Sukey Howard

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Listener beware! Untrue is Wednesday Martin’s unvarnished, cogently argued, colorfully detailed take on women who are “untrue.” She’s talking about women’s sexuality, adultery, cheating and “stepping out,” and she doesn’t mince words or use euphemisms. So if you’re uncomfortable with sexual straight talk, this book is not for you. But if you’re perfectly OK with it, there’s much to shake up your perceptions. Martin sees the sexual double standard, with its misunderstanding of women’s hearts and libidos, as “one of our country’s foundational concepts” along with life and liberty. To explore female infidelity and sexual autonomy, she talked to and synthesized the work of experts—primatologists, anthropologists, psychologists and more—who challenge our received notions of female promiscuity and see it as a behavior with a “remarkably long tail.” Martin reads her own provocative, stereotype-slaying words with elan.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Listener beware! Untrue is Wednesday Martin’s unvarnished, cogently argued, colorfully detailed take on women who are “untrue.”

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Top Pick in Audio, October 2018

Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa. In all that time he never faltered, never gave up hope for the future and an end to apartheid, never stopped fighting for his own dignity and that of his fellow prisoners, never stopped yearning for his wife, family and friends. How he endured and persevered is made clearer in the many letters he wrote during that time. The 255 published in The Prison Letters of Nelson Mandela, edited by Sahm Venter, are now available on audio, perfectly rendered by Atandwa Kani, whose flawless pronunciation of Xhosa names and phrases makes listening a totally engaging experience. There is lawyerly composure in Mandela’s letters describing his unrelenting quest for the rights of political prisoners. Yet also evident in these powerful and inspiring letters is the raw emotion and deep love of a man determined, against all odds, to remain a strong father and husband.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa.

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Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora. At 17, Belinda leaves her village and her mother behind to work as a housegirl for a wealthy couple who returned to their native Ghana to retire in luxury after making their fortune in London. Belinda finds solace in the daily domestic grind and in Mary, the charming, irrepressible 11-year-old housegirl-in-training who becomes like a little sister to her. But Belinda is uprooted again when close Ghanaian friends of her employers take Belinda to London, where she is tasked with befriending and providing a positive influence on their sullen teenage daughter, a student at an exclusive, mostly white private school. Surprisingly, their friendship blossoms after a few bumps, just as tragedy takes Belinda back to her homeland. At its core, Housegirl is a warmly perceptive look at female friendship as well as the angst, melodrama and confusion of coming of age in two clashing cultures.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora.

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Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all. A career law enforcement officer, he spent 28 years at the federal and local levels, ultimately becoming a senior executive at the Bureau of Alcohol, Firearms and Explosives and later a CNN contributor. In The Black and the Blue, his powerful, probing, unvarnished assessment of racial injustice in law enforcement today, he comes out as a “champion of wholesale police reform in the United States,” unafraid to offer prescriptive advice on how to address the racism, prejudices, biases and the lethal “cops don’t tell on cops” tradition ingrained in police culture. Using in-depth interviews and his own experiences, Horace presents the vivid on-the-ground actuality of police brutality, misconduct, malfeasance and the needless, heedless shootings that capture headlines and snuff out lives all over America. Horace narrates like a pro with both passion and control.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all.

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When it comes to making history live, nobody does it better than David McCullough. Now, with The Greater Journey: Americans in Paris, he’s done it again in spades. You won’t find Hemingway or Gertrude Stein or any of the Americans we usually associate with the City of Light. The Yankees in McCullough’s account were the first wave of “talented, aspiring Americans” who began to make the transformative, transatlantic voyage in increasing numbers in the 1830s. From James Fenimore Cooper, Samuel F.B. Morse, Oliver Wendell Holmes and Elizabeth Blackwell to Mary Cassatt, John Singer Sargent and Harriet Beecher Stowe, they came to learn and to immerse themselves in a kindred yet very different culture where wine was cheaper than milk, the food was fabulous, the boulevards were broad and the astounding treasures of the Louvre were open to the public. Weaving detailed bios of these Americans into the colorful fabric of Parisian history from 1830 to 1900, McCullough makes excellent use of his ability to simultaneously entertain and educate, while master narrator Edward Herrmann’s perfect pacing makes this journey from apple pie to tarte tatin into compelling listening.

When it comes to making history live, nobody does it better than David McCullough. Now, with The Greater Journey: Americans in Paris, he’s done it again in spades. You won’t find Hemingway or Gertrude Stein or any of the Americans we usually associate with the…
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A mere shoot of a lad (is he old enough to shave?), teenage writer Nick McDonell proves a preternaturally accomplished author with his debut novel, Twelve. Set in New York City, the book is narrated with chilling objectivity by White Mike, a 17-year-old drug dealer, and centers around his wealthy clientele. Chris, Hunter and Laura are among his customers—self-indulgent prep school students whose parents depart during Christmas vacation, leaving them to their own devices. With their accelerated lifestyles, fixation on big-name brands and use of modern slang, McDonell's characters come at the reader in a hallucinatory rush of contemporary culture. These kids live fast and—yes—die young. Energetic and episodic, brimming with tension, the narrative is a searing portrait of the ultra-privileged: rich kids who have climbed so high, there's nowhere to go but down. McDonell, who is only 18, writes with a worldliness and wisdom that exceed his years.

A mere shoot of a lad (is he old enough to shave?), teenage writer Nick McDonell proves a preternaturally accomplished author with his debut novel, Twelve. Set in New York City, the book is narrated with chilling objectivity by White Mike, a 17-year-old drug dealer,…

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