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A Hat for Mrs. Goldman

Sophia’s next-door neighbor, Mrs. Goldman, knits hats for just about everybody she knows, and Sophia helps by making the pompoms that go on top. “Keeping keppies warm is our mitzvah,” Mrs. Goldman tells Sophia, explaining that “a mitzvah is a good deed.” When Mrs. Goldman gives her own hat away, Sophia wants to knit her something special, but knitting turns out to be harder than she realized. I love this sweet introduction to the Jewish concept of mitzvot. Author Michelle Edwards’ text has lots of delightful little details, like when Sophia notices that a hat she and Mrs. Goldman began knitting together many years ago still smells like chicken soup. But what gets me every time is Edwards’ description of Sophia’s emotions when she realizes the perfect solution to her knitting woes: “Sophia feels her heart grow bigger and lighter, like a balloon.” If ever a book were a mitzvah, it would be A Hat for Mrs. Goldman.

—Stephanie, Associate Editor

America

Jean Baudrillard was a French philosopher whose obsessive analysis of the effects of unchecked consumerism becomes more prescient with each passing day. In his 1988 essay collection, America, Baudrillard follows Route 66 across the United States toward Death Valley, California, as he seeks to answer a seemingly simple question: What makes an American? The thing that synthesizes American identity, he finds, is faith: from the evangelical fervor of Salt Lake City, to Las Vegas’ ascendant belief in the dollar, to the ever-elusive future of San Franciscan tech lords. Everywhere he looks, Baudrillard finds sprawling cities not built on trade or natural resources but suspended on dust clouds, spinning rivers of capital and an unshakable belief in American mastery over nature, by whatever means. Even if you disagree with Baudrillard’s funny, sometimes biting analysis of the United States, his surprisingly nuanced poetry, complex worldview and foreign perspective still make for a unique and engaging read during these dynamic times.

—Anthony, Editorial Intern

Open Book

Growing up in the 1990s and 2000s, I knew that Jessica Simpson had started out singing in church. What surprised me when I read her memoir, Open Book, however, was how much Simpson’s Christian faith still matters to her all these years later. The book opens with the day she decided to stop drinking, after years of using alcohol to quell her anxiety through tough relationships and even tougher career breaks. As she gets honest with friends about her dependency on alcohol, the group decides to pray together to validate Simpson’s decision. This moment of honesty and faith is a good entry point, since these values are Simpson’s guiding lights throughout her memoir. She’s honest with readers about childhood sexual abuse, the demands of record labels, her marriage to Nick Lachey, her relationships with family and the wild ups and downs that have shaped her life’s terrain. At every point, Simpson’s Baptist roots ground her and keep her from straying too far from her authentic self.

—Christy, Associate Editor

The Sparrow

First published in 1996, Mary Doria Russell’s science fiction classic The Sparrow examines organized religion and faith on a cosmic scale. Spanning the years 2014 to 2060, the novel follows an interstellar mission led by skilled linguist and Jesuit priest Emilio Sandoz to discover the source of hauntingly beautiful music that was detected on a planet four light-years away. Accompanied by a motley yet qualified group of friends, Emilio feels called by God to explore the planet and make contact with its alien inhabitants, the music makers. But as the trip unfolds, the group’s well-meaning intentions have catastrophic consequences that cause Emilio to have a crisis of faith. Raised Catholic, Russell left the church at an early age, identified as an atheist for several years and later converted to Judaism. This background, combined with her skills as a multilinguist and her career in paleoanthropology, provide a unique perspective from which to tell such a rich, multifaceted story.

—Katherine, Subscriptions

Hana Khan Carries On

Uzma Jalaluddin’s enemies-to-lovers romance Hana Khan Carries On is a joyful homage to the classic 1990s rom-com You’ve Got Mail, with an Indian Canadian family’s halal restaurant subbing in for the Shop Around the Corner. Hana is our leopard-print hijab-wearing heroine, and she dreams of someday telling true stories that honor her Muslim culture and community. The local radio station where Hana interns is hyperfocused on Muslim stereotypes, so she creates an anonymous podcast to express her true thoughts. Meanwhile, her family’s business has run up against a competing restaurant, with an attractive man named Aydin leading the charge. But as romance grows and the restaurants duke it out, the heart of the novel remains with Hana. Despite microaggressions at the radio station and outright racism on the streets of Toronto, she remains strong in her culture and religion, never abandoning these parts of herself. She finds happiness by being her whole wonderful self—a lover, a fighter, a devout Muslim woman, an open-hearted storyteller and a heroine to believe in.

—Cat, Deputy Editor

Whether your own approach to religion is devout, irreverent or somewhere in between, you’ll find characters to relate to within these narratives.
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Collage of book jackets for memoirs published in 2022
STARRED REVIEW

June 29, 2022

The 35 best memoirs of 2022 (so far)

There were plenty of personal narratives to laugh, cry and sigh over in the first half of 2022. Add the best of the best to your TBR now; you can thank us later.

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Why are some people drawn to darkness? It’s understandable why some people seek it out as entertainment; to some, grisly murder is no more real than a sweet romance or an exciting adventure. But what about the people who choose to interact with darkness as part of their livelihoods? What makes someone say, “Serial killers—I want to hunt them down for a living”?

The best explanation readers might get is in Unmasked: My Life Solving America’s Cold Cases by Paul Holes, a retired detective from Contra Costa County in California. The region is where Laci Peterson was murdered, where Jaycee Dugard was held in captivity and where the Golden State Killer terrorized communities for decades. Holes spent his entire career in the county, with a particular focus on cold cases, and he devoted 24 years to investigating and ultimately finding the Golden State Killer.

Paul Holes, the cold case investigator who found the Golden State Killer, reveals the personal toll of his onerous career.

Holes’ memoir, co-written with journalist Robin Gaby Fisher, unpacks one man’s bruised brain. Unmasked is more about Holes’ mental health journey than other “how I caught the killer” tales in the true crime genre (although, of course, there is some of that, too). Holes’ blessing and curse was being gifted at a career that required him to think like a murderer, torturer, kidnapper or rapist. His book looks at what staring into that darkness does to a husband and father.

Unmasked is not for squeamish readers; investigations into many, many murders and rapes are described in detail. Additionally, Holes’ honesty about how police use macabre jokes and gallows humor to cope with their difficult jobs may disturb some readers.

But for readers who would like to see a different side of the true crime genre—the lifelong impact that catching twisted individuals has on one man—Unmasked is a must-read.

Retired cold case investigator Paul Holes’ memoir looks at what catching murderers, kidnappers and rapists does to a husband and father.

Ellyn Gaydos’ meditative Pig Years mixes memoir and nature writing as it details her four years of seasonal farm work in New York and Vermont. In punishingly long days as a farmhand, she planted seeds, tended vegetable plots (weeding, watering, coping with pests, harvesting, sorting and selling) and raised chickens and pigs. The book opens right in the middle of things, describing the pigs on a small farm in New Lebanon, New York, and zooming in to consider Gumdrop, an accidentally pregnant pig, and her piglets, who “came out like torpedoes all attached through different stems to one briny umbilical cord. . . . Nature, being unsentimental, accommodates the reality that some sows eat their young, but Gumdrop is gentle in her new domesticity, tenderly positioning her body so as not to squish anyone. She is a good mother.”

The book’s loose narrative proceeds chronologically through the seasons, and through Gaydos’ relationships with other farmworkers and with Graham, her partner. Gaydos’ close eye on the natural world allows us to vividly see the cycle of a farm’s blossoming and dying seasons. She doesn’t look away from any part of it, either from newborn pig life, for instance, or from the pigs’ later deaths—the procedures of slaughter and the preparation of the pork that she will eat and sell. “I keep seeing death’s face in different ways,” she writes. “It is funny to choose a profession, like farming, in which death is taken into the fold and yet nothing is clarified. It does not steady me for loss even if I have held a pig’s head in my hand or seen a chicken collapsed in the dirt. It is like a blunting of the real.”

The bulk of Pig Years takes place on the farm in New Lebanon, which is part of a former Shaker settlement that’s now a Sufi commune in decline. Throughout the book, Gaydos turns to 19th-century Shaker farm journals for comparison, and we can see the similarities between the current-day farm’s gains and losses and those of the long-ago Shakers. There’s a coming-of-age aspect to Pig Years, too, as Gaydos, a young woman in an unsettled phase of life (and an inherently impermanent field of work), studies the women and moms around her. She reflects on her own path, imagining possible futures as a parent and life partner.

Gaydos’ cleareyed, sometimes intense perspective reminds us that farm work is not always pretty: It often involves constant near-poverty, injuries, even desperation. Still, Pig Years is a poetic meditation on fertility, loss and the farmworkers who eke out a marginal living as long as they can. It’s a narrative that evokes the pleasures and perils of life and work on a small farm.

Ellyn Gaydos’ debut memoir, Pig Years, is a poetic meditation on fertility, loss and the pleasures and perils of life and work on a small farm.

Every childhood is unique, but Ada Calhoun’s, as portrayed in her fearless new memoir, Also a Poet, stands out for its blend of adolescent freedom and paternal neglect. The daughter of art critic and poet Peter Schjeldahl, Calhoun grew up at the vortex of New York City’s East Village bohemia, a world she wrote about in the history St. Marks Is Dead. Young Calhoun, eager and precocious, craved nothing more than the approbation of her father, a complicated, emotionally distant man famously given to saying the wrong thing—a trait from which his daughter was never spared. One piece of common ground that Calhoun and her father shared, however, was a love of the work of Frank O’Hara, the legendary New York School poet who died in a freak accident in 1966.

One day in 2018, Calhoun was searching for something in the basement storage of her parents’ apartment building when she found dozens of loose cassette tapes from the 1970s, labeled with the names of famous artists like Willem de Kooning, Edward Gorey and Larry Rivers. Her father said they were interviews he had conducted with O’Hara’s friends because he’d intended to write a biography of the poet. Circumstances—not least of all a roadblock erected by O’Hara’s sister, Maureen—had killed the project. Schjeldahl told his daughter she could use the interviews for her own purposes, and Calhoun envisioned a new biography of the iconic poet based on these priceless recollections. But the book took on a new shape as she proceeded—in part, again, because of the obstruction of Maureen, who serves as her brother’s literary executor.

As Calhoun began to delve into the interviews, short portions of which she shares in Also a Poet, she began piecing together a multifaceted portrait of O’Hara, greatly loved by friends who painted him as gregarious, whip-smart, generous, sexually fluid and happily promiscuous. (The latter two assessments are most likely at the core of his sister’s posthumous protectiveness.) But the interviews also provided Calhoun with insight into the interviewer: her father.

Frustrated by the ways Schjeldahl had sabotaged his own project, Calhoun plunged back into their often difficult father-daughter relationship with fresh eyes. Lifelong resentments resurfaced as she viewed her father with redoubled awareness. When the aging Schjeldahl, who had smoked three packs a day for decades, was diagnosed with lung cancer, his solipsistic reaction to his illness rankled Calhoun, even as she dutifully stepped in to help.

The unexpected convergence of the challenging O’Hara book project and her father’s sudden decline provide Calhoun with a singular perspective on the timeless issues of family relationships, most especially the vulnerabilities of following in a father’s eminent footsteps and the elusive possibility of ever fully understanding our parents. Calhoun’s honesty and willingness to push beyond her own resentments make Also a Poet a potent account of a daughter reaching out to a perhaps unreachable father before it’s too late.

Ada Calhoun’s literary biography of the poet Frank O’Hara unexpectedly transformed into an absorbing and insightful personal memoir about her father.
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Séamas O’Reilly’s debut book, Did Ye Hear Mammy Died?, is a tender, comic chronicle of the author’s upbringing as one of 11 children raised by their widower father in Derry, Northern Ireland. O’Reilly, a regular contributor to the Observer who has a knack for crafting uproarious anecdotes, is attuned to the extraordinary—and somewhat absurd—nature of his childhood. He takes a jovial approach in the narrative, and the result is a rousing tale of family fellowship.

The book opens in 1991, right after the death of O’Reilly’s mother, Sheila (Mammy), from breast cancer. O’Reilly, who was 5, struggled to make sense of the loss and the events that followed, including Mammy’s well-attended wake. When a family friend told him that Sheila was a flower picked by God to be in his garden, O’Reilly observes, “It was nice to think that Mammy was so well-liked by God, since she was a massive fan. She went to all his gigs—Mass, prayer groups, marriage guidance meetings . . .”

After Mammy’s death, O’Reilly’s father, Joe, an engineer, was left to care for his 11 children. A devoted dad, Joe possessed seemingly bottomless reserves of patience and good nature, which allowed him to bring up a happy brood against all odds. (O’Reilly points out a particularly challenging juncture when six of his sisters were teenagers at the same time.) The O’Reilly children shared bedrooms and books, divvied up household duties (not always equitably) and traveled with Joe in a minibus dubbed the “O’Reillymobile.”

The author describes his parents as “comically, parodically, Catholic,” and religion is a constant undercurrent in the book. As O’Reilly came of age, the violent sectarian conflict in Northern Ireland known as the Troubles was waning, but he still found himself reckoning with its long-term effects. One lasting repercussion: the sense of gallows humor that’s pervasive among the Northern Irish.

Indeed, finding comedy in tragedy seems to be an operative instinct for the author. Stylistically, O’Reilly is an unabashed maximalist, packing his sentences with adverbs and consistently minting fresh figures of speech. Throughout the book, as he sifts through memories of his boisterous upbringing, he never fails to find cause for joy or a good joke. As a result, Did Ye Hear Mammy Died?—title aside—feels bracingly alive.

Did Ye Hear Mammy Died? is a tender, uproarious chronicle of Séamas O’Reilly’s upbringing in Northern Ireland. Despite the title, it feels bracingly alive.
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A talented new crop of memoirists explore the friction between their queer identities and their cultural and geographical surroundings.

Asylum

Jacket of Asylum by Edafe Okporo

Edafe Okporo’s aptly titled memoir, Asylum: A Memoir and a Manifesto, recounts his experience growing up gay in Nigeria, a place known for having harsh laws against “known homosexuals.” Okporo writes with sensitivity about the scenery that shaped his childhood, his powerful familial relationships and the friendships that formed his identity. One night in 2016, however, all of these things were threatened by a mob that gathered outside his home. Okporo tried to escape out a window, but before he could, they broke down his door and beat him until he was unconscious. It was his 26th birthday.

This event marked the beginning of Okporo’s one-way journey to America as a refugee. Once he arrived in New York City, there was a potent juxtaposition between his experiences as a Black gay man from a place of repression and the freedom he encountered as an asylum-seeker. Still, the cruelty of America’s immigration system and the overwhelming whiteness of New York’s gay community presented stark new forms of injustice. With clarity and grace, Okporo casts light on the racism and oppression he discovered lurking within communities that are themselves oppressed.

Okporo was able to explore new relationships in New York, sexual and otherwise, and ultimately found both professional and personal purpose in America as a global gay rights activist. Along the way, Asylum chronicles a range of hardships, from the severe laws of the author’s home country to the bitter realities of immigrating to the U.S. Throughout these difficulties, Okporo weaves a thread of hope that he will find freedom while remaining true to himself. If you are seeking a read that couches complex issues in a heartfelt personal narrative, Okporo’s memoir will surely delight.

★ Boys and Oil

Jacket of Boys and Oil by Taylor Brorby

In Boys and Oil, environmental activist Taylor Brorby masterfully recounts his upbringing in coal-fractured North Dakota. Growing up, Brorby was teased by his peers because he played with girls and didn’t gravitate toward sports. Like many queer boys, his sexuality was in conflict with traditional models of what men were meant to do and how they were supposed to act.

Brorby’s memoir opens with superbly detailed insight into North Dakota’s geography, which becomes a powerful symbol throughout Boys and Oil. This jagged imagery grounds the narrative and the author’s journey, and Brorby’s attention to it throughout the book feels nearly ekphrastic, with sweeping, alluring descriptions of a land that is at once beautiful and damaged.

It’s within the context of this landscape that Brorby’s life unfolds, from a taunted child whose grandmother lovingly painted his fingernails, to a young man being physically assaulted outside of a small-town bar, to an out poet and environmentalist. In many parts of the country (and world), defying your culture’s expectations comes with a price. Whether as a boy in love with books or as an adult fighting to protect the broken land of his youth, Brorby writes about the personal price he has paid with striking honesty.

Queer politics calls perceived norms to task, subverting the status quo and making it possible for new structures to emerge. In his unique and breathtaking memoir, Brorby does just this, creating wonderful new categories for rural communities and American masculinity, and for gay kids’ places within both.

★ Ma and Me

Jacket of Ma and Me by Putsata Reang

Putsata Reang was born in Cambodia amid civic turmoil and unrest. Her family fled in 1975, when she was only 11 months old, and her journey would become legend. Aboard the ship her family escaped on, the infant Reang was believed to be dead. A Navy captain suggested that she be thrown overboard, but her mother resisted. Upon arriving at a U.S. naval base in the Philippines, her mother handed Reang to the doctors, and under their treatment, she survived—accruing a lifelong debt to her mother in the process.

Reang’s relationship with her mother is a strong feature in Ma and Me as the author examines her past with a surgeon’s precision and artist’s view. Reang takes a kaleidoscope of influences into consideration—including cultural expectations for girls and women, the institution of marriage and trauma caused by war and flight—as she inspects her upbringing as an immigrant in Oregon, learning to balance her Cambodian identity with the pressure to assimilate. Up close, she handles these influences on her mother with grace and compassion, even when her mother severs their relationship because she can’t handle Reang’s engagement to a woman. Reang does an excellent job of portraying the permeability of accepting loved ones for who they are and finding the limits of that acceptance.

In the world of Ma and Me, stories grow larger than life and queer identity creates conflict as it becomes a part of the long-woven tapestry of family lore. With great care, Reang addresses the legacy of trauma—both as a child of war who is displaced geographically and as a gay woman who is estranged from her family. The layers stacked together in this memoir, and Reang’s treatment of their complexity, are simply brilliant.

Edafe Okporo, Taylor Brorby and Putsata Reang beautifully capture the places that shaped their queer identities.

By most measures, Keri Blakinger lived a charmed life. As the daughter of a successful lawyer and a schoolteacher, her upper-middle-class suburban existence seemed, from the outside, perfect. Her childhood was filled with loving parental support, academic success and a fierce pursuit of competitive figure skating that took her all the way to nationals. But when that pursuit ended in disappointment, Blakinger’s life came undone.

In her exceptional debut, Corrections in Ink, investigative journalist Blakinger reflects on an important decade of her life that took her from figure skating to drug addiction, to selling drugs and sex, to an arrest on a drug charge while she was a college student at Cornell University. She got clean during the almost two years she was imprisoned, but afterward she still had to grapple with the inhumanity of being behind bars.

Blakinger details the cruelties, big and small, that she endured while she was incarcerated. She also acknowledges that, as a white woman, she was in a position of privilege and that Black and brown people are treated far worse, get tougher sentences and have worse outcomes than their white counterparts. It is a sad and powerless position for anyone to be in, as the prison system is designed to slowly strip away one’s humanity. To hold on to her humanity, Blakinger had to find joy in unexpected places.

Corrections in Ink is written with deep insight and urgency, and Blakinger’s gripping insider knowledge and experience is supported by research, strong analysis and a blistering indictment of the criminal justice system. It’s this rare combination of personal narrative and reporting that makes Corrections in Ink such a singular reading experience.

Blakinger’s raw and important memoir isn’t only a drug recovery and success story. It’s a searing condemnation of our cruel and unjust project of caging human beings, a firsthand account of what this entails and a challenge not to look away from America’s flawed and punitive carceral system.

Keri Blakinger’s combination of personal narrative and reporting makes her debut memoir about her life in prison an exceptional, singular read.

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Recent Features

There were plenty of personal narratives to laugh, cry and sigh over in the first half of 2022. Add the best of the best to your TBR now; you can thank us later.

The Stranger Diaries

When you’re dealing with a murder mystery set in a possibly haunted high school, you need a practical, analytical lead investigator whose sense of humor is solidly intact. Detective Sergeant Harbinder Kaur is my methodical queen, her assessments of characters both living and dead as sharp as a jagged piece of glass, her self- deprecation just the right amount of wicked. She’s been underestimated enough in her life—and experienced enough prejudice—to gain a significant chip on her shoulder, which is more pronounced now that she’s been called back to her alma mater to investigate a murder in Elly Griffiths’ The Stranger Diaries. A line from fictional gothic author R.M. Holland’s most famous story is found with the body, so Kaur pays special attention to English teacher Claire Cassidy. Scenes from Kaur’s family life (she lives with her Sikh parents) provide a soft place to land after her most biting appraisals, such as when she’s considering the inanity of celebrity dancing shows. Why do people like dance competition shows? DS Kaur knows many things, but she hasn’t got a clue there.

—Cat, Deputy Editor

Inheritance

She may not wear a trenchcoat or carry a magnifying glass, but novelist and memoirist Dani Shapiro can investigate a mystery with the best of them. In her 2019 blockbuster memoir, Shapiro does an at-home genealogy test on a whim and accidentally uncovers a 52-year-old family secret: Her late father was not her biological father. This revelation kicks off a search for the truth that winds its way through all manner of thorny questions. What role did the emerging field of fertility science play in Shapiro’s conception? Were her parents aware that she was conceived using donor sperm? Did they intentionally keep this a secret? Were they duped by their doctor? Is her biological father still alive? Shapiro’s chops as a novelist shine in Inheritance, which is plotted as well as any mystery, with enough twists to keep you guessing about what detail she might uncover next. Determined to get to the root of her family tree, she is as indefatigable, dogged and determined as any fictional gumshoe.

—Christy, Associate Editor

I Want My Hat Back

The ursine protagonist of Jon Klassen’s debut picture book, I Want My Hat Back, is an exemplary detective. Faced with the mystery of his hat’s location, he immediately begins questioning potential witnesses. He’s polite and thanks everyone he meets for taking the time to speak with him, even though they offer no useful leads. He stays focused on the task at hand and isn’t waylaid by existential meanderings, such as when an armadillo asks, “What is a hat?” He’s helpful to his community, as we see when he offers assistance to a turtle who’s been trying to climb a rock all day. He believes the best of everyone, even rabbits wearing familiar red hats who claim they would never steal a hat. When he hits an investigative wall, he does exactly what I would do: He lies down and despairs until the solution comes to him. And he would never, ever, ever eat a rabbit. Not even a rabbit who stole his hat.

—Stephanie, Associate Editor

The Devil and the Dark Water

In Stuart Turton’s The Devil and the Dark Water, Samuel “Sammy” Pipps is basically a globe-trotting, 17th-century Sherlock Holmes. When a mysterious, seemingly demonic force begins to haunt Saardam, the ship he’s sailing on from the Dutch East Indies back to the Netherlands, you’d think that Sammy would immediately be on the case. There’s just one problem: Sammy’s locked in the Saardam‘s brig, where he is to remain for the entire voyage. Enter his bodyguard, Arent Hayes, an enormous former mercenary and all-around nice guy who’s deeply grateful to Sammy for giving him a purpose beyond body-slamming anybody dumb enough to face him in battle. As Turton gleefully tilts things into Grand Guignol horror, Arent is the down-to-earth port in the storm: humble to a fault, instinctively feminist when faced with a few female passengers who might be better at this whole sleuthing thing than he is and possessed of an unshakable (but still somewhat flexible) sense of justice. Turton maintains that he never conceived of Arent as being, well, sexy—but rather tellingly, many readers insist that he very much is.

—Savanna, Associate Editor

None Shall Sleep

To catch a teenage serial killer, the FBI recruits Emma Lewis and Travis Bell, who are teenagers themselves, for their capabilities as well as their atypical circumstances: Travis lost his father to a serial killer, and Emma is the sole survivor of one. The heroes of Ellie Marney’s thriller None Shall Sleep are remarkably refreshing as their personal and professional involvement in the investigation builds genuine tension and inner conflict. However, despite the novel’s many plotlines, Emma is at the heart of it all. I felt attached to her early on, especially when witnessing her navigate her sense of duty toward solving the case while grappling with the crime’s triggering nature. Her unique perspective and talents provide forward momentum, as she comes to conclusions that people who lack her insight would never think of. At the novel’s end, I wanted to keep following her as she drove away.

—Jessie, Editorial Intern

It takes a certain spirit to leap into action and pursue the slightest of clues. Our favorite sleuths, both real and fictional, get right down to business exposing the evidence and solving seemingly unsolvable quandaries, and we love them for it.
Summer reading
STARRED REVIEW

June 2022

Your 2022 BookPage summer reading guide

Maybe your perfect summer read is pure escapism, heady fun, nonstop thrills or great big heaps of feelings. Whatever your summer vibe, we’ve got a book for you.

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Dinosaurs are such a large part of our culture—from books, movies and amusement park rides to children’s toys, clothing and even dino-shaped chicken nuggets—that it’s hard to imagine a time before we knew these huge beasts walked the earth millions of years before us.

The backstory to that revelation is thrillingly outlined in a new book by Reuters senior reporter David K. Randall (Dreamland) called The Monster’s Bones: The Discovery of T. Rex and How It Shook Our World. While on an outing to the American Museum of Natural History in New York City, Randall and his family kept circling back to the captivating, terrifyingly surreal Tyrannosaurus rex exhibit, prompting his son to ask, “Who found these dinosaurs?” This perfectly reasonable inquiry inspired Randall to consider “the human stories behind prehistoric bones.”

In The Monster’s Bones, Randall delves into early fossil discoveries and scientists’ subsequent interpretations of these bones’ origins. As it turns out, industry titans weren’t the only ruthlessly determined men of the Gilded Age. This era also inspired the “bone wars,” literally a race to find the largest and most complete dinosaur skeletons. Housing these displays at museums and universities was a huge status symbol and a way to draw in the public and boost admission.

Randall focuses on the stories of two very different men who participated in this competition: paleontologist and Princeton graduate Henry Fairfield Osborn, and Barnum Brown, a farmer’s son from Kansas who was a skilled fossil hunter. Brown would travel thousands of miles, from the American West to Patagonia, in order to hunt down prize specimens for Osborn’s American Museum of Natural History. Their intertwined story is full of adventure, intrigue and conflict, leading up to Brown’s world-changing discovery of the ferocious T. rex.

Exciting as any action tale, The Monster’s Bones features characters from all walks of life, from cowboys and ranchers to scientists, railroad magnates and university scholars. As with any valuable assets, greed was a big factor driving this race to succeed. However, it also pushed science ahead by leaps and bounds, leading to findings that still inform paleontologists and biologists today.

Exciting as any action tale, The Monster’s Bones shares the human stories behind some of history’s most thrilling fossil discoveries.
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An old adage, adapted from the title of a Thomas Wolfe novel, insists that you can’t go home again. Linda Holmes’ deeply entertaining and heartfelt second novel, Flying Solo, counters with: Well, you can, but it will probably be messy and chaotic, and you’ll need some wine and a few friends.

Laurie Sassalyn’s beloved great aunt Dot has died. A journalist living in Seattle, Laurie has been tasked with going through Dot’s belongings and preparing her seaside house in Calcasset, Maine, for sale. Laurie travels to her hometown for the summer and sets to the task at hand with the help of her childhood best friend, June, and her ex-boyfriend Nick, now the town librarian.

As Laurie sorts through 90 years’ worth of photos, letters, books and memorabilia, she comes across a handcarved, beautifully painted duck tucked deep inside a chest. Intrigued, Laurie begins researching this mysterious duck and why Dot had hidden it so carefully. The more Laurie learns, the more she is convinced there is a secret attached to this simple wooden duck.

NPR pop culture reporter Linda Holmes’ first novel, Evvie Drake Starts Over, which was also set in Calcasset, is beloved by readers and critics alike. Flying Solo is another absolute winner. It’s hilarious and insightful, with vivid characters who act and speak in utterly human and believable ways.

Holmes describes Calcasset with such precision and love that it becomes an additional character. In particular, the local library features prominently in the story: “A small parking lot, a bike rack, and a book drop bin sat in front of the big stone building, more like a church than the kind of brutalist block big cities had, or the office-park splat of a structure that too many suburbs got stuck with in the 1970s. This building had been here since 1898 and was on the National Register of Historic Places. This was a proper library.”

Flying Solo has it all: a mystery, shady con artists, a fabulously funny and supportive friend group and even a steamy romance. In the end, though, it’s a deeply felt examination of the choices we make and the many ways we define family.

Linda Holmes’ second novel has it all: a mystery, shady con artists, a fabulously funny and supportive friend group and even a steamy romance.
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A former college roommate drops into Ava Wong’s seemingly perfect life after 20 years and wreaks havoc in Counterfeit, Kirstin Chen’s lively caper about importing counterfeit high-end handbags from China. Chen’s third novel is a breezy read with unexpected twists, carried along by Ava’s seemingly heartfelt narration as she confesses her involvement to a police detective. Along the way, there are plenty of fascinating details about luxury goods and the shadow industry of fake designer products. (Even readers who aren’t fashion devotees will likely find themselves checking the prices of crocodile Birkin 25s and Hermes Evelynes as the plot thickens.)

Ava, a Chinese American graduate of Stanford University and law school at the University of California, Berkeley, is a corporate lawyer on leave with a toddler son and a surgeon husband. She’s given little thought to former roommate Winnie Fang, who abruptly left college and returned home to China after what appeared to be an SAT scandal. Upon their unexpected reunion, Ava is amazed by Winnie’s transformation from an “awkward, needy . . . fresh off the boat” college freshman into a glamorous, successful businesswoman.

Rather quickly, Winnie inserts herself into Ava’s life. The timing is just right for such an intervention, as Ava is particularly vulnerable: Her mother recently died, her son throws nonstop tantrums, and Ava can’t stand the thought of returning to her legal firm.

Eventually Winnie recruits Ava to join her scheme: buying high-end handbags from luxury stores, returning imported counterfeits to the stores and then selling the real bags on eBay. Winnie maintains that it’s a victimless crime: “Those luxury brands, they’re the villains.” As the women dart back and forth to China and Ava falls in line with Winnie’s ways of thinking (“That level of audacity, daring, nerve—well, it was intoxicating.”), the novel explores questions of status, commerce and how the two are intertwined. As Winnie notes, “A Harvard degree is not so different from a designer handbag. They both signal that you’re part of the club, they open doors.”

Chen, author of Soy Sauce for Beginners and Bury What We Cannot Take, is a versatile, savvy plotter, and Counterfeit readers will be easily drawn into this morally complicated world.

Kirstin Chen is a versatile, savvy plotter, and Counterfeit readers will be easily drawn into this morally complicated world of high-end counterfeit handbags.
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The Mutual Friend is a stylized, laugh-out-loud funny social satire with devastating aim.

Like his long-running sitcom, “How I Met Your Mother,” Carter Bays’ debut novel is a New York City-set ensemble comedy with plenty to say about the discontents of modern life and the difficulty of connection, with one character who acts as a pivot around which the story hinges.

Alice Quick, originally named Truth, was one of twin baby girls adopted by two different families in the Midwest shortly after birth. A musical prodigy turned chronic underachiever, Alice feels rudderless and lost. She wants to be a doctor—possibly, maybe—but lacks the energy to follow through. Even registering for the medical school entrance exam is overwhelming.

When Alice’s roommate gets engaged, things go from difficult to worse. Alice is suddenly in need of shelter, and desperation lands her in a basement apartment near Columbia University. Finding housing in a convenient neighborhood seems lucky, but Alice quickly gets caught up in the whirlwind that is her new roommate, the imposing and mercurial Roxy.

Roxy is a tour-de-force character who epitomizes the ephemeral nature of life in 2015 New York City. She has a complicated yet hilarious relationship with reality, and the push-pull of her conversations with Alice is priceless. But Roxy is just one of the wonderful and absurd creations within Bays’ debut.

Like The Bonfire of the Vanities for the era of reality TV and social media, The Mutual Friend is a conflagration of cringe, as Bays paints a slightly heightened and terrifying vision of life in our age of distraction. Similar to Patricia Lockwood’s 2021 novel, No One is Talking About This, Bays’ novel sometimes replicates the thought processes of a brain addled by the overstimulation of the internet and omnipresent media: run-on sentences, a litany of random bits of information hitting the reader from multiple sources and a narrative that bounces from one topic to another with abandon.

More than anything else though, the nearly 500-page novel explores people bumping into one another and deciding if they have what it takes to make it stick. And because the book is poised for laughs and broad humor, its painful, critical sections hit harder. For example, Roxy’s second date with a slightly older man, Bob, whom she met on a Tinder-like service called “Suitoronomy,” goes south when she discovers that he’s the focus of a “DO NOT date this guy” blog post. Exposed, charming, dimpled Bob hits back with misogynistic venom. His response is beyond cringe; it’s repulsive. Yet it’s hard to dismiss Bob as a mere internet creep, as the novel gives him an origin story, too, and his tendency to follow the newest, shiniest thing is reflected throughout the larger story in many ways.

The Mutual Friend dwells at the corner of restless and randomness, displacement and dissatisfaction. The narrative is full of stray thoughts and chance encounters, everything fleeting and devastating. All told, it’s riveting.

The Mutual Friend is a conflagration of cringe, as debut novelist Carter Bays paints a slightly heightened and terrifying vision of life in the age of distraction.

“Those were the good old days” is a phrase people love to say as they wax poetic about bygone eras. It’s understandable to feel nostalgic given our current chaotic landscape, but as The Lunar Housewife points out, it’s not necessarily merited. Caroline Woods’ historical thriller, set in the final days of the Korean War and the onset of the Cold War, spins a tale of big-city intrigue as it follows a promising young waitress-turned-writer and the increasingly disturbing secrets she uncovers. The result is an addictive binge of a read that’s equal parts intelligent introspection and nail-biting suspense.

It’s 1953, and Louise Leithauser has come a long way from Ossining, New York. The 25-year-old daughter of a housecleaner is now rubbing elbows with the likes of Truman Capote and Arthur Miller in New York City as a writer for the hip literary magazine Downtown. Louise is writing political pieces for Downtown (under a male pen name, but why look a gift horse in the mouth?), dating the magazine’s handsome co-founder, Joe Martin, and penning a sci-fi romance novel, The Lunar Housewife, in her spare time. She’s also certain her twin brother, Paul, who is missing in action in Korea, will come home any day now. But when Louise overhears a conversation between Joe and his colleague Harry regarding mysterious surveillance and their magazine’s dangerous connections, she begins to wonder if anything in her carefully constructed existence is really what it seems.

Coming off her critically acclaimed debut Fräulein M., Woods takes the reader into the tangled web of American-Soviet relations and the dark secrets underneath the New York literary scene’s sparkling surface. Even Katherine, the protagonist of Louise’s novel-in-progress, isn’t immune. A former World War II pilot who voluntarily defected from the States to go on a groundbreaking mission to the moon, Katherine starts to suspect all is not well on Earth or in space. Both Louise and Katherine live in a world that is run by men, but these smart, capable women are not going down without a fight.

The Lunar Housewife will have readers thinking long and hard about how good the “good old days” really were.

The Lunar Housewife is an addictive read that's equal parts intelligent introspection and nail-biting suspense.
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Readers are treated to two expertly crafted mysteries in Australian author Sulari Gentill’s The Woman in the Library.

Four strangers are sharing a table at the Boston Public Library when they hear a woman’s terrified scream. Winifred “Freddie” Kincaid, Cain McLeod, Marigold Anastas and Whit Metters form a quick friendship while they wait for security guards to figure out what happened. When a woman’s body is later found in the library, the new friends realize they didn’t just hear a scream: They may have overheard a murder. Freddie, Cain, Marigold and Whit set out to discover what happened that afternoon, but they soon realize that their meeting wasn’t random—because one of them is the murderer.

The Woman in the Library audiobook
Read our audiobook review! Voice actor Katherine Littrell brings a measured sense of menace.

But there’s yet another twist! The characters of Freddie, Cain, Marigold and Whit are just that: characters in a novel being written by an Australian woman named Hannah. She’s corresponding with an American writer named Leo, emailing him the chapters of her mystery novel as she completes them. Leo’s detailed responses follow each chapter, and readers soon realize he is more than an appreciative fan. Leo may be just as dangerous as one of the characters in Hannah’s story.

The author of more than a dozen mysteries, Gentill has created a smart, engaging novel that blurs genre lines. The mystery set within the library is a fresh take on the locked-room mystery, and Leo’s emails to Hannah create an increasingly ominous epistolary thriller, despite the distance between the characters. It’s an inventive and unique approach, elevated by Gentill’s masterful plotting, that will delight suspense fans looking for something bold and new.

Readers are treated to an inventive and expertly crafted mystery-within-a-mystery in Sulari Gentill's The Woman in the Library.

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Maybe your perfect summer read is pure escapism, heady fun, nonstop thrills or great big heaps of feelings. Whatever your summer vibe, we’ve got a book for you.

Every year, the BookPage editors must once again ask the question: What, exactly, does “summer reading” even mean? Here are our definitions, in literary form.

The Season

I devour lighthearted, escapist romances and mysteries during the summer. Basically, if it can hold my attention despite all the distractions of a packed pool or a sunny park, it’s going in my tote bag. However, to keep my brain from snapping in half when I inevitably turn to more challenging books in the fall, I also make sure to reach for a few weightier yet still seasonably appropriate titles. Kristen Richardson’s history of the debutante is my gold standard. Impeccably researched but unabashedly glam and gossipy, The Season describes gorgeous gowns and high society queen bees with the same inquisitive rigor it applies to unpacking the intersections of race and class. In its various permutations, the debutante tradition encapsulates cultural ideas about femininity and its value; depending on the context, it can be regressive or liberating, stifling or affirming. (The chapter on African American debutante balls alone is worth the price of admission.) Make this your afternoon poolside read, and you’ll be the most interesting person at dinner later that night.

—Savanna, Associate Editor

Deacon King Kong

When my yard is alive with bugs and birds, when they’re screaming and singing and zipping through the trees, I want a book that crackles with that kind of electricity, like Deacon King Kong. Set in 1969 Brooklyn, James McBride’s seventh novel opens in the courtyard of the Cause Houses housing projects where, in broad daylight, a 71-year-old alcoholic church deacon known as Sportcoat shoots the ear off a 19-year-old drug dealer. That seemingly gritty opening leads into an affectionate village novel that follows a multitude of characters, including congregants of the Five Ends Baptist Church, a lovelorn police officer and an Italian mobster known as the Elephant. As readers learn the truth about Sportcoat’s actions, they also follow foibles and treasure hunts and slapstick party scenes. No one’s the “bad guy,” not even the mob bosses or dirty cops. The dialogue is some of the best you’ll ever read, and many scenes are gut-bustingly funny. Summer is a joy, and so is this book.

—Cat, Deputy Editor

Group

I am not a great lover of summertime. The heat, the dirt, the bugs—all of it sends me indoors with a glass of lemonade. This makes a book like Group by Christie Tate my perfect summer read. I tore through this book on vacation last year, using every moment alone in the empty, air-conditioned house to fly through a few more chapters while everyone else was outside. Tate’s memoir of the years she spent in an unconventional group therapy setting ranges from salacious to vulnerable to truly touching. All she has to do, her new therapist tells her, is show up to these group sessions and be honest—about everything. Sexuality, food, relationships, family, death—everything. As Tate slowly opens up to her fellow group members, she builds real friendships for the first time and learns to defuse the shame and low self-worth that had kept her from making authentic connections during her first 26 years. Perfect for a weekend trip or plane ride, this book’s got heart, hope and enough juicy confessions to keep you turning the pages at lightning speed.

—Christy, Associate Editor

All That She Carried

Whether I’m traveling across the world on a plane or installed under an umbrella on the beach, summer adventures inspire me to decenter screens and their attendant distractions. This means I have the capacity to focus on books that reward a reader’s careful attention, like Tiya Miles’ National Book Award-winning All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake. Miles, a historian and MacArthur Foundation fellowship recipient, uses a single artifact—a simple cotton sack given to a 9-year-old child named Ashley by her mother when Ashley was sold to a different plantation—to offer insight into the often undocumented lives of Black women. As she traces the journey of Ashley’s sack from its origins in 1850s South Carolina through the Great Migration and to its eventual discovery at a Nashville flea market, Miles honors the strength of family ties and finds creative ways to fill gaps in the historical record. This book will make you both think and feel, providing a reading experience to remember.

—Trisha, Publisher

The Diviners

There is nothing I want more in the summer than a big honking series. (Especially if it’s complete. No cliffhanger endings for me!) I want to dive into a fictional world for as long as possible before coming up for air, and Libba Bray’s quartet of novels about supernaturally gifted teens solving mysteries in New York City during the Roaring ’20s fits the bill to a T. The series opener is replete with positutely delicious period vernacular and horrors both imagined (a murderous ghost resurrecting himself with body parts carved from his victims) and all too real (“color lines” at jazz clubs where Black Americans perform on stage but aren’t allowed to enter as customers). The Diviners is exactly the sort of tale I love to stay up into the wee hours of hot summer nights reading—which is good, because in Bray’s talented hands, some scenes are so terrifying that I wouldn’t be able to turn off the lights anyway.

—Stephanie, Associate Editor

Any book can be a beach read if you put your mind to it.

Surprise: We’re nearly halfway through 2022! Time flies when your nose is stuck in a great book. Here are the 22 books that are most likely to have made BookPage readers forget the calendar this year.


Olga Dies Dreaming by Xochitl Gonzalez book cover

22. Olga Dies Dreaming by Xochitl Gonzalez

In Xochitl Gonzalez’s vibrant and raw debut novel, Olga Dies Dreaming, love and family drama crash into politics.


21. Daughter of the Moon Goddess by Sue Lynn Tan

Sue Lynn Tan’s debut novel is an all-consuming fantasy that is breathtaking both for its beauty and its suspense.


20. Honor by Thrity Umrigar

Thrity Umrigar’s novel offers a well-rounded portrait of India, a place that can be “cosmopolitan, sophisticated, but also resolutely out of step with the world.”


19. Nine Lives by Peter Swanson

Peter Swanson’s latest mystery novel is an unpredictable roller coaster that boasts a compelling cast of characters.


18. The Swimmers by Julie Otsuka

Funny, moving and composed of sentences that read like small poems, The Swimmers is a remarkable novel from an unparalleled writer.


17. In Love by Amy Bloom

Amy Bloom is known for examining the dynamics of intimacy in her fiction, but she has never gotten closer to the flame than in this memoir of her marriage.


16. Cornbread & Poppy by Matthew Cordell

Caldecott Medalist Matthew Cordell’s first early reader, the tale of two mice who embark on an expedition up Holler Mountain, will leave young readers hungry for more.


15. The Night Shift by Alex Finlay

Fans of Grady Hendrix and Riley Sager will tear into this sophomore-slump-defying thriller from the author of Every Last Fear.


14. The Paris Bookseller by Kerri Maher

With its insider’s view of the literary expat world of 1920s Paris, The Paris Bookseller will appeal to fans of Paula McClain’s The Paris Wife.


13. Under Lock & Skeleton Key by Gigi Pandian

The enchanting first book in Gigi Pandian’s Secret Staircase mystery series flawlessly balances magic, misdirection and murder.


12. Scoundrel by Sarah Weinman

Scoundrel is the electric story of a killer who managed to fool everyone around him, as told by a superb crime writer.


11. The Appeal by Janice Hallett

The Appeal is a cleverly constructed, meticulously detailed, often hilarious epistolary novel of suspense.


10. A Deadly Bone to Pick by Peggy Rothschild

Mystery fans and dog lovers alike will enjoy A Deadly Bone to Pick, the first in a new cozy mystery series featuring former police officer-turned-dog trainer Molly Madison.


9. Sea of Tranquility by Emily St. John Mandel

The interlocking plot of Emily St. John Mandel’s sixth novel resolves beautifully, making for a humane and moving time-travel story.


8. The Atlas Six by Olivie Blake

Olivie Blake marries an extremely pulpy plot with smart and nimble writing in her debut fantasy novel, The Atlas Six.


7. Black Cake by Charmaine Wilkerson

Black Cake marks the launch of a writer to watch, one who masterfully plumbs the unexpected depths of the human heart.


6. One Italian Summer by Rebecca Serle

For readers open to moral complexities, One Italian Summer is a thoughtful, fun escape, blending contemplations of love and loss with a touch of adventure.


5. Overdue by Amanda Oliver

Former librarian Amanda Oliver quickly learned that her job was as much about performing the work of a social worker—without any training—as it was about books.


4. The Magnolia Palace by Fiona Davis

Bestselling author Fiona Davis builds upon the secrets of the Frick Collection in a delightful blend of emotion and adventure.


3. Small World by Jonathan Evison

In Small World, Jonathan Evison underscores a sense of a shared America, that we are all in this nation-building adventure together. That’s a destiny worth manifesting.


2. The Diamond Eye by Kate Quinn

Kate Quinn’s track record for delivering captivating historical fiction continues with the remarkable story of the infamous Russian sniper known as Lady Death.


1. Booth by Karen Joy Fowler

Karen Joy Fowler’s Booth is a triumph in its fascinating rendering of a legendary American family.


This list was compiled based on analytics from BookPage.com between Jan. 1 and May 1, 2022.

Discover the titles that BookPage readers have most enjoyed so far this year.

Author Mary Laura Philpott has crafted another witty, heartfelt memoir-in-essays with Bomb Shelter: Love, Time, and Other Explosives. To celebrate its release, we asked Philpott a few questions about her favorite bookstores and libraries, both real and imagined. (Spoiler alert: Her method for organizing her own bookshelves is every bit as charming as you’d imagine.)


What are your bookstore rituals? For example, where do you go first in a store?
I go right to that front table to check out new fiction and nonfiction. I’m also a sucker for a good display. It’s fun to see what booksellers are showcasing on a given day.

Do you visit bookstores differently after having worked for Parnassus in Nashville?
I pay more attention to the shelf-talkers—the little cards on which booksellers write up their favorite reads. That’s partly because I often know the people writing them! But I also know now how hard booksellers work every day, and I know it takes extra time to come up with a concise blurb that somehow conveys what they love about a book. Same goes for librarians. A lot of librarians and booksellers are really good writers!

Read our starred review of ‘Bomb Shelter’ by Mary Laura Philpott.

Tell us about your favorite library from when you were a child.
I went to an elementary school for a few years that held chapel services in the mornings, and for the littlest kids the services were conducted in the library. We sat cross-legged on the floor in rows. It was my favorite room of the school, but it drove me crazy to be expected to concentrate on singing hymns when all the books were RIGHT THERE.  

While writing your books, has there ever been a librarian or bookseller who was especially helpful?
Oh my goodness, so many! The first thing that comes to mind is actually from an airport bookstore. I can’t even remember what city I was in, but I had just gotten off a plane and checked my email. A newspaper editor had asked if I could write about a book, but the deadline was going to be tight. I knew if I could get the book in my hands before I got on my connecting flight, I could use my airborne time wisely and start working on it. So I dashed into a Hudson Booksellers shop and explained all this in a breathless and verbose and probably nonsensical way. The staffer knew exactly the book I was talking about. She also helped me find a new travel charger for my phone, because I realized I’d left mine in a hotel. I love airport bookstores!

“More of an open YES to every opportunity I get to see a beautiful library or shop I haven’t seen before.”

Do you have a favorite library from literature?
I can’t stop thinking about the virtual library in Anthony Doerr’s Cloud Cuckoo Land. One of the plotlines involves a teenage girl all alone on a spaceship; the idea is that she was part of a mission to populate a distant planet after Earth became uninhabitable, but somehow she ended up as the only one alive on the vessel. She has a headset she can put on to enter a library where she can find any book ever written, plus video archives of human history. There’s more to the story about the importance of reading and the evolving life of literature from generation to generation, but I don’t want to spoil anything. Everyone should read this book; it’s a big, strange, amazing masterpiece.

Do you have a “bucket list” of bookstores and libraries you’d love to visit but haven’t yet?
Not a list, per se—more of an open YES to every opportunity I get to see a beautiful library or shop I haven’t seen before. Thankfully my children are used to this by now, so no one balks when we’re on vacation and I make everybody detour into a book spot.

How is your own personal library organized?
Not alphabetically or by genre or color. I shelve books together that have something thematic in common or that I feel would be friends. For example, Emily St. John Mandel’s Station Eleven is next to Karen Thompson Walker’s books, which are next to Ling Ma’s Severance. All the end-of-the-world gals have their own little neighborhood.

“I love any bookstore animal. Give me bookstore lizards, bookstore chickens, bookstore goats!”

What’s the last thing you bought at your local bookstore?
I marked the publication date of Taylor Harris’ memoir, This Boy We Made, on my calendar and went to buy it the day it came out.

Bookstore cats or bookstore dogs?
I’m more likely to pet a bookstore dog than a bookstore cat because I’m allergic to cats, but I like the cats just as much. I love any bookstore animal. Give me bookstore lizards, bookstore chickens, bookstore goats!

What is your ideal bookstore-browsing snack?
Oh, I can’t eat in a bookstore—I’m too nervous about spilling things, and I need my hands free for making book piles—but I love a hot beverage once I’m home and settled on the sofa with my new reads.

Author headshot of Mary Laura Philpott by Heidi Ross.


Read more: Philpott reads her own audiobook with a Southern lilt, at times laughing or on the verge of tears.

The bestselling author of I Miss You When I Blink reflects on her life among the stacks.
Bestsellers
STARRED REVIEW

April 19, 2022

Best of the bestsellers

Hundreds of books have hit the bestseller lists so far this year, but which ones deserve the hype? We think these 13 titles earned their places on the list.

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As she has consistently proven in historical novels such as The Alice Network and The Rose Code, Kate Quinn is a master at crafting an intoxicating, well-balanced blend of immersive period details and deft character work. With The Diamond Eye, she returns to the fertile storytelling terrain of World War II for a tale inspired by the extraordinary life of Russian sniper Lyudmila “Mila” Pavlichenko, known as “Lady Death.”

Mila becomes a mother at 15; six years later, amid an impending divorce, she promises her son that she’ll teach him to shoot. In between working on her dissertation at Kiev University and raising Alexei, she finds that she’s brilliant with a rifle. When the Nazis invade the Soviet Union, her elite skill becomes a key asset in the Red Army’s fight to defend the motherland. Mila sets off for war and marches into her own legend.

In each of her novels, Quinn displays an innate awareness of how history can be warped by time and power. In The Diamond Eye, we don’t just follow Mila’s journey into war; we see her actions in sharp contrast to what the Soviet government will later say she’s done. Mila’s perceptions of events are shown in relief to those of the men around her, and even to the perceptions of the American public, thanks to a 1942 press tour hosted by first lady Eleanor Roosevelt. That press tour forms the novel’s narrative spine, unfolding in sections that alternate with Mila’s larger wartime odyssey. This structure steadily ratchets up the suspense as it becomes clear that Mila is not as welcome in the U.S. as she was led to believe.

The Diamond Eye is a remarkable combination of immersive wartime storytelling, rich detailing and wonderful pacing. What really makes The Diamond Eye land, though, goes beyond Quinn’s mastery of her chosen genre. This is, first and foremost, an exceptional character piece, a study of a woman who is a killer, a mother, a lover and, above all else, a survivor.

Kate Quinn’s track record for delivering captivating historical fiction continues with the remarkable story of the notorious Russian sniper known as Lady Death.

Serena Drew is returning to Baltimore after a daytrip to meet her boyfriend’s family. As she and her boyfriend wait for their train home, she thinks she spots her cousin Nicholas Garrett. Her boyfriend is incredulous; how can she be unsure whether or not the man is her cousin? But Serena doesn’t come from the sort of family in which first cousins recognize each other in the wild.

Anne Tyler is a master of interpersonal drama and intricate depictions of characters’ lives. Her astute observations have earned her a Pulitzer Prize (Breathing Lessons) and two turns as a Pulitzer finalist (Dinner at the Homesick Restaurant and The Accidental Tourist), among other accolades. In French Braid, her skilled storytelling once again takes center stage as she reveals the minor family dramas that have resulted in Serena’s inability to positively identify her cousin. Chapter by chapter, Tyler follows a different member of the Garrett family, beginning with a family vacation in 1959 and ending in spring 2020.

As Tyler turns her attention to each Garrett, she reveals finely honed character portraits. Daughters Lily and Alice are opposites, and their little brother, David, often goes his own way. Mother Mercy searches for her identity as the kids grow up and leave the house, but father Robin is left confused; he has always been content with his home and family exactly as they were.

Each chapter is as well-crafted as a short story and reveals the heart of its central character. Tyler weaves these individual tales together to build something even greater, and like the braid of the novel’s title, this interpersonal family drama becomes more substantial as its pieces combine.

“That’s how families work, too,” says David, reflecting on the lasting effect of a French braid. “You think you’re free of them, but you’re never really free; the ripples are crimped in forever.” (His wife laughs and asks, “You are finding this out just now?”)

French Braid is a case study of the circumstances and interactions that shape the lives of one family.

Anne Tyler is a master of interpersonal drama, and her skilled storytelling takes center stage in French Braid.
Review by

Reeling from loss, a woman takes the trip of a lifetime in One Italian Summer by bestselling author Rebecca Serle (In Five Years).

Thirty-year-old Katy Silver used to have it all: an adoring husband, a comfortable home near her family in Los Angeles and a rock-solid friendship with her mother, Carol. But her mother’s death turned everything upside down. Suddenly nothing makes sense or feels right for Katy, not even her marriage. After the funeral, she wonders, “If your mother is the love of your life, what does that make your husband?” Katy doesn’t have an answer, but she knows she needs change.

So Katy leaves all her commitments behind and travels to Positano, Italy—a place her mother spent the summer 30 years ago, and where Carol and Katy had dreamed of visiting together. There, Katy stays at the gorgeous (and very real) Hotel Poseidon, and she immerses herself in the Amalfi Coast.

That may sound capricious, but to Katy these choices are necessary, even if she can’t quite explain why. What Katy doesn’t count on is running into a woman who looks and sounds exactly like Carol would have at 30—and even shares both her mother’s name and profession. Without understanding how it’s possible, Katy gets to know a different side of her mother as a young woman, and One Italian Summer becomes a sumptuous and sensuous feast of a book.

On a deeper level, Serle’s novel is a savvy meditation on the necessity of change and how roles shape what we see of each other. Carol was always stylish, beautiful and strong-willed, but marriage and motherhood made her cautious. The woman whom Katy befriends on the Amalfi Coast is free and adventurous, and this spirit rubs off on Katy.

One Italian Summer isn’t just about wild oats and adventure either—it’s about knowing yourself. Carol made some mistakes along the way: She was almost an idol to her daughter instead of a teacher, and now Katy doesn’t know how to function without her. In Italy, Katy is sunnier and more willing to experiment, even getting to know an older real estate investor who could be a potential love interest, while her marriage hangs in limbo.

For readers open to moral complexities, One Italian Summer is a thoughtful, fun escape, blending contemplations of love and loss with a touch of adventure. It’s also a beautiful tribute to the pleasures of Italian culture.

Read more: Actor Lauren Graham narrates the ‘One Italian Summer’ audiobook.

For readers open to moral complexities, One Italian Summer is a thoughtful, fun escape, blending contemplations of love and loss with a touch of adventure.
Review by

Every 10 years, the secretive Alexandrian Society, inheritors of the lost knowledge from its namesake library, recruits six of the most powerful young magic users, or medeians, to join their ranks. The half-dozen potential initiates are brought to the Society’s headquarters, where they study and learn from the greatest compendium of magical knowledge that has ever existed. This year, Caretaker Atlas Blakely has selected a sextet of particularly ambitious young medeians: three physical mediums, who specialize in manipulating external forces and energies for purposes as varied as deflecting bullets and obtaining midnight snacks; and three nascent masters of the mental, emotional and perceptual magics of reading minds and concealing acne. But these newest residents are confronted with even darker secrets than the arcane knowledge they all covet, for they are the linchpins in a conspiracy that could either save the world or utterly destroy it.

For a book with such a melodramatic premise (think “Big Brother,” but half the cast can read their companions’ minds and the other half can conjure actual black holes), Olivie Blake’s The Atlas Six is curiously matter-of-fact, dispensing with on-page relationship drama and coasting through tense fight scenes with brevity. Likewise, instead of providing flowing backstory, Blake communicates personalities through lighthearted conversations and depicts the world outside the Library’s magically warded walls entirely through the scars it left on her protagonists. The Atlas Six is stingy with its exposition, with the lengthiest passages being debates between characters on topics such as the nature of time and the conservation of magical energy. But in Blake’s hands, these tracts are engaging and often very, very funny. This duality—an extremely pulpy plot married with smart and nimble writing—is the core of The Atlas Six’s appeal.

This macabre romp of a magical reality show nevertheless revolves around one weighty question: Is there knowledge that should not be shared? Blake draws heavily on the structures and practices of academia, which in our world is in the midst of a push for greater transparency and democratization of knowledge. Analyzing the costs and benefits of advanced technology or abilities has been central to speculative fiction since its inception. That Blake is using academia as a vehicle for it, adding her agile and cutting voice to the likes of Neal Stephenson and Cixin Liu, feels particularly relevant to the present moment. And if she happens to suggest some legitimately wholesome uses for small wormholes along the way, all the better.

Olivie Blake marries an extremely pulpy plot with smart and nimble writing in her debut fantasy, The Atlas Six.
Review by

Several years ago, in Ford’s Theatre Museum in Washington, D.C., I found myself staring at the Deringer pistol that John Wilkes Booth used to assassinate President Abraham Lincoln. I stood there, transfixed, amazed that this small, surprisingly delicate and decorative weapon could change the course of American history. I felt similarly mesmerized as I devoured the 480 pages of Karen Joy Fowler’s triumph of a historical novel, Booth. I was torn by conflicting urges: to race ahead to see what happens next, or to read slowly and savor Fowler’s exquisite language and fascinating rendering of the various members of this legendary American family.

Many readers will begin Booth with the basic knowledge that John Wilkes Booth came from a famous theatrical family, but it’s unlikely that they’ll know just how celebrated and fascinating the Booths were, or that their lives were full of drama well before John Wilkes picked up that pistol. Think of Louisa May Alcott and her storied New England upbringing, and then pivot to something darker.

Fowler has previously written several short stories about the Booths and explains in an author’s note that she decided to write about them in novel form “during one of our American spates of horrific mass shootings.” She wondered about “their own culpability, all the if-onlys” and “what happens to love when the person you love is a monster.”

The Booths’ lives play out on their 150 acres of farmland in Bel Air, Maryland, in a mixture of 19th-century horror and family drama. John Wilkes was born in 1838, the ninth of 10 children, four of whom would die before reaching adulthood. They faced poverty, hunger and disease while patriarch Junius Booth, a famous Shakespearian actor, was on tour much of the year. He was an alcoholic with deep, dark secrets, which Fowler hints at with one simple sentence early on: “A secret family moves into the secret cabin.”

The story is told primarily by three of John Wilkes’ siblings—Rosalie, Edwin and Asia—all of whom are equally fascinating and well voiced. Early scenes narrated by Rosalie are particularly powerful and memorable. Fowler includes short passages about Lincoln and his family, ratcheting up the tension of what’s to come. With a master’s touch, she also incorporates vital depictions of racism through the lives of an enslaved family that works on the Booth farm, and shows how the issue of enslavement divides the Booth family through the years.

Like the very best historical novels, Booth is a literary feast, offering much more than a riveting story and richly drawn characters. It offers a wealth of commentary about not only our past but also where we are today, and where we may be headed.

Karen Joy Fowler discusses the literary and political inspiration behind ‘Booth,’ her wholly original American history novel.

Karen Joy Fowler’s Booth is a triumph in its fascinating rendering of a legendary American family.
Review by

Amy Bloom is known for examining the dynamics of intimate relationships in her fiction (White Houses, Lucky Us), yet never has she gotten closer to the flame than in this memoir of her marriage. In Love begins, as Blooms puts it, with a “not quite normal” trip to Zurich. She traveled there with her husband, Brian, in January 2020, but the plan was for her to return without him. This is because her husband was pursuing a medically assisted suicide following his diagnosis of early-onset Alzheimer’s disease.

In the compressed, gripping pages that follow, scenes alternate between the couple’s grim journey and the strenuous months that led up to it. “I’d rather die on my feet than live on my knees,” Brian commented within days of his diagnosis. Because he was already experiencing mild dementia, it fell to Bloom, who had always been strong and resourceful, to figure out the logistics of what came next. The window of opportunity was small: A key criterion of an accompanied suicide is that the patient should be capable of making an independent and firm decision. With pressure mounting, Bloom explored options on the dark web, wept with friends and therapists, and received deep, unshakable support from the people she loves, including her sister, who gave her $30,000 to cover the next few months’ costs. (Medically assisted suicide is not inexpensive.)

Bloom, in turn, was steadfastly present to Brian, though the couple’s emotional connection, she makes clear, flickered unevenly. The mundane was still inescapable. Words spoken hastily were regretted for months afterward. Suffering simply hurts, but Bloom shares the details without flinching. “Please write about this,” Brian exhorted her.

Just as Bloom found comfort in watching videos made by families navigating this impossible situation, In Love now offers comfort to those who follow in her footsteps. People who are disturbed by the way death in the United States seems increasingly impersonal, or passionate about giving the people they love agency to do what they want to do, will strongly connect to this book—but so will anyone interested in deep stories of human connection.

Amy Bloom is known for examining the dynamics of intimacy in her fiction, but she has never gotten closer to the flame than in this memoir of her marriage.

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Recent Features

The editors of BookPage highlight their favorite books that are riding the bestseller lists this year.
Maud Newton

Maud Newton, author of Ancestor Trouble
Random House | March 29

Maud Newton made a name for herself back in 2002 as one of the very first book bloggers, drawing a large audience with her blend of cultural criticism and personal writing about her family tree. Now her first book, Ancestor Trouble, will develop those early musings into their fullest forms, using the lens of Newton’s family (including her Confederate heritage-obsessed father and a grandfather who got married 13 times) to examine the wider world of genetics, intergenerational trauma and family secrets, both buried and spilled. Her approach is sweeping, even exhaustive, but Newton is a master at taking a complex, far-reaching topic and making it magnificently intimate.

M.E. Hilliard

M.E. Hilliard, author of Shadow in the Glass
Crooked Lane | April 5

A working librarian who grew up on the Connecticut coast, M.E. Hilliard brings her professional and personal expertise to bear in the Greer Hogan mysteries, the rare cozy series that can be legitimately described as “edgy.” The standard elements are all there—a beautiful small-town setting in New England, a clever and resourceful heroine—but there’s a pleasing strain of darkness running through the proceedings. Hilliard’s debut, The Unkindness of Ravens, won rave reviews across the board, and Shadow in the Glass is bound to lure even more readers to her chilly, ceaselessly clever take on the classic cozy. 

Bonnie Garmus

Bonnie Garmus, author of Lessons in Chemistry
Doubleday | April 5

California-born, London-based author Bonnie Garmus’ first novel, Lessons in Chemistry, made waves when it sold in a 16-publisher auction, and now Brie Larson is set to star in and executive produce the Apple TV+ series adaptation. That’s a whole lot of hype, but the great news is that Garmus’ novel delivers on its promises in depicting the ups and downs in the life of chemist and cooking show host Elizabeth Zott. Plus, Garmus seems like someone we’d like to be friends with: copywriter, creative director, open-water swimmer, rower and mother with a background in tech and science and a real knack for naming dogs. (The dog in Lessons in Chemistry is named Six-Thirty, and the author’s own is named 99.)

Kris Ripper

Kris Ripper, author of Book Boyfriend
Carina Adores | April 26

The extremely prolific Kris Ripper became one of the genre’s rising stars with The Love Study series, a charming, nuanced look at modern love that boasted an enviable and highly entertaining friend group. Ripper’s next book, Book Boyfriend, offers a charmingly meta wrinkle to the always popular subgenre of romances set in the literary world. PK is a writer who has been in love with his best friend, Art, for years. He pours all of his feelings into his work, creating a novel in which a fictionalized version of himself is the perfect partner (aka a “book boyfriend,” a romance term used to refer to characters that readers would love to date in real life). 

Shelby Van Pelt

Shelby Van Pelt, author of Remarkably Bright Creatures
Ecco | May 3

First-time novelist and Pacific Northwest native Shelby Van Pelt arrives with the year’s most anticipated animal narrator: Marcellus, an Ove-style curmudgeon that just so happens to be a highly observant giant Pacific octopus living in an aquarium. Van Pelt has combined My Octopus Teacher with a drama involving an elderly woman’s search for her missing son, resulting in a novel that aims for the book club sweet spot.

Putsata Reang

Putsata Reang, author of Ma and Me
MCD | May 17

When journalist Putsata Reang was less than a year old, she spent 23 days on a crowded boat with her mother as refugees fleeing Cambodia. Sanctuary was eventually offered in the Philippines, where Reang’s mother rushed her sick baby to a military doctor, who saved Reang’s life. This is the debt Reang owes her mother—and this is the reason Reang felt her mother’s disappointment so acutely when Reang came out as a lesbian and her mother severed the relationship. Ma and Me is an important new entry in the growing body of American refugee and immigrant literature, shining a light on the experiences of queer people whose families have survived the trauma of war. 

Kirstin Chen

Kirstin Chen, author of Counterfeit
William Morrow | June 7

Award-winning author Kirstin Chen’s first two novels, Soy Sauce for Beginners and Bury What We Cannot Take, received several “best books” nods and plenty of critical love, but her third novel, Counterfeit, is her first from a traditional publisher, which means that a whole new section of the reading public will finally get the chance to discover her. To tell the story of two Asian American women who band together in a counterfeit handbag scheme, Chen undertook a research trip to Guangdong, China, to witness the industry of luxury brand “superfakes.” It’s a juicy premise, so of course TV rights have already been sold, with Chen set to executive produce. Born and raised in Singapore, Chen currently lives in San Francisco, and she teaches creative writing at the University of San Francisco and in Ashland University’s Low-Residency MFA Program.

Kali Fajardo-Anstine

Kali Fajardo-Anstine, author of Woman of Light
One World | June 7

No doubt about it, Colorado-based author Kali Fajardo-Anstine’s star is rising. Her 2019 short story collection, Sabrina & Corina, won an American Book Award and was a finalist for the National Book Award, the PEN/Bingham Prize and the Story Prize, which means that her first novel, Woman of Light, is really exciting in a “if you know, you know” sort of way. It’s a multigenerational epic set in the American West from 1890 to 1935, following an Indigenous Chicano family throughout five generations. Fajardo-Anstine earned her MFA from the University of Wyoming and is the 2022/2023 Endowed Chair of Creative Writing at Texas State University.

Nekesa Afia

Nekesa Afia, author of Harlem Sunset
Berkley | June 28

It’s hard to write a good historical mystery. Authors must manage all the spinning plates of a good whodunit (premise, red herrings, pacing of clues, etc.), while also wrestling with the knotty questions of historical fiction. Can they evoke the feeling of an era while still making it accessible to modern readers, and successfully highlight both the fun and glamour and the inequalities and issues of the day? In her roaring ’20s historical mystery debut, Dead Dead Girls, Nekesa Afia succeeded at all of the above and introduced a complicated, perfectly crafted sleuth to boot. No surprise the book became a word-of-mouth hit. We expect that Harlem Sunset will introduce even more readers to Afia and her fashionable heroine, Louise Lovie Lloyd.

CJ Hauser

CJ Hauser, author of The Crane Wife
Doubleday | July 12

Novelist CJ Hauser (Family of Origin, The From-Aways) struck it big in 2019 with her Paris Review essay “The Crane Wife,” which has since been read by over a million people. Now her debut work of nonfiction will take the eponymous viral essay—about traveling to Texas to study whooping cranes 10 days after calling off her wedding—and enlarge its scope with 17 additional pieces that explore how to cultivate an unconventional life, from robot conventions, to weddings, to John Belushi’s grave. As a fiction writer, Hauser’s work is smart, surprising and irresistibly weird—and now, as an essayist, perhaps doubly so.

Isaac Fitzgerald

Isaac Fitzgerald, author of Dirtbag, Massachusetts
Bloomsbury | July 19

Isaac Fitzgerald has been a man about book-town for years: He’s the founding editor of Buzzfeed Books, a bestselling children’s book author, an essayist, a co-author of art books about tattoos and a frequent “Today” show guest. Dirtbag, Massachusetts marks his grand entry into one of the few book-town neighborhoods where he hasn’t yet set up shop: prose books for adults. Fitzgerald’s memoir-in-essays will chart his rough-and-tumble upbringing in Boston and rural Massachusetts and the choppy waters of his West Coast adulthood, learning to navigate the pitfalls of masculinity, body image, class and family strife. There will be tough stops along this journey—including discussions of violence, homelessness and trauma—but we suspect Fitzgerald’s signature tenderness, humor and generosity will carry readers gently the whole way.

Alexandra Rowland

Alexandra Rowland, author of A Taste of Gold and Iron
Tordotcom | August 30

Fantasy romance is absolutely huge right now, to the point that it can be hard to stand out among the flood of gorgeously crafted tales of star-crossed lovers or rival princes. But standing out has not been a problem for Alexandra Rowland. Their Conspiracy of Truths duology was funny, moving and profound in equal measure, thematically ambitious but still deeply rooted in the personal experiences of its characters. We expect even more from A Taste of Gold and Iron, a standalone fantasy romance set in a world inspired by the Ottoman Empire. This tale of a prince and his bodyguard falling in love while untangling a plot that threatens their kingdom and promises to be a feast that satisfies both emotionally and intellectually.

Maya Phillips

Maya Phillips, author of Nerd
Atria | October 11

Poet and New York Times critic at large Maya Phillips will breathe new life into the ever-popular subject of fandom in her prose debut, Nerd: Adventures in Fandom From This Universe to the Multiverse. Growing up in the 1990s, Phillips cut her teeth on narrative greats such as Star Wars, Harry Potter, “Doctor Who” and “Buffy the Vampire Slayer.” As she teases apart how these franchises and others formed her identity, worldview and media appetites, her experiences as a Black woman and chops as a professional film and TV critic elevate each essay above the typical fandom fray. Nerd will lend weight to a sometimes-flighty sector of cultural criticism and establish Phillips as a true contender.


Newton author photo by Maximus Clarke. Garmus author photo by Serena Bolton. Van Pelt author photo by Karen Forsythe. Reang photo by Kim Oanh Nguyen. Chen photo by Sarah Deragon. Fajardo-Anstine photo by Estevan Ruiz. Afia photo by FizCo Photography. Hauser photo by Shannon Taggart. Fitzgerald photo by Maddie McGarvey. Rowland by Charles Darrel. Phillips photo by Brian Goldfarb.

From debuts to breakout books, this year promises to be a big one for these 13 authors. Keep them on your radar!

Rereading our favorite books is such a comforting practice, but this month, we’re celebrating the special occasion when you get to reconsider a book that you merely appreciated in the first go-around. With some time and a new perspective, a second reading can lead to love.


Interior Chinatown

Experimental or unusual literary structures can be pretty polarizing; either you’re up for a novel told in Slack messages (Several People Are Typing) or as an interview transcript (Daisy Jones & The Six and The Final Revival of Opal & Nev), or you’re just not. But here’s a well-known secret: Sometimes, the great equalizer is audiobooks. Charles Yu’s satirical masterpiece Interior Chinatown is structured partially like a TV script, which is intriguing in print but, perhaps unsurprisingly, makes for the best audiobook I’ve ever listened to. Narrator Joel de la Fuente balances caustic humor with the painful reality of Hollywood racism as he gives voice to Willis Wu, a Taiwanese American actor who dreams of ascending beyond the role of “Generic Asian Man” and achieving the much-coveted role of “Kung Fu Guy.” Willis’ internal monologue alternates with scenes from the crime show “Black and White,” about a white detective and her Black partner, culminating in a brilliant indictment of pop culture stereotypes. Genuinely satisfying satire is rare, but when it’s good, it’s really, really good.

—Cat, Deputy Editor


Aristotle and Dante Discover the Secrets of the Universe

Rereading a book can lead to a discovery of something new about that book. Other times, to revisit something you read in another part of your life is like stepping into your own past and witnessing all the ways you’ve changed. When I first read Aristotle and Dante Discover the Secrets of the Universe in 2012, I was in my mid-20s and finishing my library science degree. I hadn’t really been in love yet. I was still, in many ways, not yet grown. Late last year, as I once again picked up this award-winning YA novel, I was struck by how removed I felt from Ari’s earnest adolescent musings. The paradox of children’s and YA literature is that it’s created by and introduced to young readers by adults. Somehow, it seems I’ve become one of those adults, but the simple, stunning beauty of Benjamin Alire Sáenz’s prose still makes this raw, heartfelt story of teen boyhood transcend the boundaries of age or time.

—Stephanie, Associate Editor


Northanger Abbey

Northanger Abbey can seem like the silly kid sister of Jane Austen’s other novels. As a teenager, when I first read the story of gothic novel-obsessed Catherine Morland, I thought it was frivolous fluff and nothing more. It wasn’t until I reread the novel in college, armed with a much richer understanding of the gothic and what a pop culture juggernaut the genre was during the Regency, that I was able to understand how funny it was; imagine someone approaching their life as if it were a twisty thriller a la Gone Girl. But beyond its success as a culturally specific rom-com, Northanger Abbey should be mentioned in the same breath as early meta narratives like Don Quixote. Austen tracks Catherine’s growing maturity with enormous fondness: Her leaps of logic may be outrageous, but her warped impressions of the people around her are often shockingly astute. It’s a hilarious coming-of-age story that’s also a meditation on how fiction can both blind and guide us. (Also, kind but sassy Henry Tilney is one of Austen’s best heroes, full stop.)

—Savanna, Associate Editor


Hiroshima

I first read Hiroshima in my high school history class. Personally, as an 18-year-old student at an Alabama public school, I still had a ways to go in the appreciation of great books—even one so groundbreaking as John Hersey’s 1946 account of six individuals who survived the atomic bomb that America dropped on Hiroshima, Japan. Luckily, I got the chance to revisit it in my master’s program, when I was better equipped to savor Hersey’s precise reporting and vivid, compassionate writing. (One description of a man who jumped into a river after the bomb exploded still haunts me.) Originally published in The New Yorker, this slim book packs a narrative and historical punch. Chapters alternate among the six subjects’ experiences, beginning with the morning of the bomb and continuing through the following year. (An additional chapter was added later, revisiting the six survivors after 40 years.) What emerges is a breathtakingly intimate portrait of atomic warfare’s inhumanity, especially the way it fuses suffering to survival.

—Christy, Associate Editor


Normal People

As a college freshman in March 2020, I found myself back at home after only one day on campus following spring break, and I turned to audiobooks to occupy myself. As I listened to Sally Rooney’s second novel, narrated by Aoife McMahon, I enjoyed hearing the characters’ Irish accents and piecing together their lives between time jumps. Still, the characters’ actions didn’t make sense to me at many critical points, and finishing the book left me with a funny feeling. I didn’t dislike it, but I felt like I was missing an essential component of what made it special, even after a conversation with the friend who’d originally recommended it. My recent second listen revealed how naive my initial evaluation was. The subsequent years of my college experience haven’t been like Marianne’s and Connell’s, but I now viscerally relate to their feelings of being lost in emerging adulthood. After updating my Goodreads rating to five stars, I called that same friend with my new revelations.

—Jessie, Editorial Intern

A great second date can really turn things around.

Spring is getting closer every day, and with all that excitement bubbling up, perhaps your attention span is short circuiting. No need to worry—the editors of BookPage have just the ticket in the form of five quick but stunning reads.


The Buddha in the Attic

Julie Otsuka is a master of the short novel, and her National Book Award finalist, The Buddha in the Attic, is an epic saga written with brevity. In just 144 pages, Otsuka captures the lives of a group of Japanese women who immigrate to America, meet their husbands (many of whom lied about their ages and occupations), find work as farmers and maids, navigate the racist and classist minefields set by their white employers, raise children and scratch out a living, only to disappear suddenly as the United States enters World War II. The story is relayed by a first-person plural narrator who encompasses dozens of experiences, and it unfolds in a series of snapshots that coalesce into an astonishing mosaic of Japanese American life at the beginning of the 20th century. You can sense the mountain of research that Otsuka distilled into each beautiful sentence. It’s innovative, surprising and deeply moving.

—Christy, Associate Editor


The Body in Question

A courtroom drama that spotlights the jurors’ sequestration instead of the case itself, Jill Ciment’s The Body in Question enraptured me from the start. The protagonist, a middle-aged photographer whose life is consumed by caring for her much older husband, views the jury’s three-week isolation as a respite from assisting him. Her liberation leads to an affair with another juror that, though initially secret, begins to bleed into their surroundings with far-reaching consequences. At 192 pages, The Body in Question keeps readers engaged with fast-paced developments and characters who are eccentric in their ordinariness. Ciment’s sparse writing enhances the mundanity of sequestration, even when a case is as monumental as this one. Though the subject matter is complex, the narrative progresses without judgment, in the same way a jury must consider only the facts laid before them before reaching a verdict.

—Jessie, Editorial Intern


In Waves

A comic book moves more quickly than other types of literature, so even though AJ Dungo’s graphic memoir is actually quite long, the total time readers spend with the book isn’t. In Waves is powerful, as Dungo blends moments from surfing history with memories of falling in love with and then losing his partner to cancer. The sections on their time together will absolutely wreck you, but as those dark waters ebb and flow, the story of surfing offers levity, revealing the sport’s legacy as a refuge for Hawaiians. An especially helpful dose of hope comes from the friendship between surf legends Duke Kahanamoku and Tom Blake: “Duke represented the blissful nature of surfing. Tom personified the idea that surfing could provide comfort to those who felt broken.” In Waves engages with both the depths of Dungo’s grief and the safe haven of surfing, offering a quick dip that will leave readers a bit battered by the waves.

Cat, Deputy Editor


A Spindle Splintered

We are currently living through an absolute gold rush of sci-fi and fantasy novellas, and among all those tiny universes, Alix E. Harrow’s A Spindle Splintered contains a multiverse. It’s a Spider-Man: Into the Spider-Verse and “Sleeping Beauty” mashup that’s just as fun as it sounds and way smarter than it needs to be. It follows Zinnia Gray, a young woman with a rare condition that will cause her to die before her 22nd birthday. During her “Sleeping Beauty”-themed 21st birthday party, Zinnia jokingly pricks her finger on a spindle and ends up in a fairy-tale world, complete with a princess on the verge of succumbing to her own curse. You can sense Harrow’s glee on every single page, especially when she drops references and jokes tailor-made for a specific type of Tumblr-using, fandom-­obsessed, very online reader. But this novella is as poignant as it is pop-culture obsessed, spinning a tale of sisterhood that defies the bleakness of every reality.

—Savanna, Associate Editor


A Psalm for the Wild-Built

Have you ever gone on a walk with a friend in nature and ended up in a highly personal or philosophical conversation? That’s sort of what reading Becky Chambers’ novella is like. It’s a thoughtful fable that effortlessly incorporates profound questions—such as, why does human life need a purpose?—into what is essentially a road-trip story about a monk and a robot. The novella’s first half is so charming and soothing that by the second half, when Chambers’ protagonists are forging paths through the literal and metaphorical weeds, you’ll find yourself hanging on their every word. It all works because Chambers never loses the trees for the forest. In one moment, her characters will be discussing whether death is necessary to give life meaning, and in the next, they’ll be discussing the point of onions. Imaginative and comforting, A Psalm for the Wild-Built is a sheer delight.

—Stephanie, Associate Editor

Keep it short and sweet with these five succinct books.

The children’s literature scholar Deborah Stevenson once wrote that “to define children’s literature we need, at bare minimum, to define a child and to define literature, and then to define what combination of their meeting counts as the genre.” This year’s best middle grade and chapter books each contain their own compelling answers to these questions as they center child protagonists and privilege the child reader’s perspective in works that range from lighthearted to weighty and from grounded to fantastical. With young readers fortified by these books, the future looks bright indeed.


10. Black Boy Joy edited by Kwame Mbalia

Sixteen well-known and up-and-coming authors offer humor, honesty and, yes, plenty of joy.

9. The Sea in Winter by Christine Day

Day portrays depression with sensitivity, and her depiction of Maisie’s deepening understanding of her Native American heritage is just as well done.

8. Kiki Kallira Breaks a Kingdom by Sangu Mandanna

In this fast-paced fantasy adventure, Kiki struggles with the disconnect between who she believes herself to be and who she thinks she needs to be.

7. Leonard (My Life as a Cat) by Carlie Sorosiak

This witty, inventive tale of an interstellar visitor trapped in the body of a cat is a wonderful reminder of all the things humans often take for granted, from cheese to thumbs to friendship.

6. Red, White, and Whole by Rajani LaRocca

In her first novel in verse, LaRocca showcases the best of what verse can do, telling a story that is spare and direct and rings with truth.

5. Amber & Clay by Laura Amy Schlitz, illustrated by Julia Iredale

Schlitz transports readers back in time to ancient Greece in this ambitious illustrated novel written in verse and prose.

4. Legacy by Nikki Grimes

Grimes stakes a claim for women in the pantheon of Harlem Renaissance poets in this tour de force of a poetry collection. Her poems follow a complex form that enables them to be shaped by the words of the women she honors.

3. Too Small Tola by Atinuke, illustrated by Onyinye Iwu

The three illustrated stories in this chapter book connect in ways that will reward multiple readings, and their gentle morals linger with a satisfying combination of inevitability and surprise.

2. Ahmed Aziz’s Epic Year by Nina Hamza

Hamza’s debut features a fresh and funny protagonist, a sensitive exploration of loss and grief and homages to some of the most classic titles in children’s literature.

1. The Last Cuentista by Donna Barba Higuera

A young girl’s love of storytelling forms the heart of this bittersweet science fiction tale that demonstrates how our oldest and most cherished stories continue to grow with us.

See all of our Best Books of 2021 lists.

The year's best middle grade and chapter books center child protagonists and privilege the child reader’s perspective in works that range from lighthearted to weighty and from grounded to fantastical.

Think about the way you feel after a delicious meal. Although you know there are dishes to wash and leftovers to put away and perhaps a long drive home or work in the morning, as you look around the table at the faces of the people you love, and for that one moment, your spirit feels full, safe, happy, loving and loved. 

If that’s how you’d like to feel after your next read, the BookPage editors suggest one of these 2021 releases. 


Cloud Cuckoo Land by Anthony Doerr

The latest novel from Pulitzer Prize winner Doerr is a vast undertaking, spanning centuries and incorporating multiple storylines. Amid this tangle of events, each character must face what feels like the end of their world, and it feels like a gift to the reader that Doerr’s response to each of these characters, even those who commit potentially unforgivable deeds, is mercy and hope and compassion. We have seen dark times before, and we’ll see them again—and maybe, if we trust in each other, it will all work out in the end.

—Cat Acree, Deputy Editor


The Man Who Died Twice by Richard Osman

If possible, this mystery is even better than the Osman’s charmer of a debut, The Thursday Murder Club. It’s a load of fun and an ode to how important the power of friendship is throughout one’s life but especially during the final stretch. 

—Savanna Walker, Associate Editor


These Precious Days: Essays by Ann Patchett

As BookPage reviewer Kelly Blewett put it, “These Precious Days reinforces what many longtime fans like best about Ann Patchett: her levelheaded appraisal of what is good in the world.” Indeed, this essay collection overflows with goodness: good writing, good stories, good people. (One essay is literally about a priest whose work with unhoused people in his community caused Patchett to label him a “living saint.”) This is a companionable book, full of warmhearted reflections on how to love what we love—books, dogs, family—a little better.

—Christy Lynch, Associate Editor


Love Is a Revolution by Renée Watson

Today’s young readers are so lucky to have a writer like Renée Watson creating books for them, and Love Is a Revolution is a perfect example of why. This YA novel is a master class in characterization, from its grounded yet swoony central couple, to the family and friends who surround them, to Harlem itself, which Watson evokes vividly. Her respect for and belief in the power of young people comes through on every page, but what sets Watson apart are her words. Watson is a poet who writes novels, and that means every few pages, you will encounter a sentence so beautifully phrased that your eyes will brim with tears and your heart will be quietly filled.

—Stephanie Appell, Associate Editor


Very Sincerely Yours by Kerry Winfrey 

A sweet and lighthearted rom-com that will appeal to readers who prefer stories that focus more on character than conflict, Very Sincerely Yours centers on the epistolary relationship between Teddy, a young woman who feels somewhat adrift in life, and Everett, the beloved host of a local children’s show. Both characters are lovingly and carefully drawn by Winfrey, who also creates a cozy, friendship-filled environment around her central pair. 

—Savanna Walker, Associate Editor


Goodbye, Again: Essays, Reflections, and Illustrations by Jonny Sun

On the one hand, reading Goodbye, Again feels like sharing a warm cup of tea with author and illustrator Jonny Sun. On the other hand, your pal Jonny might be a little depressed, or at least deeply introspective, and so your time together, while enriching, might make you cry. They’re good tears though—an overflow of feeling understood, of relief after hearing from someone else who feels as lonely, burnt out and hopeful as you do. Each short essay touches on an aspect of modern life that makes true connection, with yourself and others, harder. Together, they form a kaleidoscopic declaration that it’s worth the effort to nurture yourself and see what grows.

—Christy Lynch, Associate Editor


A Hundred Thousand Welcomes by Mary Lee Donovan, illustrated by Lian Cho

In her author’s note, Mary Lee Donovan writes that this deceptively simple picture book is her “love song to our shared humanity.” In multilingual rhyming couplets, A Hundred Thousand Welcomes offers a benediction for the sacredness of gathering together. Lines such as “The door is wide open— / come in from the storm. / We’ll shelter in peace, / break bread where it’s warm” have a plainspoken power, and Lian Cho’s friendly, colorful illustrations capture the joy of greetings and the happiness to be found around a shared table.

—Stephanie Appell, Associate Editor


Carry On: Reflections for a New Generation by John Lewis

During the last months of Congressman John Lewis’ life, he put pen to paper to collect some parting thoughts after 80 years of remarkable activism and service. Carry On captures Lewis’ memories of growing up as the son of a sharecropper in Alabama, shopping for comic books at the flea market, joining the Freedom Riders movement and more. Interspersed are snippets of advice for the next generation who will carry on the justice work Lewis and others began during the civil rights movement. After his death in 2020, Lewis’ last book reads as an even more precious labor of love, laced through with the congressman’s trademark wisdom, patience, determination and hope.

—Christy Lynch, Associate Editor


A Psalm for the Wild-Built by Becky Chambers

The type of book that the word heartwarming was made for, Chambers’ sci-fi novella follows a monk who is literally devoted to small comforts as they brew tea, explore the wild edges of the world and try to offer solace and warmth wherever they can. There are some heady philosophical themes at play, but just enough to engage and not overwhelm your brain as you happily sink into this small, perfectly wrought gem of a story. 

—Savanna Walker, Associate Editor


Of a Feather by Dayna Lorentz

“Two lost souls find each other and the way forward” is a story I will read as if it’s the first time every time. In Dayna Lorentz’ middle grade novel Of a Feather, the lost souls are a young girl named Reenie who’s been sent to live with an aunt she’s never met and a 6-month-old owl named Rufus who has also found himself alone and unprotected in the wide, wild world. Watching these two slowly drop their defenses and open themselves up to healing, love and hope has tremendous appeal and power: It reminds us that no one is ever truly so lost that they cannot be found.

—Stephanie Appell, Associate Editor

If you’d like your next read to leave you feeling uplifted and filled with love, we recommend picking up one of these books.

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