Robin Smith

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You know the feeling you have when you look at a book and you’re sure that you’re going to love the story? That’s what happened to me when I saw Say Hello to Zorro, written and illustrated by Carter Goodrich, the talented author, character designer (Ratatouille, anyone?) and New Yorker cover illustrator. The two dogs on the book’s cover—one, Mister Bud, nervously glancing at the other, Zorro, who is staring straight at the reader, daring her to flinch—just beg us to turn the page.

Mister Bud loves his life, but he especially loves his schedule: “1. Wake up time 2. Biscuit, then a walk time 3. Nap time 4. Shift-position-and-nap-some-more time 5. Wait and watch time 6. Greet and make a fuss time . . . 10. Movie, then bed time.” Every day is the same for this all-snout dog and that’s just the way he likes it.

But one day, at greet-and-make-a-fuss time, things change. A new dog, Zorro, is joining the family. Zorro, a Pug with fierce eyes, a curly tail and stubby legs, is ready to stake out his territory in the house. Mister Bud is not ready to concede defeat so easily and his first encounter with Zorro is one of name-calling and growling, leading to reluctant resignation. Soon the dogs realize that they do have something in common: the same schedule!

Goodrich’s affecting watercolors do these canines proud. Mister Bud, more nose than dog, and Zorro, his mouth edged with a black moustache, bound and sleep through these pages with true dog-like energy. The owner’s verbal contributions, in a light green handwritten typeface, float nearly unnoticed by the dogs and the reader, but serve to remind us all of the proper place of humans in the dogs’ schedule.

The pacing and humor of this charming picture book makes it an easy one to read over and over. This is a winner for dog lovers everywhere (and of any age) and I, for one, am hoping for a sequel.

You know the feeling you have when you look at a book and you’re sure that you’re going to love the story? That’s what happened to me when I saw Say Hello to Zorro, written and illustrated by Carter Goodrich, the talented author, character designer…

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There are many things that Cloudette loves about being small: the adorable nicknames, the ability to fit into small spaces and the way she can really hide during a game of cloud hide and seek. But when it comes to helping out the big clouds during storms or doing important cloud jobs, Cloudette doesn’t feel needed. At all. It is only when Cloudette ends up all by herself after a particularly violent thunderstorm that she discovers “the big and important things a little cloud can do.”

Normally I can live without little life-lesson books about fitting in and finding your bliss, but Cloudette is just so darn cute and the story so droll that I had to give it another peek. Tom Lichtenheld’s watercolor and ink illustrations, especially the sweetly smiling Cloudette, draw the young reader right in, and the side chatter from the other clouds (“Hi, pipsqueak!” or “Prodigious precipitation, pipsqueak!”) will keep adults smiling.

In Cloudette’s struggle to produce rain, she grew larger and grayer and “shook her behind until it made a little rumbling sound”—an image that will amuse little readers and remind grownups of toddlers’ frequent frustrations. Little people who feel small and want to do important things will be inspired by Cloudette and will cheer when she finds her own pond-making mission. 

 

There are many things that Cloudette loves about being small: the adorable nicknames, the ability to fit into small spaces and the way she can really hide during a game of cloud hide and seek. But when it comes to helping out the big clouds…

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Inside Out and Back Again, an autobiographical novel written in verse, captures one year in the life of 10-year-old Kim Hà. Her unforgettable story begins and ends with Tét, the first day of the Vietnamese lunar calendar. It’s February 1975 and Saigon is about to fall.

Hà flees Vietnam with her mother and two brothers, boarding a ship in a nearby port. One poignant poem lists some of what they must leave behind: “Ten gold-rimmed glasses . . . Brother Quant’s report cards . . . Vines of jasmine.” After weeks at sea and a stay in a refugee camp on Guam, Hà’s family ends up in Alabama, where a sponsor is found.

Holding tight to the 10-year-old point of view, first-time author Thanhha Lai draws on memories of her own childhood, when her family fled Vietnam after the war and moved to Alabama. The reader will smell the incense, long for the taste of fresh papaya and feel the rocking of the ship. The difficulty of learning English, coupled with Hà’s desire for perfection, makes assimilation nearly impossible, especially when some of the kids in her class cruelly tease her about her hair, her accent and the flatness of her face. She grows up, tries to learn the art of making do from her mother, and leans on her brothers and her tutor, Mrs. Washington. And she learns to fly-kick like Bruce Lee.

Lai’s spare poetry, full of emotion and infused with humor, is accessible to young children and adults alike. This moving and beautifully told story is a must-read for anyone who works with children new to the country. 

Inside Out and Back Again, an autobiographical novel written in verse, captures one year in the life of 10-year-old Kim Hà. Her unforgettable story begins and ends with Tét, the first day of the Vietnamese lunar calendar. It’s February 1975 and Saigon is about to…

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A curious young bunny hops out for an adventure, all by himself, in Little White Rabbit, the latest creation from Caldecott-winning author-illustrator Kevin Henkes. The rabbit wonders about everything. Like the children who will read about him, he takes the time to notice his surroundings and imagines: What would it be like to be different? What would it be like to be green? Tall? Unable to move? Able to flutter and fly?

When Little White Rabbit is simply being a rabbit, he safely fits in the middle of a square green frame, doing normal rabbity things. With a deft page turn, Henkes shows the full scale of Rabbit’s imagination. The frames are gone when Rabbit’s prodigious imagination pushes the action across an entire two-page spread, not even leaving room for words!

Like Kitten’s First Full Moon, winner of the 2005 Caldecott Medal,this newest Henkes offering invites very young readers to slow down and think their way into a character’s imagination. When Rabbit is green, all the green critters are literally bug-eyed in surprise. A crowd of normal-sized bunnies circle the giant rabbit who is so tall that the trees bend under his weight. My favorite pages, a nod to William Steig’s Sylvester and the Magic Pebble, show time passing when Rabbit imagines “what it would be like not to be able to move.” Rabbit is a stone, portrayed in four panels showing bright sun, rain, sunset and moon bathing him in his stillness.

But, though Rabbit might wonder about all these things, in the end, he finds himself sharing a warm nose kiss with his parent, who loves Rabbit best of all. Ahhhh.

A curious young bunny hops out for an adventure, all by himself, in Little White Rabbit, the latest creation from Caldecott-winning author-illustrator Kevin Henkes. The rabbit wonders about everything. Like the children who will read about him, he takes the time to notice his surroundings…

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“There are things that happen. Little things that make a difference.” For sixth grader Ella, who lives outside Las Vegas, the little things are everything. Her best girlfriend Millie has abandoned the long-standing threesome of Ella, Zachary (known as Z) and Millie, and now Ella’s life is off balance. Someone has to watch out for Z, whose imaginary life is becoming odder and odder, and that someone is Ella. She and Z spend all their time together—at school, at the library or around the neighborhood—and they are often lost in an elaborate fantasy life filled with knights and ladies.

Ella, the only black student in her school, is the object of teasing and taunting. Her skin tone is uneven, which earns her the cruel nickname “Camo Face.” Her unruly hair invites the boys to throw paper and other detritus at her. The fact that she spends all her time with Z only adds to her exclusion. When handsome, socially savvy black student Bailey arrives at the school, things instantly change for everyone, especially Ella. Her new friendship with Bailey is threatening to Z, and Ella feels forced to choose between her old friend and having a larger social life.

What really struck me about Camo Girl was how real this junior high school world felt. Every character, especially narrator Ella, is intensely self-aware. She notices Millie’s hair, how much Z is eating, the exact location of the mean boys, how to extricate items from her hair without being noticed and how to order the right beverage at the soda shop. She thinks long and hard about why Bailey leaves a basketball in her driveway and is always aware of Z, whether he is at school, the library or at Wal-Mart. The three main characters are all looking for the same thing—a father. And this search leads each to see the world through that gaping hole.

Writer Kekla Magoon, who debuted in 2009 with the award-winning civil rights story The Rock and The River, crafts her second novel so perfectly that the reader clings to Ella’s point of view—and, like Ella, is surprised when all the pieces fall into place.

“There are things that happen. Little things that make a difference.” For sixth grader Ella, who lives outside Las Vegas, the little things are everything. Her best girlfriend Millie has abandoned the long-standing threesome of Ella, Zachary (known as Z) and Millie, and now Ella’s…

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Illustrator Loren Long teams up with President Barack Obama to create a picture book tribute to several notable Americans in the form of a letter from the First Father to his daughters. The text is minimal and begins with questions for Malia and Sasha—“Have I told you lately how wonderful you are? How the sound of your feet running from afar brings dancing rhythms to my day?”

Other questions for the girls introduce discussions of famous figures from throughout the nation’s history. “Have I told you that you are creative?” the president asks his daughters, eliciting a brief comment about painter Georgia O’Keeffe. Some of those included here are obvious choices: George Washington, Abraham Lincoln, Helen Keller, Neil Armstrong, Dr. Martin Luther King Jr. and Jackie Robinson. Other memorable Americans highlighted might surprise the reader: Billie Holiday, Albert Einstein, Sitting Bull, Maya Lin, Jane Addams and Cesar Chavez are also on the list.

Loren Long’s tall and thin stylized illustrations are perfect for the images of the Obama children and the president and serve to add visual interest to the spare text. Especially memorable are the images of O’Keeffe painting an enormous flower, Maya Lin reflected in the Vietnam Veterans Memorial and the young Chavez addressing farm workers. On the opposite page are smaller images of Malia and Sasha, joined by images of the famous folk carrying the tools of their given work. The final spread is a joyful collection of all sorts of American children with young versions of the famous standing in the front row.

While folks might argue about who was included or not in this selection of 13 American icons, there is little doubt that children will enjoy learning a little about them through the illustrated pages and the biographical notes at the end. Families or teachers looking for an accessible introduction to a diverse slice of notable Americans will enjoy this collection.

Obama wrote the book before becoming president and is donating profits from its publication to the families of injured service members.

Illustrator Loren Long teams up with President Barack Obama to create a picture book tribute to several notable Americans in the form of a letter from the First Father to his daughters. The text is minimal and begins with questions for Malia and Sasha—“Have I…

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Anthony Browne turns his prodigious talents to a clever retelling of the Goldilocks tale in his latest picture book, Me and You. This is no fractured story, though—it’s a full reimagining of Goldilocks from an urban point of view. Browne’s work always begs to be read slowly and the careful reader or lap-listener will be rewarded for patience.

The amusing details start on the first page—“This is our house.” Of course the address of the house is number 3 (for the three bears) and alert readers will spy a little wolf sneaking into the left corner of the page. Surrealism is Browne’s stock in trade and even the first page has hints of things to come: a ball in the backyard seems suspended in midair and what appear to be trees behind the house are really smokestacks and apartment buildings. Turn the page and the sunny yellow house is replaced with another house; this time all color is drained from the four inset illustrations except a child’s golden bangs. Despite the sepia tones and grim urban surroundings, the reader knows who the child must be in this new narrative: none other than Goldilocks, but in this version of the story she is wearing jeans and a hooded sweatshirt.

The separate stories of Goldilocks and the three bears unfold side by side on each two-page spread of the book, with the muted tones of Goldilocks’ world in stark contrast to the colorfully bright environment and warm family life of the bears.

Reading new versions of old nursery stories is always fun for a beginning reader, and Me and You is especially satisfying with all the visual elements to be pored over. New revelations will be noticed each time, from the foreshadowing on the cover to the sly reappearance of the wolf. For older readers and adults sharing the story, Browne’s two-sided retelling adds a powerful new edge to this familiar tale.

Anthony Browne turns his prodigious talents to a clever retelling of the Goldilocks tale in his latest picture book, Me and You. This is no fractured story, though—it’s a full reimagining of Goldilocks from an urban point of view. Browne’s work always begs to be…

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When I teach my second graders about Grimm’s fairytales, they are often shocked by the graphic details in the stories they know only through the Disney movies they have watched since toddlerhood. It’s interesting to watch their faces when Cinderella’s stepsisters lop off their toes and heels or when Snow White’s stepmother dances to her death in red-hot iron shoes. Now that I have read Adam Gidwitz’s take on Hansel and Gretel, I know exactly what my students really feel: sheer terror.

Like any good storyteller, Gidwitz lures his readers into his tale. His light touch, humorous use of direct address ("if such things bother you, we should probably stop right now") and tongue-in-cheek warnings make the reader want to take up his challenge and turn the page, no matter what.

Gidwitz weaves a number of original tales into one satisfying, daring story of a brother and sister making their way in a world where adults, particularly parents, are unreliable, untrustworthy and in desperate need of forgiveness. The children learn to rely on each other as they make their way through many trials and eventually back home.

I found one chapter, “A Smile as Red as Blood,” downright disturbing. It involves a young man who invites Gretel, despite the warnings of the author and every character in the story, to his home in the woods where he has lured many young women before. Cannibalism in fairy tales is nothing new, but these graphic descriptions, no matter how the narrator assures the reader of the eventual outcome, is more than a little surprising.

Readers looking for a truly terrifying story, one that might give the most hardened middle schooler delicious nightmares, need look no further. And, if they make their way to the end of this somewhat familiar tale, they might find “the brightest beauty and the most luminous wisdom” that awaits them in the land of Grimm.

When I teach my second graders about Grimm’s fairytales, they are often shocked by the graphic details in the stories they know only through the Disney movies they have watched since toddlerhood. It’s interesting to watch their faces when Cinderella’s stepsisters lop off their toes…

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It’s a good day for new readers when Grace Lin decides to write a book especially for them. And in Ling & Ting we have a story with details that new readers will love—twins, chapters, sunny illustrations and funny, realistic situations.

Twins Ling and Ting look exactly alike until a wiggling Ting causes a sneeze that makes the barber slip with his scissors. Now, people can certainly tell them apart. Six related stories introduce these two sisters, who have their own distinct personalities. When Ling does a card trick, Ting forgets the card she is supposed to remember. Ting’s dumplings are fat and lumpy, while Ling’s are smooth. Ting is adventurous with her chopsticks while Ling wisely uses a fork. Ting checks out the wrong library book for her sister. Each story is a slice of sisterly life filled with two little girls who enjoy each other, no matter what they look like.

There are so many things to like about this sweet offering for beginning readers. The story is constructed carefully so that new readers will have success. Many of the words are sight words and the other words are easily sounded out. Lin has the girls repeat parts of the stories, giving the new reader a way to remember the story while practicing reading new words. The stories are simple and familiar, but not boring. Lin’s whimsical illustrations show two sisters who enjoy each other and are just the kind of friends a first or second grade girl would like to have—kind and adventuresome, with a good sense of humor.

Writing for new readers is much more challenging than it looks, and Grace Lin successfully meets the challenges with a book that’s both readable and fun. Ling and Ting are sure to attract many fans, and we can only hope that the author has more adventures in store for these likable twins!

It’s a good day for new readers when Grace Lin decides to write a book especially for them. And in Ling & Ting we have a story with details that new readers will love—twins, chapters, sunny illustrations and funny, realistic situations.

Twins Ling and Ting look…

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The author of the wildly popular Percy Jackson series introduces a new set of heroes to his legions of fans in Book One of the Kane Chronicles series. Siblings Carter and Sadie Kane have been raised on opposite sides of the globe—Sadie with her grandparents in London and Carter with his father, who travels the world studying Egyptian artifacts. Once a year, the Kane siblings get together, and this time the visit starts with a bang—the Rosetta Stone explodes and their father is taken away in a magical coffin.

And that’s just in the first few pages! Part Men in Black, part Avatar, this nonstop thriller reads like a movie. Sadie and Carter, who barely know each other, are thrust into confusing situations where nothing is quite what it seems to be. They soon learn that animals, people and everyday objects in the modern world have links to Egyptian magic and religion. Indeed, the Kane family is part of a lineage that leads all the way back to the first Egyptians.

The Red Pyramid takes place in a magical world with its own rules and history; the numerous mentions of Egyptian gods had me running to reference guides and making lists of names to keep up.

Sadie and Carter spend most of their time fighting monsters and one another and just a bit of time really getting to know each other. No doubt future volumes in this action-packed adventure series will flesh out this sister-and-brother team a little more thoroughly.

 

The author of the wildly popular Percy Jackson series introduces a new set of heroes to his legions of fans in Book One of the Kane Chronicles series. Siblings Carter and Sadie Kane have been raised on opposite sides of the globe—Sadie with her grandparents…

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Caitlin Smith’s unusual world has suddenly become even more confusing. Her older brother has been killed, and she is left to figure out how to go on, helped by her bereft father and a school counselor. The whole community is trying to make sense of the tragedy, but closure, so elusive for everyone, is especially hard for a girl with Asperger’s syndrome.

Caitlin is not good at feelings. She does not want to have friends, mostly because it’s too hard. She’s working to master the concepts that are so important in the real world, words like finesse, closure and empathy. Her brother Devon had always been there to help her decipher the mysteries of normal behavior, like making eye contact. Only Devon could help Caitlin comprehend their mother’s death from cancer. To Kill a Mockingbird was Devon’s favorite movie; he was her Jem and she was his Scout. But, alas, all that is left of Devon after the funeral is the chest he was building for his Eagle Scout project.

Author Kathryn Erskine allows the reader into Caitlin’s highly organized, literal world and captures the overwhelming grief that comes over a town when a child is killed in a school shooting. It takes Caitlin—with her newfound power of empathy and the lessons she learned from Devon—to help her father and her community come to terms with the tragedy and to heal.

This is a gentle book, gripping and poignant, but not manipulative. While middle schoolers are the book’s target audience, folks of all ages will find much to admire in Mockingbird, a story that stayed with this reader long after the final triumphant page.

Caitlin Smith’s unusual world has suddenly become even more confusing. Her older brother has been killed, and she is left to figure out how to go on, helped by her bereft father and a school counselor. The whole community is trying to make sense of…

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I am not usually one for stories about parallel universes, but for Frances O’Roark Dowell’s new book, I must make an exception. In Falling In, sixth grader Isabelle Bean, even while dwelling in this world, lives in a world of her own. Raised by her orphaned parents, Isabelle has no relatives and no siblings. And since her father left when she was three, hers is a particularly small family. Isabelle lives in a world of intense imagination and curiosity, and her classmates find her oddly supernatural. She is a listener, observer and wonderer. Though she has no friends and does not fit in, she has not given up hope of finding her place in the world.

It’s not a big surprise to a dreamy person like Isabelle to open a closet door and find herself tumbling into a land that is nothing like the land of school and spelling tests and mean girls. She is greeted in this strange new place with wariness and suspicion by children who wonder if she could be the child-eating witch who is terrorizing their villages. Isabelle listens to their stories of camps filled with fearful children and decides to strike out on her own. Hunger and cold force her into an alliance—and then a friendship with others.

Isabelle’s story is a joy to read, complete with gentle side chats from the author to keep the pace quick. Little by little, the story unfolds of Isabelle’s traveling buddy Hen and the unusual older woman, Grete, who takes them in. The reader is an active participant in the tale, wondering who Grete really is, if she is a danger, if the girls are being lured to their death, and why Hen is not more worried about her little brothers and sisters in the woods. All these questions are mixed with Isabelle’s musings about whether she is a changeling and if Grete might be her real mother.

Dowell weaves a rich, accessible tale that works on many levels. On one hand, it’s an exciting, often humorous adventure about falling into a world of mystery and folklore. Deeper, it’s a mixture of fairy tale (is Grete really the witch from Hansel and Gretel?) and the mythology of fairies, changelings and other magical creatures. Deeper still, it’s the universal story of a girl, trying to find what she is meant to be. Never heavy, filled with humor and insight, Falling In is an enchanting story and a perfect choice for mother-daughter book clubs.

Robin Smith is a second grade teacher in Nashville.

I am not usually one for stories about parallel universes, but for Frances O’Roark Dowell’s new book, I must make an exception. In Falling In, sixth grader Isabelle Bean, even while dwelling in this world, lives in a world of her own. Raised by her…

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A trip down memory lane is just the gift for readers who love children’s books. Noted authors Eileen and Jerry Spinelli weave together quotations from a wide variety of children’s books and follow each quote with explanatory information and questions to push the reader forward. Something like a page-a-day calendar, Today I Will also notes the birthdates of many authors and luminaries.

For instance, on October 27, a quote from Theodore by Frank Keating celebrates Teddy Roosevelt’s special day: “It is always better to be an original than an imitation.” The authors follow the quote with seven sentences about being a “one-of-a-kind creation” and a resolution to do something that is “pure me.” On March 2, Dr. Seuss’ birthday, they quote from a book by Kathleen Krull about the beloved author. “Once upon a time, there lived a boy who feasted on books and was wild about animals. . . . All in all, he excelled at fooling around.” Perfect.

The Spinellis must be voracious readers and quotation collectors because the quotes are pulled from many sources. Authors include young adult icons Chris Crutcher and Laurie Halse Anderson; old favorites E.B. White, Laura Ingalls Wilder and Frances Hodgson Burnett; and poets like Naomi Shihab Nye and Helen Frost.

While inspirational, this handsome volume will be appreciated more by readers who want to remember books read long ago and be inspired to find ones missed along the way. I now have a considerable list of books I need to find, all inspired by the Spinellis’ beautiful reflections.

Robin Smith is always on the lookout for new children’s books to share with the second graders in her Nashville classroom.

A trip down memory lane is just the gift for readers who love children’s books. Noted authors Eileen and Jerry Spinelli weave together quotations from a wide variety of children’s books and follow each quote with explanatory information and questions to push the reader forward.…

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