Roger Bishop

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Abigail Adams is by far the most richly documented American woman of the Revolutionary era. There have been many biographies of this wife of our second president and mother of our sixth, and we think we know her. But, as historian Woody Holton demonstrates in his magnificent new biography Abigail Adams, she was a complex person who played many roles and is not easily understood. Drawing on more than 2,000 of her surviving letters and other sources, Holton, whose excellent Unruly Americans and the Origins of the Constitution was a finalist for the National Book Award, has given readers a compelling and rounded portrait of an exceptional and multifaceted Founding Mother.

In some ways Adams was a conventional woman of her time. She usually agreed with her husband on political matters. On the most controversial legislation of his term as president, the Alien and Sedition Acts, perhaps the most devastating attacks on civil liberties ever passed by Congress, she felt that the legislation was not strong enough. But in many other areas, such as religion, educating the family’s children (and grandchildren) and almost everything else domestic—financial matters—she and John differed widely. As Holton shows, she was a shrewd investor and expert businesswoman who, in many ways, was primarily responsible for the family’s healthy finances.

Two persistent themes run throughout her life. The first is advocacy for more rights for women, especially with regard to education. One of Adams’ greatest regrets in life was her lack of formal education (though she was indeed educated and enthusiastic about learning; she was taught by relatives and shared books and ideas with groups of friends.) Holton demonstrates that, contrary to the beliefs of some historians, Adams’ interest in women’s rights was not a subject confined to letters to her husband, but was emphasized in her correspondence with many others, both female and male.

A second broad emphasis was on financial stability. From an early age she was aware that if she wanted to accomplish certain things in life, such as helping the poor (as her mother had done), she would need a husband who was reasonably well-to-do. But she was a wise investor in her own right, favoring government securities over property, which John preferred. She was also an expert businesswoman. When John served in various positions that took him away from home, as was often the case, she would give him orders for various products to be sent to her for resale. Money gained with her business acumen enabled her to help many others, most prominently her sisters and their families.

Perhaps the clearest expression of Adams’ interests and concerns is a will she wrote in 1816, a time when married women were not legally allowed to control property. Holton describes it as an act of rebellion. She mentions at the beginning of the document that there were certain gifts she had earlier given to her sons, but most of the beneficiaries in her will were her female relatives. Adamsl notes that her will was “by and with his [John’s] consent.” Of all of their collaborations during lives of significant accomplishments that involved great sacrifices, disappointments and tragedy, Holton writes that this previously unreported will “may have been the most extraordinary of all.”

This exceptional biography should be read by anyone who wants to understand life in the Adamses’ era, particularly with regard to the role of women. Holton’s insightful and sensitive work gives us a fresh perspective on a unique life and helps us appreciate anew Abigail Adams’ role in the founding of the new nation.

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

Abigail Adams is by far the most richly documented American woman of the Revolutionary era. There have been many biographies of this wife of our second president and mother of our sixth, and we think we know her. But, as historian Woody Holton demonstrates in…

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Through the centuries, technologies have profoundly affected the way people read. When the codex—that is, a book with pages to turn—replaced the scroll, readers approached the text differently. They could now concentrate easily on a single page and individual paragraphs and chapters. Printing with movable type made books available to thousands of people previously denied the reading experience. And electronic technology in our own day has again changed the communications landscape.

Robert Darnton knows this territory as well as anyone and views the subject from a unique perspective. As a scholar, he helped invent the modern discipline of the History of the Book and is the Director of the Harvard University Library. He loves rare book rooms but is also enthusiastic about creating a digital Republic of Letters. The stimulating and thought-provoking essays in The Case for Books: Past, Present, and Future provide us with an excellent overview of where we have been and where we are likely to be headed.

Darnton points out that in each age the information technology has been unstable. Even in our day, there is no guarantee that copies made by Google Book Search—or anyone else—will last. He notes that digital copies are even more vulnerable than microfilm, the advanced technology of several years ago, to decay and obsolescence. “Paper,” he writes, “is still the best medium of preservation, and libraries still need to fill their shelves with words printed on paper.” He believes the strongest argument for the book is how effective it is for ordinary readers. Each of us can pick up a book and read it; a computer screen does not give most of us the same satisfaction. Darnton quotes Bill Gates, chairman of Microsoft, as admitting that for anything more than four or five pages he prefers printed paper to computer screens.

Darnton’s thoughtful and incisive essays on this important topic should be of interest to a wide range of book lovers.

Roger Bishop is a retired Nashville bookseller. 

Through the centuries, technologies have profoundly affected the way people read. When the codex—that is, a book with pages to turn—replaced the scroll, readers approached the text differently. They could now concentrate easily on a single page and individual paragraphs and chapters. Printing with movable…

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James Monroe served in more public positions than anyone else in American history. He was both a U.S. congressman and a senator, a governor of Virginia, secretary of state and secretary of war, ambassador to France and Great Britain and minister to Spain, and the fifth U.S. president, serving two terms. A hero of the American Revolution, Monroe served at Valley Forge and was seriously wounded in battle at Trenton. Despite such an imposing resume, Monroe’s contributions to the nation are usually overshadowed by those of his close friends Thomas Jefferson and James Madison.

In his compelling new biography, The Last Founding Father: James Monroe and a Nation’s Call to Greatness, Harlow Giles Unger demonstrates that Monroe was a major player with significant achievements, including the Louisiana Purchase. Even his supposed diplomatic failures look like impossible tasks. Unger, an award-winning author of 15 books, including four biographies of other founding fathers, deftly guides us through Monroe’s pre-presidential period, which includes assisting a wounded Lafayette during the Revolution and rescuing Thomas Paine from a French prison.

Unger argues that the three presidents between Washington and Monroe—John Adams, Jefferson and Madison—were merely “caretakers” whose administrations left the country divided and bankrupt, her borders vulnerable and, after the War of 1812, despite the heroic efforts of Monroe as acting secretary of war, the capital seriously damaged. Holding two top cabinet positions (secretary of state was the other) Monroe was hailed for his brilliant military strategy and astute management of peace negotiations. As president, Monroe was a transitional figure, the last of the founding generation, but also responsible for westward expansion and economic recovery. He worked hard to achieve unity, appointing representatives of a wide range of views. He made long tours of the country that helped to bring people together. Despite problems, including the Panic of 1819, there were good reasons to refer to his presidency as “the era of good feelings.”

Unger vigorously refutes those historians who claim that Secretary of State John Quincy Adams wrote what Monroe is best known for, the “Monroe Doctrine.” Monroe had almost eight years of experience as a seasoned diplomat in the most sensitive posts, was a highly regarded lawyer and a gifted politician. Once he decided to include in his seventh annual message to Congress a manifesto about the U.S. staying free of entangling alliances and defining America’s sphere of influence, he conducted a series of cabinet meetings in which he asked for written and oral arguments on the subject. Adam’s diplomatic experience did give him more influence than others, yet, Unger notes, only one of Adams’ submissions appears in the final policy statement.

The Monroes were a close-knit family and James’ beautiful wife Elizabeth was a formidable influence, especially in matters of taste and style. She also demonstrated extreme courage in 1795. Realizing that her husband, who had obtained the release of Americans from French prisons, might jeopardize his diplomatic status if he tried to rescue someone who had only honorary American citizenship, she decided to go herself. She was able to get Lafayette’s wife, Adrienne, freed after 16 months in prison.

Unger’s outstanding biography of Monroe is consistently illuminating and a fine introduction to its subject.

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

James Monroe served in more public positions than anyone else in American history. He was both a U.S. congressman and a senator, a governor of Virginia, secretary of state and secretary of war, ambassador to France and Great Britain and minister to Spain, and the…

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The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley, Fred Astaire and Ginger Rogers brought dancing to the screen in imaginative ways. George and Ira Gershwin and Cole Porter wrote musical standards. There was the elegant music of Duke Ellington and the audience-friendly populism of Aaron Copland, while Woody Guthrie’s songs evoked the open road and his concern for social justice.

Noted literary critic and cultural historian Morris Dickstein brings this period vividly to life in his richly insightful, endlessly fascinating and deliciously readable Dancing in the Dark: A Cultural History of the Great Depression. Dickstein believes the Depression offers an incomparable case study of the function of art and media in a time of social crisis. In addition to writers whose books were bestsellers at the time, he discusses in detail the diverse writers whose work read decades later helps us to understand the period: Henry Roth, Nathanael West, Zora Neale Hurston and James Agee.

Dickstein says the Depression was probably the first time in American culture when the great myth of “a man alone,” represented by such writers as Emerson and Thoreau, yielded to images of collective activity. A significant aspect of cultural life was the fascination with American history and geography, its diverse peoples, stories of its folk culture and social myths.

Dickstein knows that artists and performers are limited in what they can do “but they can change our feelings about the world, our understanding of it, the way we live in it. . . . They were dancing in the dark, but the steps were magical.”

Roger Bishop is a regular contributor to BookPage.

The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley,…

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Nikita S. Khrushchev was a walking bundle of contradictions. He rose to power in the Soviet system in the service of the dictator Josef Stalin. Following Stalin’s orders, Khrushchev was complicit in the deaths of many innocent people. Yet after Stalin’s death, Khrushchev, in a four-hour public address, courageously revealed the truth about Stalin’s many crimes against humanity. Khrushchev could, within a few seconds, be charming, funny, rude and frightening. All of those aspects of his personality were on display for the American public when he toured the United States for two weeks in 1959. It was a rare interlude in the Cold War, at a time when the possibility of war between the world’s two superpowers was on many minds throughout the world.

Peter Carlson, a former Washington Post feature writer and columnist, brings this unique trip vividly to life in K Blows Top: A Cold War Comic Interlude Starring Nikita Khrushchev, America’s Most Unlikely Tourist. American reaction to Khrushchev reveals much about the mood of our country at the time and makes for fascinating reading.

Khrushchev’s own reactions are equally engrossing. At banquets with speakers extolling the virtues of capitalism, the Soviet Leader defended Communism and threw tantrums, refusing to concede the U.S. any point of superiority. In Hollywood he met movie stars like Frank Sinatra and Marilyn Monroe, and was invited to watch the filming of the movie Can-Can where, although he appeared to enjoy himself, he later objected to the dancing. He threw a major tantrum when told he could not go to Disneyland because police could not assure his safety. On a corn farm in Iowa Khrushchev was amused when his host, upset at the media circus on his property, started throwing corn stalks at the press. The foreign visitor also brought havoc to a supermarket in San Francisco. And these are only a few of the stories.

Carlson carefully explains the trip within the context of U.S.-U.S.S.R. relations. Just weeks before Khrushchev’s visit, he had his famous “kitchen debate” with Vice President Richard Nixon in Moscow. Seven months after Khrushchev left the U.S., two weeks before a Paris summit of major powers, and six weeks before President Eisenhower’s planned reciprocal trip to Moscow, the Soviets shot down an American U-2 spy plane and captured the pilot. When Khrushchev returned to the U.S. for the 1960 U.N. General Assembly session, he did not get a warm welcome and is best remembered for banging his shoe in outrage over remarks by a Filipino delegate.

The invitation to visit the U.S. almost didn’t happen. President Dwight D. Eisenhower sent a short and purposely vague letter to the Soviet leader about a possible visit. The note was to be supplemented by an oral explanation from an undersecretary of state. Both sources were to make clear the visit to Camp David was contingent upon a successful resolution of deadlocked diplomatic negotiations in Geneva relating to Khrushchev’s 1958 ultimatum for the Western allies to leave Berlin. However, the state department official misunderstood his role and Khrushchev was not aware of the caveat.

Carlson’s account is extremely well researched and includes interviews with a number of participants, most notably Khrushchev’s son, Sergei. Many of the accounts and memos he quotes are from State Department historical documents. His book is enlivened by many direct quotes from Khrushchev and others. Anyone interested in cultural exchange, international diplomacy and fine writing should enjoy this unique book.

Roger Bishop is a retired Nashville bookseller and frequent contributor to BookPage.

Nikita S. Khrushchev was a walking bundle of contradictions. He rose to power in the Soviet system in the service of the dictator Josef Stalin. Following Stalin’s orders, Khrushchev was complicit in the deaths of many innocent people. Yet after Stalin’s death, Khrushchev, in a…

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George Washington sat for at least 28 different portraits. As he became one of the best-known men in the world, he was increasingly in demand as a subject and though the process of "sitting‚" was uncomfortable for him, he recognized the importance of paintings—and by extension, engravings, etchings, woodcuts and mezzotints—to his new republic. In the delightful The Painter's Chair: George Washington and the Making of American Art, Hugh Howard develops the idea of Washington as a patron of the arts and examines how art and the painting of portraits developed in the United States.

Howard first introduces us to two artists who never painted Washington, Benjamin West and John Smibert, but who were crucial influences on those who did. However, it is Washington portraitists Charles Willson Peale, John Trumbull, Edward Savage and Gilbert Stuart who are among Howard's main interests. With quiet authority, he relates their quite different life stories and their struggles to reconcile their passion for painting with the necessity of earning a living. Their interactions with Washington and their approaches to him as a subject are told with verve and an intimacy that makes their personalities come alive on the page. Stuart's work is the best known to us today, especially his 1796 portrait of Washington, which is regarded as the best—and is reproduced on our dollar bill. Unlike Peale and Trumbull, who served in the military during the American Revolution, Stuart was not caught up in the cause. He left for London in 1775, returning in 1793 with a plan to paint a portrait of Washington that would make him a fortune and ease his persistent financial woes.

Howard also shows how during Washington's lifetime America changed from a group of colonies with little artistic culture to a new nation with art displayed in public buildings and galleries. As a much-painted cultural icon, Washington played a large role in those changes. "He was," as Howard notes, "a man who always agreed, admittedly with an air of resignation, to sit for yet another portrait."

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

George Washington sat for at least 28 different portraits. As he became one of the best-known men in the world, he was increasingly in demand as a subject and though the process of "sitting‚" was uncomfortable for him, he recognized the importance of paintings—and by…

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Emily Dickinson and Thomas Wentworth Higginson corresponded for almost 25 years, yet met in person only twice. Beginning with a letter from the reclusive poet in 1862 to a literary figure she knew only through his essays and social activism, and lasting till her death in 1886, it is arguably one of the most important relationships in American literary history. In that initial letter, which included four of her poems, Dickinson famously asked, “Are you too deeply occupied to say if my Verse is alive?” Their connection, as described by Brenda Wineapple in her luminous new book, White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson, was “based on an absence, geographic distance, and the written word.” After their first meeting at her home, in 1870, Higginson wrote that Dickinson “drained my nerve power so much. Without touching her, she drew from me. I am glad not to live near her.” But he recognized her unique talent and wished to help her if he could. Though he admitted after Dickinson’s death that he could not teach her anything, Wineapple shows how Higginson’s encouragement and support were meaningful for both of them.

Wineapple, the acclaimed biographer of Nathaniel Hawthorne, Gertrude and Leo Stein, and Janet Flanner, makes a very persuasive case that Higginson, whose place in the poet’s life and work has often been downplayed, did indeed perform a singularly significant role. In their letters, she writes, “they invented themselves and each other, performing for each other in the words that filled, maintained, and created the space between them.” They shared a passion for the natural world and literature; Wineapple demonstrates how through the years Dickinson dipped into Higginson’s work and rewrote it for her own poetic purposes.

She trusted and liked him and, as far as is known, there was no one else except her sister-in-law to whom she gave more of her poems. Only a few of Dickinson’s poems were published during her lifetime. Higginson played a central role in the posthumous publication of her work, collaborating with Mabel Loomis Todd in selecting and editing the first two volumes of poems. He found a publisher and wrote an introduction for the first volume. Higginson has often been criticized for changing the poems – eliminating Dickinson’s dashes at certain points and substituting more “appropriate” words – but this charge is probably not fair. Mrs. Todd, who copied many of the poems, admitted that it was she who made most of the changes.

White Heat succeeds magnificently in shining a light into the work of two unlikely friends. Dickinson did not live as isolated a life as we might imagine, while Higginson was indeed a radical activist, a supporter of John Brown, a strong advocate for women’s rights, and the leader of the first federally authorized regiment of freed slaves during the Civil War. But his compassion and literary sensibility were also at the heart of what he was about.

This book is not, Wineapple writes, conventional literary criticism or biography. She lets Dickinson’s poetry speak largely for itself, as Higginson first read it. The result gives us a powerful insight into two extraordinary figures who were there, in a rather unusual way, for each other.

Roger Bishop is a retired Nashville bookseller and a regular contributor to BookPage.

An acclaimed biographer makes a persuasive case that editor Thomas Higginson performed a singularly significant role for poet Emily Dickinson.
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Very little of what we know about Shakespeare's life can be documented; of his wife, Ann Hathaway, we know even less. Because of the little we do know about their relationship—primarily that Shakespeare left her his "second-best bed"—Shakespeare biographers have assumed Ann played virtually no important role in his life. Germaine Greer, a scholar best known for The Female Eunuch, would have us consider other possibilities. With a dazzling display of erudition and lively prose, her Shakespeare's Wife is a delight to read and a breath of fresh air for those interested in the Bard's life.

Greer differs from Stephen Greenblatt, whose Will in the World is the most acclaimed Shakespeare biography of recent times, on numerous points. While Greenblatt believes Shakespeare's marriage was a mismatch and that he "contrived" to get away from his family in search of a more satisfying life in London, Greer notes that in the 16th century it was a crime for a man to live away from his wife. Also, we have nothing to indicate that Ann asked for her husband to be charged with desertion. While Greenblatt says Shakespeare was "curiously restrained" in his depictions of normal married life, Greer argues that in literature, marriage may be the happy ending, but we don't stay around to see what happens next—unless the marriage is dysfunctional. She adds that though we don't have letters from Shakespeare to Ann, we don't have his letters to anyone else either. Greer uses specific examples from Shakespeare's plays and sonnets to illustrate how his work may have been influenced by life with Ann. The key word is "may"; she is careful to qualify every statement in this regard. Sonnet 110, for example, reads "like an apology to his oldest and truest love," she says, while the well-known Sonnet 29 is concerned with solitude, self-imposed distance and unrealized ambition. Many times in his work, Greer writes, Shakespeare "confronted the two-in-one paradox of marriage, knowing it to be a contradiction in terms while celebrating its grace and power."

Greer also has much to say about the lives of women in Shakespeare's time. She points out that all women of the era worked in some way and without evidence thatShakespeare supported his family in Stratford, Greer makes a strong case for Ann's running a successful brewing, winemaking and/or sericulture business to sustained them. Even those who disagree with Greer's interpretation should find Shakespeare's Wife stimulating. Her radical exploration of Ann Hathaway is a compelling triumph.

Very little of what we know about Shakespeare's life can be documented; of his wife, Ann Hathaway, we know even less. Because of the little we do know about their relationship—primarily that Shakespeare left her his "second-best bed"—Shakespeare biographers have assumed Ann played virtually no…

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In the widely praised Lincoln's Virtues, historian William Lee Miller explored Abraham Lincoln's moral choices during his ascension to power. Miller's splendid new book, President Lincoln: The Duty of a Statesman, is about, as he says, "statesmanship and moral choice in the American presidency, through an examination of the most remarkable occupant of that office."

Miller notes that Lincoln received the nomination for president due solely to his "effective presentation of the moral-political argument for the Republican position." He brought two contrasting qualities to the presidency—"profound clarity and coercive action"—that Miller views as coming from the same root, "a moral indignation that saw the immense impact on human life of these decisions and events."

Among other attributes, Lincoln's life experience led him to develop "intellectual and moral self-confidence . . . and an unusual sympathy for those in distress." This meant using deft political and military strategy that, depending on the issue at hand, alienated, at least temporarily, his own supporters. It meant, for example, that he refused to accept the views or actions of such national heroes as Gen. Winfield Scott, who saw no alternative but to surrender at Fort Sumter, or Gen. John McClellan, who had repeatedly failed to act as directed. Gen. John C. Fremont's declaration of instant emancipation of slaves belonging to disloyal Missourians was problematic because Freemont failed to consider its effect on Kentucky's position on secession.

Miller strongly disagrees with those who see the issuing of the Emancipation Proclamation as the only morally significant aspect of the Civil War. Rather than a power-political struggle before that, he says, Lincoln saw "an undertaking with vast and universal moral significance—showing that free, popular, constitutional government could maintain itself, a project that, as Lincoln said, goes down about as deep as anything." This rich and rewarding book should be enjoyed by all those interested in Lincoln or the presidency in general.

In the widely praised Lincoln's Virtues, historian William Lee Miller explored Abraham Lincoln's moral choices during his ascension to power. Miller's splendid new book, President Lincoln: The Duty of a Statesman, is about, as he says, "statesmanship and moral choice in the American presidency, through…

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John Updike is one of America's most renowned men of letters. Best known for his prize-winning novels and short stories, he is also an accomplished poet, an author of children's books, memoirs and a play, and one of our finest literary critics and essayists. In his new collection, Due Considerations, he shares work of the last eight years or so and dazzles us once again.

These essays are general considerations, with sections on American and English fiction, along with novels from other parts of the world; art (Updike once aspired to be a graphic artist); literary biography; appreciations and considerations of writers and others; and Updike's contribution to the NPR series This I Believe. The key part of the collection is Updike's literary criticism. He is perceptive and insightful, generous with praise, but very specific about reservations he may have. He is also keenly aware of his limitations. As he looked over the reviews included in the book, he says he wondered if their customary geniality, almost effusive in the presence of a foreign writer or a factual topic, didn't somewhat sour when faced with a novel by a fellow-countryman. But, he concludes, a book reviewer must write what is felt at the time, when impressions are still warm and malleable, and leave second thoughts to prefaces. Over the years Updike has been asked to comment on his childhood reading. He had forgotten an account he wrote for the New York Times in 1965 until it reappeared on the Times website in 1997. He included it here because, he says, it rings truer than any of the too-numerous later attempts of mine to describe my childhood reading. His earliest literary memory is of his fear of the spidery, shadowy, monstrous illustrations in a large deluxe edition of Alice in Wonderland in his family's collection.

He is a copious reader and careful researcher, exhibiting familiarity with other works by and about the author whose work he is discussing. He also spends a lot of time describing what happens in the book at hand. It would be fair to say of Updike what he writes of Frank Kermode, whom he considers the best of English book reviewers: decent devotion to literary merit and a humble and tenacious will to explicate the best examples of it. A longtime contributor to The New Yorker, Updike writes with authority about such literary legends as E.B. and Katharine White, William Shawn and William Maxwell. He does not hesitate to say that a biographer of John O'Hara does not, it seemed to me, get The New Yorker exactly right. He proceeds to set the record straight on facts and interpretation, including, for example, a previously unpublished tribute to Tina Brown, when she abruptly left as editor of The New Yorker in 1998. He notes that she made the magazine more woman-friendly and celebrity-friendly, that she brought fun into the production process, into the publicity process, and decreed a party atmosphere. He continues, Her party in these offices is over, but its brave vibrations linger into the new dawn. This cornucopia of writing by a master will delight many readers.

 

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

John Updike is one of America's most renowned men of letters. Best known for his prize-winning novels and short stories, he is also an accomplished poet, an author of children's books, memoirs and a play, and one of our finest literary critics and essayists.…

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Noah Webster devoted his life to establishing a distinctly American culture. At the beginning of his literary career he noted the importance of America being, in his words, “as independent in literature as she is in politics—as famous for arts as for arms.” His best-known contribution toward this end was, of course, his American Dictionary of the English Language, published in 1828, but his legacy includes much more. His American Spelling Book sold an incredible 100 million copies. He drafted America’s first copyright laws and was the first editor of the first daily newspaper in New York City. He served as a state legislator in both Connecticut and Massachusetts, he was involved in the founding of Amherst College, and his habit of counting houses wherever he went inspired the first census. One scholar has called him a “multiple founding father,” but most people do not remember him that way.

In his enlightening and absorbing The Forgotten Founding Father, Joshua Kendall helps us understand both Webster’s achievements and the reasons why he is not recognized in the same company as his role model Benjamin Franklin. Kendall’s previous book, the widely praised The Man Who Made Lists, was a biography of Peter Mark Roget, of thesaurus fame, another word-obsessed man.

Although his contemporaries recognized Webster’s great abilities, they were also aware of his negative traits: He was arrogant and tactless, often argumentative, a perpetual self-promoter and wholly self-absorbed. Kendall has closely examined Webster’s diaries and letters, including some that the family has long suppressed, and believes that Webster could not help himself—that he suffered from what psychiatrists today would identify as obsessive-compulsive disorder. Kendall thinks that Webster’s 30-year struggle to finish his dictionary was a case in which his “pathology was instrumental to his success.” But it also may have been a factor in the many contradictory identities he displayed over the years, including patriot, political reactionary, peacemaker, ladies’ man and “prig.” Words seemed always to be his best friends, and defining them was an obsession that ruled him.

Kendall’s discussion of the content of Webster’s dictionary is eye-opening and fascinating. Although Webster borrowed generously from Samuel Johnson’s dictionary, he also expanded it to 70,000 words—12,000 more than the latest edition of Johnson’s. Webster celebrated America’s founders and offered countless references to American locales. He also used many references from his own life. The definitions were often didactic, in line with Webster’s devout Christian values, and his questionable etymological ideas appeared on occasion; he had “a penchant for making wild guesses about the roots of words.”

There is so much more in Kendall’s superbly written and carefully balanced narrative of an American original. One comes away convinced that this complex and often difficult man was a major force for creating a sense of American nationalism and unity among his fellow citizens.

Noah Webster devoted his life to establishing a distinctly American culture. At the beginning of his literary career he noted the importance of America being, in his words, “as independent in literature as she is in politics—as famous for arts as for arms.” His best-known…

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James Thurber was one of the great American humorists of the 20th century. From his first appearance in the fledgling New Yorker in 1927 until his death in 1961, he was known for his unique reflections in prose and pictures on what he called "human confusion, American-style." These laugh-out-loud critiques of love, marriage, sex, literature and history made him a favorite with readers. As the largest single collection of his correspondence, The Thurber Letters: The Wit, Wisdom, and Surprising Life of James Thurber reveals that his life and his art were, for the most part, separate. Harrison Kinney, author of the definitive 1995 Thurber biography James Thurber: His Life and Times, edits the collection with Rosemary A. Thurber, Thurber's only child. As Kinney writes, "Very little of his personal life . . . can be surmised from what he wrote for publication. It is his letters . . . that comprise a reliable and fascinating portrait of Thurber, the man and artist, and offer a vivid understanding of what largely motivated his remarkable prose and art." This fascinating volume includes letters to his family in Ohio and to his wide circle of literary friends, including his New Yorker colleagues. Among the latter, the most memorable letters include his missives to Harold Ross, the legendary editor with whom Thurber had a decades-long ambivalent relationship. A wonderful example is an undated letter in which Thurber strongly objects to changes made in his copy. "Since I never write, for publication, a single word or phrase that I have not consciously examined, sometimes numerous times, I should like to have the queriers on my pieces realize that there is no possibility of catching me on an overlooked sloppiness." There are many letters to Thurber's good friends E.B. and Katharine White, and letters to Rosemary that reveal him to be a devoted parent. Some of the most entertaining items are Thurber's responses to students and other people he does not know who have written to him for advice.

The letters appear chronologically, so we can trace Thurber's development from a 23-year-old code clerk in Washington and Paris in 1918 through several years as a newspaper reporter and columnist and his eventual employment by Ross in 1927 as managing editor of The New Yorker. From his perspective, we learn of his sticky relationship with the magazine, primarily with regard to proper payment for his work and the rejection of numerous submissions he made to it. His adventures as an author of books and co-author of The Male Animal, a successful comedy on Broadway, are also included.

From the earliest letters to the last, Thurber impresses us with his gift for language and his sheer joy in writing. He can be chatty, as in letters to his family; focused on concerns at the magazine, as he was with Ross and many others; opinionated, as when writing to Malcolm Cowley in the 1930s about his dislike of "literary communists"; or witty, as in his response to an invitation to appear on the radio program "This I Believe" in 1953: "my belief changes from time to time and might even change during a brief broadcast." Whatever the occasion, Thurber never fails to write in such a way that readers are caught up in what he has to say.

Anyone interested in Thurber's life and work or who would like an insider's view on the workings of a great American magazine should enjoy this collection immensely. Roger Bishop is a Nashville bookseller and a regular contributor to BookPage.

 

James Thurber was one of the great American humorists of the 20th century. From his first appearance in the fledgling New Yorker in 1927 until his death in 1961, he was known for his unique reflections in prose and pictures on what he called…

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Andrew Jackson, our seventh president, held ideas about the role of government that were shaped by his experience on the American frontier. In that environment, ambitious men vied for wealth, property and political power in the midst of hardship and violence. Unless we understand Jackson within the context of his pre-presidential years, according to historian Andrew Burstein, we cannot appreciate his actions as president or understand why he was both so loved and so hated.

Burstein explores the life and times of Old Hickory in his consistently illuminating new book, The Passions of Andrew Jackson.

Politics in Jackson's day was vicious and often violent, and he thrived in the atmosphere. Burstein notes that Jackson possessed two paradoxical personality traits: "imperiousness (unassailable opinions) and identification with the democratic (folk) temper." When viewed in the context of Jackson's political generation, the author says, Jackson "was not necessarily any more fierce, profane, or irrational than his competition." The author is keenly aware that many others have written about Jackson; two approaches distinguish his study. First, as he has done in his books about Thomas Jefferson and others, the author effectively dissects Jackson's correspondence, which shows him to be more than a man of action.

Second, Burstein emphasizes Jackson's friendships, showing the reader who Jackson identified with and why. Friendship was important to Jackson, but only on Jackson's terms. Some of his close friends became bitter enemies, though he regarded himself as one who "never abandoned a friend, without being forced to do so, from his own course toward me." Burstein skillfully reveals the complex central figure in his narrative while also conveying the upheaval taking place in the country during the era of western expansion. Despite Jackson's flaws, Burstein believes there is a strong case that he was the right leader to help fulfill the founders' vision of a "manifest continental destiny." This rewarding study convincingly explains how and why he filled that role.

 

Roger Bishop is a frequent contributor to BookPage.

Andrew Jackson, our seventh president, held ideas about the role of government that were shaped by his experience on the American frontier. In that environment, ambitious men vied for wealth, property and political power in the midst of hardship and violence. Unless we understand…

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