Sheila M. Trask

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Fifty years after the enactment of the Civil Rights Act, travel writer and novelist Paul Theroux drove through the American South and cast an outsider’s clear and critical eye on a region that has certainly changed in the interim, but not always for the better. The acclaimed author of The Mosquito Coast here draws on the literature of the land, explores the language of its people and gets to know the locals as he journeys through South Carolina, Alabama, Mississippi, Arkansas and more.

You might expect a series of charming vignettes as Theroux stops at country stores and diners, knocks on the doors of rundown homes, and consults with preachers and politicians. True to form, though, Theroux never stoops to cliché. It’s not that he doesn’t run into engaging, intelligent and creative people along the way, but rather that he never lets the sad truth of the Deep South—poverty, poverty and more poverty—slip from the picture he paints. Stunning photographs of an old grocery store almost entirely consumed by greenery and portraits of hopeful Arkansan farmers like Dolores Walker Robinson, who poses proudly with one of her goats, add yet another dimension to Theroux’s well-chosen words.

Words themselves feature prominently in Theroux’s account, as he delves into previous writers’ attempts to capture a sense of the South; he seems particularly fond of and well versed in Faulkner, for instance. He also devotes a substantial section to the politics of language, focusing on the infamous “N-word” and its uses, abuses and taboos, from slave days to the modern popular music of African-American artists like Jay-Z.

Theroux reproduces dialect throughout the book, and while he sometimes veers ever so close to stereotype, he also captures the cadence of casual conversation among neighbors, which can often reveal more about a region than any amount of formal research.

Fifty years after the enactment of the Civil Rights Act, travel writer and novelist Paul Theroux drove through the American South and cast an outsider’s clear and critical eye on a region that has certainly changed in the interim, but not always for the better.

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Take a seat, front row center, and get ready for a show, as Elly Griffiths weaves her authorial magic on a new stage. Leaving her popular Ruth Galloway series aside for the moment, Griffiths enters the world of showmanship and sleight of hand, focusing on a very special troupe of magicians. For her first trick, a stunning stage moment—the beautiful assistant sawn in three and miraculously restored to wholeness—has been appropriated by a criminal mind not at all interested in putting the pieces back together. When crated body parts start showing up at DI Edgar Stephens’ office, he recognizes the props, though the contents are all too real.

Griffiths paints the modest, intellectual Edgar in stark contrast to his best friend and famous magician, the glitzy Max Mephisto, as the two band together to solve the “zig zag girl” murder and the increasingly bizarre deaths that follow. The combination allows Griffiths to shift the focus from the murders to the men’s shared history and back again in sections that mimic the magician’s routine—the Buildup, Misdirection, Raising the Stakes and the Reveal.

It’s effective in part because Edgar, Max and the rest of the Magic Men become familiar through their fascinating history as magicians who worked covertly for the government during World War II, a backstory modeled on the real-life Magic Gang that served as camouflage experts in that war. As the triumphs and rivalries of their past become clearer, the reader grows attached to the group but also suspicious of some of its members.

Similarly, Griffiths contrasts a fairly light tone, and nostalgic setting—her hometown of Brighton, in 1950—with some vivid and gruesome murders. The jolts of shock keep interest high, but readers will essentially feel safe in her expert hands.

 

ALSO IN BOOKPAGE: Read a Q&A with Griffiths for The Zig Zag Girl.

Take a seat, front row center, and get ready for a show, as Elly Griffiths weaves her authorial magic on a new stage. Leaving her popular Ruth Galloway series aside for the moment, Griffiths enters the world of showmanship and sleight of hand, focusing on a very special troupe of magicians.

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When you look at the father-daughter photo on the cover of Kelly Carlin’s raw and reflective memoir, A Carlin Home Companion: Growing Up With George, you wonder what it would have been like to grow up in the shadow of the fast-talking, fast-thinking and fast-living comedian George Carlin. And then you begin reading, and you realize that Kelly’s reports from the trenches sound familiar to anyone who grew up amid the whirlwind social changes of the 1960s and ’70s.

As much a profile of the times as a peek inside the Carlin household, Kelly Carlin’s memoir captures both the intellectual and societal spaces opened up by freethinkers like George and his wife, Brenda, and the confusion inherent in such explorations, especially for a child growing up with parents who didn’t always act much like parents. Someone had to step up, though, and like many a child from a dysfunctional home, Kelly became the de facto parent early on, shepherding her father through bad LSD trips and her mother through severe alcoholism.

Carlin takes a chronological approach here, expanding on her one-woman stage show of the same name, and though she never co-opts her father’s biting style of comic commentary, she is an excellent storyteller in her own right. Each scene draws on the sometimes unbelievable drama playing out before her as well as the complex emotions she experienced within. So when a young Kelly decides to stop her parents from fighting by finding her father’s hidden stash of cocaine (hidden in Ram Dass’ classic book Be Here Now, of course) we understand both the heartbreaking absurdity of the situation and just how ridiculously normal this scene seemed to young Kelly. This dual awareness serves her well throughout her memoir, allowing her to truly show us the ins and outs of growing up with George.

When you look at the father-daughter photo on the cover of Kelly Carlin’s raw and reflective memoir, A Carlin Home Companion: Growing Up With George, you wonder what it would have been like to grow up in the shadow of the fast-talking, fast-thinking and fast-living comedian George Carlin. And then you begin reading, and you realize that Kelly’s reports from the trenches sound familiar to anyone who grew up amid the whirlwind social changes of the 1960s and ’70s.
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Raw and revealing, Amy Seek’s unflinching memoir, God and Jetfire: Confessions of a Birth Mother, opens up the world of adoption with a candor that both challenges and comforts all players in this most fraught of family dramas.

Pregnant at 22, with no plans for a child, or really many plans at all, Seek and her Norwegian ex-boyfriend Jevn decided to place their baby for adoption. Seek is intensely self-reflective as she tells the nuanced story of finding the right family to parent her son, and navigating a whole new family structure through open adoption.

As an adoptive mother myself, I was apprehensive picking up this book. I wasn’t sure I wanted to know how birthparents might perceive their child’s adoptive parents. What Seek does so beautifully, though, is to show the depth of feeling on both sides, the complexity of the choices involved, and how all parties can live joyfully (if not easily) with the decisions they’ve made.

Seek never resorts to cliché, instead mining her own experience deeply and specifically, to illuminate the imperfect choices we all make, and the incredible things that can be built from them.

Raw and revealing, Amy Seek’s unflinching memoir, God and Jetfire: Confessions of a Birth Mother, opens up the world of adoption with a candor that both challenges and comforts all players in this most fraught of family dramas.
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Great psychological thrillers work on two levels: as action-based mysteries and as emotionally resonant personal stories. Jenny Milchman balances both in As Night Falls, as slightly anxious counselor Sandy Tremont faces murderers on her doorstep and secrets from her past with equal intensity.

Milchman creates tension by putting Sandy, her outdoorsy husband Ben and moody teenager Ivy in a contained setting: a remote home in the midst of a heavy snowstorm. When two escaped convicts make their way to this mountain hideaway—and can’t leave because of the storm—the mounting concern for Sandy's family’s physical safety is mirrored by the secrets that threaten to spill from her own mind. The action never falters as criminal mastermind Nick and his frighteningly large but surprisingly tender sidekick, Harlan, cruelly abuse the family and their neighbors. Milchman uses the maze-like interior of Sandy’s home to facilitate chase scenes and to mirror the confusion that reigns in Sandy’s mind. As she runs from Nick, she gets closer to some awful truths about her childhood. Simultaneously, Milchman flashes back to Nick’s own childhood, which is perhaps more troubling than all of the violence he’s wreaked as an adult. The two stories come together in a surprising twist that changes not only the dynamic between Nick and his victims, but also between Sandy and Ivy, who must learn to trust each other if they are going to come out of this alive.

Milchman sometimes sacrifices character development for action, but the momentum keeps the pages turning. Though the events in As Night Falls happen in one night, it’s not a short book. You may not be able to finish it in one sitting, but you’ll want to.

Great psychological thrillers work on two levels: as action-based mysteries and as emotionally resonant personal stories. Jenny Milchman balances both in As Night Falls, as slightly anxious counselor Sandy Tremont faces murderers on her doorstep and secrets from her past with equal intensity.

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Make your reservations now for a European tour like you’ve never experienced. Amy’s Travel has planned a clever caper that puts its participants literally on the road to solving a tantalizing murder mystery. It’s all fun and games until the riddle turns out to mirror a real-life murder. As competing teams scurry from Monte Carlo to Corsica, from Rome to Siena, hidden hints both bewilder them and spur them on to the next destination as they try hilariously to work out the Clue-style murder mystery.

Hy Conrad, award-winning writer and co-executive producer of the popular television series “Monk,” is practiced at nudging the funny bone even as grim events unfold. In this story, serious Amy Abel and her busybody mother Fanny trade exasperated yet affectionate barbs while deciding how to deal with the untimely death of their master mystery writer mid-tour, as well as the ever-escalating needs of their guests.

Just when the tour comes to an end, mystery seemingly solved, Conrad turns the tension up a notch with a real murder within the tour party. The aptly named Ms. Abel could call it a day—after all, her excursion is done—but she troops ever onward, with the help of tourists who refuse to stop sleuthing just because the game is over. This intrepid gang will have you cheering them on at the many twists Conrad throws their way. Even the most careful reader will have trouble dodging all the red herrings and arriving at the solution before Amy herself uncovers the true murderer among them.

Make your reservations now for a European tour like you’ve never experienced. Amy’s Travel has planned a clever caper that puts its participants literally on the road to solving a tantalizing murder mystery. It’s all fun and games until the riddle turns out to mirror a real-life murder. As competing teams scurry from Monte Carlo to Corsica, from Rome to Siena, hidden hints both bewilder them and spur them on to the next destination as they try hilariously to work out the Clue-style murder mystery.

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We’ve all been there, wondering late at night: Is that tap-tap-tap sound we’re hearing coming from the radiator pipes, or are those footsteps on the stairs? For Evie Jones, the cub reporter and amateur sleuth at the center of Elisabeth de Mariaffi’s chilling psychological thriller, anxious moments like these have become a way of life. The Devil You Know takes readers on a rollercoaster ride through Evie’s desperate efforts to rid herself of the childhood horrors that have followed her into adulthood.

Evie is 22, living alone for the first time in a Toronto apartment and working the crime beat for the local paper. Any young adult starting out this way might feel anxious from time to time. Evie, however, carries some traumatic baggage from childhood: Her best friend, Lianne Gagnon, was raped and murdered when the girls were 11 years old, and the murderer has never been found. Now Evie’s boss has assigned her to research Lianne’s case and the cold cases of several other murdered children, bringing the long-ago nightmare into the present in a very real way.

Writing in an intense stream-of-consciousness style, de Mariaffi takes us tumbling through Evie’s growing obsession with the murderer and her mounting suspicion that he’s not only still alive, but very close by. Evie’s fears seem reasonable, except that she sometimes sees shadows that aren’t really there and remembers things that never really happened. Confabulations, her therapist calls these false memories; her traumatized mind fills in the blanks so convincingly that she doesn’t always know reality from fantasy.

Evie is the ultimate unreliable narrator, yet de Mariaffi puts us right in her head, where we can’t help but sympathize. Most of all, we feel the overwhelming need Evie has to solve this thing, even if it means risking relationships and maybe her own life. By turns panicky and plucky, Evie’s determination eventually wins out, and the pieces of her past come together in a startling but satisfying conclusion.

The Devil You Know is de Mariaffi’s first novel, but she masters the art of pacing and ratchets up the tension page by page throughout Evie’s journey. Fans of psychological thrillers like Gone Girl will root for Evie’s version of the truth right to the end.

We’ve all been there, wondering late at night: Is that tap-tap-tap sound we’re hearing coming from the radiator pipes, or are those footsteps on the stairs? For Evie Jones, the cub reporter and amateur sleuth at the center of Elisabeth de Mariaffi’s chilling psychological thriller, anxious moments like these have become a way of life. The Devil You Know takes readers on a rollercoaster ride through Evie’s desperate efforts to rid herself of the childhood horrors that have followed her into adulthood.

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Lucy Stone usually lets the mysteries come to her quaint hometown of Tinker’s Cove, Maine, but in the 21st installment of the Lucy Stone Mystery series, the popular sleuth is unexpectedly whisked off to the romantic streets of Paris. It’s not a first for Stone, as prolific series author Leslie Meier has sent her on junkets to Manhattan and England on occasion. Still, in French Pastry Murder, she’s a little out of her element. Luckily, the prize trip she’s won includes her husband and friends, and they’re staying near her daughter Elizabeth. It’s like Tinker’s Cove has relocated to France.

It should be a dream come true, but while Stone’s entourage takes a brisk tour of the city’s sights and, more specifically, its tastes—details of the cuisine will make readers feel like they have actually been to the many cafes the group frequent—they may have bitten off more than they can chew. When Stone stumbles on the wounded body of their cooking school instructor, Chef Larry Bruneau, she and her friends find themselves accused and stranded, their passports confiscated by police. The only way out is for Stone to figure out who has stabbed Chef Larry, a job that gets more and more complicated as the pages fly by.

Meier keeps the suspenseful scenes coming, but the mood is never menacing. Instead, Stone’s own optimistic attitude—she just knows she will figure this out—sets the upbeat tone of her investigation. Even when her daughter’s roommate disappears, bringing the killer a little too close for comfort, Stone charges on until the murderer is stopped in his tracks.

A quick Sunday afternoon read, French Pastry Murder pairs intrigue and entertainment to serve up a light but satisfying meal.

Lucy Stone usually lets the mysteries come to her quaint hometown of Tinker’s Cove, Maine, but in the 21st installment of the Lucy Stone Mystery series, the popular sleuth is unexpectedly whisked off to the romantic streets of Paris. It’s not a first for Stone, as prolific series author Leslie Meier has sent her on junkets to Manhattan and England on occasion. Still, in French Pastry Murder, she’s a little out of her element.

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Nobody has ever taken care of Mia Dennett. Her upwardly mobile parents didn’t do it. Her uptight older sister didn’t do it. So the talented inner-city art teacher has learned to take care of herself. Or so she thinks, until an impulsive one-night stand turns into a nightmare far beyond Mia’s control. But why does her abductor seem so uncertain about his plans for her? Why did he choose to hide her in a remote Minnesota cabin rather than turn her over to the man who hired him? Was it an act of mercy, or something else entirely?

Mary Kubica’s debut novel, The Good Girl, is a high-intensity thriller, a psychological puzzle that will keep readers on their toes with its unique format. Alternating chapters describe Mia’s life before and after the abduction, always circling the questions of what really happened in those snowy woods, and what Mia might do if she’s ever released. If the ever-shifting timeline weren’t enough to keep things interesting, Kubica also uses multiple points of view, telling Mia’s story as seen by her mother and her kidnapper before letting us in on Mia’s own perspective. The combination could be confusing, but Kubica moves the story forward even as she explores her characters’ very different inner lives.

Seeing Mia’s story from so many angles makes it especially satisfying when the pieces of the puzzle start to fall into place. Still, Kubica leaves one shocking surprise for the end. Readers will find themselves simultaneously saying, “I never suspected!” and “Oh, of course!” as the ultimate revenge befalls the person who deserves it most.

 

ALSO IN BOOKPAGE: Read a Q&A with Mary Kubica for The Good Girl.

Nobody has ever taken care of Mia Dennett. Her upwardly mobile parents didn’t do it. Her uptight older sister didn’t do it. So the talented inner-city art teacher has learned to take care of herself. Or so she thinks, until an impulsive one-night stand turns into a nightmare far beyond Mia’s control. But why does her abductor seem so uncertain about his plans for her? Why did he choose to hide her in a remote Minnesota cabin rather than turn her over to the man who hired him? Was it an act of mercy, or something else entirely?

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The third installment in award-winning author Kristina Ohlsson’s Fredrika Bergman series is a crime fiction fan’s dream. With The Disappeared, Ohlsson creates both an elaborate police procedural and a multilayered mystery that engages readers in a complex case with an unexpected ending. Once again featuring the brilliant Stockholm investigative analyst who tackled confounding cases in Unwanted and Silenced, The Disappeared brings Fredrika back to work on an unsolved missing-persons case. As she tries to make sense of a gruesome discovery—the missing woman’s body is found in an apparent mass grave—Fredrika finds that nobody is above suspicion, even those closest to her.  

This multilayered story builds to a shocking finale.

Ohlsson’s layered approach to storytelling can feel disjointed at first, as she delivers snippets of backstory and brief glimpses of each character’s life. Like rocks in a stone wall, however, the fragments build on one another, resulting in a sturdy structure that depends on the relationships between the pieces. Readers might consider taking notes on the fascinating—if sometimes disturbing—characters that Ohlsson draws forth. There’s an elderly children’s author who hasn’t uttered a word in decades, a former boyfriend with a troubling obsession, and a web of mystery that includes sexual assault charges, pornography and snuff films. It’s dark stuff, and Ohlsson never backs away, but instead takes us in for a closer look at the killer’s motives and methods.

If your notes fail to fully illuminate the winding path through this mystery, Ohlsson does provide guideposts along the way, as the investigators stop to consider the evidence and its implications. The action never pauses for long, however, and soon Ohlsson has us following another lead down another trail, wondering how they will all fit together. When they do, it’s in a most surprising but satisfying way.

The third installment in award-winning author Kristina Ohlsson’s Fredrika Bergman series is a crime fiction fan’s dream. With The Disappeared, Ohlsson creates both an elaborate police procedural and a multilayered mystery that engages readers in a complex case with an unexpected ending.

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Absence may make the heart grow fonder, but it can also make the mind grow suspicious. That’s what happens in Laura Lippman’s insightful new mystery, After I’m Gone, when the wealthy, charming Felix Brewer chooses to escape his shady past by simply disappearing. While Felix makes a clean getaway, it’s not so easy for his widow, daughters and mistress to pick up the pieces of the schemes and dreams he has left in his wake.

Award-winning mystery writer Lippman nimbly poses the elaborate riddle of Felix’s disappearance by asking confounding questions at every turn. Why did he set up his mistress, stripper Julie Saxony, with her own business, but neglect to leave anything for Bambi, the wife he claimed to love above all else? Why has he never contacted his adult daughters? And most unanswerable of all, why was Julie murdered 10 years after Felix skipped town? And by whom?

Underlying everything is the question of just how far the characters will go to protect themselves and each other. With her signature attention to her characters’ inner lives, Lippman develops several plausible, and sympathetic, suspects. We get to know every one of these women—and a few men—through seamless flashbacks and the unfolding of complex family dramas. Gradually, we realize that every character has something huge to hide.

After I’m Gone winds up with surprising revelations on several fronts, not just the hunt for a murderer. As we learn the truth about everybody’s whereabouts on the day Julie was murdered, we keep thinking we’ve surely spotted the killer, but Lippman proves us wrong many times before the actual culprit comes forth. The last 50 pages fly by as we race to work out what really happened after Felix has gone.

Absence may make the heart grow fonder, but it can also make the mind grow suspicious. That’s what happens in Laura Lippman’s insightful new mystery, After I’m Gone, when the wealthy, charming Felix Brewer chooses to escape his shady past by simply disappearing. While Felix makes a clean getaway, it’s not so easy for his widow, daughters and mistress to pick up the pieces of the schemes and dreams he has left in his wake.

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Gritty downtown Boston and the awe-inspiring but unforgiving North Atlantic coast come to life in Elisabeth Elo’s debut suspense novel, North of Boston. Elo shows us the Eastern seaboard through the fiercely loyal, ceaselessly skeptical and fundamentally fearless eyes of Pirio Kasparov. When the lobster boat Pirio is working on is struck and sunk in Boston Harbor, killing her friend Ned and nearly killing Pirio, she doesn’t believe it was an accident. For her own sake, and for Ned’s 10-year-old son Noah, Pirio starts asking questions and doesn’t stop until she has looked everywhere for answers.

Elo maintains suspense throughout by making it unclear whom Pirio should trust with her inquiries. Can she depend on her moody Russian father, Milosa, head of a perfume empire? Old flame John Oster? The mysterious journalist who turns up at Ned’s funeral? Her best friend, Thomasina, Noah’s mother and a struggling alcoholic? Elo creates likable but flawed characters all around, which keeps us guessing right along with Pirio.

It’s hard to say which is the bigger star of the novel: Pirio or the places she goes. Elo evokes city bars, harbor politics and ocean voyages with equal ease. As much as Pirio belongs to the streets of her city, she’s also magnetically drawn to the sea. When Pirio boards a ship headed for the Canadian Arctic, we see the rocky coast and feel the sea spray right along with her. The later scenes in the whaling grounds of Cumberland Sound will both shock and inspire readers with their blend of realism and majesty.

While the tangled story behind Ned’s murder leads Pirio down so many paths that the ultimate connections between them all can feel a bit forced, readers will nonetheless be rooting for the doggedly determined Pirio right to the end.

Gritty downtown Boston and the awe-inspiring but unforgiving North Atlantic coast come to life in Elisabeth Elo’s debut suspense novel, North of Boston. Elo shows us the Eastern seaboard through the fiercely loyal, ceaselessly skeptical and fundamentally fearless eyes of Pirio Kasparov. When the lobster boat Pirio is working on is struck and sunk in Boston Harbor, killing her friend Ned and nearly killing Pirio, she doesn’t believe it was an accident.

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In her pitch-perfect sequel to the Edgar-nominated mystery The Gods of Gotham, Lyndsay Faye returns to the 1840s with newly minted “copper star” Timothy Wilde once again hitting the streets as an intuitive investigator, positioned high among the ranks of New York City’s first police force. Faye’s eye for detail brings to life the city streets and the people who live there, from poor immigrants looking for shelter to conniving politicians looking for votes. The accurately rendered historical setting anchors Faye’s story in time and gives her characters a regrettably plausible mystery to solve: Where are Mrs. Lucy Adams’ sister and son, free blacks who have been kidnapped from their home by lawless slave traders? And what other crimes, and criminals, will Wilde expose in his quest to bring Lucy’s family home again?

Faye skillfully juggles a number of multifaceted characters and keeps readers just a little unsure what each might do next. Wilde appears righteous and law-abiding, for instance, but isn’t above relocating a corpse if it might prevent his brother Valentine from becoming a murder suspect. Said brother is, on the surface, reckless and rude, but he’s also brilliant and endlessly loyal to the brother whose often-awkward problem-solving methods drive him crazy. The banter between the siblings is one of the novel’s great delights, as their mutual aggravation and affection become clearer with each step they take toward solving the crime. Other colorful characters round out Wilde’s world, like ruthless Madam Silkie Marsh, no-nonsense landlady Mrs. Boehm and the precocious wise child, Bird, who has a lot to learn about the world but also a lot to teach.

It’s the people who inhabit Wilde’s world that keep the historical setting from ever feeling like a mere backdrop. Instead, the city is part and parcel of their everyday lives, and Wilde’s case reflects the realities of the day. We meet a starving Irish family begging at Val’s doorstep, and we hear Wilde’s arguments in a court as he attempts to clear a hardworking free man of false accusations. Even the dialogue reflects the times, as Faye makes liberal use of “flash,” or street language, an amalgamation of British, German, Dutch and Yiddish that has characters calling houses “kens” and sitting at the dinner table to “yam” their pigeon pie. It’s like Faye has dropped us directly into the ebb and flow of city life circa 1846, which makes solving the crime a personal quest not just for Wilde, but for readers as well.

In her pitch-perfect sequel to the Edgar-nominated mystery The Gods of Gotham, Lyndsay Faye returns to the 1840s with newly minted “copper star” Timothy Wilde once again hitting the streets as an intuitive investigator, positioned high among the ranks of New York City’s first police…

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