Tami Orendain

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Four years ago, after attracting the unwanted attention of Poseidon and being cursed by Athena, Medusa and her sisters fled to a distant island. Her winged sisters take to the skies every day, leaving Medusa alone with only the snakes on her head for company. One day, Medusa discovers Perseus, a handsome boy stranded on the island. Slowly, they open up to each other, unaware that their blossoming relationship will become the spark of a tragedy.

Jessie Burton’s Medusa is a feminist retelling of the classical Greek myth of Medusa and Perseus, brought to life with full-color illustrations by Olivia Lomenech Gill. The book adds complexity to a character many readers may know only as a monstrous Gorgon, famously capable of turning anyone who looks at her into stone. Here, readers meet Medusa not as a monster but as a hopeful girl who bears both psychological and physical scars. 

Burton’s narrative powerfully explores the effects of abuse. Medusa tells her story, giving readers a firsthand glimpse into the trauma she’s experienced, its long-term ramifications and the twisting rationalizations that others use to defend her abusers. As she transitions to adulthood and navigates healing, identity and romance, she often looks to the women in her life for guidance and insight. Medusa’s sisters, Stheno and Euryale, and even Athena herself offer varying perspectives on maturity and femininity, and Medusa is able to consider their conflicting views while also developing her own way forward. 

Gill’s illustrations provide visual representations of Medusa’s thoughts and feelings. Sketches of birds and ocean life ground the story in the seaside isolation of Medusa’s island. Some of the images, such as one of Medusa and her sisters flying into the night sky, have a collage-like quality that endows the story’s mythical subjects with genuine human emotion. Gill’s colors mirror Medusa’s emotional journey: Medusa’s joy shines through in vivid blues and greens, her curiosity about Perseus is a soft yellow, and her horrific past is a dark and bloody red. 

Throughout the book, Burton’s prose and Gill’s art work in harmony to offer two intertwined ways of learning who Medusa really is. By placing her at the center of the tale, they give an epic voice to victims whose stories often go ignored and untold. Readers who love nuanced retellings of myths will not want to miss it.

Medusa adds complexity to a character typically known only as a monstrous Gorgon, and readers who enjoy nuanced retellings of myths will not want to miss it.
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On the rocky cliffs near their cottage in the Scottish Highlands, Rowenna witnesses her mother Mairead’s death at the hands of a gruesome sea creature. Afterward, she mourns not only the loss of her mother but also her only chance to learn how to master and control the magical craft they share. But the morning after Rowenna rescues a stranger named Gawen from a storm, Mairead miraculously returns, rosy-cheeked and claiming to have rejected her craft entirely.

Although her grasp of the craft is merely rudimentary, Rowenna can tell that whatever has come back from the sea is not her mother; it’s not even human. The monster steals Rowenna’s voice and curses her brothers and Gawen, transforming them into swans. To break the curse, Rowenna sets off for the city of Inverness, where she’s heard of a wise woman who might be able to help her before the monster’s curse becomes permanent and her whole village succumbs to its malevolence.

Laura E. Weymouth’s A Rush of Wings is an immersive retelling of Hans Christian Andersen’s fairy tale “The Wild Swans.” Weymouth’s writing is rich with sensory details, lush descriptions and prose that often feels like poetry. She creates a beautiful world that straddles the line between the real and the unreal. Here, the sea teems with otherworldly creatures, the wind speaks to women, and magic seems truly possible. Although Weymouth’s story has plenty of high stakes and horrifying villains, she tells it in an unhurried, intimate way, balancing heart-pumping battles with hushed, hopeful conversations.

Rowenna is an unusual fairy-tale hero who is curious about the limits of her abilities yet hesitates to use their full potential when doing so would harm others. She recognizes that her lack of control makes her weak but also fears what could happen should she become more powerful. Some characters believe her to be naive, while others accuse her of deceit, but Rowenna recognizes the complicated, contradictory aspects of her own identity and longs to bring them into balance.

It’s easy to lose track of time while reading A Rush of Wings. It’s a mesmerizing story with wonderful ambiance that asks readers to question their preconceived notions of heroes and villains. Readers looking for something both fresh and familiar are sure to enjoy this powerful retelling.

In the world of this lush, poetic retelling of “The Wild Swans,” the sea teems with otherworldly creatures, the wind speaks to women and magic seems truly possible.
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Cloud Cuckoo Land (15 hours) by Anthony Doerr chronicles the intersecting lives of an orphaned teenage girl and a village boy living in 15th-century Constantinople, an elderly librarian and a troubled teenager in present-day Idaho, and a young passenger aboard an interstellar ship generations into the future. It’s a dreamy, dynamic interweaving of stories about conflict, grief and hope.

Narrators Marin Ireland and Simon Jones make each character’s story feel personal, valid and alive—a challenging task with a cast this extensive and settings that span hundreds of years and miles. Ireland’s performances anchor every chapter in a myriad of voices and accents, surrounding the listener with an immersive experience. Between chapters, Jones playfully narrates excerpts from a fictional ancient Greek text whose relevance to each storyline is revealed gradually.

Listening to Cloud Cuckoo Land will transport you. It is magical and comforting, and likely to leave you with a new perspective on the power of resilience and the meaning of human connection.

Read our starred review of the print edition of ‘Cloud Cuckoo Land.’

As an audiobook, Cloud Cuckoo Land is a transportive experience, likely to leave listeners with a new perspective on the power of human connections.
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Louise Penny tackles social unrest in a post-pandemic world in The Madness of Crowds (15 hours), the 17th novel in the Chief Inspector Armand Gamache series. Part whodunit, part cultural commentary, this latest installment finds Gamache at a crossroads between his personal ethics and the requirements of his position.

The audiobook is performed by Robert Bathurst, who has lent his voice to several of the most recent books in the series. Bathurst’s narration is calm and collected yet also earnest, reflecting the blend of emotion and professionalism that Gamache embodies as an investigator. While Bathurst’s voice is subdued, it is also engaging, bringing the story’s mystery, relationships and ethical introspections to life in a straightforward but heartfelt way. He also provides a variety of voices for the wider cast of characters, keeping the plot moving through the flowing cadence of conversations.

Positioned at the intersection of science and humanity, The Madness of Crowds draws in its readers with murder but keeps them listening through its challenging moral conundrums. It’s perfect for listeners seeking both captivating intrigue and insightful reflection.

ALSO IN BOOKPAGE: Read our starred review of the print edition of The Madness of Crowds.

Robert Bathurst’s narration is calm yet earnest, reflecting the blend of emotion and professionalism that Armand Gamache embodies as an investigator.
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King Harristan and his brother, Prince Corrick, have inherited a kingdom plagued by a deadly sickness, and the only cure, an elixir made from rare moonflower petals, is in dangerously low supply. As the citizens of Kandala revolt, demanding that the cure be made more widely available, Harristan and Corrick crush all dissent with cruelty and violence.

Meanwhile, healer Tessa Cade and her partner, Wes, a mysterious thief, steal and redistribute moonflower petals to those in need. But as the sickness spreads, tensions rise between those who can afford cures and those who can’t. Desperate, Tessa sneaks into the castle—only to discover that Kandala’s corruption is far more complicated than it appears.

In alternating chapters narrated by Corrick and Tessa, Defy the Night hits the ground running and never slows down, leaping from one charged moment to the next. From horrific public executions to tense council negotiations to shocking rebel counterattacks, author Brigid Kemmerer (A Curse So Dark and Lonely) takes readers on a breakneck journey about power, deceit and the price of progress.

The book achieves a nuanced view of politics by depicting how individual characters impact and are affected by wider systemic issues in Kandala. Tessa sees how the poor struggle to stay alive and how their dissent transforms into revolution, while Corrick witnesses how those with power are willing to violate personal and moral boundaries to keep it.

Tessa and Corrick offer opposing but equally convincing perspectives on complex ethical questions. How should a limited resource be distributed? Are some people more deserving of help than others? What makes someone worthy of living, and what justifies a death? As Kemmerer’s characters wrestle with these dilemmas, readers are sure to rethink many of their own opinions.

An eventual connection between Tessa and Corrick reveals what can happen when individual people are empowered to make real, lasting change. Thoughtful, multifaceted and truly character-driven, Defy the Night is ultimately a hopeful story that shows how those who dare to envision a better future also have the power to make it a reality.

King Harristan and his brother, Prince Corrick, have inherited a kingdom plagued by a deadly sickness, and the only cure, an elixir made from rare moonflower petals, is in dangerously low supply. Meanwhile, healer Tessa Cade and her partner, Wes, a mysterious thief, steal and redistribute moonflower petals to those in need.

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In the small community of Amity Falls, 18-year-old Ellerie Downing spends her days tending to her family’s beehives and secretly dreaming of life beyond the woods that surround the village. But when townsfolk begin to go missing, tales of beasts that stalked the settlement in its early years resurface. Could there be a terrifying reality behind the stories?

Erin A. Craig follows her 2019 debut novel, House of Salt and Sorrows, with another absorbing, uncanny tale that walks the fine line between fantasy and horror. A winding mystery loosely based on the fairy tale “Rumpelstiltskin,” Small Favors takes a haunting look at the limits of human civility.

Tensions rise among the people Ellerie once called her friends as strange phenomena start to occur. Animals give birth to grotesque creatures, and mysterious symbols appear in unexpected places. Winter sets in, trapping Amity Falls’ residents in the village, and reality itself twists unsettlingly. Ghosts are seen in places that later go up in flames, and neighbors blame one another for inexplicable sabotage. Claustrophobia and dread seep into the very fabric of the community, and a stifling sense of hostility causes the town to turn on itself. Ellerie must uncover what’s really troubling Amity Falls before she loses the home and people she loves.

Ellerie is a kind and dutiful older sister, and Craig crafts the considerable cast of characters who surround her into a complex web of personalities and relationships. Through Ellerie’s eyes, readers experience Amity Falls as a cozy and cordial place, which makes it all the more heartbreaking when the town begins to crumble. From gossip that permeates conversations at church to bickering between once amicable neighbors to shocking accusations directed at old friends, Ellerie witnesses the transformation of Amity Falls into a place she hardly recognizes as home. As she confronts sinister and possibly otherworldly forces, readers must decide what’s real and who can be trusted.

Small Favors is as much about humanity as it is about horror. Perfect for readers who love mysteries and the macabre, the novel poses provocative questions. What can we keep for ourselves, and what must we give up for others? How far are we willing to go for what we want? How will we know when we’ve sacrificed our souls in order to gain our heart’s desires?

Erin A. Craig follows her 2019 debut novel, House of Salt and Sorrows, with another absorbing, uncanny tale that walks the fine line between fantasy and horror.

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In her collection of intensely personal essays, Leaving Isn’t the Hardest Thing (9 hours), Lauren Hough explores her identities—lesbian, Air Force airman, blue-collar worker and cult survivor—and uses them to critique systemic issues in contemporary American culture.

The audiobook’s narration is shared by Hough and actor-producer Cate Blanchett, who reads the two essays that bookend the collection. Blanchett’s clear, sharp tone allows the wit of Hough’s writing to shine, while Hough’s narration is deadpan, her steady voice capturing each essay’s unabashed honesty. Together, Hough and Blanchett create a heartbreaking and intimate experience for listeners, inviting them to reflect on the possibility and value of genuine human connection.

Leaving Isn’t the Hardest Thing is for audiences who are unafraid to face suffering, loss and vulnerability. Despite its challenging content, it offers a safe place for listeners to discover that they are not alone.

Read our review of the print version of Leaving Isn’t the Hardest Thing.

Author Lauren Hough and actor-producer Cate Blanchett create a heartbreaking and intimate experience for listeners.
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Essayist Jo Ann Beard explores life, death and the craft of writing in Festival Days (7.5 hours). Actor Suehyla El-Attar, known for her roles in Ant-Man and the Wasp and Green Book, reads in a calm, steady voice that emphasizes the collection’s sweeping gravitas, but she also gives personality to each unique piece. In “Werner,” a story about a man escaping an apartment fire, she creates a flowing contrast between firm descriptions of pain and the wistfulness of memory. She narrates “Maybe It Happened” in a lilting, sing-song tone, giving it a nursery-rhyme quality. And in “Close,” a discussion of craft, she is animated and personal, making the listener feel like they are learning from the author herself.

El-Attar’s narration pulls listeners in, highlighting the way a well-constructed sentence can bring an emotion, a scene or an idea to life.

 

ALSO IN BOOKPAGE: Read our starred review of the print version of Festival Days.

Actor Suehyla El-Attar reads in a calm, steady voice that emphasizes the sweeping gravitas of Jo Ann Beard’s collection.
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Pendt Harland has only known cruelty and indifference. Unlike her siblings and cousins, Pendt has a rare genetic ability that causes everyone on her family’s spaceship to view her existence as a waste of precious resources. So when the ship docks at Brannick Station just before Pendt’s 18th birthday, she seizes the opportunity to escape and meets the Brannick twins, Ned and Fisher, who take her in as part of their family. As Pendt’s abilities grow to their full potential, the twins realize she could be the key to changing their own fates.

Well known for her YA science fiction and fantasy novels, author E.K. Johnston (That Inevitable Victorian Thing and Exit, Pursued by a Bear) explores a new interstellar world in Aetherbound, plunging readers into a magical galaxy shaped by a history of conflict between a ruling empire and a rebellion that never truly died out. Concrete details bring this futuristic world to life, illuminating how the conflict’s legacy impacts everything from the way food is prepared to how neighborhoods are structured and how the vast universe is navigated.

Aetherbound’s characters are equally engaging. From a young age, Pendt is subject to her family’s imposed calorie counting and neglect, and her journey to safety and self-love will have readers rooting for her success. The Brannick twins are charming and complex, anchored by their affectionate relationship with one another and genuine empathy for others. Ned is a bold leader who’s dedicated to managing Brannick Station despite his secret dream to leave it all behind and join the rebellion. Fisher is willing to do anything to protect his home and the people he loves but lacks the Y chromosome the departing empire made a requirement to sustain life on the station—a requirement both twins find “antiquated and stupid.”

To keep each other and the station safe, the trio bears the burdens of a growing rebellion, the loss of loved ones and the sting of betrayal. Johnston never loses sight of the humanity at the heart of her narrative, treating readers to Ned’s one-liners, Fisher’s love for video games and Pendt’s affinity for gardening. These moments of lightness and joy contrast against the pain they must face, making this futuristic tale feel grounded and real.

Johnston often includes LGBTQ+ characters in her books, and her portrayal of Fisher is subtle, woven deeply into the author’s vision of the way characters construct and perceive gender identity as something completely separate from genetics. As Fisher and Pendt become close, he guides her toward understanding that a person’s value is so much more than the circumstances of their birth, a theme that resonates throughout the book.

The beauty of Aetherbound lies in its characters’ abilities to face painful, terrible circumstances and still fight for a better life. It’s a thought-provoking and hopeful book that encourages a closer examination of what truly makes life valuable.

Well known for her YA science fiction and fantasy novels, author E.K. Johnston explores a new interstellar world in Aetherbound, plunging readers into a magical galaxy shaped by a history of conflict between a ruling empire and a rebellion that never truly died out.

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Jazmyne Cariot's queen mother, Judair, rules with an iron fist, but even as Jazmyne joins a rebellion that's planning the queen's assassination, she fears that she isn't prepared to lead after her mother's death. Far away in a heavily guarded prison, Iraya plots an uprising with her fellow cellmates, then uses their escape to move toward her true goal: revenge on the royal family. When these two witches from warring clans discover they share a target, they must form an unprecedented alliance. By combining their power, they’re sure to succeed—if they don’t destroy each other first.

Ciannon Smart’s debut YA novel, Witches Steeped in Gold, is a thrilling story that unfolds against a vivid island backdrop inspired by Jamaican culture, history and folklore. Smart plunges readers into a sprawling world of fantasy and mystery that’s dripping with political intrigue, lore stretching back generations and a fully realized magic system.

Chapters that alternate between Jazmyne and Iraya offer two strikingly different perspectives on the action, yet each girl’s distinct voice rings clear. Jazmyne is thoughtful, deliberate and cautious, while Iraya is spirited, passionate and impetuous.

As the plot progresses, Smart offers an honest, character-driven exploration of the relationship between the personal and the political. Jazmyne and Iraya were both born into the roles they must eventually inhabit, willingly or not. Smart highlights not only their personal motivations, hesitations and emotions but also the broader societal consequences of their choices—to kill, to save, to ally, to betray. Ultimately, the narrative blurs the line between good and evil, and readers will likely find themselves rooting for different characters throughout the book.

Full of twists and turns, Witches Steeped in Gold is a complex and powerful read featuring two heroines who are unafraid to venture into the unexpected.

Jazmyne Cariot's queen mother, Judair, rules with an iron fist, but even as Jazmyne joins a rebellion that's planning the queen's assassination, she fears that she isn't prepared to lead after her mother's death.

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Nami Miyamoto is living her dream: She is headed to college in the fall, she loves her supportive family, and she just confessed her feelings to her longtime crush—and learned that he feels the same way. It seems like everything is falling into place. Then, on her way to a graduation party, Nami is unexpectedly and brutally murdered. 

But that’s only the beginning of Nami’s story. Her consciousness is revived in Infinity, an afterlife ruled by an artificial intelligence assistant from Earth named Ophelia. (Think Siri or Alexa, but much more vengeful.) Determined to stop Ophelia’s plans to destroy humanity, Nami joins the rebellion. In the midst of their struggle, she must come to terms with what it really means to be alive. 

It’s not surprising that a book set in an afterlife would grapple with weighty, philosophical themes, but the cerebral tone of The Infinity Courts sets it apart from its YA genre fiction peers. Ethereal and thoughtful, this story is as much about emotion as it is action. Nami is motivated by her feelings, which makes her a stubborn, sometimes reluctant hero. When she first arrives in Infinity, she must wrestle with grief, loss and forgiveness, all from the other side of her own death. Her participation in the rebellion is shaped by her ever-evolving beliefs about what defines good and evil during a war and who deserves to be saved. 

Though Nami’s fellow rebels are outwardly committed to freedom, author Akemi Dawn Bowman (Summer Bird Blue) also establishes the internal desires that drive each of them. For example, Theo sympathizes with the humans Ophelia has captured, while Ahmet wants to retain as much of his humanity as he can. The narrative raises age-old questions about the individual versus the community but proposes a range of answers rather than one definitive solution. The shifting beliefs of Nami and the other rebels propel the plot forward while impressively reflecting the mutable, unpredictable nature of humanity.

Best known for realistic fiction, including her Morris Award finalist debut novel, Starfish, Bowman combines the psychological with the heart-pounding in her powerful leap into science fiction. Featuring an imaginative world, a terrifying villain and a complex heroine, The Infinity Courts is a mesmerizing series opener that’s sure to lead to a thrilling, expectation-shattering sequel.

Nami Miyamoto is living her dream: She is headed to college in the fall, she loves her supportive family, and she just confessed her feelings to her longtime crush—and learned that he feels the same way. It seems like everything is falling into place.

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Julia Claiborne Johnson’s novel Better Luck Next Time (8.5 hours) is a story of love, marriage, money and heartbreak set on a “divorce ranch” during the 1930s. The tale unfolds through personal anecdotes and observations from Ward, now an elderly man but once a 24-year-old ranch hand who was strong, handsome and ready to get into trouble.

With a background in TV, film and Broadway, actor David Aaron Baker lends an easy, personable voice to Ward’s narration, capturing the character’s charisma with a slight Southern twang. Often thoughtful and sometimes mischievous, Baker’s voice brings the story to life with a sense of warmth and nostalgia, like a charming older man recounting his memories of when he was an equally charming younger man.

Listening to Better Luck Next Time feels like hearing someone reminisce about the best years of their life—with the occasional plot twist sprinkled in.

 

ALSO IN BOOKPAGE: Read our review of the print version of Better Luck Next Time.

Listening to Better Luck Next Time feels like hearing someone reminisce about the best years of their life—with the occasional plot twist sprinkled in.
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Sixteen-year-old Izzy is content with her life—or, at least, she’s trying to be. As the younger sibling to a boisterous pair of twins, the daughter of distracted parents and the girlfriend of a popular and somewhat clingy boyfriend, Izzy tries to fit in wherever she can. That mostly means remaining silent and fading into the background, whether at school, at home or with the people she calls her friends.

So when Izzy accidentally and unwittingly stumbles into a comedy club, she seizes the opportunity to finally express herself. She forms genuine friendships with other young people she meets at the club who are as passionate about stand-up as she is and begins to build a new life outside the routine she’s always known. But keeping her two lives separate proves challenging, and Izzy is forced to reckon with who she really is and what she wants to stand for.

Katie Henry’s third novel, This Will Be Funny Someday, is a vibrant and engaging coming-of-age story. The book plunges readers into Izzy’s life as she faces new experiences and hurdles that shape her identity, from her relationship with her boyfriend to her role in her family. Told from Izzy’s perspective, the novel is shaped by her unique point of view—a perspective that’s still growing into itself. The book’s dynamic cast of characters, including not just Izzy’s friends from the club but also her former best friend, Naomi, introduce realistic conflicts that readers will find both captivating and truthful, from sexism and racism to repairing a broken bond.

Izzy’s story is about growth just as much as it is about success, and Henry demonstrates how she is subject to the consequences of her actions as well as worthy of her triumphs. Honest and hopeful, This Will Be Funny Someday will resonate with readers who crave characters who are authentic in both their struggles and their victories.

Sixteen-year-old Izzy is content with her life—or, at least, she’s trying to be. As the younger sibling to a boisterous pair of twins, the daughter of distracted parents and the girlfriend of a popular and somewhat clingy boyfriend, Izzy tries to fit in wherever she can. That mostly means remaining silent and fading into the background, whether at school, at home or with the people she calls her friends.

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