the editors of BookPage

Six memoirists share their experiences of transforming memory and truth, joy and pain, into captivating stories. Read our reviews of all six memoirs, as well as Q&As with their authors, and discover your next favorite first-person narrative.

Blindfold: A Memoir of Capture, Torture, and Enlightenment by Theo Padnos

Read the review:
Theo Padnos recounts being kidnapped and imprisoned by operatives of al-Qaida.

Read our Q&A with Theo Padnos:
"Some people will have difficulty believing I wasn’t killed."

 

Floating in a Most Peculiar Way: A Memoir by Louis Chude-Sokei

Read the review:
Louis Chude-Sokei captures the prejudices and tensions, pain and promise of being African in Jamaica and the United States.

Read our Q&A with Louis Chude-Sokei:
"There is often great hostility toward those who refuse conventional racial expectations."

 

Raceless: In Search of Family, Identity, and the Truth About Where I Belong by Georgina Lawton

Read the review:
Georgina Lawton was born to a white mother and father. And yet, as we learn in the first pages of her eloquent memoir, Lawton is not white.

Read our Q&A with Georgina Lawton:
"No one prepares you for the emotional time travel that a memoir necessitates."

 

Speak, Okinawa: A Memoir by Elizabeth Miki Brina

Read the review:
Elizabeth Miki Brina searches for whether love can heal a family traumatized by racism and colonization.

Read our Q&A with Elizabeth Miki Brina:
"I grew up trying to believe that race, family history and cultural history were inconsequential. I’m glad I don’t believe that anymore."

 

Plunder: A Memoir of Family Property and Nazi Treasure by Menachem Kaiser

Read the review:
As Menachem Kaiser searches for the story of his Polish Holocaust survivor relatives, he wanders deep into the shadowy realm of Nazi treasure hunters.

Read our Q&A with Menachem Kaiser:
"It is so hugely rewarding to investigate your story. It is so much stranger, more complicated, more beautiful, more tragic than you thought."

 

Spilt Milk: Memoirs by Courtney Zoffness

Read the review:
Courtney Zoffness uses layered storytelling to plait her life experiences with larger observations about society.

Read our Q&A with Courtney Zoffness:
"When I revisited these experiences years later, I saw them all through the lens of motherhood. It’s a thread that binds Spilt Milk."

Six memoirists share their experiences of transforming memory and truth, joy and pain, into captivating stories.

BookPage readers look forward to Private Eye July all year long, and this year we’re getting swept away in the spirit of the (somewhat grisly) celebration, too. Here are the mysteries, thrillers and good old-fashioned whodunits on our reading lists this July.


When No One Is Watching

I’ve finally finished putting myself back together after reading Zakiya Dalila Harris’ next-level debut novel, The Other Black Girl, and it feels vital that I finally check out Alyssa Cole’s first thriller, which emerged—kicked in the door, more like—as the literary answer to the seminal Black horror film Get Out, by way of Rear Window. Cole uses the premise upon which countless domestic thrillers are built: A woman who questions her own sanity starts to wonder if something is very, very wrong in her neighborhood. Mortgage and rental rates are skyrocketing, and then strange stuff—bad stuff—starts happening to longtime Black residents who don’t want to sell their homes to predatory realtors. Because Cole has a background in writing historical romance, she also illuminates how the gentrification of predominantly Black neighborhoods is preceded by a long racist history of displacement, redlining and social control. Horror and reality are definitely shacking up in this tale, and I’m ready for the whole ride.

—Cat, Deputy Editor

 

I’m Thinking of Ending Things

One of my favorite films of 2020 was Charlie Kaufman’s I’m Thinking of Ending Things, a weird, wild movie that gets stranger and bolder with each passing minute and that provided one of the absolute best “What on earth did I just watch?” viewing experiences I’ve had in a long while. I had always planned to read the book, but I bumped up Iain Reid’s wintry 2016 thriller to the top spot on my reading list once I learned its ending reportedly goes in a different direction than the film’s. I usually prefer my Private Eye July picks to be on the fluffier end of the spectrum, as I do my best summer reading poolside, but I think I’ll have to make an exception to see where Reid takes me. There’s a perverse pleasure to be found in reading books set in frigid environments while enjoying the summer heat, but hopefully I’ll get goosebumps all the same.

—Savanna, Associate Editor

 

15 Minutes of Flame

I wanted to read this book before I even knew what it was about. I took one look at the cover, said aloud, “I would like to live inside this picture of a New England candle store steeped in autumnal frivolity,” and added it to my TBR. Other books have since buried it on my bedside table, but I’m digging it out for Private Eye July. 15 Minutes of Flame is the third in Christin Brecher’s Nantucket Candle Maker Mystery series, about Stella Wright’s idyllic life as a candle store owner and, of course, the murders she solves along the way. In true cozy mystery fashion, Brecher’s series keeps the pages turning without raising the stakes high enough that your pulse quickens, which is the exact right speed for my anxiety. And since it takes place in October, I’m hoping the fictional nip in the air will help get me through the rest of summer.

—Christy, Associate Editor

 

Truly Devious

I wasn't reading many mysteries in 2018 when bestselling YA author Maureen Johnson published Truly Devious, her first book about teen detective Stevie Bell. So when I picked up The Box in the Woods, Johnson’s fourth book featuring Stevie, to consider it for this issue of BookPage (check the YA review section for more), it wasn't as a committed fan but as a novice. Needless to say, I'm a fan now. Johnson's sparkling prose and Stevie’s droll humor had me cackling and eager to read aloud especially delightful passages to my very patient partner. This July, I can’t wait to bury myself in the story of Stevie’s first great triumph against a decades-old cold case at the exclusive Ellingham Academy. Best of all, I know the story of the investigation unfolds across three whole books, and for a reader who's always a little sad that great books have to end, there's nothing better.

—Stephanie, Associate Editor

 

Big Little Lies

Typically, if you’re a hardcore bibliophile, you’re supposed to read the book before you watch the adaptation. In this case, I came to the TV series first—and with career-defining performances from Reese Witherspoon, Laura Dern and Nicole Kidman, how could I resist? From what I’ve heard, the show and the book are actually very different. Several characters in the book, including Madeline and Renata, had roles that were too small for such powerful actors, so the adaptation expanded their involvement—and their flaws—to make them more dynamic on the screen. Even if this is true, the book had to run in order for the show to fly. I’m interested in seeing whether the book provides a clearer motive for the main murder and if the story’s concern with domestic abuse is more pronounced. I may even try reading the book and watching the show at the same time to spot the differences. Only then will I decide which I think is better.

—Eric, Editorial Intern

BookPage readers look forward to Private Eye July all year long, and this year we’re getting swept away in the spirit of the (somewhat grisly) celebration, too. Here are the mysteries, thrillers and good old-fashioned whodunits on our reading lists this July.


When…

When the weather cools down, autumn’s big releases start to heat up. Here are the titles BookPage's editors are most anticipating this fall.


Battle Royal by Lucy Parker
Avon, August 17

Lucy Parker is known for her absolutely gold-standard rom-coms, including the delightful London Celebrities series. Her latest, the first in a new series, combines two extremely popular trends—baking and royalty—in a story of rival British bakers competing for the opportunity to make a cake for a royal wedding.


Velvet Was the Night book coverVelvet Was the Night by Silvia Moreno-Garcia
Del Rey, August 17

One of the best things about Silvia Moreno-Garcia, the bestselling author of Mexican Gothic, is that she does something new with each book. Instead of a gothic novel, this is a loose, fun noir set in turbulent 1970s Mexico City.


The Heart Principle by Helen Hoang
Berkley, August 31

There’s a lot of excitement around this one, as Helen Hoang’s latest romance novel was delayed by a year and stars a fan-favorite character. Said character's name is Quan, and he is a sweet, adorable teddy bear in the body of a bad boy. We can’t wait to see who he ends up with.


Beautiful Country by Qian Julie Wang
Doubleday, September 7

Debut memoirist Qian Julie Wang shares her story of growing up in New York City as an undocumented immigrant from China, coping with fear and precarity but also discovering joy in books. The writing is sparse, stylish, sometimes harrowing and sometimes humorous as she narrates experiences that are incredibly common but rarely captured with this level of artful control. It’s shaping up to be one of the best memoirs of the year.


Matrix book coverMatrix by Lauren Groff
Riverhead, September 7

It’s been six years since Lauren Groff’s previous novel, Fates and Furies. In Matrix, she’s reimagined the life of 12th-century poet Marie de France, who transforms an impoverished abbey into a utopia. It’s a common misconception that medieval women were powerless, but Groff has found their power here, as she celebrates nuns as the literary feminist icons that they truly were. 


Never Saw Me Coming by Vera Kurian
Park Row, September 7

We love a sociopath character, but we hate cliche sociopaths. Thankfully, debut author Vera Kurian knocks it out of the park in Never Saw Me Coming. Her sociopath narrator, Chloe, is funny and endearing without losing her edge (and Kurian gets major bonus points for portraying a college atmosphere without being cringey).


Apples Never Fall by Liane Moriarty
Holt, September 14

You know her, you love her: Liane Moriarty, the Australian superstar author of Big Little Lies, The Husband’s Secret, Truly Madly Guilty and more. We love a messy family drama, and Apples Never Fall fits the bill. It’s an exploration of marriage and sibling rivalry that follows four grown siblings who grapple with the disappearance of their mother and the likely culpability of their father.


FuzzFuzz by Mary Roach
Norton, September 14

Mary Roach wrote Stiff about cadavers, Gulp about human digestion, Bonk about the science of sex . . . and now Fuzz, about what happens when animals encroach on human civilizations and laws. She’s one of the funniest science writers working today, as well as one of the best at making mundane topics fascinating and digestible enough that anyone can pick up one of her books, regardless of their interests, and become engrossed.


Harlem Shuffle by Colson Whitehead
Doubleday, September 14

A two-time winner of the Pulitzer Prize, Colson Whitehead is one of those gems who’s prolific, consistently excellent and always trying something new. The protagonist of his new novel helps criminals launder their stolen goods and finds himself involved in several heists during the 1950s and ’60s. After The Underground Railroad and The Nickel Boys, this is a real change of pace for Whitehead, and it’s clear he had a lot of fun writing it.


unbound book coverUnbound by Tarana Burke
Flatiron, September 14

Activist Tarana Burke had been working with Black girls in her community who were recovering from abuse and sexual assault for years when she coined the phrase “Me Too” in 2006—long before it became a viral hashtag in 2017. Unbound is the story of Burke’s own survival from sexual abuse, how she pieced herself back together and how her work to cultivate empathy for herself and others has empowered survivors everywhere.


A Soft Place to Land by Janae Marks
Katherine Tegen, September 14

Janae Marks’ 2020 middle grade debut, From the Desk of Zoe Washington, received four starred reviews and became an indie bestseller. Her second novel, A Soft Place to Land, confirms Marks’ status as one of the brightest new stars of contemporary middle grade. Whereas Zoe Washington explored injustice and systemic racism, A Soft Place to Land explores class in a story-driven way that never feels heavy-handed.


The Book of Form and Emptiness book coverThe Book of Form and Emptiness by Ruth Ozeki
Viking, September 21

It’s been eight years since Ruth Ozeki published A Tale for the Time Being, which was a finalist for the 2013 Booker Prize, and her latest explores themes similar to those in her earlier novel. It’s the story of a 14-year-old boy who, after his father dies, starts to hear voices emanating from objects. Eventually, he finds a Book that tells the boy the story of his life. It’s certainly a great premise, one that perfectly captures how it feels to be a child falling into a lifelong love of reading.


Cloud Cuckoo Land by Anthony Doerr
Scribner, September 28

Anthony Doerr’s bestselling novel All the Light We Cannot See won the 2015 Pulitzer Prize, the Carnegie Medal and the Alex Award. His latest is a novel of past, present and future that explores books as technology, delivering information and voices across generations. It follows the stories of five people in different eras who are connected by a fictional ancient Greek text. As stewards of this text, the characters are all, in a way, librarians. Fittingly, the novel is dedicated to “librarians then, now, and in the years to come.”


The Man Who Died Twice by Richard Osman
Pamela Dorman, September 28

This is the sequel to Richard Osman's hit cozy mystery, The Thursday Murder Club, which was somehow both hilarious and, by the end, rather touching. In this installment, the sleuths of Cooper’s Chase retirement village get tangled up in a diamond heist gone wrong.


Matzah Ball coverThe Matzah Ball by Jean Meltzer
MIRA, September 28

Jean Meltzer’s romance is about a Jewish woman who has a secret life as a Christmas romance novelist, and who must rediscover the magic of Hanukkah when her publisher asks her to write a Hanukkah-themed romance. We’re hoping this will be a trendsetter in holiday romances, a subgenre that sometimes feels like a collection of stale Christmas cookies.


Black Birds in the Sky by Brandy Colbert
Balzer + Bray, October 5

Brandy Colbert is a critically acclaimed and beloved YA and middle grade author whose novel Little & Lion won a Stonewall Book Award in 2018. It’s exciting to see writers challenge themselves by working in new genres and categories, so Colbert’s shift to YA narrative nonfiction is noteworthy. Black Birds in the Sky is expansive, well-researched and, at times, deeply personal as it brings vital history about the Tulsa Race Massacre to a teen readership. 


The Lincoln Highway by Amor Towles
Viking, October 5

Our 2016 interview with Amor Towles about his novel A Gentleman in Moscow is one of our all-time most popular features, and in The Lincoln Highway, he once again brings his signature blend of freshness and old-fashioned charm to a cast of unforgettable characters. This novel is set in 1954, when two brothers plan to make a new life for themselves, with nudges from some tricksters along the way.


Taste coverTaste by Stanley Tucci
Gallery, October 5

In addition to being everyone’s favorite character in every movie he’s ever been in, Stanley Tucci is the author of two cookbooks and now, with Taste, one memoir. From growing up in an Italian American family, to starring in food-centric films like Big Night and Julie & Julia, to cooking for his own family, Taste explores the ways that food has been an important presence during the high and low points of Tucci’s life. There’s plenty to savor here for any and all lovers of witty, heartfelt food writing.


Everybody in the Red Brick Building by Anne Wynter, illustrated by Oge Mora
Balzer + Bray, October 12

Oge Mora is one of the most exciting new picture book talents of the past five years. Her debut picture book as an author and illustrator, Thank You, Omu!, received a Caldecott Honor in 2019. Here she partners with debut author Anne Wynter for a cumulative story about one night in a very noisy apartment building. Together, they create the stuff that storytime dreams are made of.


The Heartbreak BakeryThe Heartbreak Bakery by A.R. Capetta 
Candlewick, October 12

In previous novels, A.R. Capetta has transported readers backstage at a prestigious New York theater, thousands of years into the future and light-years away from Earth and to a fantastical kingdom inspired by Renaissance Italy. Their latest YA novel, The Heartbreak Bakery, is an irresistible story of love and found family set against the backdrop of a quirky independent bakery in Austin, Texas. We don’t recommend reading it if you are even the slightest bit hungry.


Jade Fire Gold by June CL Tan
HarperTeen, October 12

This debut fantasy will be catnip for YA readers who love expansive, immersive world building, slow burns, reluctant allies and character-driven fantasy. June CL Tan grew up in Singapore, and the novel is informed by Chinese mythology as well as martial arts folklore. It’s not a short book, clocking in at almost 500 pages, but readers who love losing themselves in a fantastical adventure will see that as a positive.


The Troubled Girls coverThe Troubled Girls of Dragomir Academy by Anne Ursu
October 12, Walden Pond

Anne Ursu is one of the most thoughtful and acclaimed middle grade fantasists working today. Her 2013 novel, The Real Boy, was long-listed for the National Book Award for Young People’s Literature. Readers love Ursu because of her empowering fantasy stories, and The Troubled Girls of Dragomir Academy employs a perennially well-loved trope among middle grade readers: the boarding school story.


The Death of Jane Lawrence by Caitlin Starling
St. Martin’s, October 19

Caitlin Starling is the author of The Luminous Dead, which was a perfectly crafted sci-fi horror thriller that proved she’s pretty much a perfect choice to write this creepy, historical gothic novel, which was inspired by the inarguably fantastic film Crimson Peak


Our First Civil War coverOur First Civil War by H.W. Brands
Doubleday, November 9

H.W. Brands is known for histories that are timely, fascinating and beautifully written. His latest tackles the Revolutionary War, but rather than focusing on the conflict between the United States and Britain, Brands focuses on the conflicts between those in the U.S. who were loyal to England and those who supported independence. This slice of American history will especially resonate at a time when the United States is locked in another ideological struggle over which is the best path forward.


These Precious Days by Ann Patchett
Harper, November 23

These Precious Days is named for Ann Patchett’s longform essay that was published in Harper’s at the end of 2020, about her friendship with Tom Hanks’ assistant, Sooki Raphael, who stayed with the author while undergoing chemotherapy treatments. The title essay is included in this collection, along with 21 other essays about Kate DiCamillo, Eudora Welty, knitting, dogs and so much more. This will certainly be a worthwhile read for lovers of poignant and masterfully crafted essays about life, love, death and everything in between.

When the weather cools down, autumn’s big releases start to heat up. Here are the titles BookPage's editors are most anticipating this fall.

When you consider all the time, effort and hope that goes into writing a book, it only makes a truly great debut that much more impressive. Here are the debuts we’ll never forget.


The Poppy War

The first installment in R.F. Kuang’s epic military fantasy trilogy is essentially one book that transforms into another. It begins as an iteration of the well-loved “story set in a magical school,” as the orphaned Rin escapes her abusive, impoverished life in southern Nikan by winning a scholarship to the famous military academy of Sinegard. Sure, it’s a bit more blunt and brutal than you’d expect—Rin burns herself with candle wax to stay awake while studying, and schoolyard brawls between students with martial arts training turn bloody fast—but Kuang’s earthy sense of humor lightens the mood. And then Nikan is invaded, and The Poppy War morphs into a grimdark meditation on whether it’s possible to retain your humanity if you can wield the powers of a god. Neither half would work without the other, and Kuang’s mastery of both proves that her career will be endlessly fascinating.

—Savanna, Associate Editor


The Story of Owen

Canadian author E.K. Johnston’s debut asks an irresistible though not previously unasked question—what if dragons were real?—and its answer is the best I’ve ever read. When Canada’s highest paid dragon slayer retires to Siobhan’s small town of Trondheim, Ontario, to train her teenage nephew, Owen, Siobhan never expects to become part of their story, let alone be invited to become the bard who will tell it. Johnston takes world building to new heights, offering explanations of everything from the rise of corporate-contracted dragon slayers to why postmodernists incorrectly blame “the decline of the dracono-bardic tradition on the sudden and soaring popularity of the Beatles.” The dragons are attracted to carbon emissions, so teens take driver’s education to learn “the more banal aspects of safe driving: four-way stops, three-point turns, small dragon evasion, and the like,” and Michigan’s factories attracted so many of the beasts that humans abandoned the state completely. To read this book is to understand why Johnston has become one of the most consistently surprising YA writers working today. 

Stephanie, Associate Editor


White Teeth

This book came out when I was 10 days old, right at the start of the new millennium. Zadie Smith herself was 25 when her debut landed—young enough to be the voice of a new generation but still old enough to know how silly such a title is. Soon after its release she would become one of the most important authors around. Though I didn’t read it until 20 years after its release, this book still feels as impactful and fresh as it must have felt in 2000. Family dramas were big in literary fiction at the time (e.g., The Corrections, Infinite Jest), but White Teeth, with its ethnic, ideological and thematic diversity, stands out among the pack. From the iconic opening line through each intertwined storyline, Smith tells a story that captures the anxiety and hope of both an older generation entering a new world and young people conquering an old one. 

—Eric, Editorial Intern


The People in the Trees

Sometimes it feels like a debut novelist purges all their best ideas for that first book, using up every resource for their big entrance. After coming out of the gate so hot, they can’t be blamed for not writing another, or for experiencing what we in the book reviewing biz call the “sophomore slump.” I’ll admit that when I read Hanya Yanagihara’s debut back in 2013, I believed that this was the kind of writer she had to be. A novel this complex, profound and imaginative, with writing so visceral and poised—surely this was everything she had, dumped out in the exuberant, chaotic flurry of the new artist. But as proven by her virtuosic follow-up, A Little Life, that was hardly the case. In writing this column, I wondered how well my memory of her first book would hold up, and a return to The People in the Trees has once again left me in awe at her overwhelming descriptions of the Micronesian jungle, her nuanced portrayal of a predatory genius and the fact that this book still, after all these years, has no equal.

 —Cat, Deputy Editor


Don’t Let’s Go to the Dogs Tonight

Serial memoirist (and occasional novelist) Alexandra Fuller has lived quite a life—expansive enough to fill five books, and counting. But her first memoir, Don’t Let’s Go to the Dogs Tonight, is the one that has haunted me the most. Growing up with her white family in Rhodesia (now Zimbabwe) during the Rhodesian Bush War, Fuller experienced things that were thrilling, beautiful and dangerous. In the bush of southern Africa, she and her sister learned to shoot guns, kill snakes and avoid landmines and guerrilla fighters. She survived hazards closer to home, as well, such as her mother’s alcoholism and the loss of their family farm to land redistribution after the war. Danger is barely kept at bay throughout this book, and not everyone survives. But the telling is so moving, and the writing so beautiful, you’ll savor even the bitterest parts of this chronicle of a remarkable childhood.

—Christy, Associate Editor

It was love at first sight for the BookPage editors and these five debuts.

No matter how hot it is outside, that first jump into the pool is always a shock. These five books are like that early summer plunge, each having transformed a well-loved genre into something totally surprising, gasp-worthy and deeply refreshing.


Severance

I have no idea why zombie movies and novels were such a thing in the 2010s, but it felt like everyone had an opinion about fast versus slow zombies, and nearly any stranger could tell you when and why they stopped watching “The Walking Dead.” Ling Ma’s spectacular 2018 debut novel, Severance, took the familiar zombie thriller and fused it with the fledgling millennial office novel to create something wholly original, using an apocalyptic framework to explore our daily routines and nostalgic obsessions. The story of a young woman who survives the plague and now finds herself homesick in civilization’s afterlife, Severance is a mashup, a sendup, a takedown. And the book continues to feel fresh in new ways nearly three years later: It’s about a global virus, but it’s also about continuing to work at your semifulfilling job while the unfathomable draws ever closer.

—Cat, Deputy Editor


Anna K

I remember gasping aloud and then laughing with delight at the opening paragraph of Jenny Lee’s relentlessly effervescent re-imagining of Leo Tolstoy’s Anna Karenina (which, confession, I have never read). It begins with a magnificent revision of Tolstoy’s famous epigraph, contains an unrepeatable expletive, name-drops Hermès, Apple, Madison Avenue and SoulCycle, and then ends with a parenthetical explanation that its subject’s “new gluten-free diet” prevents her from attending a “double sesh” workout. The whole thing serves to signal: Reader, you’re not in 19th-century St. Petersburg anymore. You’re in contemporary Manhattan amid a group of uber-wealthy Korean American teens whose social and romantic entanglements Lee chronicles with wit and style aplenty, not to mention a blunt frankness that would make even Gossip Girl blush. I can’t imagine anything more delicious than setting up poolside or stretching out on a park blanket under a tree and letting Lee’s sparkling prose and Anna and Vronsky’s life-changing love take me away. XOXO, indeed.

—Stephanie, Associate Editor


Mona in the Promised Land

Coming-of-age novels are far from rare, but acclaimed writer Gish Jen crafted one that rises above its genre in her beloved 1997 novel, Mona in the Promised Land. In the late 1960s, Chinese American teenager Mona Chang is growing up in the suburbs of Scarshill, New York, and struggling to find peace in her identity and to settle into her place in the world. Throughout Mona’s engaging exploration of Chinese, American and Jewish traditions, she finds love in a tepee, employment in a pancake restaurant and adherence to a new religion. It’s astoundingly refreshing to see a book effortlessly balance complex topics like race and identity with lighthearted moments and adolescent rites of passage. Through it all, Mona’s sharp wit and penchant for drama are her constant companions, making this lively book as entertaining as it is pensive. Jen takes a dynamic look at how important identity is for all of us while keeping the laughs coming. I loved every page of it.

—Caroline, Editorial Intern 


Red, White & Royal Blue

Even if you’re not a romance reader, you’ve probably heard of Casey McQuiston’s debut novel. (If you’ve been living under a rock, our interview with the author will catch you up.) But this love story between Alex Claremont-Diaz, first son of the United States, and Prince Henry of the U.K. deserves recognition for more than its stunning crossover success. When the novel achieved bestseller status, McQuiston proved that leaving LGBTQ representation in romance to the online-only and/or independent publishing realm meant leaving dollars on the table. She also gave the oft-gloomy, oft-toxic subcategory of New Adult (which features college-age protagonists), a much needed zap of positive, giddy energy. There are plenty of serious issues at stake—only a trusted few know that Henry is gay, and Alex must explore his bisexuality under a media microscope made even more intense by his Latinx heritage—but there are also karaoke extravaganzas, one of the rowdiest New Year’s Eve parties in fiction and a fan-favorite scene involving Thanksgiving turkeys.

—Savanna, Associate Editor


Nobody Will Tell You This But Me

I love family memoirs—the messier, the better. If the author has been disowned, neglected or mistreated, I’m there with bells on and bookmarks in hand. However, even someone whose literary appetite for drama is as bottomless as mine can appreciate the refreshing sweetness of Bess Kalb’s memoir about her late grandmother, Bobby. Nobody Will Tell You This But Me digs into generations of difficult family history—fleeing the pogroms in Belarus, immigrating to New York City, building a business and a home one scheme at a time—but the twist is that Kalb writes from a place of deep love and appreciation for her grandmother, in defiance of those trauma-informed books that tease apart years of hurt. As an added bonus, comedy and TV writer Kalb narrates this story in Bobby’s frank, anxious, singularly funny voice, like an adoring impression. This bold, fresh approach is a welcome deviation from the first-person introspection common to the genre. Kalb’s buoyant memoir floats splendidly alone on a sea of fraught familial tales.

—Christy, Associate Editor

These five books are like an early summer plunge, each having transformed a well-loved genre into something totally surprising, gasp-worthy and deeply refreshing.

Of all the experiences we’ve craved over the last year, high among them is to spend an aimless afternoon browsing in a bookstore or library. When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.


The Big Rewind

When a novel is described as “Raymond Chandler meets Nick Hornby,” you expect a certain kind of book. So I might’ve picked up Libby Cudmore’s debut looking for a hard-boiled music mystery, but instead I found myself bopping along to a Gen-X cozy mystery, as self-deprecating Brooklynite and wannabe music journalist Jett Bennett scrambles to solve the murder of her beloved neighbor, KitKat, and ends up digging into her own relationship history by way of a box of mix tapes. The Big Rewind has plenty of nostalgic 1980s and ’90s music references (The Smiths! Talking Heads! Cyndi Lauper!), a little bit of romance, great secondary characters, some too-cool New Yorker griping and, best of all, the comforting arc of a cozy, in which there’s a murder but it’s barely the point. Because what is a murder investigation, anyway, but an investigation into yourself? (Or something like that.) This is a punk grandma of a book, and I think we can all agree there’s nothing cooler than punk grandmas.

—Cat, Deputy Editor


Mrs. Bridge

Evan S. Connell’s Mrs. Bridge was originally published in 1959, and since then it’s gained a reputation as an underrated masterpiece. In 2012, the Guardian called it an “overlooked classic.” In 2020, Lit Hub called it a “perfect novel.” Meg Wolitzer and James Patterson have praised it in the New York Times and on NPR—but I didn’t know any of that when I checked it out from the library. As I dug into this strange, engrossing novel about an utterly conventional Kansas City housewife, I didn’t know what to expect. India Bridge’s life moves steadily by, with rare flashes of the extraordinary. Other characters experiment and act out, but Mrs. Bridge only occasionally flirts with action before deciding to stay the course of her conformist, upper-middle class, conservative way of life. If that sounds boring, it isn’t—but it’s difficult to explain why not. Connell’s keen insight into the mind of this midcentury woman is compelling, moving and ultimately masterful.

—Christy, Associate Editor


The Diana Chronicles

For the absolute life of me, I could not tell you why or how my middle school-aged self picked up a copy of Tina Brown’s seminal, definition-of-dishy biography of the late Princess Diana. Perhaps I wanted a more modern princess after finishing my umpteenth reread of every Royal Diaries book my library had on the shelves. What I do remember is that I inhaled this book with the rapture of a sheltered young history buff who had never encountered media more dramatic than a Disney Channel Original Movie. Brown, who covered and commented upon Diana’s life while serving as editor-in-chief of Tatler and then Vanity Fair, tells Diana’s story with witty relish and juicy details galore. But under all the tabloid fizz, Brown also paints a refreshingly complicated portrait of her iconic subject. Her Diana is not a sainted martyr or a hysteric with a victim complex, but a woman trying to vanquish her inner demons, who is on the verge of finding equilibrium when her life is cut unfairly short.

—Savanna, Associate Editor


Sloppy Firsts

Fall 2001, suburban New Jersey. I was 15, a sophomore in high school. My best friend had moved across the country over the summer, and the twin towers had come down on the fifth day of school. It’s almost always a weird time to be a teenager, but that year felt like an especially weird time. And then, on a shelf in the little bookstore next to the ShopRite, a lime green spine caught my eye. Jessica Darling, Megan McCafferty’s heroine, was also a sophomore in suburban New Jersey whose best friend had just moved away. (“I guess your move wasn’t a sign of the Y2K teen angst apocalypse after all,” Jessica writes to her in the letter that opens the book.) It felt like a sign. McCafferty’s funny, heartbreaking, often profane and deeply honest novel, in which Jessica grieves her friendship, grapples with mental illness and even falls in love, was exactly the book I needed at that moment to make 15 feel a little less weird.

—Stephanie, Associate Editor 


Peter the Great

I could have chosen any biography of a European leader to read for my college history class. Why I decided to go for a 1,000-page book about a Russian czar that was written before I could walk has been lost to time, but the ripple effect has been huge. Robert K. Massie won the Pulitzer for this biography, and his deep understanding of his curious, mercurial subject and 17th-century Russia made me feel like I knew Peter personally. That’s probably why I peppered my conversations with anecdotes about him for weeks. (Your dorm room is too small? Peter’s cabin was only about 700 square feet, and his bedroom was barely large enough for him to lie down! Hate your boyfriend’s beard? Take a cue from Peter and tell him if he enters your presence wearing one, you’ll rip it out!) In the years since, I’ve read the book twice more, as well as everything else Massie has ever published, and have found each of his books as immersive.

—Trisha, Publisher

When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.

At BookPage HQ, we look at books months before they’re published. So it’s always a delight when something we adored finally hits shelves, and everyone else falls just as head-over-heels in love with it as we did. Here are five recent blockbusters whose climbs up the charts made us cheer.


Mexican Gothic

I have long lamented the waning of the gothic novel. We as a society need more women running around crumbling hallways in giant ballgowns, gripping candelabras as they uncover hideous family secrets. Even if Silvia Moreno-Garcia’s novel doesn’t kick-start a whole new wave of romantically moody thrillers (though it certainly should), I’m delighted that its success catapulted its very deserving author onto the bestseller lists. Putting a unique and elegant stamp on a genre is Moreno-Garcia’s signature move. She’s written what she called a “fantasy of manners” with The Beautiful Ones and a Jazz Age coming-of-age novel that incorporated Mayan mythology in Gods of Jade and Shadow. So of course her gothic heroine isn’t a timid wallflower. Noemí Taboada is a headstrong and glamorous socialite whose foibles and inner demons make her as interesting as she is heroic. And the ending? Let’s just say it would blow Daphne du Maurier’s hair back. 

—Savanna, Associate Editor 


Just as I Am 

Perspective is a tricky thing to hold onto—the present moment with all its immediate concerns sure makes a lot of noise—but a thoughtful memoir of a long and well-lived life can help you find your center. Cicely Tyson’s autobiography came out earlier this year, two days before the author’s death, and quickly hit bestseller lists. It’s more than a recounting of Tyson’s life as a groundbreaking actor, producer and activist; it’s also an examination of how a person can use their gifts to make a difference and the mindset required to act on that goal. Co-written with Michelle Burford, a founding editor of O, The Oprah Magazine, the memoir is structured chronologically from Tyson’s childhood to later years, revealing how her rise as an actor led to a singular purpose: to use her art “as a force for good, as a place from which to display the full spectrum of our humanity.” Because, as she writes, art must “mirror the times and propel them forward.” 

—Cat, Deputy Editor


Catch and Kill 

The world has had more than its fair share of breaking news this past year, so it feels somewhat nostalgic to revisit newsworthy reporting from the bygone era of 2019. Ronan Farrow’s explosively investigated book Catch and Kill delivers on every one of its subtitle’s promises: “lies, spies and a conspiracy to protect predators.” As journalist Farrow began looking into decades of allegations against film producer Harvey Weinstein, ranging from verbal harassment to sexual abuse, his life began to get tricky. His employer, NBC, got more and more antsy about the story. He received a rash of threatening anonymous messages on Instagram. And through it all, he had the distinct feeling that he was being followed. This book’s pacing is breathless, the twists increasingly twisty. At times it reads like a spy thriller, except better—because by the end of this electric story, real women who have suffered in silence for years are finally heard, believed and vindicated. 

—Christy, Associate Editor 


The Poet X 

Once in a blue moon, a YA book earns universal critical acclaim and achieves great commercial success. The Poet X, Elizabeth Acevedo’s debut novel in verse, was one such book. It won just about every award that exists to honor YA literature, including the National Book Award and the Michael L. Printz Award, and spent more than 20 weeks on the New York Times bestseller list. You’ll understand why as soon as you begin reading it. The story of Xiomara, a Dominican American teen who discovers the light of poetry burning within her and reckons with the forces in her life that would see it extinguished, will set your heart on fire. I especially recommend the audiobook for your first read, since Acevedo’s narration draws out the meter and musicality of her accessible, conversational verses. I’m usually wary of sweeping statements, but in this case, one is merited: The Poet X is a perfect book that everyone should read. 

—Stephanie, Associate Editor 


Beach Read 

I picked up Emily Henry’s Beach Read last spring, in the early days of the COVID-19 pandemic. With no travel plans on the horizon, a vicarious getaway to the shores of Lake Michigan was appealing, and during what were repeatedly referred to as “uncertain times,” the anticipated beats of a rom-com sounded especially soothing. Why not read about two authors trying out each other’s genres to beat writer’s block, and reluctantly falling in love? Beach Read hit these marks and then surpassed them to become one of my favorite types of reading experiences: a diversion with depth. The screwball vibe and snappy dialogue I had been looking for are there on the page. But as Augustus and January slowly open up to one another, the lighter threads of the story are woven into an honest exploration of grief, trust and the healing power of art. It’s a connection-affirming, generous novel that deserves its status as a word-of-mouth bestseller. 

—Trisha, Publisher

Here are five recent blockbusters whose climbs up the charts made us cheer.

Life is full of surprises, but for avid readers, a genuinely unexpected twist is rare. After a while, the startling becomes predictable, the out-of-left-field ho-hum. We recommend these books for readers who are in desperate need of a shock—and these aren’t spoilers, because there’s no way you’ll see them coming.


Waking Lions

I’m not much for “gotchas.” Often when a book takes a long time to reveal its twist, I feel a little let down—either with myself for not seeing it coming, or with the author for trying to trick me. But when a story starts with a twist—or in the case of Waking Lions, two twists—I’m on the hook, as every page after such a destabilizing opening could shake things up even more. Israeli author Ayelet Gundar-­Goshen’s novel opens with the accidental death of an Eritrean immigrant, run over by an Israeli neurosurgeon’s SUV during an after-hours joyride in the desert. The next day, the dead man’s wife arrives at the doctor’s doorstep, having found his wallet beside the body, and blackmails him into tending the wounds of Eritrean refugees in a hidden desert location. The twists roll on and on in this provocative blend of thriller and social novel, its velocity never dropping, its controlled tension mirroring the ups and downs of a heart monitor.

—Cat, Deputy Editor


Ninth House

Being BookPage’s mystery and suspense editor is a blessing and a curse. I can spot a disappointing ending a mile away, but I’ve also developed an unfortunately strong sense of pattern recognition. Superfluous character who is frequently mentioned or somehow involved in the plot? J’accuse! All this to say, I thought I had Leigh Bardugo figured out. I thought Ninth House, a wintry fantasy-mystery set among Yale’s secret societies, would be one of those books to which I would correctly guess the denouement but would enjoy regardless. As it turned out, Bardugo is smarter than I am. She planned for readers like me, and I fell for it hook, line and sinker. The rapt, breathless joy I felt upon realizing what her real game had been all along was one of my favorite reading experiences of last year.

—Savanna, Associate Editor


I Am, I Am, I Am

Nonfiction books don’t usually have twist endings—at least not in the conventional sense. When I finished Maggie O’Farrell’s memoir I Am, I Am, I Am, however, I reacted as I might have to a particularly startling mystery—gripping the page, mind reeling, trying to grasp the unexpectedness of its conclusion. The book is composed of 17 snapshots from the author’s life of all the times she’s had brushes with death: meeting a murderer on a trail in the woods, a childhood illness, a speeding car that clipped her side, dysentery, three near-­drownings, the perils of childbirth and more. These encounters ebb and flow over the course of the book as mortality approaches and recedes again in the rearview mirror. By the penultimate chapter, O’Farrell’s relationship with death reaches a crescendo, and I thought to myself, How could a close call get any closer? But keep reading. As it turns out, death has been just out of frame the whole time.

—Christy, Associate Editor


Toys Go Out

The subtitle of Emily Jenkins' unbelievably charming collection of stories about a little girl's toys is “Being the Adventures of a Knowledgeable Stingray, a Toughy Little Buffalo, and Someone Called Plastic.” Plastic takes center stage in the story “The Serious Problem of Plastic-ness,” in which she is dismayed by a book left lying open on the girl’s bedroom floor. Plastic is unable to find herself among the animals depicted in the book. Her distress increases when she reads in the dictionary that plastics are “artificial,” which “doesn't sound nice at all.” Only after a long talk with TukTuk the yellow bath towel (who has seen “a lot of strange behavior in her life as a towel”) does Plastic realize her identity. Jenkins has marvelously concealed key details about Plastic before this point, so the revelation of Plastic's true form feels like a delightful surprise for both Plastic and the reader.

—Stephanie, Associate Editor


Sweet Tooth

Any reader of Atonement knows that British writer Ian McEwan is not afraid of a story-shaking ending. For admirers of that book, or any novel that sticks a difficult landing, his 2012 novel, Sweet Tooth, is a treat. In the early 1970s, fresh out of Cambridge, Serena Frome is recruited for the British secret service. An indiscriminate speed-reader who believes “novels without female characters were a lifeless desert,” Serena is assigned to recruit writers for a cultural propaganda campaign by posing as the representative of a literary foundation. This rather low-stakes spy game (which unfolds against an equally mundane, grounded portrayal of 1970s Britain, with its energy and labor crises) rolls out as planned—until Serena falls for one of the novelists. If you think you know where this is going, well, you’re not exactly wrong. But McEwan leverages the fungible line between fact and fiction and the power of stories, steering us toward a surprise ending that casts in a different light all that came before.

—Trisha, Publisher

We recommend these books for readers who are in desperate need of an unexpected twist—and these aren’t spoilers, because there’s no way you’ll see them coming.

Typically in this column, the BookPage editors try to pick a topic that is an unexpected challenge—like books to read in public or our preferred characters to partner with for a zombie apocalypse. This month’s theme is perhaps the broadest it’s ever been, as these five books are all love stories, though not necessarily in ways you’d expect.


Jazz

In my opinion, Jazz is the most underrated of Toni Morrison’s books. As expansive and bold as Song of Solomon, as ardent and poetic as Tar Baby and almost (almost!) as tragic as Beloved, Jazz is a story of overwhelming, destructive passion. It was published just a year before Morrison won the Nobel Prize, and she was clearly at the height of her powers, with all her skills on glorious display in every passage. Take the descriptions of Joe Trace’s affair-­addled conscience, or the tense yet loving exchanges between Alice and Violet, or Golden Gray’s surreal backstory. Each of these story­lines shows the disastrous effects of love gone awry. Jazz is not a sweet love story, but that doesn’t diminish its beauty. The humanity, the depravity and the tragedy all elevate the story, and the characters are treated with the utmost sympathy. As with the finest of novels, the real love story isn’t on the page; it happens between the reader and Morrison herself.

—Eric, Editorial Intern


My Life in France

Is there another book more overflowing with love stories than My Life in France? Julia Child’s memoir about her years in Paris, Marseilles and Provence is a three-pronged romance about her love for France, her love for cooking and her love for her husband, Paul. (In the film Julie and Julia, Paul is played by Stanley Tucci, which makes him even more lovable.) From the moment Child sits down for her first meal in France—marveling at wine being served with lunch and wondering aloud what a shallot is—until, having established a French home-cooking empire, she lounges with James Beard at her summer home in Provence, she is a marvel of wit, candor and unpretentious enthusiasm for the pleasures of food. In an age when you might feel compelled to drape your excitement with a layer of irony, so as not to seem uncool, it’s cheering to read the story of one woman whose small dreams blossomed as she watered them with sincere love.

—Christy, Associate Editor


Wives and Daughters

The sheltered daughter of a country doctor, Molly Gibson finds her perfectly happy life upended when her father marries the snobbish, shortsighted and dictatorial Hyacinth Kirkpatrick. But there is a silver lining: her utterly fabulous, breezily charming new stepsister, Cynthia. In a lesser book, Cynthia would be an 1830s version of a Jane Austen mean girl, like Caroline Bingley or Mary Crawford. But due to author Elizabeth Gaskell’s ceaseless, penetrating empathy, Molly and the reader come to understand how Cynthia’s wit and flightiness serve as defense mechanisms, and how under all her glamour and coquetry, she is still just a teenage girl doing her best. Molly and Cynthia fall in and out of love with various gentle­men, but the most tender relationship in the novel is between the two of them—two girls who have found the sister they always wanted and who see the best in each other even when no one else will.

—Savanna, Associate Editor


The Darling

We all love a love story, but let’s be real: Damage can be done when we take too many cues from fictional narratives. Caridad, the fabulously complicated Latina scholar at the heart of Lorraine M. López’s novel, is particularly caught up in the messaging of classic love stories, and she spends this dramatic, often funny tale sorting through serial relationships and beloved books by white men. As she seeks answers to who she is, she calls upon works by Henry Miller, Gustave Flaubert, Leo Tolstoy and other notable dead white guys who wrote about women but danced around topics like female sexuality and motherhood. Classic literature lovers may recognize The Darling as an homage to Chekhov’s 1899 short story “The Darling,” but Caridad stands on her own in this tale of self-discovery, ambition and desire. As she tests the limits of her romantic relationships, it becomes clear that the most complicated entanglement is when you love a book but cannot agree with the vision of its creator.

—Cat, Deputy Editor


Lovely War

Near the end of the criminally underrated film That Thing You Do!, Guy Patterson (played by Tom Everett Scott) asks Faye Dolan (played by Liv Tyler), “When was the last time you were decently kissed? I mean, truly, truly, good and kissed?” There are so many reasons to love Julie Berry’s historical fiction masterpiece Lovely War, not least of which is its delicious narration by Aphrodite, the goddess of love, but at the top of my list is this: It features the best kiss I’ve ever read. After being separated by the horrors of a world war, YMCA volunteer Hazel and British sharpshooter James reunite in Paris for one magical evening of dinner in a cozy cafe, dancing alone in a park with no music and then finally—well, I won’t spoil it. “There’s nothing like the rightness of it,” says Aphrodite. “Nothing like its wonder. If I see it a trillion more times before this world spirals into the sun, I’ll still be an awed spectator.” You will, too.

—Stephanie, Associate Editor

These five books are all love stories, though not necessarily in ways you’d expect.

January may be a time for resolutions, but it’s also a time for celebrating all we accomplished the year before. We’re treating ourselves to these books as we begin the new year with hope.

Everyone’s a Aliebn When Ur a Aliebn Too

How can something so cute be so devastating? In this comic book, Jonny (Jomny) Sun takes a goofy premise—a cute alien is sent to Earth to document human activity—and milks it for every drop of philosophical and existential wisdom. It’s sweet, silly, sentimental, but also frightening. At first, I was hesitant to choose this book for this month’s theme, but the more I thought about it, the more I realized that its waves of emotion are a treat. It’s an indulgence and a wonder to step outside of your brain—all three pounds of tissue and synapses—and see the world through the eyes of a kind alien. And it feels good, life-affirming and joyous to know that I’m not the only one who’s so pensive about this life thing. This book is a friend—a friend who challenges you, but they do it because they love you.

—Eric, Editorial Intern


The Best of Me

I’ve read everything David Sedaris has ever written. I own every book he’s ever published. So perhaps some will call it “indulgent” or “difficult to justify” when I nonetheless buy his latest collection, The Best of Me, since it’s a compilation of previously published works. But here’s the thing—this isn’t just another retrospective volume of an author’s most popular works, selected on the basis of their fame. Instead, Sedaris chose each piece himself, based on a metric only he could know, and I’m curious to see which wild cards he included. I know, for example, that “Santaland Diaries,” which first launched him to fame on “This American Life” in 1992, is excluded. But that essay from Dress Your Family in Corduroy and Denim where he drowns a mouse in a bucket? It’s there. Surprise, delight, confusion, nausea—I’m eager for whatever reactions this book will incite.

—Christy, Associate Editor


Braiding Sweetgrass

It’s been six years since Robin Wall Kimmerer’s luminous collection of nature essays was first published, and I’ve given away every copy I’ve ever owned. That’s fitting: Braiding Sweetgrass endows its reader with the recognition that the world has offered us endless gifts, leading us first to gratitude and then to minidewak, the giving of our own gifts as thanks and recompense in a “covenant of reciprocity.” Kimmerer’s book inspires courage to fight for the Earth amid climate urgency, reveals new ways of knowing and seeing while protecting Indigenous wisdom and fosters a community that actively seeks to heal humanity’s relationship with the world. I’ll keep giving away copies of this book, but this special edition, reissued with letterpress-printed illustrations to celebrate the 40th anniversary of the fabulous indie press Milkweed Editions, will be a gift I give myself.

—Cat, Deputy Editor


Catherine the Great

Do I need more biographical tomes of powerful, take-no-prisoners women on my shelves? Yes. Yes, I do. There is nothing that relaxes me more than sinking into an enormous book full of royal scandals and opulent palaces— bonus points if someone gets poisoned via byzantine plot. I read Robert K. Massie’s superb biography of Catherine the Great earlier this year, and I have been peppering my poor boyfriend with anecdotes about her ever since. For example: When Catherine fell ill early on in her engagement to Peter, the future emperor of Russia, she would pretend to be unconscious in order to eavesdrop on the people gathered around her sickbed. Massie loves Catherine even more than I do. He explores her glamorous court and magnetic personality with flair and precision in this absolute masterpiece of a biography.

—Savanna, Associate Editor


The Duke and I

I’m still pretty new to the wide and wonderful world of Romancelandia, though most of the books I read for pleasure in 2020 were romance novels. I bounced happily back and forth between contemporary and historical settings, from Helen Hoang’s The Kiss Quotient to Evie Dunmore’s Bringing Down the Duke. The only thing I love more than a happy ending is a new series I can dive in to and get lost in for volume after volume, and a friend who knows this about me recommended Julia Quinn’s Bridgerton books more than a year ago. Now that Shonda Rhimes is adapting the sprawling series for Netflix, I want to make sure I’ve read at least the first few books before I watch the first season of the show, which drops on December 25, so I’m planning to pick up The Duke and I and let it sweep me off my feet and into the new year.

—Stephanie, Associate Editor

January may be a time for resolutions, but it’s also a time for celebrating all we accomplished the year before. We’re treating ourselves to these books as we begin the new year with hope.

Best-selling Christian author Lee Strobel is known for his “Case” nonfiction series. In his debut novel, The Ambition, Strobel brings his life experience as both an investigative reporter at the Chicago Tribune and a pastor at two megachurches to deliver a timely, fast-paced thriller.

When Tom O’Sullivan, a small-time lawyer with a big-time gambling problem, attempts to erase his debts to a mobster by handling the payoff to a corrupt judge (and recording the conversation), he puts several lives in danger. Meanwhile, investigative reporter Garry Strider has been passed over for the Pulitzer and is losing his girlfriend Gina to an evangelical megachurch. A born skeptic, Garry decides to investigate the church and its “too good to be true” pastor, Eric Snow.

But Eric has a new calling—politics. When he chooses to run for the vacant seat of an indicted senator, all hell breaks loose and his world collides with Tom’s shadowy universe of crime syndicates and political corruption.

Compelling, authentic characters and a tight plot combine to create a thought-provoking, suspenseful read in The Ambition.

Best-selling Christian author Lee Strobel is known for his “Case” nonfiction series. In his debut novel, The Ambition, Strobel brings his life experience as both an investigative reporter at the Chicago Tribune and a pastor at two megachurches to deliver a timely, fast-paced thriller.

When…

What would the holidays be without food and family? These elements are at the very heart of our celebrations, and no one does a better job of blending the two than Savannah's own Paula Deen. This holiday season, Deen's millions of fans can sample Christmas traditions, Southern style, in a beautifully designed gift book, Christmas with Paula Deen. This collection of recipes, family photos, gift ideas and Christmas stories would put even the Grinch in the mood for a holiday party. Deen took a few minutes from her whirlwind of media appearances to tell BookPage about the new book and her family's plans for the holidays.

You say in the book that when it comes to Christmas, anticipatin' is the best part. What are you most excited about this holiday season?
One word: Jack. He's my grandson who's now walkin', just gettin into a run actually. Just to watch him this Christmas, opening presents, will be the most fabulous gift I could ever have.

What's your favorite Christmas memory from your childhood?
My favorite memory from childhood would have to been when I was five years old. My brother Bubba wasn't born yet, so I was all alone, didn't have to share my parents or Christmas with anybody. Santa was at the top of his game, bringing all the toys I asked for including a baby doll that was just exquisite.

What holiday traditions did your husband Michael bring into the family? Has it been fun to blend your traditions with his?
To tell you the truth, Michael didn't have a lot of holiday traditions before we met. The poor fella was working so much, being off on a ship he just wasn't at home. But he sure gave me my favorite Christmas memory as an adult when he asked me to marry him. The way he surprised me, with the whole family around us, was perfect in the most romantic way.

Why is being home for the holidays so important to you?
I don't know if my Daddy once spent a Christmas away from us, but I remember very clearly that he would never allow us to be away from home at the holidays. And I'm sure that's why it's so very important to me.

Who will do the Christmas cooking for your family this year you or the boys?
I will. And the kids will probably help. But I'll be doing most of it.

What is the one thing you most enjoy cooking for the holidays?
Probably candies, because it's something I don't ordinarily make throughout the rest of the year. I make lots of cakes, pies and cookies throughout the year . . . but Christmas means candy!

Give us your real opinion on turducken: a crazy fad or worth the effort?
You know, actually a turducken is not hard! It would be impossible without a good butcher. The butcher does all the work. You just have to lay one on top of the other, fold it all back and it's ready to go. Now, it does take a long time to cook. But the flavors you get are delicious. My absolute favorite though, is still a fried turkey.

Does anyone in your family actually eat fruitcake?
No. Not a traditional fruitcake. My mama used to make a delicious Japanese fruitcake though. And I have an icebox fruitcake that is very good and the family enjoys.

What's the easiest Christmas cookie for a novice cook to attempt?
Slice and bake cookies from the grocery store (laughs)! Actually, traditional cookies like oatmeal or chocolate chip or peanut butter are all fairly easy to make. I wouldn't suggest a Magnolia Lace Trumpet cookie the first time, but the traditional cookies are easy and just great.

What do you want Santa to bring you this year?
Nothing. Unless maybe another grandchild (laughs). Michael and I enjoy our blended family so much. They've all come together, it's like we've always been together. So if I wished for something it would be another addition to this beautiful family.

When you count your blessings, what's at the top of the list?
My family and the fact that we're healthy and all able to work. God granted us good health and we're thankful for that.

What would the holidays be without food and family? These elements are at the very heart of our celebrations, and no one does a better job of blending the two than Savannah's own Paula Deen. This holiday season, Deen's millions of fans can sample Christmas…

While writing his delightful biography of E.B. White, The Story of Charlotte’s Web, Michael Sims gained a new appreciation for this childhood classic and its eccentric creator.

Do you remember reading Charlotte’s Web as a child?
Sadly, I didn’t read it in childhood, for two dumb reasons. First, I saw the cover and thought that it was about a girl and I wasn’t reading much about girls at the time. And second, I decided that I didn’t like the name Charlotte—although later my beautiful niece Charlotte changed my opinion of the name. So I was a teenager when I actually read Charlotte’s Web—and fell in love with it even at that late date.

I loved your vivid descriptions of young Elwyn’s adventures in barns and outdoors. What led you to write about his childhood in this almost novelistic way?
For me the theme of the book is the unpredictability of creativity. To recreate the unusual way that White’s imagination responded to the natural world, I had to take him out into it. His letters and essays provide all kinds of texture about his daily life, so I started with those. I also built on them from my other research and my own observations on numerous visits to Maine. For example, if White mentioned watching coots and loons on the cove, but didn’t describe them, it doesn’t matter; I’ve seen them there many times myself.

Your subtitle refers to E.B. White’s “eccentric life,” but he was a pretty successful writer and editor. What makes him so eccentric?
He was very successful, yes. I think that from early childhood White simply had to go his own way. The word eccentric comes from two Greek words meaning “off center,” and he was that way from birth. In young adulthood he was already nostalgic; he looked for nature in the city; he enjoyed being a husband and father and stepfather, but he spent most of his time in the company of animals. So by eccentric I mean, I think, that he was unconsciously original.

Why were Don Marquis’ stories about Archy and Mehitabel such a pivotal influence for White?
Marquis is at his best in these antic poems and sketches about a free-verse poet reincarnated as a cockroach in the Jazz Age. White read them when they were new, starting in 1916 when he was a teenager, and fell in love with Marquis’ combination of skepticism, humor and compassion. He kept reading them. Then in 1949 he was asked to write an introduction to them, and rereading the whole series helped kick-start Charlotte’s Web.

What was it like visiting the Whites’ farm in Maine? Did it look like Zuckerman’s barn?
Yes, it did. I found it surreal and thrilling. I enjoy literary pilgrimages; I’ve visited Green Gables and Darwin’s Down House and even the original Hundred Acre Wood. But walking through E.B. White’s barn, and hitting my head on the rope that Avery and Fern swing on, and seeing the barn cellar looking very much like Garth Williams’ illustrations of Wilbur’s home—those moments made the hair stand up on the back of my neck.

E.B. White’s wife Katharine seems like an interesting and accomplished woman. Did she love farming and animals as he did, or was this something she tolerated in him?
Katharine White—she was Katharine Sergeant Angellwhen White met her, before her divorce—was a fascinating woman. At The New Yorker she was brilliant and formidable as editor of John Updike, Vladimir Nabokov and many other important writers. She liked animals and country life, but my general sense is that she agreed to move to the farm in Maine because she wanted her husband to be happy. Only later did he realize how much she sacrificed to move there.

I’m trying to imagine a connection between Charlotte’s Web and White’s The Elements of Style. Is there one?
Excellent question. Each represents White’s commitment to lucidity, to the elegance of simplicity, and demonstrates his argument that “style” is not a goal to be achieved but a side effect of a writer’s authenticity. Each book also began as a return to the past—to caring for animals in a barn as he had in the stable of his childhood; and to a favorite Cornell professor, William Strunk, whose homemade-style chapbook had come to White at an impressionable age, just as he became a busy undergraduate journalist on the Cornell paper.

You talk about the barnyard as “sacred space” for White. What can we learn from life in a barn?
White claimed that Charlotte’s Web is a straightforward report from the barn, but of course he himself was very sentimental about it as a place in which he had spent many great hours in contact with the most elemental aspects of life, with hunger and birth, with growth and death. He saw it as a miniature cosmos, but also as a place where he had always been innocently happy—on his own, nurturing an animal, minding his own business, thinking his own thoughts.

Is Charlotte’s Web still relevant for 21st-century children?
Very much so, I think. First, of course, it’s a wonderful story, a mix of humor and lyricism and heartbreak; and it was one of the first children’s books to deal with death, the great taboo for so long. But also, over most of the world, especially the United States, the second decade of the 21st century is far more urbanized than the mid-20th century, when the book was published. As I researched E.B. White’s drafts of Charlotte’s Web, I realized that as much as anything else he wanted to immortalize a sense of natural rhythms—days, seasons, birth, death. What could be more relevant for our nature-starved children nowadays?

 

While writing his delightful biography of E.B. White, The Story of Charlotte’s Web, Michael Sims gained a new appreciation for this childhood classic and its eccentric creator.

Do you remember reading Charlotte’s Web as a child?
Sadly, I didn’t read it in childhood, for two…

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