her concern for the environment (a subplot involves Maya criticizing her father’s company for dubious environmental practices and the surprising results of that criticism); and Rafael’s career in the United States, partially followed through Maya’s sister’s baseball blog, touches upon the dark side of baseball recruiting. As punishment for taking Maya to a baseball game without permission, Maya’s sister loses her blogging privileges. When Maya gives a brief update to the blog, the blog becomes an internet sensation, and the girls become minor celebrities. Through the lens of fame, Maya and her family have to examine their principles and how far they are willing to go for their beliefs.

Rooting for Rafael Rosales hits for the cycle with its multilayered storylines, and Scaletta triumphs with a grand slam.

The unlikely pairing of a young girl from Minnesota obsessed with bees and an up-and-coming baseball player from the Dominican Republic produces pure magic in Kurtis Scaletta’s latest middle grade novel.

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It’s rude, it’s crude and it’s a whole bunch of fun. David Elliott’s raunchy retelling of the myth of the Minotaur and Theseus, Bull, takes a decidedly modern turn with multiple perspectives and a sympathetic look at the Minotaur.

A useful list of characters, complete with brief biographies, supplies background information that helps illuminate the plot. The characters have unique voices, which reflect their stations in life, understanding of the world and distinctive attitudes. Each character’s narration unfolds through a unique poetic form, and while the forms don’t strictly adhere to poetic rules, they are perfect foils for the characters’ interwoven personalities.

The ancient Greek tale begins with Poseidon’s revenge, resulting in the birth of a baby with the body of a human male and head of a bull. Pasiphae, his mother, names him Asterion, an ironic choice as King Minos eventually spirits him to the depths of the labyrinth where there are no stars to rule.

The story is accurate to the legend, with all the principal players reprising their roles. However, gaps in the original story get filled with down and dirty details, revealing the twisted nature of the characters. Only the Minotaur acts with nobility and leads readers to a central question of how people treat those who are perceived as different. Like any good timeless story, Bull offers contemporary analogies that will resonate with readers.

 

This article was originally published in the April 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s rude, it’s crude and it’s a whole bunch of fun. David Elliott’s raunchy retelling of the myth of the Minotaur and Theseus, Bull, takes a decidedly modern turn with multiple perspectives and a sympathetic look at the Minotaur.

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Swedish author Sara Lövestam’s first novel to be published in the U.S. captures contemporary teen life and the world of 1940s Sweden, filtered through the universal language of music.

In this tale of two eras, aspiring musician Steffi Herra, age 15, keeps a jazz-infused fugue in her head as a defense against mean-girl bullies. After a chance encounter with Alvar, an elderly jazz bassist, Steffi soon becomes a regular visitor at his nursing home. While listening to classical jazz forms the basis of their relationship, Steffi also receives rich human and historical perspectives about life in neutral Sweden during World War II. As Alvar recounts the tale of his journey to Stockholm at 17, Steffi discovers the impetus she needs to pursue her own dreams of attending a prestigious music academy in Stockholm.

Musicians will respond with glee to the authentic musical references, and non-musicians will enjoy the realistic and loving portrait of a young girl pursuing her passion. Wonderful Feels Like This offers grace notes on cross-generational companionship and the pursuit of a dream, whatever the era. 

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Swedish author Sara Lövestam’s first novel to be published in the U.S. captures contemporary teen life and the world of 1940s Sweden, filtered through the universal language of music.

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