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Chasing Redbird

Sharon Creech’s Chasing Redbird was the first book I ever read by myself, which was a big deal for me; I am dyslexic and struggled to read when I was younger. I was captivated by the main character, Zinnia Taylor, because she was a misfit, just like me. Zinny has six siblings, and in their chaotic home, she often gets lost in the fray. She prefers to spend time with her Aunt Jessie and Uncle Nate who live next door and provide her with a safe haven. When Jessie dies unexpectedly, Zinny withdraws even further from her family. As she wrestles with her grief and guilt, she discovers an abandoned 200-year-old pioneer trail on her family farm and becomes obsessed with restoring it to functionality. Her family thinks she’ll give up, but Zinny has to see this project through. It may be the only way to heal her broken world. Creech treats the topic of grief and family dynamics delicately and beautifully, painting a profound picture that will speak to readers of all ages.

Meagan Vanderhill Cochran, Production Manager


Earthlings

From childhood, we’re trained to take part in society, learning what behavior is praiseworthy, and what behavior is outrageous. By adulthood, most of us conform automatically, but for some, it comes less easily—like Natsuki, the protagonist of Japanese author Sayaka Murata’s Earthlings. As a child, Natsuki feels like an outsider, and she is relieved when her stuffed hedgehog, Piyyut, reveals to her that she is actually an alien from planet Popinpobopia. Her alien’s perspective lets her see her town for what it is: a “Baby Factory” in which humans serve society by working, getting married and having babies that will grow up to become society’s tools in turn. Natsuki struggles to accept that future, though she longs for the security of being normal. Her isolation increases when a teacher sexually abuses her, and no one believes her when she seeks help. Like Convenience Store Woman, Murata’s other novel that has been translated into English, Earthlings pushes readers—hard—to see the absurdity of what is and isn’t considered acceptable. While the subject matter remains bleak, by the end of the book, Natsuki finds allies, and their acts of defiance take on a kind of euphoric hilarity, despite the severity of the consequences.

—Phoebe Farrell-Sherman, Associate Editor


Kaikeyi

In Vaishnavi Patel’s Kaikeyi, Princess Kaikeyi is the lone daughter in a family with seven sons. After her father banishes her mother, she is left with only the stories of the gods that her mother once shared with her. Now on her own as the sole woman in her family, she is determined for her voice to be heard. However, her world shatters when the king quickly marries her off for the sake of securing an alliance, despite Kaikeyi begging to remain independent. Before she journeys to the kingdom of her betrothed, she discovers a special magic that can influence how she is perceived within relationships. With this newfound spark of confidence, she plows through societal barriers, fighting on the battlefield for her new home and joining her husband’s council, where she resiliently presses the other men in the room to make changes in their kingdom. After years of ruthless judgment and scorn, Kaikeyi and her two sister-wives, Kausalya and Sumitra, start a women’s council for members of the community to seek advice and direction. Kaikeyi is a persistent force throughout the story, never afraid to disrupt the conditions of society. She rubs people the wrong way and inspires others, making her a dynamic character whose persistence and courage will win readers’ hearts.

—Jena Groshek, Sales Coordinator


The Complete Stories

A keen observer of idiosyncratic behavior, the inimitable Flannery O’Connor spun unforgettable, expansive short stories that brim with characters whose feelings of otherness alienate them from society. The most well-known is The Misfit in “A Good Man Is Hard to Find,” a story that is often readers’ entry point to this Southern writer. The Misfit is “aloose from the Federal Pen” and, with unfailing politeness, executes a family on their way to a vacation in Florida. Complex and contemplative, The Misfit finds “no pleasure [but] in meanness” yet tries to square his crimes with a sense of right and wrong. Other misfits in O’Connor’s stories include Olga in “Good Country People,” an unapologetically surly spinster whose leg was shot off in a hunting accident, and who gets hoodwinked by a Bible salesman. Some of her misfits crave redemption and empowerment—O’Connor was, afterall, a Catholic—while others are unwilling or unable to change. Perhaps the greatest misfit in O’Connor’s stories is the midcentury South itself. A region straining to be better? Or one unwilling to shed the yoke of violence? The Complete Stories is a compendium you can spend a lifetime reading and re-reading, feeling freshly enlightened each time.

—Erica Ciccarone, Associate Editor

If you've ever felt like the odd one out—the black sheep in your family, or loner in your community—you'll love these four books with protagonists who can't help but stand out.
STARRED REVIEW
August 12, 2024

Just the facts, ma’am

Six true crime books recount chilling stories, minus the sensationalism.

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On January 16, 1987, a vibrant, beloved Black woman, 35-year-old Lita McClinton Sullivan, opened the door of her townhouse in a wealthy Atlanta neighborhood to a man who seemed to be delivering flowers. Instead, he gunned her down, killing her with one shot to the head. Later that day, a judge had been scheduled to announce the division of assets in her divorce after 10 years of marriage to white millionaire Jim Sullivan. Nineteen years later, in 2006, Sullivan was convicted of hiring a hit man to kill Lita; his conviction was based largely on the testimony of that hit man, who in 2003 received a 20-year prison sentence for his role in the murder.

Journalist Deb Miller Landau writes a sweeping account of this crime and prolonged road to justice in A Devil Went Down to Georgia: Race, Power, Privilege, and the Murder of Lita McClinton. Landau first covered the case for Atlanta magazine in 2004. She writes of that story, “what really climbed under my skin was the humanity and depravity of it all. What makes people become who they are? What leads us to the choices we make?” The case continued to haunt her, and after George Floyd’s murder in May 2020, Landau, who is white, wondered, “How clearly had I seen Lita the first time I wrote this story?”

She revisited McClinton’s parents, now in their late 80s: Her mother, the “still glamorous” Jo Ann, is a former Georgia General Assembly representative; her father, Emory, is a retired engineer who has cancer and dementia. Neither parent approved of Sullivan, a divorced father of four who was 10 years older than their debutante daughter. As one source told Landau, “He was a real sociopath. He could be charming, but he could turn on you like a cobra.”

Landau excels at laying out decades of details, deftly weaving her recent investigations, including her meeting with the hit man, into the long timeline. While she does try to focus on Lita’s perspective, the victim’s long-silenced voice is hard to capture. In contrast, Sullivan’s misdeeds and bizarre behaviors reverberate, including his womanizing and lavish spending that alternated with extreme miserliness, despite the fact that he and Lita had been living in a 17,000 square foot mansion, a historic landmark called Casa Eleda in opulent Palm Beach, Florida.

A Devil Went Down to Georgia chronicles a collision course of race, power, class and, most of all, Sullivan’s narcissism and endless greed. It’s a page-turning saga, as well as a testament to Lita, her devastated family and the determined investigators and lawyers who sought justice for them.

 

A Devil Went Down to Georgia is a page-turning true crime saga about a calculating white millionaire, the vibrant Black wife he murdered and her family’s long pursuit of justice.
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The public attacks by NFL Hall of Famer Brett Favre and his nationwide legion of fans were bad enough. But Mississippi State Auditor Shad White also faced hostility close to home, even at church, from friends of the well-known family that was the focus of his investigation into the theft of millions in public welfare funds. You might think of their incredulity as the “nice lady” defense: How can you be going after Nancy New? She’s so nice at PTA meetings.

White’s team plowed ahead, and New, the head of an education nonprofit, and her son Zach ultimately pleaded guilty to fraud-related charges for financing their high-spending lifestyle with money from the Temporary Assistance for Needy Families program—including $250,000 used by Nancy to buy herself a new home in an affluent neighborhood. So much for nice. White, a Republican wunderkind (Rhodes scholar, Harvard Law) who became auditor at 32, gives us his insider perspective in Mississippi Swindle: Brett Favre and the Welfare Scandal That Shocked America, a lively account of a case that has raised questions about Favre, former football player Marcus Dupree and White’s own mentor, former Mississippi governor Phil Bryant.

Starting with a whistleblower’s tip actually forwarded to him by Bryant, White directed his team of auditors and agents to probe odd spending of federal welfare dollars by the head of Mississippi’s Department of Human Services, which they soon discovered included treatment at a luxury drug rehab center for a personal friend of the agency director. It ballooned from there.

Readers will be engrossed by the feud that developed between Favre and White after the investigation uncovered payments of welfare money by New’s nonprofit to finance a “deluxe” volleyball facility at the university where Favre’s daughter was a volleyball player. New’s nonprofit also paid welfare funds to Favre Enterprises for speaking engagements that Favre never did. Favre adamantly denies wrongdoing, while White points to evidence in the form of text messages and other records. (Favre has not been charged with any crime; he was sued in civil court by the state over the money.) But White’s harsh critiques of fellow Republican officials, notably a U.S. Attorney who White thinks tried to undermine him out of professional rivalry, are equally fascinating.

This isn’t a book about politics, but it’s not hard to discern White’s conservative views. Some readers will disagree with them. But everyone can unite around his anger at a broken system that allowed poor people to suffer so that an elite few could spend tax dollars on luxuries.

Mississippi Swindle is the shocking true story of how public welfare funds were used to finance the extravagant lifestyles of an elite few.
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District Attorney Isidro R. Alaniz believes that when taking a case to a jury, “The most effective structure for any argument will always be a story.” The 49th Judicial District of Texas, which he serves, is home to Laredo, where Alaniz led the prosecution of Juan David Ortiz, a married father of three and a 10-year member of the U.S. Customs and Border Protection agency who in September 2018 murdered four sex workers. In The Devil Behind the Badge: The Horrifying Twelve Days of the Border Patrol Serial Killer, Pulitzer Prize-winning journalist Rick Jervis delivers the tragic, headline-grabbing story with staccato precision and emotional depth. 

Jervis takes readers right into the heart of the San Bernardo Avenue district of sex workers, drug dealers and people with substance abuse disorders who live within a stone’s throw of the U.S.-Mexico border. Ortiz’s victims—Melissa Ramirez, Claudine Anne Luera, Guiselda Alicia Cantu and Janelle Ortiz—are painted vividly, thanks to Jervis’ many interviews with their families and friends. He carefully sets the stage for how each of these women’s lives intersected with one other and with Ortiz, who grew up as a Bible-toting Pentecostal Christian, served as a Navy medical corpsman in Iraq and eventually became a supervisor at the Border Patrol. Ortiz  refused Jervis’ interview requests and has given scant clues to what may have sparked his spree, but the author notes that the agency “tolerated an environment of misogyny and impunity within its ranks during Ortiz’s tenure there.”

One victim’s sister addressed Ortiz in the courtroom, saying, “You gave your word to protect the border, yet you failed. You betrayed your badge.” Jervis excels at conveying the frenzy of Ortiz’s crimes and his dramatic capture. The Devil Behind the Badge is an unsettling account of a serial killer leading a double life: one masquerading as an upright citizen, and the other mercilessly preying on society’s most vulnerable.

 

The Devil Behind the Badge is an unsettling true crime account of a U.S. Border Patrol officer who mercilessly preyed on society’s most vulnerable.
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It’s not a total mystery who killed Gauri Lankesh, a hard-charging local journalist and activist in the South Indian city of Bangalore who was assassinated in 2017.

Lankesh, the daughter of a famous Indian writer and publisher, was an aggressive critic of India’s right-wing religious groups, which have grown in power, prominence and violence under Prime Minister Narendra Modi and his ruling party.

While a few alternate theories are proffered about her death, I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India is not really a whodunit. Instead, it’s an obituary of a complicated woman and a portrait of a country’s descent into chaos, hatred and lawlessness. (Don’t worry: You still find out whodunit.)

The assassinated journalist’s life is both inspiring and perplexing, as her understated career in niche local tabloids blossoms into martyrdom and legend upon her death. Lankesh was fearless—some argued reckless—in her opposition to government corruption, creeping religious fervor and the subjugation of women and minority groups. She fought with her dear friends in the pages of her newspaper, and her antagonism of powerful forces had those same friends and family worrying for her safety. And for good reason. It’s a story of complex family relationships, both within the Lankesh family specifically and Indian civil society more generally.

As the story of Lankesh’s life and death unfolds, Rollo Romig, an American journalist with marital ties to Bangalore, sends the reader on several tangential journeys of varying levels of relevance: the story of Christian apostle “doubting” Thomas’ maybe-apocryphal mission to India, the history of the restaurant industry in India, a dazzling description of Bangalore’s astonishing book district. But the author’s reporting about the case has clearly been relentless; he traveled multiple times to the region and interviewed countless figures with connections to Lankesh, modern Indian politics and the case itself.

The complex ethnopolitics of the region and the country offer a disturbing but vivid backdrop for the murder. India’s retreat from pluralism and growing embrace of bigotry and oppression mean that Lankesh’s story is just one of untold many of murder, political violence and religious strife in a desperate country.

 

I Am on the Hit List pairs relentless reporting and historical context in a vivid exploration of a fearless Indian journalist’s assassination.
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Peter Houlahan’s Reap the Whirlwind: Violence, Race, Justice, and the Story of Sagon Penn recounts a historic 1985 crime that would irrevocably change Southern California. At its swirling center is Sagon Penn, a 23-year-old Black Buddhist, martial artist and community mentor who had never been in any legal trouble until two white patrol cops, Donovan Jacobs and Tom Riggs, followed a pickup truck carrying seven young Black men, some of them teenagers, up a dirt road.

The setting is a growing San Diego in flux. A progressive new police chief hoped to calm the city’s simmering racial tensions and address the disproportionate number of cops killed in the line of duty. Both crises came to a head when Jacobs incorrectly fingered the young men in the truck to be gang members—including the driver, Penn. An argument escalated into a brutal physical altercation, during which the cops reportedly used racial slurs. Within three minutes, Penn grabbed Riggs’ service weapon and fatally shot him. Then Penn shot both Jacobs and a civilian who was riding along with him, and fled the scene in a squad car.

Reap the Whirlwind’s novelistic narrative style delivers emotional weight as Houlahan, a master storyteller, plots out the cataclysmic event and its aftermath. Houlahan covers all angles, from skewed news reporting on the shooting to the inner workings of the judicial system to the messy interpersonal drama that followed Penn, whose psyche suffered devastating consequences. Though Penn is undoubtedly the focus of the book, Houlahan offers textured characterizations of significant players, like Penn’s lawyer, Milton Silverman Jr.; defense investigator Bob McDaniel; and Sara Pina-Ruiz, the only credible witness. When the story develops into a full-fledged courtroom drama, Houlahan remains an impartial, careful observer and rarely offers his own opinion, which allows readers to form their own conclusions and develop a personal investment in the case and those closest to it.

A topical, piercing story about how perspectives on law enforcement and innocence shift depending on who you are, Reap the Whirlwind shows how police brutality and racial profiling impact Black victims far beyond the actual incident—even when they make it out alive.

The piercing Reap the Whirlwind chronicles a historic 1985 homicide, and shows how perspectives on law enforcement and innocence shift depending on who you are.
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New York City’s East Side at the turn of the 20th century comes vibrantly alive in The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld. In the late 1800s, Eastern European Jews began fleeing Germany’s pogroms and Russia’s Pale of Settlement, the largest ghetto in history. The East Side became their American ghetto, soon in the grip of an underworld of gamblers, grifters and pimps, and an upper world of titans of manufacturing and politics. Then along came Abe Shoenfeld and his vice squad, the Incorruptibles.

Dan Slater (Love in the Time of Algorithms) stumbled upon Shoenfield’s “reams of reportage and intelligence about the Jewish underworld of pre-World-War-I New York.” Combined with reporting from newspapers of the day, as well court cases, sales receipts, government findings and memoirs of those involved, Slater provides rich context for the setting the Incorruptibles hoped to reform. In a city plagued by abominable labor conditions in factories, the political machine of Tammany Hall and corruption blocking the path to justice, Shoenfeld’s homegrown vice squad was determined, against all odds, to be incorruptible.

Slater recreates the notorious stars of this underworld—the likes of dapper Arnold Rothstein, ruthless Big Jack Zelig and comically clueless gangster Louie Rosenberg—and the women in their shadows, some of whom, like Louie’s widow, Lily Rosenberg, kept their own notes. He also weaves in the critical impact of fomenting antisemitism throughout the country. The vices plaguing the East Side were being attributed to Jewish immigrants at large, rather than the small cabal of wealthy schemers and corrupt politicians. Slater shows how this metastasizing hatred of Jews foreshadowed Nazi Germany.

While the need for reform was an easy message to sell to the public, actually prohibiting popular illegal activities like gambling and prostitution proved hard. Working with a scrupulous lawyer named Harry Newburger and detective Joseph Faurot, whose technical acumen, like bridging telephone wires to listen in to private conversations, revolutionized criminal investigations, the Incorruptibles prompted The World to print on the front page: “BIGGEST GAMBLERS QUIT; BROADWAY SECTION CLEAN.”

If this was the sole substance of Slater’s book, it would be a singularly worthy read. Yet it is so much more. The Incorruptibles is a compelling crime story, colorful history and an ominous warning about antisemitism.

Dan Slater’s vibrant The Incorruptibles chronicles the homegrown vice squad that took down New York City’s most notorious turn-of-the-century gangsters.

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Recent Features

6 new true crime books recount chilling stories, minus the sensationalism.

Smothermoss

First lines: “It is happening again. Snow melts, the crust of frost cracks and heaves. Water sinks below ground, swelling channels. Sap rises. Wild garlic sprouts, arbutus creeps, and bloodroot quickens. Curved shoots of spotted skunk cabbage thrust toward the light.”

Read if you enjoyed: Starling House by Alix E. Harrow or Sisters by Daisy Johnson

Alisa Alering’s debut, Smothermoss, is a novel of violence, trust and the landscape of Appalachia. The mountains and hollows, the moss, quartz, water and trees are all painted in their full aliveness.

In the 1980s, Sheila, Angie and their mother are trying to figure out how to survive. Working long shifts at the asylum, their mother is rarely present, and while the two sisters share a small room, their diverging interests and ways of being make it hard for them to relate to each other. Sheila goes to work, she worries, she feeds the rabbits. Angie explores, she knows the neighbors, and she draws mysterious creatures on her own deck of tarot cards which almost seem to self-animate. Then two female hikers are murdered on the Appalachian Trail, and the murderer may not have left the area. The secrets of what happened hide in the landscape. Each scene builds in tension and a sense of wonder, surprising you with the direction these sisters’ future may take.

—Freya Sachs

 

Bright Objects

First line: “Barely an hour before my first death on a warm night in January 1995—when I blacked out in a crumpled Toyota south of a town called Jericho—a bright object was sighted somewhere in the constellation of Virgo, the sign of the maiden, not far from a star named Porrima, after the Roman goddess of prophecy.”

Read if you enjoyed: My Year of Rest and Relaxation by Ottessa Moshfegh or The Incendiaries by R.O. Kwon

A fatal accident, a cosmic visitor and a mysterious stranger all come together in a small Australian town in Ruby Todd’s dazzling debut, Bright Objects.

Young widow Sylvia Knight is recovering from the car accident that killed her husband and left her with serious injuries, both physical and psychological. Profoundly lonely, Sylvia works at the local mortuary, keeps her husband’s grave tidy and puts on a cheerful face for her mother-in-law, Sandy. But she is haunted by sketchy memories of the night of the accident.

When a rare comet appears, Joseph Evans, local meditation teacher and the heir of a wealthy family, sees the comet as a divine messenger and begins a series of mystical lectures that attract a cultlike following. He is eager to involve both Sylvia and Sandy, and Sylvia is distressed to see her mother-in-law drawn in by his promises. Wrestling with suicidal ideation, Sylvia finds her obsession with uncovering her husband’s killer pushing her to the edges of her sanity.

Bright Objects is a riveting literary thriller of obsession, vengeance and astronomy, but its most poignant gift may be its depiction of trying to make sense of life after tragedy.

—Lauren Bufferd

 

Pearl

First line:Adam and Eve and Pinch-Me Went down to the river to bathe. Adam and Eve were drowned Who do you think was saved?

Read if you enjoyed: Interesting Facts About Space by Emily Austin, or Wintering by Katherine May

Sian Hughes’ debut novel, Pearl, offers a coming-of-age story set in rural England, one that reverberates with grief and longing, but also a wry humor.

As the novel opens, narrator Marianne is taking part in an ancient mourning ceremony and fair called the Wakes in her home village in Cheshire. It’s a ceremony that Marianne always attends, one that leads her to ponder the loss of her mother. When Marianne was 8, her mother walked out into the rain one fall day, forever leaving behind Marianne and the rest of their family.

Pearl was longlisted for the 2023 Booker Prize, and is based in part on a medieval poem of the same title. Hughes, who is a poet herself, brings an attention to language and to the natural world that lends a beautiful vibrancy to her sentences. But there’s a droll sensibility here, too: Humor brightens grief-filled and difficult moments, such as an episode of postpartum psychosis. Pearl is also full of the gentle landscape and hallowed folklore of English village life, sometimes with a slightly gothic cast, and to that end, each chapter opens with part of a nursery rhyme or nonsense poem.

Hughes has written a tender debut novel which, at its end, brings the reader back around to the grown Marianne at the Wakes, imbuing the festival with a lovely, redemptive new meaning.

—Sarah McCraw Crow

 

Between This World and the Next

First lines: “Open your eyes. Empty your mind. What’s happening in the present will pass. This is what Song tells herself. It’s dark and hot and the middle of the night. Through the light that comes from the open door, she sees a bead of sweat on the tip of his nose.”

Read if you enjoyed: Age of Vice by Deepti Kapoor or Hunted by Abir Mukherjee

As Praveen Herat’s gripping debut political thriller, Between This World and the Next, opens, Joseph Nightingale, a British war photographer nicknamed Fearless after a moment of heroism during the Bosnian conflict, has accepted his old friend Alyosha Federenko’s invitation to Cambodia.

Federenko stashes Fearless at the Naga, a gathering place for the gangs and soldiers of fortune set loose upon the world after the collapse of the Soviet Union. One of the chilling pleasures of this book is Herat’s vivid, knowledgeable portrait of this threatening netherworld, from outposts like the Naga to breakaway states like Transnistria. Also at the Naga is Song, a young Cambodian woman enslaved as a cleaner. Song cares for the young children who are brought to the Naga by adult predators and whose gruesome abuse is recorded on video. The existence of one of these videos, handed off to Fearless, sets the elaborate plot rolling with increasing velocity.

The final chapters of Between This World and the Next are breathtaking in their descriptive power and imaginative reach, and the novel’s ending is very satisfying. But some threads still dangle and not all questions are answered—which makes one hope for a sequel.

—Alden Mudge

 

They Dream in Gold

First lines: “His pillow ruptures between her knees. Feathers plucked from the breasts of live geese burst into the darkness of the room. She watches them by the flashes of the storm’s lightning.”

Read if you enjoyed: Village Weavers by Myriam J.A. Chancy or True Biz by Sara Novic.

Playwright and director Mai Sennaar’s debut novel, They Dream in Gold, crackles. Her prose is elemental, flowing like a river at times, then burning like fire, heightening the reader’s senses until all five mingle into one.

Mansour, a child first of Senegal and then of the world, exudes music and wants to make his mark as a musician. Mama Eva, who raised Mansour and keeps her own secrets, aspires to culinary heights. And Bonnie, an only child raised by her grandmother, is entranced by Mansour’s sound on a demo CD before she ever meets him. They all have, as Sennaar writes, “a need for a life of wonder.” After Mansour goes missing while on tour in Spain, the lives of the women who love him are strung painfully taut as they wait for news: Back in her crumbling mansion in Switzerland, Mama Eva worries as she cooks for her long-awaited restaurant’s opening day, while pregnant Bonnie broods and paces.

They Dream in Gold wends from Mama Eva’s 1940s youth in Dakar to Bonnie and Mansour’s first meeting in 1960s New York City, to a Brazilian music festival in the middle of Carnival where Mansour’s star is born. Unreserved and confident, Sennaar’s piercing narrative voice reverberates through a novel pulsing with all the intensity it takes to compose a life and make it sing.

—Melissa Brown

These vibrant novels from first-time fiction writers grabbed our attention right from the opening lines.
best lifestyles books 2024
STARRED REVIEW

July 1, 2024

The best lifestyles books so far this year

Writing advice from Jami Attenberg, recipes from Black Appalachia, a guide to Japanese gift wrapping and more have delighted and inspired us in 2024.

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If you are the sort of person who can’t bear to part with sentimental objects—“That belonged to Mamaw!”—this book is for you. Packed inside The Heirloomist: 100 Heirlooms and the Stories They Tell are photographs and stories of 100 items belonging to everyday as well as famous people, including Gloria Steinem, Rosanne Cash and Gabby Giffords. Their treasures might be a Rolex watch or a Rolleiflex camera—or simply scribbled notes, ticket stubs and even a plateful of spaghetti and meatballs.

After becoming curator of her family’s important items, Shana Novak turned to other people’s stuff. Her photography and storytelling business, The Heirloomist, has documented over 1,500 keepsakes since 2015. No matter their financial value, she writes, “all are priceless, precisely because their stories will play your heartstrings like a symphony.” Take, for example, the daughter of a New York City firefighter who died on 9/11. Several years after that tragedy, she and her mother opened a toy chest and found an old Magna Doodle, on which her father had written: “Dear Tiana, I love you. Daddy.”

The Heirloomist is meant to be shared with loved ones, especially those who harangue you to declutter. They may even start rummaging through basement boxes with a freshly appreciative eye.

Shana Novak’s gorgeous, poignant The Heirloomist documents 100 treasures beloved by everyday and famous people.
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How complicated can breakfast possibly get? In Zao Fan: Breakfast of China, Michael Zee writes that the enormity of Chinese cuisine is “both terrific and terrifying”—and what is usually the simplest, smallest meal of the day is no exception. Yet Zee demonstrates a knack seldom seen in English-language cookbooks for succinctly yet fully conveying the vastness and complexity of Chinese cuisine throughout the delightful recipes featured in Zao Fan. From fried Kazakh breads to savory tofu puddings, Zee provides in-depth yet accessible insight into a thorough swath of breakfast foods.

Rarely does a writer’s passion for their subject matter leap as vividly as it does from these pages, which are chock-full of recollections of personal visits to restaurants and observations of traditional techniques. Zee accompanies the recipes with his own photos of the dishes in all their gorgeous mouthwatering glory—meat pies sizzling on a griddle, a bowl of Wuhan three-treasure rice, neat rows of Xinjiang-style baked lamb buns—which provide an authentic sense of immersion, as do his portraits of daily life in China. The neat, color-coded organization of the recipes into logical categories such as noodles and breads provides a remarkable sense of cohesion, making Zao Fan an absolute must for cooks across all skill levels.

Zao Fan collects traditional Chinese breakfast recipes in all their mouthwatering glory.

If Marie Kondo inspired you to change the way you fold T-shirts, then artist Megumi Lorna Inouye’s guide to creating beautiful gift-wrapping is for you. Inouye traces her passion for this art to memories of watching her mother care for the lovingly wrapped garments in her kimono chest. In Japan, Inouye tells us, wrapping is considered part of the gift itself, a way to show respect, gratitude and love. And if your skills are confined to sticking presents into a bag, never fear. With a focus on sustainability, Inouye provides step-by-step instructions for wrapping, often making use of recycled materials or natural objects: Even a broken, moss-covered branch can add beauty to a gift. The photographs here are as elegant as the text, and useful too. And while the book is aimed at adults, it’s possible to do most of these projects with kids. The Soul of Gift Wrapping: Creative Techniques for Expressing Gratitude, Inspired by the Japanese Art of Giving is more than a how-to guide: This gorgeous book is a reminder that gift giving can bring the givers themselves joy.

The Soul of Gift Wrapping is a gorgeous reminder that gift giving can bring the givers themselves joy.
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In her 60s, Lyn Slater, a professor of social work, became internet-famous for her fashion sense. In her memoir, How to Be Old: Lessons in Living Boldly From the Accidental Icon, she tells the story of riding that wave for a decade before deciding it was time for a move out of NYC and a life in writing. Now we can add Slater’s memoir to our essential texts that rethink aging in an image-centric world. Of her social media success, she writes, “Is it really about fashion embracing older consumers, or is it about valuing those individuals who have the capacity to adapt, remain relevant, and be comfortable with experimentation, reinvention, and an interest in culture and the world they live in? These are the folks who know what to make of a lucky accident when one happens to them. Perhaps it’s really not about age but about feeling starved by superficiality.” Mic drop.

In her memoir, "accidental icon" and fashion influencer Lyn Slater rethinks aging in an image-centric world.
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“I am the keeper of the stories, the writer, the one who has carried the stories in my apron for so many years,” writes Crystal Wilkinson in her culinary memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks. Wilkinson, a Kentucky native and author of several books of fiction and poetry, shares here the recipes and memories of her Black Appalachian forebears, including her grandmother who raised her. “I am always reaching back,” she writes, recalling her grandmother’s jam cake or imagining the life of a distant ancestor, Aggy, an enslaved woman who married her white enslaver’s son. Cooking a mess of dandelion greens, Wilkinson deepens the connection to her kitchen ghosts and reflects on the lean times her family encountered during the scarcity of winter. She finds delight and abundance in recipes for caramel cake, blackberry cobbler, sweet sorghum cookies, biscuits and cornbread. “I’ve always felt a power larger than myself while cooking,” Wilkinson reflects. We’re lucky that she’s sharing the power with us through this tender and important book.

Crystal Wilkinson’s tender Praisesong for the Kitchen Ghosts collects the memories and recipes of her Black Appalachian forebears.
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If you want to write a book, you need to know the name Jami Attenberg. A bestselling novelist and memoirist, Attenberg has gathered more than 30,000 followers for her #1000wordsofsummer project over the past several years. It’s a two-week online accountability sprint, during which she sends quick pep talks—her own and those of author friends—to motivate legions of fellow scribes, who in turn lift each other up online. Her latest book, 1000 Words: A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round, collects and distills that project into a motivational volume every writer should keep close at hand. Wise and frank words from heavy-hitters such as Ada Limon, Deesha Philyaw and Min Jin Lee, and from Attenberg herself, serve to drown out the harsh inner critic, the constant external static and the crushing doubt that threatens to derail any big creative undertaking. It’s like being at a writing retreat with some of the best contemporary authors on the planet.

Bestselling novelist and memoirist Jamie Attenberg collects and distills her #1000wordsofsummer project in a wise and frank new book.

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Writing advice from Jami Attenberg, recipes from Black Appalachia, a guide to Japanese gift wrapping and more have delighted and inspired us in 2024.
STARRED REVIEW

June 12, 2024

5 books that dads will love

Dads are notoriously difficult to shop for. For Father’s Day, we recommend five dad-worthy history books, including the latest from Erik Larson, a biography of John Lewis, the story of the space shuttle Challenger and more.

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Adam Higginbotham’s international bestseller, Midnight in Chernobyl, chronicled the disastrous 1986 nuclear reactor explosion in Ukraine that was caused by a Soviet program plagued with a toxic combination of unrealistic timelines and dangerous cost cutting. His new book, Challenger: A True Story of Heroism and Disaster on the Edge of Space, describes a surprisingly similar catastrophe that very same year, this time at the hands of NASA: the explosion of the space shuttle Challenger that killed all seven people aboard. Hefty, compelling and propulsive, Challenger overflows with revelatory details.

Reading this book is like watching a train wreck unfold in slow motion. One can’t help but hear a drumbeat of dread while getting to know the astronauts—Christa McAuliffe, Gregory Jarvis, Ron McNair, Ellison Onizuka, Judith Resnik, Dick Scobee and Michael Smith—and their families. Details will stay with readers long after they close the book: McAuliffe’s appearance on The Tonight Show, her husband’s increasing anxiety at launch time, the horror and disbelief of the families as they watch their loved ones die, the grim details of the recovery efforts and the attempts of professionals both to warn against the mission and to bring to light why it failed.

Among the latter is engineer Roger Boisjoly, who, over a year before the explosion, wrote a memo voicing fears to senior management, stating, “It is my honest and very real fear that if we do not take immediate action . . . we stand in jeopardy of losing a flight along with all the launch facilities.” Unbelievably, in the hours just before the mission commenced, Boisjoly and a team of 13 other engineers unanimously advised against the launch, yet their concerns were not even voiced up the command chain. After the explosion, physicist Richard Feynman sought to bring clarity to the commission tasked with investigating the tragedy. The scientist noted that “the management of NASA exaggerates the reliability of its product to the point of fantasy.”

Higginbotham excels at delineating not only the science, technology and history of NASA’s Space Shuttle program, but also the bureaucratic snafus and mismanagement that led to the catastrophe, including economic pressures and a nonstop race to get people into space. As with Midnight in Chernobyl, Challenger proves Higginbotham is a master chronicler of disasters, demonstrating an unflinching ability to pierce through politics, power and bureaucracies with laser-sharp focus.

Challenger proves Adam Higginbotham is a master chronicler of disasters, piercing through politics, power and bureaucracies with laser-sharp focus.
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There’s no such thing as a spoiler alert when a story’s subject is taught in most every American history class across the country. Injecting hold-your-breath suspense into a narrative history, particularly one in which we already know the story’s ending, is a task that Erik Larson has mastered. In the Garden of the Beasts took on Nazi Germany on the cusp of war; The Splendid and the Vile explored Winston Churchill’s stewardship of under-siege England. In his new book, The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War, Larson turns his attention to the immediate aftermath of the election of Abraham Lincoln and the unlanced boil where the war began: Fort Sumter.

Larson covers just a few months of American history—but perhaps the most consequential few months. Lincoln, Jefferson Davis and other well-known figures from the period play key roles, but so too do a British journalist on assignment, a young private stuck in the besieged fort and a Southern society woman watching the events unfold. They aren’t key characters in the grand arc of the Civil War or the country’s history, but they did write a lot down. Their accounts help Larson propel the narrative without relying entirely on the stories of people who have already been the subject of hundreds or thousands of other books.

There are obvious parallels to the current moment: a refusal to accept the results of a presidential election, threats to march on the Capitol, a tendency toward civility and appeasement in the face of existential threat and other more subtle links to the present. Some of the connections are unavoidable and necessary; others, Larson perhaps injects as a result of recency bias.

Even after a century and a half of books about the subject, it remains remarkably unclear what course of action key figures should or could have taken to avoid America’s bloodiest war. Maybe we’ll never figure that out, but The Demon of Unrest is a damn good read.

In The Demon of Unrest, Erik Larson crafts a tale of hold-your-breath suspense about the crucial three months leading up to the Civil War.
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June 1939: British naval sub HMS Thetis sinks in sea trials. Ninety-nine people die. August 1942: Allied forces raid the coastal town of Dieppe in German-occupied France. Thousands are killed, captured or wounded, in part because coastal scouting was minimal. September 1942: British-manned torpedoes attack German battleship Tirpitz. All crewmen are captured or killed. Catastrophes have a way of concentrating the mind: Do it right next time. Luckily for the Allies in World War II, a group of scientists in London risked their lives in secret pressure chamber “dives” to give future underwater and amphibious missions better odds.

Author Rachel Lance is a biomedical engineer and blast injury specialist who has worked on underwater equipment for the U.S. Navy, making her unusually suited to unveil the forgotten story of these scientists in Chamber Divers: The Untold Story of the D-Day Scientists Who Changed Special Operations Forever.

Their project at University College London was led by J.B.S. Haldane, a brilliant, annoying eccentric who hired scientists shunned by others, among them Jewish refugees, women and Communist sympathizers. As the bombs in the Blitz exploded around them, these scientists subjected themselves again and again to dangerous pressure in chambers that simulated deep underwater dives in order to design more effective breathing equipment for submarine crews, frogmen and torpedo riders.

Relying on their experiment notes, Lance takes us inside the metal tubes where scientists suffered life-threatening injuries. She explores their backgrounds and relationships, which included a love affair between Haldane and research colleague Helen Spurway. And she ranges throughout combat zones to show us the dangers of underwater action, from the perspective of individual combatants on both sides. But Lance’s singular strength is her lucid explanations of the complex science behind the experiments, making it accessible to untrained readers. Lance also uncovers the combination of official secrecy, prejudice against outsiders and bureaucratic skullduggery that obscured this story until now.

Lance begins her book with the Dieppe disaster and ends with D-Day—an Allied triumph that might have gone badly wrong without the chamber divers’ dedication and resilience. Chamber Divers is a necessary reminder that not all war heroes were on the front lines.

In Chamber Divers, Rachel Lance uncovers the Navy scientists who risked their lives to improve the odds of underwater and amphibious missions in World War II.
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With its near 500-page count and robust endnotes, The Achilles Trap: Saddam Hussein, the C.I.A., and the Origins of America’s Invasion of Iraq might at first glance scare off readers who haven’t sniffed a textbook in years. But thanks to Steve Coll’s crisp and dynamic prose, what’s between the covers feels little like an academic tome.

Despite appearances, The Achilles Trap is not really an Iraq War book (just as Lawrence Wright’s The Looming Tower is not really a 9/11 book). Yes, you get there eventually, but Coll, like Wright, has more to say about the years leading up to that cataclysm. The narrative details Saddam’s upbringing, rise to power and entrenchment as a key strongman in the Middle East, sometimes allied with the United States and sometimes its biggest pain in the ass—and sometimes both at the same time.

In the two decades since the American invasion of Iraq began, Saddam Hussein has become a sort of caricature. Here, Coll reintroduces the dictator to an audience that has either forgotten his nuances or never knew them. There is unimaginable cruelty, family drama and even comedy—like when Saddam sets out on a career as a historical romance novelist just a few years before his death.

Coll, the Pulitzer Prize-winning author of Ghost Wars and a longtime journalist for The New Yorker and The Washington Post, has a special combination of mostly unrelated skill sets that eludes so many narrative nonfiction writers: He’s a groundbreaking reporter and researcher who is able to uncover new information in a tightly wound arena, but also a deft stylist with a natural gift for both narrative structure and fluent yet surprising writing. Like a baseball player who can both pitch and hit with the best, the rare union places Coll at or near the apex of the craft.

Detailing Saddam’s own cruelty does not mean Coll lets the U.S. off the hook, though. Sprinkled among what is at times a tense political thriller are scenes of astounding myopia, hubris, miscommunication, dark hypocrisy, betrayal, stupidity, cruelty and violence of our own. Though the events of The Achilles Trap concluded 20 years ago, there are few better roadmaps to where American foreign policy in the Middle East has ended up today.

With agile prose, groundbreaking reporting and narrative splendor, The Achilles Trap is a gripping history of the Iraq War.

Like his mentor Martin Luther King Jr., John Lewis had a dream. Amid the turmoil and violence of a segregated South and a nation embroiled in the struggle for racial reconciliation, Lewis envisioned and championed what he called a “Beloved Community” in America, “a society based on simple justice that values the dignity and the worth of every human being.” In his captivating John Lewis: In Search of Beloved Community, Raymond Arsenault narrates the mesmerizing story of Lewis’ evolution from a Civil Rights activist to an eminent congressman who never lost sight of his vision for a just and equitable society.

Drawing on archival materials and interviews with Lewis and his friends, family and associates, Arsenault traces Lewis from his childhood in Troy, Alabama, where he daily witnessed the indignities and violence of racial segregation. Steeled and inspired by the Montgomery Bus Boycott, he entered American Baptist Theological Seminary in Nashville, Tennessee, and began his storied activism in earnest. Lewis and his contemporaries incorporated the principles of rightness and righteousness—what their teacher James Lawson called “soul force”—with methods of nonviolent resistance. Arsenault documents Lewis’ participation in the Freedom Rides, the Student Nonviolent Coordinating Committee, the Selma to Montgomery marches and his advocacy for the Voting Rights Act. After King’s 1968 assassination, Lewis’ optimism turned to despair; he had a feeling, Arsenault writes, that “maybe, just maybe, we would not overcome.”

But that didn’t last. Elected to Congress in 1986, Lewis went to Washington with a legacy to uphold and a commitment to carry on the spirit, goals and principles of nonviolence and social action. He was always disillusioned by self-serving politicians and their infighting, and he devoted his career to building coalitions among opponents. In a 2020 speech, Lewis uttered the remarks that cemented his legacy: “We cannot give up now. We cannot give in. . . . Go out there, speak up, speak out, get in the way. Get in good trouble, necessary trouble.”

With John Lewis Arsenault offers the first comprehensive biography of the icon and serves as a fitting bookend to Lewis’ own autobiography, Walking With the Wind. The work provides an inspiring portrait of a man whose vision and moral courage propelled him to share his belief in the Beloved Community and inspire generations.

Raymond Arsenault’s mesmerizing biography of John Lewis chronicles the life of the Civil Rights icon and congressman whose vision of a just and equitable society has inspired generations.

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Dads are notoriously hard to shop for. For Father’s Day, we recommend five dad-worthy history books, including the latest from Erik Larson, a biography of John Lewis, the story of the space shuttle Challenger and more.

What are your bookstore rituals? For example, where do you go first in a store?
I go first to the new in paperback section. I love the feel and heft of a paperback as well as its affordability and convenience. I also love reading staff recommendations, even for books that I’ve read before. It’s always fun to see where opinions align or diverge. 

Tell us about your favorite library from when you were a child. 
My favorite library as a kid was the Shanghai Library. It’s on the same subway line as my family apartment, so it was always convenient to access. You had to arrive early to secure a study desk, but once you’d secured it, it was yours for the rest of the day. And the canteen on the ground floor had plenty of cheap but delicious and healthy meals. 

While researching your books, has there ever been a librarian or bookseller who was especially helpful, or a surprising discovery among the stacks? 
When I was 13, I discovered a new favorite novel by chance—when a librarian accidentally shelved the wrong book to be placed on hold for me. The book was most likely adult, so some of the more mature content was a bit of a surprise for me, but at the same time, it opened my eyes to all adult themes of the world beyond my bubble. I learned about betrayal and suffering and hurt beyond forgiveness. I remember reading this book in one breathless sitting, then rereading the book again the very next day. Experiences like this made me want to become a writer, to touch someone’s life in such a tangible way. 

“My special talent is balancing a coffee, sunglasses and several books all in one hand.”

Do you have a favorite bookstore or library from literature? 
One of my favorite books that I read as a child was The Shadow of the Wind by Carlos Ruiz Zafon. In the novel there is a hidden library in Barcelona, Spain, called the Cemetery of Forgotten Books, which of course inspired all sorts of daydreams of mine of stumbling upon secret magical libraries hidden within the cities I grew up in. 

Do you have a bucket list of bookstores and libraries you’d love to visit but haven’t yet? What’s on it? 
Yes! I’ve always wanted to visit the Mill Valley Library in Northern California, which is a sunlit library within the woods, as well as the Beitou Branch Library in Taipei, Taiwan, which is Taiwan’s first green library and is absolutely gorgeous. 

What’s the last thing you checked out from your library or bought at your local bookstore?
Half a Lifelong Romance by Eileen Chang. She’s been recommended to me over a dozen times, but I’m only now getting into her work! 

How is your own personal library organized?
I once tried to organize my books by spine color before realizing I could never find anything I was looking for and it drove me bananas. Now they’re organized by genre and theme, with my favorite covers facing out. 

Bookstore cats or bookstore dogs? 
Bookstore cats! I’m more of a dog person when it comes to the outdoors, but for bookstores, cats perfectly fit the vibe. 

What is your ideal bookstore-browsing snack? 
I love a good iced Americano while browsing. My special talent is balancing a coffee, sunglasses and several books all in one hand.

The author of The Night Ends With Fire, a new fantasy romance inspired by the legend of Mulan, shares her bookstore habits and favorite library memories.

What are your bookstore rituals? For example, where do you go first in a store?
I am a sucker for the display tables. I love to browse through the latest releases and staff picks, searching especially for books that haven’t yet come to my attention from another source. After that I tend to make a beeline for the paper products that are the standard equipment of this writer’s life: notebooks, pens, rulers, erasers. I’m forever on the lookout for the “perfect” pen, eraser, pencil bag—you name it. After these two basic needs are met, I trawl the history, mythology and nonfiction sections, which are my preferred genres. Final stop is always the cookbook section, because those books are heavy and I always want more than I can carry.

Tell us about your favorite library from when you were a child. 
The Montgomery County Library Bookmobile. It came once a week to a retail parking lot, opposite the elementary school I attended, that was pitted with potholes. It was in this rolling paradise, at the ripe age of 8 years old, that I was introduced to the interlibrary loan request. My elementary school librarian, Kay Wersler, taught me how to scour books for hints on other books to read and request them through the Bookmobile. I still remember the sound of the running engine, the climb up the stairs, the small selection of books to browse and the patient librarian who did not bat an eye when I asked for 19 biographies of Henry VIII.

“There are so many ‘lost’ treasures on the shelves of libraries all over the world.”

While researching your books, has there ever been a librarian or bookseller who was especially helpful, or a surprising discovery among the stacks? 
How much space do we have? As an academic who has been doing research since age 8 (see above), it would be far easier to tell you the librarians who weren’t especially helpful (exactly zero). I am enormously fond of the rare books and manuscripts librarians all over the world, but especially at the Bodleian Library and the British Library because I have relied most heavily on their collections. I owe an eternal debt of gratitude to the wise and generous former Keeper of Rare Books at the Bodleian, Julian Roberts, who was very kind when I discovered a John Dee book was missing from his collection and helped me locate another copy. This gave me something of a reputation in the academic community for finding strange items lurking in library collections—not only missing books but also a 16th-century bladder stone kept in a metal tube!

Book jacket image for The Black Bird Oracle by Deborah Harkness

Do you have a favorite bookstore or library from literature? 
Marks & Co Antiquarian Booksellers, made famous in Helene Hanff’s 84 Charing Cross Road. I thought all English bookstores were like this one, and discovered to my enormous delight that they were still common in the England of the 1980s, when I visited the country as a solo traveler for the first time.

Do you have a “bucket list” of bookstores and libraries you’d love to visit but haven’t yet? What’s on it? 
It is my great dream to shelf read every collection of rare books and manuscripts in the world. This is, of course, not possible, but it is telling that it’s not a particular item or location that attracts me, but the ability to draw books down from the shelves and glance through them looking for interesting notes and marginalia. I include all local public libraries with historical materials in this count, by the way. There are so many “lost” treasures on the shelves of libraries all over the world. I love bringing them to light for their librarians and patrons.

What’s the last thing you checked out from your library or bought at your local bookstore?
The last book I bought was at Moonraker Books on Whidbey Island, Washington. I went in to say hello to Josh Hauser and browse her impeccably curated selection of nonfiction and found a copy of The Connaught Bar: Cocktail Recipes and Iconic Creations by Agostino Perrone, Giorgio Bargiani and Maura Milia. Two of my favorite places collided there by the sea, as I have spent many happy hours in the care of Agostino, Giorgio and Maura (who has moved on to her next adventure now). I took a copy back to the house to inspire future celebrations.

How is your own personal library organized?
By subject. It’s a working library, so there is none of this color-coding or last name malarkey. Give me a subject heading and I’m happy! My cookbooks are even organized this way. 

Bookstore cats or bookstore dogs? 
Yes. And if there are bookstore horses, please let me know the address of the shop because I will be making a stop soon. With carrots.

What is your ideal bookstore-browsing snack? 
I hope you mean post-browsing snack! If so, then it is a cup of tea with milk and honey, and a small pastry of some sort. Madeleines, if they have them, an ordinary shortbread biscuit or chocolate chip cookie if they do not. Coffee walnut cake if I am in England and it is autumn. British bookstores have brilliant little cafes tucked into their corners where you can sit with your pile of books and a nibble before heading back home with your new treasures.

The author of the bestselling All Souls series reveals her bookshelf organization principles and sings the praises of the interlibrary loan.
STARRED REVIEW
July 1, 2024

A trio of chill-inducing summer thrillers

Ghosts haunt the pages of this summer’s best thrillers: figures out of memory, history and—just maybe—the Great Beyond.
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Ghosts haunt the pages of this summer’s best thrillers: figures out of memory, history and—just maybe—the Great Beyond.

Broken Harbor

In addition to her beautiful language and intricately constructed characters, one of Tana French’s great skills is her knack for an evocative setting. Think the deceptively quaint mountain village of Ardnakelty in The Searcher and The Hunter, or the siren call of cozy, idyllic Whitethorn House in The Likeness. But Broken Harbor is perhaps French’s finest achievement in terms of the setting as microcosm for the work at large. A luxury seaside development, Brianstown was supposed to represent the ultimate in upper-middle-class achievement for the Spain family, most of whom were murdered in their home by an unknown intruder. But a burst housing bubble left Brianstown’s construction only halfway completed: The neighborhood looks more like the decrepit cityscapes of Inception than the idyllic capitalist dream on the brochure, and instead of being part of a thriving community, the Spains were some of the only inhabitants of the urban equivalent of a sandcastle disintegrating on the beach. Things get even eerier when you get inside their house, which is literally full of holes, some of which have baby monitors placed next to them. There is an answer as to what the Spains were looking for, but the point is that they couldn’t stop searching, that materialistic striving can so quickly turn into paranoia, even as the walls literally crumble around you.

—Savanna, Managing Editor

Still Life

Still Life, the first mystery in Louise Penny’s beloved Armand Gamache series, draws Chief Inspector Gamache of the Sureté du Québec to Three Pines, a remote village in the mountains of Québec, whose eclectic residents cherish their solitude. What more does one need than a bistro owned by a lovable gay couple, a solid boulangerie, a musty used bookstore and a volunteer fire department headed by a misanthropic old poet with a penchant for cursing out her adoring neighbors? Here, one of these neighbors is found dead in the forest—a hunting accident, say the authorities, as one does when death visits a woman in the woods. Rather than view Three Pines as a backwater town that time forgot (even connecting to the internet becomes a plot point), the morals-driven leader and ruthlessly clever Gamache is eager to get to know a community that is much more than the sum of its parts. As seen through his eyes, readers will be taken by the wholesome charms and stark beauty of the village, despite murder after murder occurring in the next 17 books of the series. The audiobook, read by the exceptional Ralph Cosham, is as delicious as the bistro’s warm ham and brie baguette. 

—Erica, Associate Editor

The Secret History of Twin Peaks

Speaking as a born-and-raised Washingtonian, there’s no place like the Pacific Northwest. In particular, there’s no place like the Pacific Northwest for setting a mystery. There’s something about the towering old-growth Douglas firs and the ever-present mist and drizzle that makes a cup of good diner coffee and a great slice of pie that much more comforting—and makes an unsolved case that much more bone-chilling. If you haven’t had the pleasure of experiencing the eerie beauty of western Washington in person, Mark Frost and David Lynch’s Twin Peaks will just about transport you there. And if you’re a super fan who’s already seen every episode more than once, you can move on to Mark Frost’s book The Secret History of Twin Peaks. It’s written as a dossier compiled by a mysterious “Archivist” with commentary from the FBI agent assigned to review the file and determine the Archivist’s identity. The photos, newspaper articles and journal entries begin in the 1800s and continue through the action of the TV series in 1989. Read it to feel a misty northwestern chill creep up your spine.

—Phoebe, Associate Editor

House of Roots and Ruin

The sequel to Erin Craig’s House of Salt and Sorrows, House of Roots and Ruin is a story of introspection, deception and supernatural enigmas. Verity Thaumas has struggled to find her place in the shadows of her successful older sisters, especially Camille, the duchess of their family estate, Highmoor. When Verity is offered a job from the Duchess of Bloem to paint a portrait of her son, Alexander, Camille panics and confesses that Verity sees ghosts and can’t differentiate them from real people, making her a liability to the family name if she were to go out on her own. Consumed with doubt, fear and resentment, Verity flees Highmoor later that night. With nowhere to go, she makes her way to Bloem, an ethereal region of lush scenery and bright colors; it’s a stark difference from the salty, dreary mood of her homeland. But it doesn’t take long for the dreamy Bloem estate, Chauntilalie, to expose its dark side, from Duke Gerard’s poisonous botanical experiments to the ghosts stuck in a time loop. Amid her growing love for Alexander, Verity confronts the challenges of her new home, all while trying to keep her abilities hidden. But if Verity isn’t careful, she might not only reveal her identity, but also uncover family secrets that could threaten Chauntilalie as a whole. Readers will relish how Craig juxtaposes eerie details with her extravagant setting in this gothic, fantastical and romantic story.

—Jena, Sales Coordinator

All good mysteries must have a fiendishly compelling plot, but truly great mysteries place their central puzzle in an equally fascinating setting.
STARRED REVIEW
June 19, 2024

The best SFF novels of 2024—so far

The year’s biggest trends so far appear to be water, the perils of bureaucracy and Villains Who Are Good, Actually.
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Book jacket image for Fathomfolk by Eliza Chan

Fathomfolk

Set in a city that’s half aboveground and half underwater, Eliza Chan’s Fathomfolk pairs fantastical races and real-world politics.
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Book jacket image for Cascade Failure by L.M. Sagas

Cascade Failure

Cascade Failure is a tear-jerking story of a shambly spaceship crew who process their painful histories on the way to saving the galaxy.
Read more
Someone You Can Build a Nest In by John Wiswell book jacket

Someone You Can Build a Nest In

Horrific and fun, bloody and sweet, Someone You Can Build a Nest In is a deliciously dark fantasy romance starring a shape-shifting monster.
Read more
The Ministry of Time by Kaliane Bradley jacket

The Ministry of Time

A fantastical combination of time-travel novel, spy thriller and slow-burn romance, The Ministry of Time uses its fish-out-of-water story to explore cultural identity and the ...
Read more
letterluminousdeep

A Letter to the Luminous Deep

A whimsical yet emotional fantasy, Sylvie Cathrall’s A Letter to the Luminous Deep is a delightful, oceanic twist on epistolary romances and dark academia.
Read more

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Recent Features

The year's biggest trends so far appear to be water, the perils of bureaucracy and Villains Who Are Good, Actually.
STARRED REVIEW
June 26, 2024

The 11 best SFF novels of 2024—so far

The year’s biggest trends so far appear to be water, the perils of bureaucracy and Villains Who Are Good, Actually.
Share this Article:
Book jacket image for Fathomfolk by Eliza Chan

Fathomfolk

Set in a city that’s half aboveground and half underwater, Eliza Chan’s Fathomfolk pairs fantastical races and real-world politics.
Read more
Book jacket image for Cascade Failure by L.M. Sagas

Cascade Failure

Cascade Failure is a tear-jerking story of a shambly spaceship crew who process their painful histories on the way to saving the galaxy.
Read more
Someone You Can Build a Nest In by John Wiswell book jacket

Someone You Can Build a Nest In

Horrific and fun, bloody and sweet, Someone You Can Build a Nest In is a deliciously dark fantasy romance starring a shape-shifting monster.
Read more
The Ministry of Time by Kaliane Bradley jacket

The Ministry of Time

A fantastical combination of time-travel novel, spy thriller and slow-burn romance, The Ministry of Time uses its fish-out-of-water story to explore cultural identity and the ...
Read more
letterluminousdeep

A Letter to the Luminous Deep

A whimsical yet emotional fantasy, Sylvie Cathrall’s A Letter to the Luminous Deep is a delightful, oceanic twist on epistolary romances and dark academia.
Read more

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Recent Features

The year's biggest trends so far appear to be water, the perils of bureaucracy and Villains Who Are Good, Actually.
STARRED REVIEW
July 15, 2024

3 picture books to inspire a garden

These plant-filled offerings will have you wanting to spend your summer digging in the dirt.

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Growing up in Venezuela, Paola Santos hated having to clear the rotten fruit from beneath her family’s four mango trees, a chore that resulted in an early resistance to this delicious fruit. Her picture book debut, How to Eat a Mango, reclaims this experience with joy through the eyes (and ears, nose and mouth) of young Carmencita as she works with and learns from her Abuelita. Like the author, Carmencita doesn’t like the work of picking mangoes and thinks she also dislikes the fruit—until Abuelita explains, “There’s more to a mango, mi amor,” and teaches her the five steps of enjoying one. Abuelita takes Carmencita on a journey through all her senses and encourages a sense of gratitude towards the abundant goodness of the world around her.

That journey is told in lyrical language, beginning with, “Uno, we listen,” as the mango trees “whistle stories of sunrays and rain and those under its shade.” Juliana Perdamo’s accompanying illustrations are full of life and warmth and color, and combine with the writing to create a lush story that encourages young readers to tune in—with all their senses—to the many gifts nature has to offer. Simultaneously lively and meditative, How to Eat a Mango would make an excellent choice to teach kids about mindfulness. It is no quiet book, however; sensory experiences explode on each page, and young readers will appreciate the way Carmencita connects the mango to her own life: “Mangoes grow up! When I teach Carlitos to get dressed, I feel like a big kid.” Through it all, Santos weaves in the youthful wonder that she resisted as a child, explaining in an author’s note that, now that she lives in Canada, mangoes “embody my desire to go back in time and tell my younger self to pay attention.” With its simultaneous publication in Spanish, this gentle book will remind all its readers, young and old, of the joys of thoughtful attention.

Simultaneously lively and meditative, How to Eat a Mango would make an excellent addition to any series on mindfulness. It is no quiet book, however: Sensory experiences explode on each page.
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Prunella tells the story of a young girl who develops a passion for unusual and often unloved plants, but struggles to find her place with other kids. Bestselling author Beth Ferry partners with artist Claire Keane to create a picture book with a color palette and style as unique as Prunella herself. From the cover through every page, the illustrations root Prunella in a lush but heavily shaded green space, populated by such “persnickety plants” as the obscure bladderwort, the better-known Venus flytrap or even the familiar yet hated poison ivy, with brief scientific descriptions accompanying drawings of each plant on the book’s endpapers. Readers are introduced to Prunella as an infant, child of two master gardeners and born with a purple—rather than the customary green—thumb. As she grows, her fascination with strange plants grows along with her, and though her parents “didn’t always understand Prunella’s choices . . . they completely understood her passion. And they fueled it!” 

Though Prunella has the unconditional support of her family, making friends does not come easily for her, and she takes solace in her garden. Despite its comforts, she feels left out until the day her neighbor Oliver (and soon his sister Clem) arrives, which plants “a tiny, hopeful friend-shaped seed.” Ferry makes use of nature-related words to tell this sweet story of finding your place, noting the “bouquet of botanists” and the group of young scientists who “wormed their way into Prunella’s heart.” To bring this world fully to life, Keane draws on a varied set of visual tools, sometimes breaking the page into vertical or horizontal segments like soft-edged comics panels and other times spreading out across two pages with rich and exuberant drawings. Besides the plant life, Keane is especially skilled at rendering facial expressions, giving visual voice to each character even if they never speak. Couple Ferry’s clever wordplay with Keane’s detailed illustrations, and you’ve got a book that is sure to resonate with young readers, especially those who have ever felt they didn’t fit in.

Couple Beth Ferry’s clever wordplay with Claire Keane’s detailed illustrations, and you’ve got a book that is sure to resonate with young readers, especially those who have ever felt they didn’t fit in.
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In Garden Glen, every building is the same except for the “tumbledown house” that now belongs to Millie Fleur La Fae and her mother. The barren yard needs some love, so Millie decides to fill it with her favorite poisonous plants: sore toothwort, fanged fairymoss, tentacled tansy and a dozen other curious flowers and herbs.

Unused to something so new and weird, the people of Garden Glen protest outside Millie’s fence, but Millie and her mother know that the garden is just misunderstood. Millie invites her new neighbors to tour the garden, where they find themselves “astonished,” “grossed out” and “at times, a little nervous.” Can Millie’s neighbors learn how charming her creepy plants can be?

Time to throw away summer plans: Kids will want to spend all their time digging in the dirt after reading Millie Fleur’s Poison Garden. This charming picture book from author-illustrator Christy Mandin (The Storytellers Rule) pays homage to classic and beloved creeps like those featured in Frankenstein and The Addams Family while simultaneously creating its own—in the form of original plants. From curdled milkweed to witches wort, the abundant puns are sure to please kids who love a joke, as well as those who enjoy fantastical imagery.

The heart of Millie Fleur’s Poison Garden is, of course, Millie Fleur. Young readers will leave inspired by Millie’s refusal to hide what she loves, no matter how weird it may be. Backmatter includes information on different easy-to-care-for plants and the real history of poison gardens. This plant-filled tome will be a great pick for parents and teachers looking for an educational moment on embracing identity and rebuking bullying, or a quirky gardening lesson.

Millie Fleur’s Poison Garden is made for the oddballs, who will love it. Pair with Flavia Z. Drago’s Gustavo the Shy Ghost and Jess Hannigan’s Spider in the Well.

Time to throw away summer plans: Kids will want to spend all their time digging in the dirt after reading Millie Fleur’s Poison Garden.

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July 16, 2024

Something old, something new: 3 bold new SFF retellings

Arthurian legend, Peter Pan and The Chronicles of Narnia serve as inspiration for three fresh, ambitious new fantasy novels.

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Arthur is dead and the Round Table lies shattered in The Bright Sword by Lev Grossman, author of the bestselling Magicians trilogy. The story begins with Collum of the Isle of Mull, a character who does not appear in Arthurian legend, embroiled in a duel with an unnamed knight. The knight spits uncouth insults about Collum’s mother, and at the end of their brawl, Collum makes his first (extremely messy) kill of the book. This resolution to a duel outlines how most plot points are resolved in The Bright Sword: Someone inevitably dies, and no one is happy.

Once Collum gets to Camelot, none of the remaining knights are particularly happy either. After a few chapters about Collum, a new knight of the Round Table is introduced, and, as if remembering the reader may not know anything about this person, Grossman suspends the main story to relate how the knight arrived at Camelot. These consistently shifting perspectives, combined with an extremely loose approach to time and distance, creates a dreamlike vibe, suggestive of a story told around a campfire by a narrator who keeps getting distracted. Those with little patience will likely find The Bright Sword frustrating, but readers willing to savor the book over many nights will find each chapter a neatly arranged, miniature adventure of its own.

Traditionally minimal side characters in the story of Arthur—like Sir Bedivere, Sir Palomides and even Dagonet the Fool—receive intricate, deep backstories that erase the mythological buildup around each figure, viewing them instead in a far more human and often more modern light. In many older tales, Palomides is a Middle Eastern stereotype, used entirely as a foil to elevate Sir Tristan’s status as an honorable and just knight. But in Grossman’s story, Palomides is a prince and explorer who is wildly misunderstood by his knightly peers, with his own journey of self-discovery and growth.

At once full of desperate hope and grievous loss, The Bright Sword is a moody reflection on Arthur’s tale. This saga is not marked by optimism, but instead a dignified cynicism. Collum and his endearing band of Round Table Rejects (album out soon) simply live and persevere, knowing that if they do not try to bring peace to the now-fractured Britain, no one else will.

At once full of desperate hope and grievous loss, Lev Grossman’s The Bright Sword is a moody reflection on the tales of King Arthur and the Round Table.
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As teens, best friends Jeremy Cox and Rafe Howell disappeared into a stretch of West Virginia wilderness known as Red Crow. They reappeared six months later, perfectly healthy and fit save for a series of scars on Rafe’s back. Fifteen years later, the two men are estranged. Rafe is an artistic recluse with no memory of their time away, and Jeremy is a preternaturally gifted missing persons investigator. Rafe knows that Jeremy remembers the truth of what happened, but Jeremy has long refused to reveal a single detail. When a young woman named Emilie Wendell tasks Jeremy with finding her birth sister—who coincidentally also disappeared in Red Crow—Jeremy knows that he’ll need Rafe’s help to find her.

Meg Shaffer’s The Lost Story is a gorgeously wrought tale of yearning, grief and hope. Taking heavy inspiration from C.S. Lewis’ The Chronicles of Narnia, Shaffer imagines what life would be like after a magical world changes you forever and then sends you home. Would you be Rafe, whose subconscious wants so desperately to return that he tries to drive to Red Crow in his sleep? Or Jeremy, who can remember every moment, but clearly has very strong reasons for not sharing them with Rafe? Or would you be the one left behind, who never knew what happened to your loved ones and could only hope that one day they’d return? The Lost Story gives us a window into all of these perspectives, depicting each with compassion without sacrificing a whit of drama. Layered atop it all, a delicious smattering of meta-narrative keeps the story feeling less like a tragedy and more like the warmhearted fairy tale that it is, reminding us that there is likely a happy ending (at least of sorts) waiting for us at the end of it all.

A spiritual epilogue to C.S. Lewis’ The Chronicles of Narnia, Meg Shaffer’s The Lost Story explores what happens after you return from a magical realm.

In a world full of Peter Pan reimaginings and remakes, P.H. Low’s These Deathless Shores stands apart. This evocative, thrilling flight follows Jordan, a 22-year-old woman who was once one of Peter Pan’s loyal Lost Boys. It’s been nine years since she and Baron, her childhood friend, were exiled from Peter’s Island. Both have tried to make a life in San Jukong, a sprawling city reminiscent of Southeast Asian metropolises, but Jordan’s been in withdrawal from Tinkerbell’s Dust ever since she left the Island and has become addicted to a drug called karsa in order to cope with her symptoms. Jordan decides to return and steal Tinkerbell in order to gain an unlimited supply of Dust, and drags Baron along on the perilous journey. But when sinister truths are revealed about Peter’s machinations, Jordan sets her sights on a new goal: revenge. 

Low’s world building is lush and detail-laden, and they fully immerse readers into San Jukong and later Peter’s island, to the point that readers are sometimes left feeling as if they’re paddling to keep their heads above water. However, Baron and Jordan’s profound connection provides an emotional foundation. While Baron is content to forget Peter, Jordan knows that he will follow her to the ends of the earth to honor the bond they forged while masquerading as twins on the island. With each delicious and devastating twist, Low makes clear that the traditional archetypes of heroes and villains have been flipped on their head in this telling, especially when it comes to Jordan (who just so happens to wear a metallic prosthetic hand). As she and Baron fight the boy who never grew up, and navigate the traumatic memories that have come flooding back, can they rewrite the ending to this cursed bedtime story?

P.H. Low’s intriguing debut fantasy, These Deathless Shores, is a haunting modern spin on Peter Pan.

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