the editors of BookPage

2020 has been a year full of surprises, but one thing has remained constant: great books! As the year comes to a close, it's time to look back on the titles BookPage readers have enjoyed the most.

20. All Adults Here by Emma Straub

Emma Straub’s writing is witty, informal and deceptively simple, drawing readers in as if they’re having a conversation with a close friend.
 

19. The Mercies by Kiran Millwood Hargrave

This exceptional work of historical fiction offers insight into the rippling effects of extremism.
 

18. The Book of V. by Anna Solomon

The Book of V connects its three characters’ stories not only thematically but also narratively, with a surprising yet inevitable and satisfying conclusion.
 

17. The Distant Dead by Heather Young

The suspense is slow and steady in this meditative, artistic take on the murder mystery.
 

16. The Lost Book of Adana Moreau by Michael Zapata

As intriguing as the plot may sound upfront, it can’t speak to the otherworldly beauty of Michael Zapata’s writing.
 

15. We Are Not Free by Traci Chee

We Are Not Free is a superb addition to the canon of works of literature that chronicle a shameful chapter of American history.
 

14. Code Name Hélène by Ariel Lawhon

Nancy Grace Augusta Wake is a woman so extraordinary that your first instinct might be to believe she is imaginary, like James Bond.
 

13. Everything Sad Is Untrue by Daniel Nayeri

Everything Sad Is Untrue is a deeply personal book that makes a compelling case for empathy and hope.
 

12. Happy and You Know It by Laura Hankin

This is a romp with substance, consumed as easily as a beach read but offering ample opportunities for self-reflection.
 

11. The Henna Artist by Alka Joshi

Rich in detail and bright with tastes and textures, The Henna Artist is a fabulous glimpse into Indian culture in the 1950s.
 

10. The Vanishing Half by Brit Bennett

In her second novel, Bennett writes like a master, creating rich worlds filled with memorable moments both big and small.
 

9. Breath by James Nestor

James Nestor’s work reveals the importance of our breath and promises us a changed life if only we’ll take a moment to stop, slow down and breathe.
 

8. Such a Fun Age by Kiley Reid

Smart, witty and even a bit sly, this penetrating social commentary is also one of the year’s most enjoyable novels.
 

7. Devolution by Max Brooks

Max Brooks deals not only with the end of humanity; he also shows us our further course toward a new, ineluctable, absolute brutality.
 

6. The Bright Lands by John Fram

The Bright Lands is a fresh and frightening take on the small-town thriller.

5. The Glass Hotel by Emily St. John Mandel

More complicated, weirder and far more haunted than Station Eleven, the new novel from Emily St. John Mandel defies all expectations.
 

4. A Time for Mercy by John Grisham

John Grisham’s mastery of the courtroom thriller is never in question, and once again, he presents as smooth a read as you’ll ever experience.
 

3. Monogamy by Sue Miller

If this is not Sue Miller’s best novel, it is surely among her very best. One measure of that is how the experience of it deepens with each reading.
 

2. When No One Is Watching by Alyssa Cole

Cole leverages her strengths to great effect, incorporating history, biting social observation and even a little romance into this brilliant thriller debut.
 

1. The Inevitability of Tragedy by Barry Gewen

Barry Gewen's intellectual biography of Henry Kissinger is meticulously researched, consistently stimulating and deeply insightful.

 

2020 has been a year full of surprises, but one thing has remained constant: great books! As the year comes to a close, it's time to look back on the titles BookPage readers have enjoyed the most.

Getting excited about a year of new books fills us with a blind optimism for which we will never apologize. As we look ahead at what 2021 will offer—at least where books are concerned—our hopes are high!

Check out all the fiction, nonfiction, mystery, romance, SFF, YA and children’s books that the editors of BookPage are most excited to discover this year.


Most anticipated fiction 2021

FICTION

Most anticipated nonfiction 2021

NONFICTION

Most anticipated mysteries 2021

MYSTERY & SUSPENSE

Most anticipated romance 2021

ROMANCE

Most anticipated SFF

SCIENCE FICTION & FANTASY

Most anticipated YA 2021

YOUNG ADULT

Most anticipated kids 2021

CHILDREN’S

Check out all the fiction, nonfiction, mystery, romance, SFF, YA and children’s books that the editors of BookPage are most excited to discover this year.

Private Eye July gives us so many opportunities to recommend our favorite thrilling, 100% entertaining, purely pleasurable reads. As mystery and thriller fans know, there’s nothing quite like a book that gets under your skin and ruins any chance of a good night’s sleep. Here are our favorite twisty novels that shook us to the core.

Behind Her Eyes

Single mom Louise meets a man, David, at a pub one night. They kiss, it’s great, what a night—but it turns out he’s her new boss. Then Louise meets a gorgeous woman named Adele while out for coffee. Adele is new in town, looking for a friend—and is married to David. Such drama! But what starts as an addicting love triangle thriller— the kind of domestic drama that seems a bit run-of-the-mill in this golden era of suspense fiction—becomes something completely different. It’s character-driven, flawlessly written, and it swept me along to an ending that made my brain into soup. In her 2017 interview with BookPage, Sarah Pinborough called her novel a “Marmite book,” as not everyone will love it. Color me obsessed.

—Cat, Deputy Editor


The Thirteenth Tale

If you love books (obviously you do, you’re reading BookPage) and haven’t yet read The Thirteenth Tale, I am legitimately jealous. This delightfully eerie tale of a reclusive author and her biographer is a love letter to bibliophiles and books, specifically the gothic masterpieces of the Brontë sisters and Daphne du Maurier. Echoes of Jane Eyre and Rebecca swirl in Diane Setterfield’s elegant, evocative prose as Margaret Lea, bookseller and biographer, listens to what Vida Winter says is the unvarnished truth of her life. I thought about this book whenever I wasn’t reading it and, upon reaching its moving conclusion and truly shocking final twist, felt as if I had been jolted out of a vivid dream.

—Savanna, Assistant Editor


Child 44

A serial killer in Stalinist Russia? If this premise sounds fresh to you, there’s a historical reason: Soviet propaganda. Stalin asserted that social problems like crime were a byproduct of capitalism. Therefore, in a socialist workers’ paradise, they couldn’t exist. Which puts MGB officer Leo Demidov in an awkward position, since he’s seen the files on dozens of children who died by similar, violent means. Though he’s sure one person is responsible, Demidov knows the consequences of questioning the state. In a society ruled by silence, fear and the inability to tell the truth, can a crime ever be solved? This tension gives the novel a depth that complements Tom Rob Smith’s talent for jaw-dropping twists. Child 44 is an attention-grabbing, one-sitting read.

—Trisha, Publisher


The Cat Who Saw Red

The last time I read a truly heart-stopping, hair-raising novel was . . . never. I’m a huge wuss, and when I settle in with a good book, my aim is to escape the horrors of the real world rather than to approach them. Cue Lilian Jackson Braun’s cozy, low-stakes murder mystery series starring reporter Jim Qwilleran and his two Siamese cats, Koko and Yum Yum. Full disclosure: My grandma recommended this series to me when I was in middle school, and my level of literary courage hasn’t increased even a little bit since then. So to my fellow scaredy-cats out there, I recommend The Cat Who Saw Red for a charming murder mystery that will raise your curiosity more than your blood pressure.

—Christy, Associate Editor


Security

Perhaps this is an unpopular opinion, but I dislike about 90% of the horror novels out there. They often just don’t work as well as horror films can. One book that attempted to enter into the grand tradition of slasher movies—and in my opinion, pulled it off—is Security, Gina Wohlsdorf’s genre-rattling debut. It’s set in a luxe 20-story hotel in Santa Barbara 24 hours before its grand opening, and a masked killer is taking out members of the staff one by one. But the audacity of this thriller is that Wohlsdorf sometimes splits her narrative into columns, signifying different security cameras, allowing the reader to visualize different scenes at once. The stakes stay high, the horror never flags, and I have yet to come across another novel to surprise me in such a way.

—Cat, Deputy Editor

As mystery and thriller fans know, there’s nothing quite like a book that gets under your skin and ruins any chance of a good night’s sleep. Here are our favorite twisty novels that shook us to the core.

During Women’s History Month, we honor the contributions of women who have gone before, but we also celebrate the work that women are creating now. These female authors are going places, and we can’t wait to follow them.


Dawnie WaltonDawnie Walton, author of The Final Revival of Opal & Nev
37 Ink • March 30

Walton splits the difference between Taylor Jenkins Reid and James McBride with her debut novel, an oral history about a 1970s rock ’n’ roll duo. With stints at Essence, Entertainment Weekly and Getty Images on her resumé, as well as a handful of fellowships and an MFA from the Iowa Writers’ Workshop, where her thesis adviser was Ayana Mathis, Walton’s going to be big, no question.


Hough author photoLauren Hough, author of Leaving Isn’t the Hardest Thing
Vintage • April 13

Before her HuffPost essay “I Was a Cable Guy. I Saw the Worst of America.” went viral in 2019, Hough was an Air Force airman, a bouncer, a member of a cult and many other things. In April, she’ll add another identity to her roster—author—with a debut book that combines all of her fragmented lives into one impossible-to-ignore volume. 


Zauner author photoMichelle Zauner, author of Crying in H Mart
Knopf • April 20

Fans of the band Japanese Breakfast may already know Zauner, its frontwoman, for her skill as a lyricist who captures subjects like trauma, sexuality and grief in ways that are both frank and tender. In 2018, Zauner revealed herself to be a skilled prose writer, too, when The New Yorker published the essay “Crying in H Mart” about Zauner’s relationship to her Korean heritage following her mother’s death. Zauner’s debut memoir, which expands on this premise, will showcase her talents to an even wider audience, and we can promise that this is excellent news.


Washuta author photoElissa Washuta, author of White Magic
Tin House • April 27

As the author of two previous memoirs and co-editor of Shapes of Native Nonfiction, a critically acclaimed anthology of contemporary Native essayists, Washuta has already made a name for herself as an undeniable cultural critic and artist. Her third book, White Magic, about rediscovering the power and magic of Indigenous spiritual traditions (among other things), confirms this reputation, and then some. It’s unlike any other book out there and will certainly launch Washuta’s meteoric rise.


Dancyger author photoLilly Dancyger, author of Negative Space
Santa Fe Writer’s Project • May 1

A contributing editor and creative writing instructor at Catapult, the editor of the 2019 anthology Burn It Down and a prolific essayist, Dancyger has been a fixture within the narrative nonfiction scene for years. With Negative Space, chosen by Carmen Maria Machado as a winner of the 2019 Santa Fe Writer’s Project Literary Awards, Dancyger will burst onto the scene as a memoirist for the first time, no doubt to a resounding round of applause. 


Fuller author photoClaire Fuller, author of Unsettled Ground
Tin House • May 18

Sometimes it’s the slowest growers that have the strongest roots. A former sculptor who began writing at the age of 40, Fuller’s been quietly cultivating a devoted following throughout the publication of three previous psychologically sharp novels. Her fourth novel is the tale of two 50-something twins in contemporary rural England whose lives spiral after their mother dies. It’s a dark tale, no doubt—but if you’re a reader who lives for contemplative storytelling and perfectly wrought characters, this author is for you.


Arnett author photoKristen Arnett, author of With Teeth
Riverhead • June 1

If you love a bit of irreverence with your heartbreak, now is the time to join our fan club for academic librarian and writer Arnett. It’s only through a steady stream of hilarity from the author’s Twitter account that we’ve been able to survive the two years since her bestselling debut novel, Mostly Dead Things, which swooped in with its uniquely dark comedy to explore grief with tenderness and courage. Queer family dynamics are at the heart of Arnett’s follow-up, and the buzz is building.


Ford author photoAshley C. Ford, author of Somebody’s Daughter
Flatiron • June 1

Y’all know Ashley C. Ford? If not, you’re about to. She’s already been on Forbes’ 30 under 30 list, Brooklyn Magazine’s Brooklyn 100 list and Time Out New York’s New Yorkers of the Year list—and that was all before she’d even published a book. In June, Ford’s debut memoir about reconnecting with her incarcerated father will enter the world at last, and her list of accolades—not to mention her fanbase—is sure to grow.


Suri author photoTasha Suri, author of The Jasmine Throne
Orbit • June 8

Suri’s beautifully written and effortlessly absorbing debut, Empire of Sand, won rave reviews from fellow fantasy authors such as S.A. Chakraborty and R.F. Kuang, and its Mughal India-inspired setting gratified fans hungry for non-Eurocentric fantasy. This summer Suri will start a new trilogy with The Jasmine Throne, in which a captive princess and a maidservant who is secretly a powerful priestess team up to take down a dictator.


Jeffers author photoHonorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois
Harper • July 27

History and poetry met at the table of Jeffers’ The Age of Phillis, where, after 15 years of research, the writer played host to the story of Phillis Wheatley, America’s first published Black female poet. Jeffers, who has five poetry collections to her name, is turning to prose in perhaps the most exciting poet-becomes-novelist shift of the year, with a family saga that stretches from the Colonial slave trade to contemporary times.

 

Walton photo © Rayon Richards; Zauner photo © Barbora Mrazkova; Washuta photo © KR Forbes); Fuller photo © Adrian Harvey; Arnett photo © Maria Jones; Ford photo © Heather Sten; Suri photo © Shekhar Bhatia

During Women’s History Month, we honor the contributions of women who have gone before, but we also celebrate the work that women are creating now. These female authors are going places, and we can’t wait to follow them.

Six memoirists share their experiences of transforming memory and truth, joy and pain, into captivating stories. Read our reviews of all six memoirs, as well as Q&As with their authors, and discover your next favorite first-person narrative.

Blindfold: A Memoir of Capture, Torture, and Enlightenment by Theo Padnos

Read the review:
Theo Padnos recounts being kidnapped and imprisoned by operatives of al-Qaida.

Read our Q&A with Theo Padnos:
"Some people will have difficulty believing I wasn’t killed."

 

Floating in a Most Peculiar Way: A Memoir by Louis Chude-Sokei

Read the review:
Louis Chude-Sokei captures the prejudices and tensions, pain and promise of being African in Jamaica and the United States.

Read our Q&A with Louis Chude-Sokei:
"There is often great hostility toward those who refuse conventional racial expectations."

 

Raceless: In Search of Family, Identity, and the Truth About Where I Belong by Georgina Lawton

Read the review:
Georgina Lawton was born to a white mother and father. And yet, as we learn in the first pages of her eloquent memoir, Lawton is not white.

Read our Q&A with Georgina Lawton:
"No one prepares you for the emotional time travel that a memoir necessitates."

 

Speak, Okinawa: A Memoir by Elizabeth Miki Brina

Read the review:
Elizabeth Miki Brina searches for whether love can heal a family traumatized by racism and colonization.

Read our Q&A with Elizabeth Miki Brina:
"I grew up trying to believe that race, family history and cultural history were inconsequential. I’m glad I don’t believe that anymore."

 

Plunder: A Memoir of Family Property and Nazi Treasure by Menachem Kaiser

Read the review:
As Menachem Kaiser searches for the story of his Polish Holocaust survivor relatives, he wanders deep into the shadowy realm of Nazi treasure hunters.

Read our Q&A with Menachem Kaiser:
"It is so hugely rewarding to investigate your story. It is so much stranger, more complicated, more beautiful, more tragic than you thought."

 

Spilt Milk: Memoirs by Courtney Zoffness

Read the review:
Courtney Zoffness uses layered storytelling to plait her life experiences with larger observations about society.

Read our Q&A with Courtney Zoffness:
"When I revisited these experiences years later, I saw them all through the lens of motherhood. It’s a thread that binds Spilt Milk."

Six memoirists share their experiences of transforming memory and truth, joy and pain, into captivating stories.

BookPage readers look forward to Private Eye July all year long, and this year we’re getting swept away in the spirit of the (somewhat grisly) celebration, too. Here are the mysteries, thrillers and good old-fashioned whodunits on our reading lists this July.


When No One Is Watching

I’ve finally finished putting myself back together after reading Zakiya Dalila Harris’ next-level debut novel, The Other Black Girl, and it feels vital that I finally check out Alyssa Cole’s first thriller, which emerged—kicked in the door, more like—as the literary answer to the seminal Black horror film Get Out, by way of Rear Window. Cole uses the premise upon which countless domestic thrillers are built: A woman who questions her own sanity starts to wonder if something is very, very wrong in her neighborhood. Mortgage and rental rates are skyrocketing, and then strange stuff—bad stuff—starts happening to longtime Black residents who don’t want to sell their homes to predatory realtors. Because Cole has a background in writing historical romance, she also illuminates how the gentrification of predominantly Black neighborhoods is preceded by a long racist history of displacement, redlining and social control. Horror and reality are definitely shacking up in this tale, and I’m ready for the whole ride.

—Cat, Deputy Editor

 

I’m Thinking of Ending Things

One of my favorite films of 2020 was Charlie Kaufman’s I’m Thinking of Ending Things, a weird, wild movie that gets stranger and bolder with each passing minute and that provided one of the absolute best “What on earth did I just watch?” viewing experiences I’ve had in a long while. I had always planned to read the book, but I bumped up Iain Reid’s wintry 2016 thriller to the top spot on my reading list once I learned its ending reportedly goes in a different direction than the film’s. I usually prefer my Private Eye July picks to be on the fluffier end of the spectrum, as I do my best summer reading poolside, but I think I’ll have to make an exception to see where Reid takes me. There’s a perverse pleasure to be found in reading books set in frigid environments while enjoying the summer heat, but hopefully I’ll get goosebumps all the same.

—Savanna, Associate Editor

 

15 Minutes of Flame

I wanted to read this book before I even knew what it was about. I took one look at the cover, said aloud, “I would like to live inside this picture of a New England candle store steeped in autumnal frivolity,” and added it to my TBR. Other books have since buried it on my bedside table, but I’m digging it out for Private Eye July. 15 Minutes of Flame is the third in Christin Brecher’s Nantucket Candle Maker Mystery series, about Stella Wright’s idyllic life as a candle store owner and, of course, the murders she solves along the way. In true cozy mystery fashion, Brecher’s series keeps the pages turning without raising the stakes high enough that your pulse quickens, which is the exact right speed for my anxiety. And since it takes place in October, I’m hoping the fictional nip in the air will help get me through the rest of summer.

—Christy, Associate Editor

 

Truly Devious

I wasn't reading many mysteries in 2018 when bestselling YA author Maureen Johnson published Truly Devious, her first book about teen detective Stevie Bell. So when I picked up The Box in the Woods, Johnson’s fourth book featuring Stevie, to consider it for this issue of BookPage (check the YA review section for more), it wasn't as a committed fan but as a novice. Needless to say, I'm a fan now. Johnson's sparkling prose and Stevie’s droll humor had me cackling and eager to read aloud especially delightful passages to my very patient partner. This July, I can’t wait to bury myself in the story of Stevie’s first great triumph against a decades-old cold case at the exclusive Ellingham Academy. Best of all, I know the story of the investigation unfolds across three whole books, and for a reader who's always a little sad that great books have to end, there's nothing better.

—Stephanie, Associate Editor

 

Big Little Lies

Typically, if you’re a hardcore bibliophile, you’re supposed to read the book before you watch the adaptation. In this case, I came to the TV series first—and with career-defining performances from Reese Witherspoon, Laura Dern and Nicole Kidman, how could I resist? From what I’ve heard, the show and the book are actually very different. Several characters in the book, including Madeline and Renata, had roles that were too small for such powerful actors, so the adaptation expanded their involvement—and their flaws—to make them more dynamic on the screen. Even if this is true, the book had to run in order for the show to fly. I’m interested in seeing whether the book provides a clearer motive for the main murder and if the story’s concern with domestic abuse is more pronounced. I may even try reading the book and watching the show at the same time to spot the differences. Only then will I decide which I think is better.

—Eric, Editorial Intern

BookPage readers look forward to Private Eye July all year long, and this year we’re getting swept away in the spirit of the (somewhat grisly) celebration, too. Here are the mysteries, thrillers and good old-fashioned whodunits on our reading lists this July.


When…

When the weather cools down, autumn’s big releases start to heat up. Here are the titles BookPage's editors are most anticipating this fall.


Battle Royal by Lucy Parker
Avon, August 17

Lucy Parker is known for her absolutely gold-standard rom-coms, including the delightful London Celebrities series. Her latest, the first in a new series, combines two extremely popular trends—baking and royalty—in a story of rival British bakers competing for the opportunity to make a cake for a royal wedding.


Velvet Was the Night book coverVelvet Was the Night by Silvia Moreno-Garcia
Del Rey, August 17

One of the best things about Silvia Moreno-Garcia, the bestselling author of Mexican Gothic, is that she does something new with each book. Instead of a gothic novel, this is a loose, fun noir set in turbulent 1970s Mexico City.


The Heart Principle by Helen Hoang
Berkley, August 31

There’s a lot of excitement around this one, as Helen Hoang’s latest romance novel was delayed by a year and stars a fan-favorite character. Said character's name is Quan, and he is a sweet, adorable teddy bear in the body of a bad boy. We can’t wait to see who he ends up with.


Beautiful Country by Qian Julie Wang
Doubleday, September 7

Debut memoirist Qian Julie Wang shares her story of growing up in New York City as an undocumented immigrant from China, coping with fear and precarity but also discovering joy in books. The writing is sparse, stylish, sometimes harrowing and sometimes humorous as she narrates experiences that are incredibly common but rarely captured with this level of artful control. It’s shaping up to be one of the best memoirs of the year.


Matrix book coverMatrix by Lauren Groff
Riverhead, September 7

It’s been six years since Lauren Groff’s previous novel, Fates and Furies. In Matrix, she’s reimagined the life of 12th-century poet Marie de France, who transforms an impoverished abbey into a utopia. It’s a common misconception that medieval women were powerless, but Groff has found their power here, as she celebrates nuns as the literary feminist icons that they truly were. 


Never Saw Me Coming by Vera Kurian
Park Row, September 7

We love a sociopath character, but we hate cliche sociopaths. Thankfully, debut author Vera Kurian knocks it out of the park in Never Saw Me Coming. Her sociopath narrator, Chloe, is funny and endearing without losing her edge (and Kurian gets major bonus points for portraying a college atmosphere without being cringey).


Apples Never Fall by Liane Moriarty
Holt, September 14

You know her, you love her: Liane Moriarty, the Australian superstar author of Big Little Lies, The Husband’s Secret, Truly Madly Guilty and more. We love a messy family drama, and Apples Never Fall fits the bill. It’s an exploration of marriage and sibling rivalry that follows four grown siblings who grapple with the disappearance of their mother and the likely culpability of their father.


FuzzFuzz by Mary Roach
Norton, September 14

Mary Roach wrote Stiff about cadavers, Gulp about human digestion, Bonk about the science of sex . . . and now Fuzz, about what happens when animals encroach on human civilizations and laws. She’s one of the funniest science writers working today, as well as one of the best at making mundane topics fascinating and digestible enough that anyone can pick up one of her books, regardless of their interests, and become engrossed.


Harlem Shuffle by Colson Whitehead
Doubleday, September 14

A two-time winner of the Pulitzer Prize, Colson Whitehead is one of those gems who’s prolific, consistently excellent and always trying something new. The protagonist of his new novel helps criminals launder their stolen goods and finds himself involved in several heists during the 1950s and ’60s. After The Underground Railroad and The Nickel Boys, this is a real change of pace for Whitehead, and it’s clear he had a lot of fun writing it.


unbound book coverUnbound by Tarana Burke
Flatiron, September 14

Activist Tarana Burke had been working with Black girls in her community who were recovering from abuse and sexual assault for years when she coined the phrase “Me Too” in 2006—long before it became a viral hashtag in 2017. Unbound is the story of Burke’s own survival from sexual abuse, how she pieced herself back together and how her work to cultivate empathy for herself and others has empowered survivors everywhere.


A Soft Place to Land by Janae Marks
Katherine Tegen, September 14

Janae Marks’ 2020 middle grade debut, From the Desk of Zoe Washington, received four starred reviews and became an indie bestseller. Her second novel, A Soft Place to Land, confirms Marks’ status as one of the brightest new stars of contemporary middle grade. Whereas Zoe Washington explored injustice and systemic racism, A Soft Place to Land explores class in a story-driven way that never feels heavy-handed.


The Book of Form and Emptiness book coverThe Book of Form and Emptiness by Ruth Ozeki
Viking, September 21

It’s been eight years since Ruth Ozeki published A Tale for the Time Being, which was a finalist for the 2013 Booker Prize, and her latest explores themes similar to those in her earlier novel. It’s the story of a 14-year-old boy who, after his father dies, starts to hear voices emanating from objects. Eventually, he finds a Book that tells the boy the story of his life. It’s certainly a great premise, one that perfectly captures how it feels to be a child falling into a lifelong love of reading.


Cloud Cuckoo Land by Anthony Doerr
Scribner, September 28

Anthony Doerr’s bestselling novel All the Light We Cannot See won the 2015 Pulitzer Prize, the Carnegie Medal and the Alex Award. His latest is a novel of past, present and future that explores books as technology, delivering information and voices across generations. It follows the stories of five people in different eras who are connected by a fictional ancient Greek text. As stewards of this text, the characters are all, in a way, librarians. Fittingly, the novel is dedicated to “librarians then, now, and in the years to come.”


The Man Who Died Twice by Richard Osman
Pamela Dorman, September 28

This is the sequel to Richard Osman's hit cozy mystery, The Thursday Murder Club, which was somehow both hilarious and, by the end, rather touching. In this installment, the sleuths of Cooper’s Chase retirement village get tangled up in a diamond heist gone wrong.


Matzah Ball coverThe Matzah Ball by Jean Meltzer
MIRA, September 28

Jean Meltzer’s romance is about a Jewish woman who has a secret life as a Christmas romance novelist, and who must rediscover the magic of Hanukkah when her publisher asks her to write a Hanukkah-themed romance. We’re hoping this will be a trendsetter in holiday romances, a subgenre that sometimes feels like a collection of stale Christmas cookies.


Black Birds in the Sky by Brandy Colbert
Balzer + Bray, October 5

Brandy Colbert is a critically acclaimed and beloved YA and middle grade author whose novel Little & Lion won a Stonewall Book Award in 2018. It’s exciting to see writers challenge themselves by working in new genres and categories, so Colbert’s shift to YA narrative nonfiction is noteworthy. Black Birds in the Sky is expansive, well-researched and, at times, deeply personal as it brings vital history about the Tulsa Race Massacre to a teen readership. 


The Lincoln Highway by Amor Towles
Viking, October 5

Our 2016 interview with Amor Towles about his novel A Gentleman in Moscow is one of our all-time most popular features, and in The Lincoln Highway, he once again brings his signature blend of freshness and old-fashioned charm to a cast of unforgettable characters. This novel is set in 1954, when two brothers plan to make a new life for themselves, with nudges from some tricksters along the way.


Taste coverTaste by Stanley Tucci
Gallery, October 5

In addition to being everyone’s favorite character in every movie he’s ever been in, Stanley Tucci is the author of two cookbooks and now, with Taste, one memoir. From growing up in an Italian American family, to starring in food-centric films like Big Night and Julie & Julia, to cooking for his own family, Taste explores the ways that food has been an important presence during the high and low points of Tucci’s life. There’s plenty to savor here for any and all lovers of witty, heartfelt food writing.


Everybody in the Red Brick Building by Anne Wynter, illustrated by Oge Mora
Balzer + Bray, October 12

Oge Mora is one of the most exciting new picture book talents of the past five years. Her debut picture book as an author and illustrator, Thank You, Omu!, received a Caldecott Honor in 2019. Here she partners with debut author Anne Wynter for a cumulative story about one night in a very noisy apartment building. Together, they create the stuff that storytime dreams are made of.


The Heartbreak BakeryThe Heartbreak Bakery by A.R. Capetta 
Candlewick, October 12

In previous novels, A.R. Capetta has transported readers backstage at a prestigious New York theater, thousands of years into the future and light-years away from Earth and to a fantastical kingdom inspired by Renaissance Italy. Their latest YA novel, The Heartbreak Bakery, is an irresistible story of love and found family set against the backdrop of a quirky independent bakery in Austin, Texas. We don’t recommend reading it if you are even the slightest bit hungry.


Jade Fire Gold by June CL Tan
HarperTeen, October 12

This debut fantasy will be catnip for YA readers who love expansive, immersive world building, slow burns, reluctant allies and character-driven fantasy. June CL Tan grew up in Singapore, and the novel is informed by Chinese mythology as well as martial arts folklore. It’s not a short book, clocking in at almost 500 pages, but readers who love losing themselves in a fantastical adventure will see that as a positive.


The Troubled Girls coverThe Troubled Girls of Dragomir Academy by Anne Ursu
October 12, Walden Pond

Anne Ursu is one of the most thoughtful and acclaimed middle grade fantasists working today. Her 2013 novel, The Real Boy, was long-listed for the National Book Award for Young People’s Literature. Readers love Ursu because of her empowering fantasy stories, and The Troubled Girls of Dragomir Academy employs a perennially well-loved trope among middle grade readers: the boarding school story.


The Death of Jane Lawrence by Caitlin Starling
St. Martin’s, October 19

Caitlin Starling is the author of The Luminous Dead, which was a perfectly crafted sci-fi horror thriller that proved she’s pretty much a perfect choice to write this creepy, historical gothic novel, which was inspired by the inarguably fantastic film Crimson Peak


Our First Civil War coverOur First Civil War by H.W. Brands
Doubleday, November 9

H.W. Brands is known for histories that are timely, fascinating and beautifully written. His latest tackles the Revolutionary War, but rather than focusing on the conflict between the United States and Britain, Brands focuses on the conflicts between those in the U.S. who were loyal to England and those who supported independence. This slice of American history will especially resonate at a time when the United States is locked in another ideological struggle over which is the best path forward.


These Precious Days by Ann Patchett
Harper, November 23

These Precious Days is named for Ann Patchett’s longform essay that was published in Harper’s at the end of 2020, about her friendship with Tom Hanks’ assistant, Sooki Raphael, who stayed with the author while undergoing chemotherapy treatments. The title essay is included in this collection, along with 21 other essays about Kate DiCamillo, Eudora Welty, knitting, dogs and so much more. This will certainly be a worthwhile read for lovers of poignant and masterfully crafted essays about life, love, death and everything in between.

When the weather cools down, autumn’s big releases start to heat up. Here are the titles BookPage's editors are most anticipating this fall.

When you consider all the time, effort and hope that goes into writing a book, it only makes a truly great debut that much more impressive. Here are the debuts we’ll never forget.


The Poppy War

The first installment in R.F. Kuang’s epic military fantasy trilogy is essentially one book that transforms into another. It begins as an iteration of the well-loved “story set in a magical school,” as the orphaned Rin escapes her abusive, impoverished life in southern Nikan by winning a scholarship to the famous military academy of Sinegard. Sure, it’s a bit more blunt and brutal than you’d expect—Rin burns herself with candle wax to stay awake while studying, and schoolyard brawls between students with martial arts training turn bloody fast—but Kuang’s earthy sense of humor lightens the mood. And then Nikan is invaded, and The Poppy War morphs into a grimdark meditation on whether it’s possible to retain your humanity if you can wield the powers of a god. Neither half would work without the other, and Kuang’s mastery of both proves that her career will be endlessly fascinating.

—Savanna, Associate Editor


The Story of Owen

Canadian author E.K. Johnston’s debut asks an irresistible though not previously unasked question—what if dragons were real?—and its answer is the best I’ve ever read. When Canada’s highest paid dragon slayer retires to Siobhan’s small town of Trondheim, Ontario, to train her teenage nephew, Owen, Siobhan never expects to become part of their story, let alone be invited to become the bard who will tell it. Johnston takes world building to new heights, offering explanations of everything from the rise of corporate-contracted dragon slayers to why postmodernists incorrectly blame “the decline of the dracono-bardic tradition on the sudden and soaring popularity of the Beatles.” The dragons are attracted to carbon emissions, so teens take driver’s education to learn “the more banal aspects of safe driving: four-way stops, three-point turns, small dragon evasion, and the like,” and Michigan’s factories attracted so many of the beasts that humans abandoned the state completely. To read this book is to understand why Johnston has become one of the most consistently surprising YA writers working today. 

Stephanie, Associate Editor


White Teeth

This book came out when I was 10 days old, right at the start of the new millennium. Zadie Smith herself was 25 when her debut landed—young enough to be the voice of a new generation but still old enough to know how silly such a title is. Soon after its release she would become one of the most important authors around. Though I didn’t read it until 20 years after its release, this book still feels as impactful and fresh as it must have felt in 2000. Family dramas were big in literary fiction at the time (e.g., The Corrections, Infinite Jest), but White Teeth, with its ethnic, ideological and thematic diversity, stands out among the pack. From the iconic opening line through each intertwined storyline, Smith tells a story that captures the anxiety and hope of both an older generation entering a new world and young people conquering an old one. 

—Eric, Editorial Intern


The People in the Trees

Sometimes it feels like a debut novelist purges all their best ideas for that first book, using up every resource for their big entrance. After coming out of the gate so hot, they can’t be blamed for not writing another, or for experiencing what we in the book reviewing biz call the “sophomore slump.” I’ll admit that when I read Hanya Yanagihara’s debut back in 2013, I believed that this was the kind of writer she had to be. A novel this complex, profound and imaginative, with writing so visceral and poised—surely this was everything she had, dumped out in the exuberant, chaotic flurry of the new artist. But as proven by her virtuosic follow-up, A Little Life, that was hardly the case. In writing this column, I wondered how well my memory of her first book would hold up, and a return to The People in the Trees has once again left me in awe at her overwhelming descriptions of the Micronesian jungle, her nuanced portrayal of a predatory genius and the fact that this book still, after all these years, has no equal.

 —Cat, Deputy Editor


Don’t Let’s Go to the Dogs Tonight

Serial memoirist (and occasional novelist) Alexandra Fuller has lived quite a life—expansive enough to fill five books, and counting. But her first memoir, Don’t Let’s Go to the Dogs Tonight, is the one that has haunted me the most. Growing up with her white family in Rhodesia (now Zimbabwe) during the Rhodesian Bush War, Fuller experienced things that were thrilling, beautiful and dangerous. In the bush of southern Africa, she and her sister learned to shoot guns, kill snakes and avoid landmines and guerrilla fighters. She survived hazards closer to home, as well, such as her mother’s alcoholism and the loss of their family farm to land redistribution after the war. Danger is barely kept at bay throughout this book, and not everyone survives. But the telling is so moving, and the writing so beautiful, you’ll savor even the bitterest parts of this chronicle of a remarkable childhood.

—Christy, Associate Editor

It was love at first sight for the BookPage editors and these five debuts.

No matter how hot it is outside, that first jump into the pool is always a shock. These five books are like that early summer plunge, each having transformed a well-loved genre into something totally surprising, gasp-worthy and deeply refreshing.


Severance

I have no idea why zombie movies and novels were such a thing in the 2010s, but it felt like everyone had an opinion about fast versus slow zombies, and nearly any stranger could tell you when and why they stopped watching “The Walking Dead.” Ling Ma’s spectacular 2018 debut novel, Severance, took the familiar zombie thriller and fused it with the fledgling millennial office novel to create something wholly original, using an apocalyptic framework to explore our daily routines and nostalgic obsessions. The story of a young woman who survives the plague and now finds herself homesick in civilization’s afterlife, Severance is a mashup, a sendup, a takedown. And the book continues to feel fresh in new ways nearly three years later: It’s about a global virus, but it’s also about continuing to work at your semifulfilling job while the unfathomable draws ever closer.

—Cat, Deputy Editor


Anna K

I remember gasping aloud and then laughing with delight at the opening paragraph of Jenny Lee’s relentlessly effervescent re-imagining of Leo Tolstoy’s Anna Karenina (which, confession, I have never read). It begins with a magnificent revision of Tolstoy’s famous epigraph, contains an unrepeatable expletive, name-drops Hermès, Apple, Madison Avenue and SoulCycle, and then ends with a parenthetical explanation that its subject’s “new gluten-free diet” prevents her from attending a “double sesh” workout. The whole thing serves to signal: Reader, you’re not in 19th-century St. Petersburg anymore. You’re in contemporary Manhattan amid a group of uber-wealthy Korean American teens whose social and romantic entanglements Lee chronicles with wit and style aplenty, not to mention a blunt frankness that would make even Gossip Girl blush. I can’t imagine anything more delicious than setting up poolside or stretching out on a park blanket under a tree and letting Lee’s sparkling prose and Anna and Vronsky’s life-changing love take me away. XOXO, indeed.

—Stephanie, Associate Editor


Mona in the Promised Land

Coming-of-age novels are far from rare, but acclaimed writer Gish Jen crafted one that rises above its genre in her beloved 1997 novel, Mona in the Promised Land. In the late 1960s, Chinese American teenager Mona Chang is growing up in the suburbs of Scarshill, New York, and struggling to find peace in her identity and to settle into her place in the world. Throughout Mona’s engaging exploration of Chinese, American and Jewish traditions, she finds love in a tepee, employment in a pancake restaurant and adherence to a new religion. It’s astoundingly refreshing to see a book effortlessly balance complex topics like race and identity with lighthearted moments and adolescent rites of passage. Through it all, Mona’s sharp wit and penchant for drama are her constant companions, making this lively book as entertaining as it is pensive. Jen takes a dynamic look at how important identity is for all of us while keeping the laughs coming. I loved every page of it.

—Caroline, Editorial Intern 


Red, White & Royal Blue

Even if you’re not a romance reader, you’ve probably heard of Casey McQuiston’s debut novel. (If you’ve been living under a rock, our interview with the author will catch you up.) But this love story between Alex Claremont-Diaz, first son of the United States, and Prince Henry of the U.K. deserves recognition for more than its stunning crossover success. When the novel achieved bestseller status, McQuiston proved that leaving LGBTQ representation in romance to the online-only and/or independent publishing realm meant leaving dollars on the table. She also gave the oft-gloomy, oft-toxic subcategory of New Adult (which features college-age protagonists), a much needed zap of positive, giddy energy. There are plenty of serious issues at stake—only a trusted few know that Henry is gay, and Alex must explore his bisexuality under a media microscope made even more intense by his Latinx heritage—but there are also karaoke extravaganzas, one of the rowdiest New Year’s Eve parties in fiction and a fan-favorite scene involving Thanksgiving turkeys.

—Savanna, Associate Editor


Nobody Will Tell You This But Me

I love family memoirs—the messier, the better. If the author has been disowned, neglected or mistreated, I’m there with bells on and bookmarks in hand. However, even someone whose literary appetite for drama is as bottomless as mine can appreciate the refreshing sweetness of Bess Kalb’s memoir about her late grandmother, Bobby. Nobody Will Tell You This But Me digs into generations of difficult family history—fleeing the pogroms in Belarus, immigrating to New York City, building a business and a home one scheme at a time—but the twist is that Kalb writes from a place of deep love and appreciation for her grandmother, in defiance of those trauma-informed books that tease apart years of hurt. As an added bonus, comedy and TV writer Kalb narrates this story in Bobby’s frank, anxious, singularly funny voice, like an adoring impression. This bold, fresh approach is a welcome deviation from the first-person introspection common to the genre. Kalb’s buoyant memoir floats splendidly alone on a sea of fraught familial tales.

—Christy, Associate Editor

These five books are like an early summer plunge, each having transformed a well-loved genre into something totally surprising, gasp-worthy and deeply refreshing.

Of all the experiences we’ve craved over the last year, high among them is to spend an aimless afternoon browsing in a bookstore or library. When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.


The Big Rewind

When a novel is described as “Raymond Chandler meets Nick Hornby,” you expect a certain kind of book. So I might’ve picked up Libby Cudmore’s debut looking for a hard-boiled music mystery, but instead I found myself bopping along to a Gen-X cozy mystery, as self-deprecating Brooklynite and wannabe music journalist Jett Bennett scrambles to solve the murder of her beloved neighbor, KitKat, and ends up digging into her own relationship history by way of a box of mix tapes. The Big Rewind has plenty of nostalgic 1980s and ’90s music references (The Smiths! Talking Heads! Cyndi Lauper!), a little bit of romance, great secondary characters, some too-cool New Yorker griping and, best of all, the comforting arc of a cozy, in which there’s a murder but it’s barely the point. Because what is a murder investigation, anyway, but an investigation into yourself? (Or something like that.) This is a punk grandma of a book, and I think we can all agree there’s nothing cooler than punk grandmas.

—Cat, Deputy Editor


Mrs. Bridge

Evan S. Connell’s Mrs. Bridge was originally published in 1959, and since then it’s gained a reputation as an underrated masterpiece. In 2012, the Guardian called it an “overlooked classic.” In 2020, Lit Hub called it a “perfect novel.” Meg Wolitzer and James Patterson have praised it in the New York Times and on NPR—but I didn’t know any of that when I checked it out from the library. As I dug into this strange, engrossing novel about an utterly conventional Kansas City housewife, I didn’t know what to expect. India Bridge’s life moves steadily by, with rare flashes of the extraordinary. Other characters experiment and act out, but Mrs. Bridge only occasionally flirts with action before deciding to stay the course of her conformist, upper-middle class, conservative way of life. If that sounds boring, it isn’t—but it’s difficult to explain why not. Connell’s keen insight into the mind of this midcentury woman is compelling, moving and ultimately masterful.

—Christy, Associate Editor


The Diana Chronicles

For the absolute life of me, I could not tell you why or how my middle school-aged self picked up a copy of Tina Brown’s seminal, definition-of-dishy biography of the late Princess Diana. Perhaps I wanted a more modern princess after finishing my umpteenth reread of every Royal Diaries book my library had on the shelves. What I do remember is that I inhaled this book with the rapture of a sheltered young history buff who had never encountered media more dramatic than a Disney Channel Original Movie. Brown, who covered and commented upon Diana’s life while serving as editor-in-chief of Tatler and then Vanity Fair, tells Diana’s story with witty relish and juicy details galore. But under all the tabloid fizz, Brown also paints a refreshingly complicated portrait of her iconic subject. Her Diana is not a sainted martyr or a hysteric with a victim complex, but a woman trying to vanquish her inner demons, who is on the verge of finding equilibrium when her life is cut unfairly short.

—Savanna, Associate Editor


Sloppy Firsts

Fall 2001, suburban New Jersey. I was 15, a sophomore in high school. My best friend had moved across the country over the summer, and the twin towers had come down on the fifth day of school. It’s almost always a weird time to be a teenager, but that year felt like an especially weird time. And then, on a shelf in the little bookstore next to the ShopRite, a lime green spine caught my eye. Jessica Darling, Megan McCafferty’s heroine, was also a sophomore in suburban New Jersey whose best friend had just moved away. (“I guess your move wasn’t a sign of the Y2K teen angst apocalypse after all,” Jessica writes to her in the letter that opens the book.) It felt like a sign. McCafferty’s funny, heartbreaking, often profane and deeply honest novel, in which Jessica grieves her friendship, grapples with mental illness and even falls in love, was exactly the book I needed at that moment to make 15 feel a little less weird.

—Stephanie, Associate Editor 


Peter the Great

I could have chosen any biography of a European leader to read for my college history class. Why I decided to go for a 1,000-page book about a Russian czar that was written before I could walk has been lost to time, but the ripple effect has been huge. Robert K. Massie won the Pulitzer for this biography, and his deep understanding of his curious, mercurial subject and 17th-century Russia made me feel like I knew Peter personally. That’s probably why I peppered my conversations with anecdotes about him for weeks. (Your dorm room is too small? Peter’s cabin was only about 700 square feet, and his bedroom was barely large enough for him to lie down! Hate your boyfriend’s beard? Take a cue from Peter and tell him if he enters your presence wearing one, you’ll rip it out!) In the years since, I’ve read the book twice more, as well as everything else Massie has ever published, and have found each of his books as immersive.

—Trisha, Publisher

When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.

At BookPage HQ, we look at books months before they’re published. So it’s always a delight when something we adored finally hits shelves, and everyone else falls just as head-over-heels in love with it as we did. Here are five recent blockbusters whose climbs up the charts made us cheer.


Mexican Gothic

I have long lamented the waning of the gothic novel. We as a society need more women running around crumbling hallways in giant ballgowns, gripping candelabras as they uncover hideous family secrets. Even if Silvia Moreno-Garcia’s novel doesn’t kick-start a whole new wave of romantically moody thrillers (though it certainly should), I’m delighted that its success catapulted its very deserving author onto the bestseller lists. Putting a unique and elegant stamp on a genre is Moreno-Garcia’s signature move. She’s written what she called a “fantasy of manners” with The Beautiful Ones and a Jazz Age coming-of-age novel that incorporated Mayan mythology in Gods of Jade and Shadow. So of course her gothic heroine isn’t a timid wallflower. Noemí Taboada is a headstrong and glamorous socialite whose foibles and inner demons make her as interesting as she is heroic. And the ending? Let’s just say it would blow Daphne du Maurier’s hair back. 

—Savanna, Associate Editor 


Just as I Am 

Perspective is a tricky thing to hold onto—the present moment with all its immediate concerns sure makes a lot of noise—but a thoughtful memoir of a long and well-lived life can help you find your center. Cicely Tyson’s autobiography came out earlier this year, two days before the author’s death, and quickly hit bestseller lists. It’s more than a recounting of Tyson’s life as a groundbreaking actor, producer and activist; it’s also an examination of how a person can use their gifts to make a difference and the mindset required to act on that goal. Co-written with Michelle Burford, a founding editor of O, The Oprah Magazine, the memoir is structured chronologically from Tyson’s childhood to later years, revealing how her rise as an actor led to a singular purpose: to use her art “as a force for good, as a place from which to display the full spectrum of our humanity.” Because, as she writes, art must “mirror the times and propel them forward.” 

—Cat, Deputy Editor


Catch and Kill 

The world has had more than its fair share of breaking news this past year, so it feels somewhat nostalgic to revisit newsworthy reporting from the bygone era of 2019. Ronan Farrow’s explosively investigated book Catch and Kill delivers on every one of its subtitle’s promises: “lies, spies and a conspiracy to protect predators.” As journalist Farrow began looking into decades of allegations against film producer Harvey Weinstein, ranging from verbal harassment to sexual abuse, his life began to get tricky. His employer, NBC, got more and more antsy about the story. He received a rash of threatening anonymous messages on Instagram. And through it all, he had the distinct feeling that he was being followed. This book’s pacing is breathless, the twists increasingly twisty. At times it reads like a spy thriller, except better—because by the end of this electric story, real women who have suffered in silence for years are finally heard, believed and vindicated. 

—Christy, Associate Editor 


The Poet X 

Once in a blue moon, a YA book earns universal critical acclaim and achieves great commercial success. The Poet X, Elizabeth Acevedo’s debut novel in verse, was one such book. It won just about every award that exists to honor YA literature, including the National Book Award and the Michael L. Printz Award, and spent more than 20 weeks on the New York Times bestseller list. You’ll understand why as soon as you begin reading it. The story of Xiomara, a Dominican American teen who discovers the light of poetry burning within her and reckons with the forces in her life that would see it extinguished, will set your heart on fire. I especially recommend the audiobook for your first read, since Acevedo’s narration draws out the meter and musicality of her accessible, conversational verses. I’m usually wary of sweeping statements, but in this case, one is merited: The Poet X is a perfect book that everyone should read. 

—Stephanie, Associate Editor 


Beach Read 

I picked up Emily Henry’s Beach Read last spring, in the early days of the COVID-19 pandemic. With no travel plans on the horizon, a vicarious getaway to the shores of Lake Michigan was appealing, and during what were repeatedly referred to as “uncertain times,” the anticipated beats of a rom-com sounded especially soothing. Why not read about two authors trying out each other’s genres to beat writer’s block, and reluctantly falling in love? Beach Read hit these marks and then surpassed them to become one of my favorite types of reading experiences: a diversion with depth. The screwball vibe and snappy dialogue I had been looking for are there on the page. But as Augustus and January slowly open up to one another, the lighter threads of the story are woven into an honest exploration of grief, trust and the healing power of art. It’s a connection-affirming, generous novel that deserves its status as a word-of-mouth bestseller. 

—Trisha, Publisher

Here are five recent blockbusters whose climbs up the charts made us cheer.

Life is full of surprises, but for avid readers, a genuinely unexpected twist is rare. After a while, the startling becomes predictable, the out-of-left-field ho-hum. We recommend these books for readers who are in desperate need of a shock—and these aren’t spoilers, because there’s no way you’ll see them coming.


Waking Lions

I’m not much for “gotchas.” Often when a book takes a long time to reveal its twist, I feel a little let down—either with myself for not seeing it coming, or with the author for trying to trick me. But when a story starts with a twist—or in the case of Waking Lions, two twists—I’m on the hook, as every page after such a destabilizing opening could shake things up even more. Israeli author Ayelet Gundar-­Goshen’s novel opens with the accidental death of an Eritrean immigrant, run over by an Israeli neurosurgeon’s SUV during an after-hours joyride in the desert. The next day, the dead man’s wife arrives at the doctor’s doorstep, having found his wallet beside the body, and blackmails him into tending the wounds of Eritrean refugees in a hidden desert location. The twists roll on and on in this provocative blend of thriller and social novel, its velocity never dropping, its controlled tension mirroring the ups and downs of a heart monitor.

—Cat, Deputy Editor


Ninth House

Being BookPage’s mystery and suspense editor is a blessing and a curse. I can spot a disappointing ending a mile away, but I’ve also developed an unfortunately strong sense of pattern recognition. Superfluous character who is frequently mentioned or somehow involved in the plot? J’accuse! All this to say, I thought I had Leigh Bardugo figured out. I thought Ninth House, a wintry fantasy-mystery set among Yale’s secret societies, would be one of those books to which I would correctly guess the denouement but would enjoy regardless. As it turned out, Bardugo is smarter than I am. She planned for readers like me, and I fell for it hook, line and sinker. The rapt, breathless joy I felt upon realizing what her real game had been all along was one of my favorite reading experiences of last year.

—Savanna, Associate Editor


I Am, I Am, I Am

Nonfiction books don’t usually have twist endings—at least not in the conventional sense. When I finished Maggie O’Farrell’s memoir I Am, I Am, I Am, however, I reacted as I might have to a particularly startling mystery—gripping the page, mind reeling, trying to grasp the unexpectedness of its conclusion. The book is composed of 17 snapshots from the author’s life of all the times she’s had brushes with death: meeting a murderer on a trail in the woods, a childhood illness, a speeding car that clipped her side, dysentery, three near-­drownings, the perils of childbirth and more. These encounters ebb and flow over the course of the book as mortality approaches and recedes again in the rearview mirror. By the penultimate chapter, O’Farrell’s relationship with death reaches a crescendo, and I thought to myself, How could a close call get any closer? But keep reading. As it turns out, death has been just out of frame the whole time.

—Christy, Associate Editor


Toys Go Out

The subtitle of Emily Jenkins' unbelievably charming collection of stories about a little girl's toys is “Being the Adventures of a Knowledgeable Stingray, a Toughy Little Buffalo, and Someone Called Plastic.” Plastic takes center stage in the story “The Serious Problem of Plastic-ness,” in which she is dismayed by a book left lying open on the girl’s bedroom floor. Plastic is unable to find herself among the animals depicted in the book. Her distress increases when she reads in the dictionary that plastics are “artificial,” which “doesn't sound nice at all.” Only after a long talk with TukTuk the yellow bath towel (who has seen “a lot of strange behavior in her life as a towel”) does Plastic realize her identity. Jenkins has marvelously concealed key details about Plastic before this point, so the revelation of Plastic's true form feels like a delightful surprise for both Plastic and the reader.

—Stephanie, Associate Editor


Sweet Tooth

Any reader of Atonement knows that British writer Ian McEwan is not afraid of a story-shaking ending. For admirers of that book, or any novel that sticks a difficult landing, his 2012 novel, Sweet Tooth, is a treat. In the early 1970s, fresh out of Cambridge, Serena Frome is recruited for the British secret service. An indiscriminate speed-reader who believes “novels without female characters were a lifeless desert,” Serena is assigned to recruit writers for a cultural propaganda campaign by posing as the representative of a literary foundation. This rather low-stakes spy game (which unfolds against an equally mundane, grounded portrayal of 1970s Britain, with its energy and labor crises) rolls out as planned—until Serena falls for one of the novelists. If you think you know where this is going, well, you’re not exactly wrong. But McEwan leverages the fungible line between fact and fiction and the power of stories, steering us toward a surprise ending that casts in a different light all that came before.

—Trisha, Publisher

We recommend these books for readers who are in desperate need of an unexpected twist—and these aren’t spoilers, because there’s no way you’ll see them coming.

Typically in this column, the BookPage editors try to pick a topic that is an unexpected challenge—like books to read in public or our preferred characters to partner with for a zombie apocalypse. This month’s theme is perhaps the broadest it’s ever been, as these five books are all love stories, though not necessarily in ways you’d expect.


Jazz

In my opinion, Jazz is the most underrated of Toni Morrison’s books. As expansive and bold as Song of Solomon, as ardent and poetic as Tar Baby and almost (almost!) as tragic as Beloved, Jazz is a story of overwhelming, destructive passion. It was published just a year before Morrison won the Nobel Prize, and she was clearly at the height of her powers, with all her skills on glorious display in every passage. Take the descriptions of Joe Trace’s affair-­addled conscience, or the tense yet loving exchanges between Alice and Violet, or Golden Gray’s surreal backstory. Each of these story­lines shows the disastrous effects of love gone awry. Jazz is not a sweet love story, but that doesn’t diminish its beauty. The humanity, the depravity and the tragedy all elevate the story, and the characters are treated with the utmost sympathy. As with the finest of novels, the real love story isn’t on the page; it happens between the reader and Morrison herself.

—Eric, Editorial Intern


My Life in France

Is there another book more overflowing with love stories than My Life in France? Julia Child’s memoir about her years in Paris, Marseilles and Provence is a three-pronged romance about her love for France, her love for cooking and her love for her husband, Paul. (In the film Julie and Julia, Paul is played by Stanley Tucci, which makes him even more lovable.) From the moment Child sits down for her first meal in France—marveling at wine being served with lunch and wondering aloud what a shallot is—until, having established a French home-cooking empire, she lounges with James Beard at her summer home in Provence, she is a marvel of wit, candor and unpretentious enthusiasm for the pleasures of food. In an age when you might feel compelled to drape your excitement with a layer of irony, so as not to seem uncool, it’s cheering to read the story of one woman whose small dreams blossomed as she watered them with sincere love.

—Christy, Associate Editor


Wives and Daughters

The sheltered daughter of a country doctor, Molly Gibson finds her perfectly happy life upended when her father marries the snobbish, shortsighted and dictatorial Hyacinth Kirkpatrick. But there is a silver lining: her utterly fabulous, breezily charming new stepsister, Cynthia. In a lesser book, Cynthia would be an 1830s version of a Jane Austen mean girl, like Caroline Bingley or Mary Crawford. But due to author Elizabeth Gaskell’s ceaseless, penetrating empathy, Molly and the reader come to understand how Cynthia’s wit and flightiness serve as defense mechanisms, and how under all her glamour and coquetry, she is still just a teenage girl doing her best. Molly and Cynthia fall in and out of love with various gentle­men, but the most tender relationship in the novel is between the two of them—two girls who have found the sister they always wanted and who see the best in each other even when no one else will.

—Savanna, Associate Editor


The Darling

We all love a love story, but let’s be real: Damage can be done when we take too many cues from fictional narratives. Caridad, the fabulously complicated Latina scholar at the heart of Lorraine M. López’s novel, is particularly caught up in the messaging of classic love stories, and she spends this dramatic, often funny tale sorting through serial relationships and beloved books by white men. As she seeks answers to who she is, she calls upon works by Henry Miller, Gustave Flaubert, Leo Tolstoy and other notable dead white guys who wrote about women but danced around topics like female sexuality and motherhood. Classic literature lovers may recognize The Darling as an homage to Chekhov’s 1899 short story “The Darling,” but Caridad stands on her own in this tale of self-discovery, ambition and desire. As she tests the limits of her romantic relationships, it becomes clear that the most complicated entanglement is when you love a book but cannot agree with the vision of its creator.

—Cat, Deputy Editor


Lovely War

Near the end of the criminally underrated film That Thing You Do!, Guy Patterson (played by Tom Everett Scott) asks Faye Dolan (played by Liv Tyler), “When was the last time you were decently kissed? I mean, truly, truly, good and kissed?” There are so many reasons to love Julie Berry’s historical fiction masterpiece Lovely War, not least of which is its delicious narration by Aphrodite, the goddess of love, but at the top of my list is this: It features the best kiss I’ve ever read. After being separated by the horrors of a world war, YMCA volunteer Hazel and British sharpshooter James reunite in Paris for one magical evening of dinner in a cozy cafe, dancing alone in a park with no music and then finally—well, I won’t spoil it. “There’s nothing like the rightness of it,” says Aphrodite. “Nothing like its wonder. If I see it a trillion more times before this world spirals into the sun, I’ll still be an awed spectator.” You will, too.

—Stephanie, Associate Editor

These five books are all love stories, though not necessarily in ways you’d expect.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Features