Stephanie Cohen-Perez

Science Fiction & FantasyFantasy

Siren Queen

Review by Stephanie Cohen-Perez

In Siren Queen, Nghi Vo presents an alternate history of golden age Hollywood that is at times dreamlike, at times nightmarish.

When Chinese American movie fan Luli Wei stumbles onto a film set as a child and snags a minor role, her career aspirations are forever altered. She decides to plunge headlong into an industry where she is not accepted or celebrated, and must constantly claw her way through adversity to gain even the smallest achievement.

Luli is no stranger to enchantments—her mother weaves intricate household spells from time to time—but her time in Hollywood reveals their darker side. In Vo’s alternate America, movie magic isn’t just makeup, costumes and special effects. Young, vulnerable actors sell their souls, bodies and identities for fame and fortune, and still, the show must go on.

Vo’s spellbinding prose captures the allure and discomfort that Hollywood holds for outspoken, witty Luli. She experiences constant prejudice and possible danger as a queer Asian woman, but the film community also provides her with an opportunity to explore her sexuality in relative, if tenuous, safety. Formidable and talented, Luli is adamant that she will be the Asian actress who breaks the mold to play more than a scorned lover or a servant. At first, she sacrifices parts of herself to achieve this goal, but she eventually reaches the limit of what she is willing to give. The more secrets she learns, the more determined she becomes to overturn the status quo and create a safe haven for other marginalized actors.

Beyond its intricate world building and incisive cultural commentary, Siren Queen is a moving exploration of romance, loss and complex family dynamics. Readers will be fully invested in Luli’s journey as she comes into her own, defies the industry’s attempts to own her and pursues her happiness.

Beyond its intricate world building and incisive cultural commentary, Siren Queen is a moving exploration of romance, loss and complex family dynamics.
Science Fiction & FantasyHistorical FantasyFantasy

Wild and Wicked Things

Review by Stephanie Cohen-Perez

In Francesca May’s stunning, gorgeously composed fantasy debut, Wild and Wicked Things, a dissipated coven of witches and a meek young woman become unexpected allies.

Annie Mason has led a quiet and ordinary life. When her estranged father dies shortly after the end of World War I, she reluctantly travels to Crow Island to take care of his estate. The island also happens to be the very place her former best friend, Bea, resides in a fancy house on the sea with her new husband. Crow Island is famous across the land for its faux magic parlors and fake spells and potions, but Annie soon learns that its inhabitants also practice true, darker-than-imagined magic. When she rents a summer cottage next to the infamous Cross House, where a coven throws lavish parties that feature Prohibited magic, Annie is given an opportunity to find a place—and maybe a person—that actually feels like home.

May seamlessly transports readers to the shores of Crow Island, straight into the shoes of Annie and de facto coven leader Emmeline Delacroix. Annie is whisked away by the island’s enchantment, and May’s prose echoes F. Scott Fitzgerald to capture the finery and wild parties of the era. And while Annie originally thinks she’s being bewitched by the coven’s magic or the island, she comes to realize that she is simply following her innermost desires. The supposedly cursed island gives her time and space to come to terms with grief over lost loved ones and her internalized shunning of her sapphic sexuality. Emmeline’s inexplicable and undeniable magnetism is a clever plot complication but also the perfect setup for a passionate, slow-burning queer romance that feels forged in destiny.

Under all the glamour, Wild and Wicked Things is also a nuanced exploration of intergenerational trauma and abusive relationships. Emmeline hovers over her adoptive siblings, Isobel and Nathan, even though their abusive guardian, coven founder Cilla, is long gone. Annie finds herself in a similar situation as she tries to shield Bea from a marriage gone wrong, and she and Emmeline bond over their roles as protectors and healers. But nothing is truly black and white, from the witches’ backstories and intentions, to Bea’s desires, to Annie’s past. May does not shy away from the macabre, and every twist is better and eerier than the last.

May’s thrilling fantasy takes familiar tropes, mashes them with a mortar and pestle, sprinkles them with a bit of herbs and throws them into the cauldron, creating a fresh and exciting take on witchy historical fantasy.

Wild and Wicked Things is a stunning, gorgeously composed historical fantasy with a compelling queer romance at its heart.
Science Fiction & FantasyHistorical FantasyFantasy

Horseman

Review by Stephanie Cohen-Perez

Christina Henry’s Horseman is an atmospheric and haunting reimagining of Washington Irving’s “The Legend of Sleepy Hollow,” perfect for both fans of classic horror and those new to the tale of the Headless Horseman. Henry’s retelling centers on 14-year-old Bente “Ben” Van Brunt, the grandson of Katrina Van Tassel and Brom Bones, whose tale-as-old-as-time romance once sparked rumors of the ghostly Horseman and ran a gangly, awkward schoolmaster named Ichabod Crane out of town. When a child is killed, supposedly by the shadowy folkloric monster the Kludde, the usually sleepy little town of Dutch descendants erupts into chaos as more murders ensue and people point fingers at the Horseman and each other.

The orphan Ben has lived his entire life in this small town with his Oma Katrina and Opa Brom. Ben, who is transgender, experiences much frustration with fellow townsfolk who insist on repeatedly misgendering him and accusing him of witchcraft, a traditionally feminine stereotype. Henry’s depiction of Ben’s experience as a trans boy feels a little forced, bordering on stereotypical. There are several descriptions of him being a “boy soul in a girl’s body,” as well as an assumption that he will not be able to have a family or children.

But there is even more that sets him apart from the other folks in the Hollow. Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman, who says he is there to protect him. And perhaps worst of all, he’s the only person who actually wants to leave the tightknit community marked by old wives’ tales and superstitious secrets.

ALSO IN BOOKPAGE: The year’s best Halloween reads, ranked from slightly spooky to totally terrifying.

With visceral visions of nightmares, creepy prose and a pace as fast as the rush of horses’ hooves, Henry’s take on Irving’s classic story is a one-sitting read, a chilling romp into the forest that will remind readers that sometimes the scariest monster in the room is human nature (not even pumpkin-headed horsemen or the author’s horrifying twist on Ichabod Crane’s fate). While there are some truly shiver-inducing, gruesome scenes in which victims of the Kludde are discovered decapitated and handless, Henry depicts the evil that resides inside the human inhabitants of the Hollow as the most terrifying form, from racism and bigotry to transphobia and the sexualization of children.

Ben has staunch allies in his best friend, Sander; his Opa Brom; and eventually his Oma Katrina—not to mention in his guardian Horseman—but the closed-mindedness of the Hollow, and the nefarious intentions of some of its inhabitants, create a stifling atmosphere, one ready to erupt into flames from the strike of a single match. Readers should also be aware that Henry frequently includes dialogue that reflects the transphobic and sexist beliefs many people held during the Colonial era, while also depicting customs that reflect such beliefs. As Ben unravels the energetically paced mystery and makes connections between the death of his parents and the recent murders, he will inspire readers who love their families but long to forge their own paths.

Christina Henry’s Horseman is an atmospheric and haunting reimagining of Washington Irving’s “The Legend of Sleepy Hollow,” perfect for both fans of classic horror and those new to the tale of the Headless Horseman.

Science Fiction & FantasyShort StoriesFantasy

The Tangleroot Palace

Review by Stephanie Cohen-Perez

Marjorie Liu’s haunting collection of short stories, The Tangleroot Palace, is an astonishing foray into fantastical escapism. These are reworkings of older works of short fiction, and together they create both a love letter to Liu's illustrious career and a curious and joy-filled glimpse into the future. Readers who want to be immersed in otherworldly adventures with feminist themes will find a gifted and enchanting guide in Liu.

As readers find themselves gleefully lost in the labyrinthine forest of stories and monsters that Liu has created, certain beloved tropes will ring true. Liu’s love for superheroes is apparent, especially in the tale of lonely geneticist Alexander “Lex Luthor” Lutheran, who fantasizes about being a comic supervillain. Liu consistently returns to themes of found family, freedom from societal expectations and grappling with the good, the bad and the ugly of family legacy to forge one’s own path as a strong hero. Her various reconstructed fairy tales will also be pleasant surprises for those who grew up wondering why princesses never had more agency and why witches were often portrayed in a negative light.

While common motifs develop across these tales, Liu’s versatility within and mastery of multiple fantasy subgenres also shines. In “Sympathy for the Bones,” teenage Clora reluctantly helps her guardian, Old Ruth, create poppets to kill locals on demand; “The Briar and the Rose” and “The Last Dignity of Man” showcase two very different queer love stories; “Call Her Savage” envisions an alternate history in which women are respected and feared in the military and across timelines; and “After the Blood” is a post-pandemic Amish vampire story (talk about words you never expected to see together in a sentence!) that tests a couple’s love and offers hope and light in the face of a ravaged world.

With its vivid characters and relatable themes, The Tangleroot Palace is, frankly, a marvel. Liu is a chameleon of a writer when it comes to settings and world building. From another writer, these various stories might have felt haphazardly cobbled together, but not here. These are all stories of survival and strength, no matter the cost, in which women are joyously celebrated as heroes, warriors, scientists, sorceresses and duelists. On every page of The Tangleroot Palace, women have the power to take their own stories back and rework them in ways that are resilient, powerful and new.

Marjorie Liu’s haunting collection of short stories, The Tangleroot Palace, is an astonishing foray into fantastical escapism.

Science Fiction & FantasyFantasy

The Library of the Dead

Review by Stephanie Cohen-Perez

T.L. Huchu’s first installment of the Edinburgh Nights series, The Library of the Dead, is a kaleidoscopic adventure that melds the phantasmagoric with the mundane.

Ropa Moyo is struggling to both make ends meet and take care of her beloved Gran and little sister, Izwi. She dropped out of school to work as a ghosttalker, a messenger between the deceased and the people they left behind. Ropa is always eager for a quick gig, but an eerie pattern has begun to emerge. Ghosts all over Edinburgh have been warning her of cursed and bewitched local children, and Ropa is wary of whatever powerful entity might be employing this dark magic. To help her figure out what’s going on, her childhood best friend, Jomo Maige, takes Ropa to the mysterious Library where his father works, an occult research facility where Ropa can check out books on magic to supplement her patient Gran’s ghosttalker lessons and where her library card is a desiccated ear. Huchu’s twisty and devilishly macabre novel follows Ropa, Jomo and Ropa's new Library ally, Priya, a healer who uses a wheelchair, as they unravel a mystery so chilling that even the ghosts of Edinburgh shudder in revulsion.

Huchu has crafted an unforgettable character in Ropa, from her green locs to her black lipstick to her sense of humor, which is sharp enough to rival the dagger she carries on her body at all times. Ropa is a smart-talking, intelligent survivor, and she wants to provide the best opportunities for Izwi and a safe, stable home for her benevolent Gran. Ropa secretly finds joy in helping set spirits free, though she hides this soft spot with her sardonic quips. She gives off the impression of being a lone wolf, but her friendship with Jomo is constantly endearing, and her connection with Priya provides her with a new ride-or-die pal who is just as passionate about all things strange and unusual.

Ropa conveys messages from the dead to their unrequited high school crushes and alleviates tensions to prevent intrafamily hauntings, so how difficult could this new adventure be? But her Library explorations push her skills further than she ever imagined, while helping her learn more about the magical abilities passed down through her Zimbabwean family. Ropa’s pursuit of greater power and knowledge is always tied to how she can best protect her community, which is one of the most charming aspects of this very charming book. She is dedicated to becoming not only a proper magician but also a more compassionate ghosttalker, trailing the footsteps of those who came before and forging a new path for those who will follow.

T.L. Huchu’s first installment of the Edinburgh Nights series, The Library of the Dead, is a kaleidoscopic adventure that melds the phantasmagoric with the mundane.

Science Fiction & FantasyFantasy

Malice

Review by Stephanie Cohen-Perez

Heather Walter’s debut novel, Malice, transforms the familiar fairytale of Sleeping Beauty into a captivating fantasy romance between the storybook Princess Aurora and the dark sorceress Alyce.

Walter’s immersive world building plunges readers into the Briar Kingdom, built on a system of inequality and discrimination. The fae, known as Graces, are kept as magical servants for cold-blooded mortal nobles. The Graces can create beauty and light, but Alyce’s magic seems to produce only ugliness and pain. Known as the Dark Grace, Alyce is the last descendant of a type of fae known as the Vila, and her relationship with the other fae is complicated—some avoid her, all fear her and most are willing to throw her under the bus. 

When Alyce decides to attend a masquerade ball despite not being invited, she is outed as the dark fairy by one of Princess Aurora’s failed and jealous suitors. Alyce flees, but Aurora runs after her and Alyce is shocked at how down-to-earth the princess is. Aurora must find her true love by age 21 or she will be cursed to sleep forever. She has been kissed by many noblemen, often strangers, to try and break the curse, but none have succeeded. As Alyce and Aurora grow closer, the Dark Grace becomes determined to find a way to break the spell.

Told through the puckish voice of Alyce, Malice is a sympathetic take on the traditionally one-dimensional figure of the dark fairy. Alyce’s wry wit and determination to save Aurora make her instantly sympathetic, a refreshing change from other fairytale retellings that attempt to conjure some meticulous, outlandish backstory to explain the evil doings of a nefarious character. Alyce is feared, yes, but for things she’s had from birth and can’t control. Her growing love for Aurora and her increasing resistance to the status quo shine through her gloomy outlook, and as she learns about the history of Briar and the truth behind the treatment of the fae, Alyce learns some unexpected truths about her powers as well.

This heartfelt, ever-escalating story of true love burns bright, encouraging readers to brush aside shame or condescension and follow their hearts.

Heather Walter’s debut novel, Malice, transforms the familiar fairytale of Sleeping Beauty into a dark and compelling fantasy romance between the storybook princess and the dark sorceress Alyce.

Science Fiction & FantasyScience Fiction

Winter’s Orbit

Review by Stephanie Cohen-Perez

Though the planet of Iskat is cold and gray, with ferocious predatory avian species adorning the frozen environment, Everina Maxwell’s debut novel, Winter’s Orbit, is anything but frigid. This queer science fiction romance astounds not only through its believable, multilayered character development, but also in the eons of intergalactic political and cultural history that Maxwell weaves into a 400-page novel.

Kiem Tegnar is a playboy prince of Iskat in his mid-20s who would rather party until daybreak, drink at carnivals and cause a scene than deal with anything remotely resembling political responsibility. But his life is thrown into disarray when his grandmother, the Emperor, informs him that he will fulfill his lifelong duty as a minor noble by getting married the following day. Not only will this shock to the Emperor’s least favorite grandchild disrupt his hedonistic lifestyle, but his arranged marriage will be to Jainan nav Adessari, widower of Kiem's cousin Taam, whom Jainan still mourns but Kiem barely remembers. Their marriage will preserve the political alignment between Iskat and one of its seven vassal planets, Jainan's homeworld of Thea.

Suddenly thrust into a diplomatic role, Prince Kiem must navigate new etiquette to save face and maintain the relationship between Iskat and Thea. With the vassal contracts to be renewed soon, both Kiem and Jainan find themselves in awkward and uncomfortable situations as the relentless press hassles them for gossip about their impromptu marriage and a faceless Auditor comes to observe the veracity of their union—and thus, the veracity of the link between the planets. But while Kiem and Jainan share a common political goal, their strikingly different personalities pose challenges as they become a unit.

ALSO IN BOOKPAGE: Everina Maxwell on the freedom of a "queernorm" speculative world.

Beneath Kiem’s slightly callous, celebrity exterior lies a loyal, likable potential leader with a strong sense of morality. Maxwell uses Kiem’s wry sense of humor to convey his insecurities and anxiety about his new position and his relationship with Jainan. There’s no question that he is attracted to his cousin’s handsome, highly educated widower, but because of both formal customs and Kiem's own internal compass, he feels guilt, shame and confusion as a newlywed married to a man he'd only just met. As he picks up on the Iskan government’s condescending treatment of Jainan’s fellow Theans and uncovers evidence that his cousin’s death might not have been accidental, Kiem is filled with a strong, genuine desire to help the mysterious man he has been forced to marry—and who has been forced to marry him.

Winter’s Orbit fits into the romance genre just as much as it does science fiction, and its central relationship develops and flourishes in a world devoid of homophobia. On Iskat and its vassal planets, characters wear certain tokens to indicate binary or nonbinary gender identities, and relationships, even royal ones, range from monogamous, polyamorous, queer (or not) and religious (or not). As Kiem adapts to his new relationship, he must also learn more about Thean customs and traditions if he is to truly understand and empathize with his new spouseand become both a good husband and nobleman.

Maxwell expertly weaves relatable issues—cultural tensions, strained family dynamics, relationship struggles and government and media corruption—into a stunning outer space setting where readers will be just as invested in Kiem and Jainan as they are in unraveling the dangerous mysteries afoot in Iskat. With its dark, dry humor and its unforgettable depictions of bereavement, heartbreak and new love, Winter’s Orbit is hopefully the start of much more to come from Everina Maxwell.

Though the planet of Iskat is cold and gray, with ferocious predatory avian species adorning the frozen environment, Everina Maxwell’s debut novel, Winter’s Orbit, is anything but frigid.

Science Fiction & FantasyFantasy

The Ruthless Lady’s Guide to Wizardry

Review by Stephanie Cohen-Perez

C.M. Waggoner’s second novel (following her outstanding 2019 debut, Unnatural Magic) is a dazzling, romantic fantasy quest that requires all of the cogs in readers’ brains to turn at once. Beyond her exceedingly clever, tongue-in-cheek chapter titles that harken back to classic adventure tales and her pointed observations of human—and other creatures’—true nature, Waggoner gifts readers with the delinquent, sailor-mouthed, headstrong, queer protagonist that they never knew they always needed, not to mention a riveting plot that continuously satisfies.

The Ruthless Lady’s Guide to Wizardry follows several extraordinary female characters. Protagonist Dellaria “Delly” Wells is a streetwise fire witch—supposedly one of the best in the city Leiscourt—with whom readers will experience an immediate sense of camaraderie. Waggoner’s solidly built world of Daesland contains many class divides due to socioeconomic and magickal reasons, and Delly finds herself navigating them all with difficulty, being a citizen of the lower classes. She practices the snubbed arts of “gutterwitchery,” having dropped out of the local university to use her magic on the streets, despite possessing the skills and knowledge to excel in an academic setting. Delly has grown accustomed to her townie life, in which she takes care of her addiction-riddled Mam, spends her free time in the pub, owes various people money and often gallivants around town with a one-night stand or various friends with benefits.

When Delly jumps at an unexpected opportunity to join a noblewoman’s entourage as a bodyguard, she encounters a ragtag team of high-class lady sorcerers, necromancers and fighters, including an intriguing part-troll and an elderly “body scientist” (tsk, upper-class ladies don’t say necromancy) and even a shape-shifter. This raunchy, bawdy magic-school dropout attempts to fit in and protect Miss Wexin on her way to her marriage, all while finding her own romantic prospect in aforementioned part-troll. Murderous attempts by disturbing creatures on Miss Wexin’s life rock the group’s dynamics and make trusting others difficult. But these strange and dangerous encounters are only the first half or so of this breakneck-paced plot. Not only is Miss Wexin’s life in danger, there is also the larger societal problem of drip, an addictive drug with deadly side effects that is affecting the poorer classes. This league of ruthless women must pool together their skills for the greater good, and it may be up to Delly to crack the case due to her once-ridiculed background.

As characters begin what is quite possibly the strangest bonding experience of their entire lives, Waggoner gives each a distinct voice and personality—readers will develop more than a few memorable favorites. Waggoner excels at detailed world building, from the opulent nobles’ homes and foods to the sensory feel of both the gutterlife and manors, to the stench of the local pub and even the squeak of a mattress during Delly’s cavorting with assorted fellows. But its playful title does not do such a marvelous book, or its themes, justice. Delly’s world is a land where householded (adopted) children, questionably reanimated animals, neglectful mothers, drug addiction, mysterious potions and queer romances are quite the norm. This is a book of unlikely friendships and morbid humor that is unafraid to explore relevant and oft-avoided topics.

C.M. Waggoner’s second novel is a dazzling, romantic fantasy quest that requires all of the cogs in readers’ brains to turn at once.

Science Fiction & FantasyFantasy

King of the Rising

Review by Stephanie Cohen-Perez

Kacen Callender’s highly anticipated second book in their Islands of Blood and Storm duology is an incredible ride. King of the Rising summons us once again to the Caribbean-inspired isles of Hans Lollik, which are as flawlessly picturesque as they are fatal. Elskerinde Sigourney Rose’s actions in the first book, Queen of the Conquered, have rendered the islands and their people a chaotic, revolutionary mess.

King of the Rising presents readers with a fresh voice via the perspective of Løren Jannik, who was once one of Sigourney’s enslaved personal guards. We learn that, like Sigourney, Løren is also gifted with the supernatural psychic abilities called kraft. His connection to his former mistress is further complicated by the mysterious ways their powers interact, as well as the constant fluctuation of his moral compass as the rebel tyrant Malthe and his followers demand the head of imprisoned Sigourney alongside that of their colonizers, the Fjerns. But while Sigourney is of royal lineage and wields her kraft as a mind-control weapon, Løren prides himself on being an empath and using his kraft for good—or for relative good, at least.

Callender skillfully portrays raw human emotion and psychology as devious, power-hungry leaders pit islanders against one another and Løren must decide if he should be the one to lead the islanders to true liberty, not just temporary freedom as a result of a disorganized rebellion. The urgency and stakes increase when the islanders learn of a traitor in their midst, and Callender’s penchant for crafting unconventional, fantastical mysteries shines as Løren, Sigourney and the other rebel leaders must choose where their loyalties lie. We also glean enticing and horrifying clues, as well as insight into deep personal and intergenerational trauma, through Callender’s implementation of flashbacks.

When he saves Sigourney from execution for reasons that escape even his own understanding, Løren finds himself the unlikely leader of an island revolution, much to the chagrin of the Fjern and some rival islanders, who fear the power of his unique kraft. As the surviving Fjern return to claim Hans Lollik Helle for themselves, Løren and Sigourney must work together, journeying to the other islands and beyond to try to rally the forces they'll need to make their final stand. King of the Rising puts readers firmly into the minds of Callender’s unforgettable characters as it answers a spine-tingling set of questions: At the end of the war, who will survive and who will rule?

Kacen Callender’s highly anticipated second book in their Islands of Blood and Storm duology is an incredible ride.

Science Fiction & FantasyScience Fiction

Zoey Punches the Future in the Dick

Review by Stephanie Cohen-Perez

From its title, David Wong’s second installment in the adventures of heiress Zoey Ashe promises an unforgettable, bizarre and brain-bending storyline, and it does not disappoint.

Wong’s futuristic sci-fi whodunit reintroduces readers to now 23-year-old Zoey, whose chaotic life is anything but boring. Having inherited a fortune in less-than-savory businesses from her estranged, deceased father—pseudonym “Arthur Livingston”—her former existence in a Colorado trailer park with her smelly feline friend, Stench Machine, and her single, eccentric mother, Melinda, feels like a lifetime away.

In this sequel to Futuristic Violence and Fancy Suits, set in the lawless futuristic city of Tabula Ra$a, Wong reprises the witty, satirical narration that readers that have come to expect from his work. In this world, rules are constantly shifting, rich people are to bodyguards as sharks are to remoras, and hedonistic temptations abound, from gaudy, animated neon advertisements and all-night Cuddle Inns and sex theaters, to brothels and extreme virtual reality experiences.

Wong so completely immerses readers in this vivid, technothrilling setting that new characters feel like old friends, and Zoey is as lovable as ever as she tries to be a “normal” goth-grunge, Halloween-loving party girl and cat mom while still running a criminal empire. Zoey has inherited a team of professionals from her crime kingpin father: the charming, cowboy hat-donning Texan, Budd; the beautiful, lithe and lethal Echo Ling; and the fiercely loyal and stoic sniper Wu. But the public and, more importantly, the internet seem to loathe Zoey, with her unconventional appearance and her inheritance. At this point, she’s escaped more than a few hostage and assassination attempts.

When an animated, organless corpse arrives on her doorstep and accuses her of murder, Zoey and her team must battle rabid conspiracy theorists, vulturistic and violent vigilante journalists and even an ominous secret society to clear her name and unearth the truth. Through it all, tensions grow among the underground crime leaders, and the Unrest Index of Tabula Ra$a continually rises.

Wong’s sequel is a high-energy and flawless segue into a new episode of Zoey’s life and easily proves itself to be a compelling standalone work. This wholly original world feels like a fever dream, with shiny gadgets like color-changing convertibles, mechanized superhuman implants and a coveted 3D printer that can craft both powerful weapons and head-turning Halloween costumes at a moment’s notice. Wong’s biting commentary on social media, internet trolls, fandoms gone wrong, incel culture, mansplaining and the ethics of genetic engineering—not to mention the cyberbulling and harassment that Zoey endures as a plus-size woman with a walk-in closet full of band T-shirts and two missing teeth in her smile—is a testament to the power of pop fiction. His combination of captivating character development, sci-fi satire and dark, clever humor is a revelation.

From its title, David Wong’s second installment in the adventures of heiress Zoey Ashe promises an unforgettable, bizarre and brain-bending storyline, and it does not disappoint.
Science Fiction & FantasyScience Fiction

Prime Deceptions

Review by Stephanie Cohen-Perez

It hardly seems like a year has passed since the publication of Chilling Effect, the first installment of Captain Eva Innocente’s adventures—a gravity-defying, guns-blazing space opera fit for fans of psychic cats and diverse alien species. But as readers find themselves on board La Sirena Negra once more, it truly feels like we never left this adventure, and these worlds, to begin with.

Valdes reintroduces Captain Eva’s crew of misfit mercenaries. Some of the crew never had a home planet, but they’ve found a home here. There’s Eva with her mystical personal aquarium and affinity for psychic felines; Vakar, a Quennian Wraith whose relationship with Eva has blossomed and whose emotions manifest themselves as smells; Pink, the brusque but loyal-to-the-bone medic with a mechanical eye; Min, the pilot whose body and mind have melded with the ship; and Mx. Sue Zafone, a recently added engineer who revels in building bots but whose familial secrets might come back to bite the crew of La Sirena Negra. In addition to the return of friendly faces, we encounter more of Eva’s biological family members: Agent Virgo (aka her sister, Mari), who asks Eva to locate a missing scientist, and their estranged mother, Regina Alvarez, who may be able to help Eva complete her mission.

The action in Prime Deceptions starts on the very first page, when readers are thrust into the midst of a battle, and the twists continue until the end as Eva and her crew navigate the vast galaxy. All the facets of Eva that readers loved from the first book are back—humorous and creative curses in Spanish, witty banter and a jaded facade that only barely conceals her passionate heart. As the crew follows mysterious and possibly sinister coordinates provided by Mari, whose actions previously endangered their lives, they’ll have to reach out to all of their contacts for help, and in the depths of space, they’ll find memorable aliens, cat chats and poignant moments aplenty (not to mention epic fight scenes).

Where Chilling Effect explored each crew member’s individual journey and identity, Prime Deceptions delves into how the crew functions as a family and as a team. In the face of a fandom planet, troubling memories and past nemeses and allies, Eva steps up as the confident captain readers have come to love, the essential glue that binds together this squad of broken and betrayed souls. This is a wild and imaginative adventure that captures the importance of one’s chosen family.

It hardly seems like a year has passed since the publication of Chilling Effect, the first installment of Captain Eva Innocente’s adventures—a gravity-defying, guns-blazing space opera fit for fans of psychic cats and diverse alien species. But as readers find themselves on board La Sirena Negra once more, it truly feels like we never left this adventure, and these worlds, to begin with.
Science Fiction & FantasyFantasy

Harrow the Ninth

Review by Stephanie Cohen-Perez

The second, much-anticipated installment in Tamsyn Muir’s Locked Tomb trilogy delivers on its promise of high-energy necromancy and cryptic conundrums. The Reverend Daughter, Harrowhark Nonagesimus, has been transformed into Harrow the First, Ninth Saint to Serve the Emperor. But Harrow the Ninth has been forever altered by her battles in the previous book, Gideon the Ninth, which is told from the point of view of Harrow’s now-deceased cavalier, Gideon Nav.

As the mystery unravels aboard the Emperor’s ghostly space station, Muir’s seamless, inventive writing brings us dreamlike, labyrinthine plots, fantastical timelines and the continuation of secrets so surreal that readers will forever question who truly holds the power in this precarious but beautiful universe. As one of the Lyctors sworn to protect the Emperor, Harrow follows her lord to increasingly terrifying locations as he flees the mysterious Resurrection Beasts—horrifying creatures who ceaselessly attack him and his increasingly weary and rebellion-prone Lyctors.

Whereas Gideon’s story focused on spellbinding swordplay and fleeting crushes on dangerous temptresses with unexpected identities, this book hones in on the very marrow of Harrow—the bone adept’s fears, desires and personal history. Harrow was created by her parents’ morbid sacrifice of all of the Ninth House’s children, and she feels the need to stay true to her roots, always donning the skeletal face paint typical of the Ninth House, practicing her necromancy until her sleepless eyes nearly bleed and remaining nemeses with the narcissistic, ruthless Ianthe Tridentarius, who consumed her own sister and cavalier in her thirst for Lyctorhood. The one piece of herself that Harrow has left behind, however, is any memory of or feeling for Gideon Nav. Harrow’s unbearable grief has forced her to carve the cavalier from her heart and mind. As the perspective fluctuates from a mysterious second-person narrator to an omniscient, unbodied narrator, readers will wonder if Harrow is being haunted, and by whom.

Readers familiar with Gideon-and-Harrowhark, Harrowhark-and-Gideon will revel in the new dangers that threaten the Emperor and his Saints, all of which could only be conjured from the depths of Muir’s wild imagination: the River, an eerie, dangerous experience composed of both insurmountable amounts of energy and a void from which it’s nearly impossible to return; the Body, a vision of Harrow’s one true deceased love who proffers questionable advice and is most definitely not of this world; and a host of revenants, resurrections, hallucinations, illusions, ghosts and—of course—skeletons.

Muir reprises her attention to numerology, mythology, classic literature and intricate, complex secrets, as well as special appearances from the spirits of cavaliers and necromancers recently and historically lost. As secrets spill like the vibrant innards of terminated cavaliers’ corpses, Harrow and the Lyctors must struggle to stay alive as the true price of the Emperor’s power comes to light—and perhaps, justice.

The second, much-anticipated installment in Tamsyn Muir’s Locked Tomb trilogy delivers on its promise of high-energy necromancy and cryptic conundrums. The Reverend Daughter, Harrowhark Nonagesimus, has been transformed into Harrow the First, Ninth Saint to Serve the Emperor. But Harrow the Ninth has been forever altered…

Science Fiction & FantasyScience Fiction

Unconquerable Sun

Review by Stephanie Cohen-Perez

Kate Elliott’s Unconquerable Sun is a space opera of genre-defying dimensions. Elliott’s largely inactive blog bears the title I Make Up Worlds, a phrase that feels like an understatement when considering the breadth of detail, character development and story-building expertise Elliott displays in this epic tale inspired by the life of Alexander the Great.

The story follows three main characters whose lives eventually dovetail: Princess Sun Shān, heir to the Republic of Chaonia; Persephone “Perse” Lee, a former cadet who fled to the military to escape the conniving, poisonous noble House of Lee; and Apama At Sabao, four-armed lancer and lieutenant who discovers more than she bargained for about her heritage as she embarks upon life-threatening missions and rushes into galactic battles. In addition to seamlessly weaving together these very different voices, whose fascinating personal stories feel like they are only just beginning in this volume, Elliott structures the characters in intricate hierarchies and caste-like levels that reveal dangerous alliances, intertwinements and enemies as the plot unfurls.

Elliott’s stellar world building prowess is strengthened by the attention she pays to imagery inspired by the natural world, as well as ancient Greek and Asian history and culture, transposing the tales of empires, heirs, consorts and conquerors into space. Readers will grow protective and supportive of the three protagonists, but they will also relish the cultivation of relationships between the royals, like Sun, and their Companions (committed allies and at times consorts to the royals), and in turn, the Companions’ cee-cees (companions to the Companions), as these two groups revolve around Sun like, well, her planetary namesake, and help propel her through family deceit, warfare and political quicksand.

ALSO IN BOOKPAGE: Kate Elliott on drawing from the distant past to create the future.

The Chaonian government doesn’t bat an eye at, and legally acknowledges, same-sex unions, and the book’s queer characters are interesting, genuine and developed beyond the mere fact of their sexual orientation. The government is run by ruthless and independent queen-marshals (a gender-neutral term), a position to which Sun will succeed one day unless another viable heir is quickly produced. Nevertheless, Elliott’s world is ravaged by rampant tensions and biases, with the Chaonians, Gatoi, Phenes and Yele, among other peoples and creatures, battling each other to attain control. Even in outer space, Elliott makes clear that differences worry and scare some, and inevitably lead to a power struggle over the vast spans of the galaxy.

As for Sun, the pivotal royal, she contains multitudes. She is, despite her unorthodox plans and youth, the Chaonians’—and possibly her world’s—last hope at removing the tarnished branches of the system and ensuring that the Core Houses and different peoples are able to see past bad blood and contrived hearsay. She and her newly cobbled crew ride into the jaws of danger and death, taking us along for the breathtakingly thrilling ride and leaving us craving the next installment.

Kate Elliott’s Unconquerable Sun is a space opera of genre-defying dimensions, inspired by the life of Alexander the Great.

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