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Launching a first novel is an uncertain thing. Which signal the beginnings of a successful career? Which are flashes in the pan? It’s often hard to tell.

With these 25 debuts, however, there was no doubt. These authors astonished right out of the gate with strong storytelling prowess and memorable voices. Read on for our list of the best debuts from the century’s first decade: 2000-2009.


whiteteethWhite Teeth by Zadie Smith (2000)

Perhaps the defining debut of the 2000s, Smith’s multicultural portrait of London life perfectly captured The Way We Live Now. While totally specific in its jump-off-the-page characters and true-to-life setting, it manages to have a universal feel as well—this could be your family. This is the sort of ambitious, accomplished debut that it’s impossible to ignore, and Smith has gone on to prove her talent with three more very different but equally accomplished novels.


 

everythingisillumEverything Is Illuminated by Jonathan Safran Foer (2000)

“This best-selling novel is the work of a whiz-kid,” says our review—which about sums things up. Imaginative, quirky and humorous, the novel also tackles the Jewish diaspora and the effect of the past on the present, ideas that Foer continued to explore in his second bestseller, Extremely Loud and Incredibly Close.

 


yearofwondersYear of Wonders by Geraldine Brooks (2001)

Though she’s now one of the leading voices in historical fiction, back in 2001 Brooks was best known for her prize-winning work as a correspondent for the Wall Street Journal. She broke through the fiction barrier with a bang to tell this story of a small English village that goes into quarantine when the black plague is discovered within its boundaries.

 


enemywomenEnemy Women by Paulette Jiles (2002)

Prize-winning poet Jiles takes on a little-known slice of American history: the imprisonment of women during the Civil War. After being unjustly accused of spying, 18-year-old Adair is taken from her family home in the Ozarks to the St. Louis jail. With the help of a sympathetic Union soldier—who promises to find her once his duty is over—she manages to escape and embarks on a harrowing trek home. Jiles excels at depicting the horrors of a land and people ravaged by war, and her strong and spirited heroine is one readers will root for.

 


threejunesThree Junes by Julia Glass (2002)

An old-fashioned family drama, Glass’ fiction debut is told in three parts, a triptych that gives a full picture of the complicated bonds within the McLeod family—parents Paul and Maureen, their oldest son Fenno and their twin sons David and Dennis. Brilliantly rendered, full of characters who feel like people you know, this is a polished, perfect first book.

 


lovelybonesThe Lovely Bones by Alice Sebold (2002)

The brutal, violent death suffered by Sebold’s narrator in the opening chapter sets the tone for this bold and visceral first novel. Susie Salmon is just 14 when she goes missing on the way home from school. Though her own life is over, she continues to watch the struggles of her family from heaven as they attempt to discover what happened to their beloved little girl.

 


leavingatlantaLeaving Atlanta by Tayari Jones (2002)

Jones’ debut is a sensitively written coming-of-age story, set against the backdrop of Atlanta’s African-American neighborhoods in 1979, where black children were being murdered by an infamous serial killer. This historical drama serves to deepen Jones’ careful exploration of the dangers of growing up—and especially, the dangers of growing up black.

 


 

namesakeThe Namesake by Jhumpa Lahiri (2003)

In her first novel, Lahiri continued to showcase the elegant, deceptively simple writing that marked her Pulitzer Prize-winning story collection, expanding her scope to tell the story of Gogol Ganguli, the American-born son of Ashoke Ganguli, who arrives in Massachusetts from India in the late 1960s as an engineering student, and Ashima, Ashoke’s wife through an arranged marriage.

 


kiterunnerThe Kite Runner by Khaled Hosseini (2003)

Hosseini was a practicing physician in California when he wrote The Kite Runner, a surprise hit that illuminated Afghanistan’s tortured history through the powerful story of two boys. The novel sold more than 10 million copies in the U.S., and Hosseini has since published two other bestsellers.

 

 


knownworldbhc

The Known World by Edward P. Jones (2003)

This “staggeringly accomplished” first novel takes as its premise a surprising piece of history: Some free blacks did, in fact, own slaves themselves. Jones takes a clear-eyed look at this morally complicated time through his complex characters, including Henry Townsend, whose own parents worked for years to buy his freedom only to see him enslave others, and Jim Skiffington, a local sheriff who is personally against slavery but must uphold the laws of 1850s Virginia.

 


curiousincidentThe Curious Incident of the Dog in the Night-Time by Mark Haddon (2003)

Christopher Boone is 15, and something of an autistic savant. Yet his ability to name every prime number doesn’t help him parse the emotional turmoil of his home life. When he embarks on a mission to find out who stabbed his neighbor’s dog with a gardening fork, Christopher—who narrates the story in an inimitable voice—ends up stumbling on a much greater mystery.

 


jonathanstrangeJonathan Strange & Mr Norrell by Susanna Clarke (2004)

Who would have thought that an 800-page book starring two magicians could become a major bestseller? Though Clarke’s epic, Dickensian tale set in an alternate 1806 England might have come in on Harry Potter’s coattails, it had a style all its own. As magicians Strange and Norrell—the first in possession of abundant natural, effortless but undirected talent, and the second something of a scholarly pedant—attempt to bring magic back to England, Clarke brings magic back to the world of literary fiction. Fans of The Night Circus and The Golem and the Jinni—you’re welcome.

 


shadowofthewindThe Shadow of the Wind by Carlos Ruiz Zafon (2004)

We readers love our books about books, and Ruiz Zafon’s first adult novel—also a bestseller in his native Spain—is one of the best ever written. A twisty, Gothic tale that contains a story-within-a-story, it features a mythical “Cemetery of Forgotten Books,” a reclusive author and a Barcelona that is still reeling from the Spanish Civil War. Part noir, part coming-of-age story and part mystery, this is 100% page-turner.

 


 

godsinalabamagods in Alabama by Joshilyn Jackson (2005)

The somewhat staid world of Southern fiction got a jump-start when Jackson appeared on the scene. Though it targets themes of redemption, family bonds and the weight of the past, Jackson’s writing deals honestly with the South’s complicated past, possesses nary a jot of nostalgia and is anything but treacly. Her debut showcases all of the above and adds a saucy, strong heroine to boot.

 


preppbPrep by Curtis Sittenfeld (2005)

Novels set in prep school are a dime a dozen, which makes the fact that Prep stood out from the crowd an even more impressive feat. As middle-class, Midwestern girl Lee learns to swim among the sharks at her upscale boarding school, Sittenfeld perfectly captures all the pain and drama of growing up, making for a solid, perceptive debut.

 


The Thirteenth Tale by Diane Setterfield coverThe Thirteenth Tale by Diane Setterfield (2006)

Starring a bookish young heroine who gets drawn into a Gothic mystery involving a reclusive female writer, this dark horse debut took bestseller lists by storm upon publication and has been a perennial hit with book clubs ever since. Setterfield, who taught French before becoming a published writer, took her time coming out with a follow up, releasing her second novel nearly 8 years later.

 


specialtopicsSpecial Topics in Calamity Physics by Marisha Pessl (2006)

Voice is a big part of what marks a debut as special, and the hyper-literate, exuberant, creative voice of Marisha Pessl was one that readers could love or love to hate—but not ignore. This ambitious coming-of-age novel is also a suspenseful mystery, a story of adolescence and a touching portrayal of the father/daughter relationship. Pessl’s long-awaited second novel, Night Film, was released in 2013.

 


thenwecameThen We Came to the End by Joshua Ferris (2007)

Narrating a novel in the second-person plural is a risky choice—especially when it’s also your first book. But Ferris pulls it off with aplomb in Then We Came to the End, a high-wire act of a novel that takes a collection of office archetypes—the go-getters, the slackers, the petty tyrants—and brings them vividly to life. Written in just 14 weeks, this vibrant and lively story marked Ferris as a true writer to watch.

 


lostcityradioLost City Radio by Daniel Alarcón (2007)

The turbulent political history of South America is not often plumbed for fiction, but Alarcón does this complicated subject justice—and tells a moving tale besides—in his lyrical debut, set in an unnamed South American country. “This book is about telling the stories that people didn’t want to hear before, that were inconvenient to hear,” he told us in an interview. Alarcón’s second novel, At Night, was published in 2013.

 


briefwondrous4The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)

Díaz’s first novel, which had been anticipated for nearly a decade, stars an overweight nerd who couldn’t be more different from Yunior, the womanizing antihero introduced in Díaz’s celebrated story collection, Drown. Yet the two share a talent for falling in love, and as Díaz recounts Oscar’s journey in that inimitable voice, readers fall in love as well.

 


intthewoodsIn the Woods by Tana French (2007)

Occupying the narrow territory between suspense and literary fiction, French’s debut is a psychologically acute, harrowing police procedural. As Dublin detective Rob Ryan and his partner and best friend Cassie Maddox investigate a 12-year-old girl’s murder, Rob finds that the case stirs up a childhood trauma he can no longer ignore.

 


monsterstempletonThe Monsters of Templeton by Lauren Groff (2008)

Quirky and bold, Lauren Groff’s debut is both the story of an individual—Willie Upton, who has been told that her father isn’t the person she thought he was—and a town: Templeton, in upstate New York. As Willie pores over Templeton history in order to discover who her father is, readers are treated to the colorful histories of its varied residents. Told in several voices, including that of the area lake monster, this is a lively and compelling first novel.

 


girlwiththedragonThe Girl with the Dragon Tattoo by Stieg Larsson (2008)

One of the signs of a successful novel is its ability to spawn imitators—and we’re still feeling the impact of Stieg Larsson’s hard-boiled Swedish thriller starring a heroine who, to put it mildly, doesn’t take crap from anyone. Sadly, Larsson died before seeing his novels published, but his legacy lives on in the flood of Scandinavian thrillers and kick-ass heroines that swamp bookshelves worldwide.

 


cuttingforstonehcCutting for Stone by Abraham Verghese (2009)

Like Khaled Hosseini, Verghese trained as a doctor before turning to fiction, and his first novel stars twin siblings who both practice medicine. Marion becomes an excellent if unheralded surgeon, but Shiva, with no formal medical training, becomes a pioneer in fistula repair, a skill desperately needed in Ethiopia. As this epic tale unwinds across continents, the conflicts between the two very different brothers are juxtaposed with the larger crises in the outside world.

 


americanrustAmerican Rust by Philipp Meyer (2009)

Set in Pennsylvania, in the heart of the Rust Belt, this literary debut portrays a disappearing small-town, blue-collar America with clear-eyed perception. Best friends Isaac and Poe had planned to escape their dying hometown of Buell for college. But when these dreams are crushed, both must try to salvage their futures. Meyer, whose second novel, The Son, was published in 2013, writes with authority, and his work has been compared to American greats like McCarthy and Faulkner.

Launching a first novel is an uncertain thing. Which signal the beginnings of a successful career? Which are flashes in the pan? It’s often hard to tell. With these 25 debuts, however, there was no doubt. These authors astonished right out of the gate with…
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So you’re a fan of Jojo Moyes’ best-selling, tear-jerking 2012 release, Me Before You. This story of the relationship between down-and-out Louisa Clark and the wealthy, quadriplegic she becomes a caregiver for is as touching and warm as it is thought-provoking, making it a perfect fit for book clubs.

Other than tearing through Moyes’ backlist (she’s published more than 10 other books) what’s a Me Before You fan to do next? Not to worry: BookPage has some ideas.

(Warning: minor plot spoilers; after all, this is for those who have already read Me Before You!)


My Sister’s Keeper by Jodi Picoult

OK, so this one might not be much of a surprise, but no one does the ethical dilemma novel™ better than Picoult, and My Sister’s Keeper is one of her most controversial. If debating right to life/quality of life issues was what turned you on about Me Before You, give this one a whirl. Read it already? Go for the not-yet-adapted-for-film Second Glance.


Being Mortal by Atul Gawande

Speaking of medical ethics . . . best-selling author Gawande may not write novels, but his essays on the challenges of medicine, especially when it comes to drawing the line between treatment and quality of life, certainly make for compelling reading. Anyone who came out of Me Before You with questions about the medical issues involved should pick up this sensitive new collection that will leave you wiser.


Love Water Memory by Jennie Shortridge

One of the most compelling storylines in Me Before You was Lou’s journey of self-discovery—the way she realizes there’s more to who she can be. Shortridge’s fifth novel offers a more extreme version of that theme. It’s the story of Lucie Walker, who awakens in the San Francisco Bay with no idea who she is or how she got there. Worse, she doesn’t recognize the handsome man who shows up claiming to be her fiancé.


The Rosie Project by Graeme Simsion

If the “odd-couple” dynamic between Louisa and Will was your favorite part of Me Before You, don’t miss The Rosie Project, last year’s word-of-mouth hit that chronicled the romance between a professor who is logical to a fault and a whimsical, fun-loving bartender who comes to him for help finding her biological father. 


Belong to Me by Marisa de los Santos

So you liked Me Before You because it was a tear-jerker? Try Maria de los Santos, especially the poignant Belong to Me, which follows a 30-something who is dying of cancer.

(More obvious runner-ups in the tear-jerker category: The Time-Traveler’s WifeThe Fault in Our Stars.)


Someone Else’s Love Story by Joshilyn Jackson

One of the themes of Me Before You is appreciating the joy to be found in life, no matter what your situation might be. In Jackson’s compassionate sixth novel, Someone Else’s Love Story, her heroine Shandi has to do just that, even as she uncovers some uncomfortable truths about her life and meets the equally wounded, but less resiliant, William.


So you’re a fan of Jojo Moyes’ best-selling, tear-jerking 2012 release, Me Before You. This story of the relationship between down-and-out Louisa Clark and the wealthy, quadriplegic she becomes a caregiver for is as touching and warm as it is thought-provoking, making it a perfect fit…

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Sweet and spicy gingersnaps make the world a better place. Or at least, they’re a starting point in Mara Rockliff’s second picture book, The Busiest Street in Town. Agatha May Walker wants to bring some cookies to her neighbor Eulalie, but when she starts to cross the street, the speeding traffic on Rushmore Boulevard won’t stop for her: cars and trucks just keep on roaring, zipping and rumbling past (the frequent use of onomatopoeia makes this a fun read-aloud).

Undaunted, Agatha carries out her yellow wingback chair and becomes a human roadblock, forcing traffic to slow down around her and offering gingersnaps to the passing drivers. Soon Eulalie joins her, bearing a piano stool, a card table and a Parcheesi set. Eventually, traffic slows, and other neighbors venture into the street for gingersnaps and a turn at the Parcheesi set. Flowers get planted along the street, and children play hopscotch. Traffic was slower, but “no one minded,” Rockliff writes. “If you drove too fast, you couldn’t smell the honeysuckle. You wouldn’t hear the music of the mariachi band. Worst of all, you’d miss the chance to sample one of Agatha May Walker’s sweet and spicy gingersnaps.”

Sarah McMenemy’s mixed-media illustrations are beautiful and evoke midcentury modern: men and women wear hats and long coats; children are dressed in pinafores. Though they’re completely charming, in some ways this choice makes the message of The Busiest Street in Town seem less directed to our contemporary lifestyles—when in truth we could all use encouragement to slow down. Still, this detail is not likely to register with young readers, who will be drawn into a fun, absorbing story that proves faster isn’t always better.

Sweet and spicy gingersnaps make the world a better place. Or at least, they’re a starting point in Mara Rockliff’s second picture book, The Busiest Street in Town. Agatha May Walker wants to bring some cookies to her neighbor Eulalie, but when she starts to…

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After writing two witty novels about gay life in Washington, D.C., Louis Bayard hit on a winning formula with his 2003 novel, Mr. Timothy, which starred Dickens’ Tiny Tim and gave the character a complexity that was sorely lacking in the original. He followed that up with The Pale Blue Eye, a story of Edgar Allen Poe’s time as a cadet at West Point that earned an Edgar Award nomination. Now, Bayard turns his attention to the turbulent French Restoration. The Black Tower puts legendary French policeman and ex-con Vidocq (the inspiration for Victor Hugo’s Jean Valjean) together with medical student Hector Carpentier to find out what really happened to the son of Marie Antoinette and Louis XVI.

A clue in a dead man’s pocket leads Vidocq to Hector, whose late father, a doctor, treated the Dauphin during his imprisonment. Though records show the boy died in the tower, a long-lost diary and a murderer who seems to be stalking Hector and anyone else with a connection to the boy-who-should-be-king indicate otherwise. Could Charles Rapskeller, a young man with an affinity for gardening, really be Prince Louis-Charles?

Bayard has a particular talent, also displayed in Mr. Timothy, for evoking the poignancy of the longing for a lost father without being overly sentimental. In the years following the Dauphin’s “death,” the senior Carpentier became closed off from his family and friends, and it is only by reading his journals that Hector discovers how much he was loved by his father. Though he and Charles are close in age, Hector finds himself taking over his father’s role as Charles’ protector, while Vidocq goads him on in pursuit of definitive evidence of Charles’ royal lineage.

In his previous novels, Bayard has had the courage to keep the ending honest—as in life, not every loose end is left neatly tied. The Black Tower is no exception, and it includes a final twist that will leave even the closest of readers flipping back through the pages to find clues they’ve overlooked. A perfectly balanced blend of compelling characters, elegant writing and spellbinding plot, The Black Tower will keep fans of historical fiction riveted.

 

Did you love The Pale Blue Eye on Netflix? Check out Louis Bayard's earlier novel about a real-life mystery involving the disappearance of Marie Antoinette's son.
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Five decades into an almost singularly successful career, Stephen King goes in an intriguing new direction with Billy Summers. Though this novel includes many classic King touchstones—revenge, a writer hero, unlikely friendships, trauma, justice—its dedication to realism and intense, almost meditative focus on the titular main character make it a standout among his works.

As the novel opens, 44-year-old military sniper-turned-assassin Billy Summers is reluctantly agreeing to take on one last job. Though he only kills bad people (he considers himself “a garbageman with a gun”), Billy is tired of the isolation and violence his chosen career entails, as well as of the dull, incurious persona he puts on to deflect the attention of the dangerous people who hire him. The payday for this final assignment is astronomical, and the target undeniably deserves his fate, but what really convinces Billy to take on the job is the cover: He’ll have to pose as a writer who’s renting space in an office building to complete his first novel.

The criminals who hired Billy find this cover story to be ironic due to Billy’s “dumb self” mask, but Billy, who secretly reveres Émile Zola and Tim O’Brien, is attracted to the idea of putting his own story on paper. As Billy begins to write about his traumatic childhood, his cover becomes increasingly real to him. But even as he sinks into his identity as “Dave,” the guileless would-be great American novelist who beats the pants off his neighbors at Monopoly and grabs drinks with a woman who works in his office building, he begins to sense that there’s more to this job than he’s being told. And of course, the hit is only the beginning of the action.

The poignant beats in this early portion of Billy Summers will be familiar to readers of 11/23/63, which also features a main character with a hidden mission who becomes a part of a community even as he deceives the people around him. But given that this novel is about a hit man, the violence kicks in quickly and continues through most of the book. King’s trademark skill with suspense and action is on display in several thrilling set pieces, including the breathlessly paced original hit, but this novel also stretches his literary ambitions. Much of Billy’s autofiction appears on the page in a book within a book that gives readers a deeper understanding of its main character. And while Billy shifts between personas and dons physical disguises with aplomb, his internal self comes more clearly into focus as he writes about his experiences and interrogates the stories he’s been telling himself about his past—and about himself. Billy might kill only bad people, but he’s still a killer. Can a person who ends the lives of others ever be considered good? 

Misery, The Dark Half, Lisey’s Story and The Shining all feature writers as characters, but their craft was either incidental or corrosive. In Billy Summers, the art of creating fiction is portrayed as an empowering force. By taking control of our stories, King suggests, we can begin to heal, find hope and even discover a truth that is more profound than reality. These resonant ideas provide a somber counterpoint to the action in this contemplative thriller.

 

In Stephen King's contemplative thriller, Billy Summers, the art of creating fiction is portrayed as an empowering force.
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Is it possible to compose a satisfying sequel to a novel that’s become a modern classic? That’s a challenge in itself, but the difficulty goes up exponentially if said novel has also been turned into a blockbuster TV series. 

In her sequel to The Handmaid’s Tale (1985), which outlined a near future in which women’s freedom had been completely curtailed, celebrated Canadian writer Margaret Atwood leaps these hurdles with Olympian ease. The Testaments is a crowd-pleasing page turner. Atwood leans in to the attractions of both her original novel, with its Scheherazade-style narration, and the TV series, with its resistance-minded heroine. 

The Testaments is told in the first person by three narrators, allowing for a more panoramic view of Gilead than the cloistered Handmaid Offred could provide. The voice that flows with the most relish from Atwood’s pen, and that will be the most familiar to readers, is the Machiavellian Aunt Lydia. In Gilead’s patriarchal society, which categorizes women according to their function (Handmaids, for example, exist solely to bear children), Aunts are responsible for enforcing these roles. As a privileged member of an oppressed class, Aunt Lydia makes every decision with maintaining her status in mind. 

The other two narrators are young girls: one raised within Gilead’s walls by a powerful Commander and his wife, and the other raised in Canada as the child of Mayday resistance operatives. As their stories unfold, it becomes clear that the power to bring Gilead down may be in their hands. 

If a book must be groundbreaking to be a true classic, The Testaments can’t be ranked alongside its predecessor. Today, the divide between genre and literary fiction is more porous, and dystopian fiction is an established genre—in large part thanks to novels like The Handmaid’s Tale. But just as The Handmaid’s Tale was a response to the backlash against the women’s movements of the 1970s, The Testaments is equally of its time, drawing from contemporary politics in ways that resonate. Atwood remains a keen chronicler of power and the way status (or lack thereof) affects how it is leveraged, and seeing her explore that issue in Gilead once again is a pleasure.

Is it possible to compose a satisfying sequel to a novel that’s become a modern classic? That’s a challenge in itself, but the difficulty goes up exponentially if said novel has also been turned into a blockbuster TV series. 

In her sequel to The Handmaid’s…

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BookPage starred review, February 2019

Valeria Luiselli’s fourth novel takes readers on a contemplative road trip from New York City to the American Southwest. A blended family of four—parents and their two children, a boy, 10, and a girl, 5—is relocating so the father can research Apache history for a new project. The mother is going on the thin hope of locating the daughters of a friend, two young girls who attempted to cross the border from Mexico in search of asylum. But both parents know the marriage is winding down, and the mother and her daughter will return to the city after the summer is over.

As they wend their way through the Appalachians, across Oklahoma and into the desert, the father tells stories of the Apaches’ civilization and its eventual exile and defeat, while the mother frets over the fates of migrant children and dreads her separation from the boy in the back seat. During the drive, the children read books and learn all the words to David Bowie’s “Space Oddity,” seemingly ignorant of their parents’ burdens.

Lost Children Archive isn’t a stream-of-consciousness story, but it reads almost like a memory. It unfolds in short, vignettelike scenes and takes you deep into the head space of its narrators. The first half, told by the mother, is meandering, the current-day journey interspersed with sketches from her earlier life and scenes from a book called Elegies, which tells the stories of migrant children. In the second half, told through the boy’s eyes, the stakes become higher and the action ramps up. Luiselli is a deliberate yet imaginative writer, and her work as an advocate for asylum-seekers informs the novel’s skillful blend of family story and issue-driven themes.

The characters join a long line of people forced to face separation and relocation to unfamiliar territory, their current situation an echo of so many others, from enslaved Africans to Apaches and today’s child refugees. These echoes will remain in the mind of the reader as well.

 

ALSO IN BOOKPAGE: Read a Q&A with Valeria Luiselli for Lost Children Archive.

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Valeria Luiselli’s fourth novel takes readers on a contemplative road trip from New York City to the American Southwest.
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It’s often said that there are two types of stories: A person goes on a journey, or a stranger comes to town. In her debut novel, Sarah St. Vincent goes with option two: Ways to Hide in Winter opens with the arrival of a mysterious man in the Pennsylvania wilderness.

Both hunting season and tourism season are well over when the man, Daniil, stumbles over the snowy threshold of the hostel where Kathleen works. It’s obvious he’s not from the region, but Kathleen, who has chosen her job partly for its isolation, isn’t interested in prying into someone’s past. At 26, she’s been a widow for more than four years and is still recovering from the car accident that killed her husband. She also holds secrets about their marriage that she’s unwilling to reveal.

As she gets to know Daniil, Kathleen grows curious about what caused him to leave Uzbekistan. As she learns about the country’s troubled history, she finds herself unable to continue to compartmentalize her own past. Both Daniil and Kathleen carry the guilt of secrets and betrayal—but do they deserve to? Can you move on from your past after causing or enduring suffering?

St. Vincent, a lawyer who has worked with the Human Rights Watch, has vast experience with these questions, and readers unfamiliar with Uzbekistan’s human rights history (likely most of them) will find this novel especially eye-opening. Ways to Hide in Winter makes it clear that you can hide for a season, but spring thaw will catch up to you eventually.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s often said that there are two types of stories: A person goes on a journey, or a stranger comes to town. In her debut novel, Sarah St. Vincent goes with option two: Ways to Hide in Winter opens with the arrival of a mysterious man in the Pennsylvania wilderness.

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It’s bittersweet to crack open The Caregiver, Samuel Park’s long-awaited follow-up to his luminous, romantic epic set in Korea, This Burns My Heart (2011). Park died of stomach cancer in 2017, so his second full-length novel is also his last. It’s a tender mother-daughter story that alternates between 1980s Brazil and present-day Los Angeles, two places that Park—who was born in Brazil and lived in Los Angeles for years—knew well.

Mara Alencar left her native Brazil in the 1980s at age 16, fleeing that country’s turmoil. Ten years later, she’s living in Los Angeles in a tiny apartment with two other Brazilian expats and drifting through her days as a caregiver to a cancer-stricken woman in Bel Air. A wealthy 40-something, the divorced and childless Kathryn calls Mara her adopted daughter and jokes about leaving her house to Mara when she dies. Despite this professed affection, Kathryn knows little about the woman who sees to her comfort on a daily basis.

Mara likes it that way. She’s trying to forget her past—and her brave and impetuous mother, Ana, who spurred Mara’s escape to the U.S. thanks to her connections with revolutionaries. Although Mara hasn’t seen or spoken to her mother since leaving Brazil, Ana haunts everything Mara does and every choice she makes.

As chapters alternate between Mara’s past in Brazil and her present-day life in California, Park explores what it means to care for someone and the beauty of human resilience and survival. Though the title most obviously refers to Mara, it’s also a callback to Ana, a flawed woman full of fierce affection for her daughter. “I would be loved again and again,” thinks Mara, “and it was because she taught me how.”

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s bittersweet to crack open The Caregiver, Samuel Park’s long-awaited follow-up to his luminous, romantic epic set in Korea, This Burns My Heart (2011). Park died of stomach cancer in 2017, so his second full-length novel is also his last. It’s a tender mother-daughter story that alternates between 1980s Brazil and present- day Los Angeles, two places that Park—who was born in Brazil and lived in Los Angeles for years—knew well.

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Uneven and slightly indulgent, Gary Shteyngart’s fourth novel, Lake Success, nevertheless charms thanks to the author’s trademark warm-hearted humor and practiced satirical eye. Hedge fund manager Barry Cohen hasn’t been a success in work or family life. Though the fund he manages has hit the $2 billion mark, he’s being questioned about insider trading; his younger wife, Seema, is growing less interested in him by the day; and his 3-year-old son, Shiva, is autistic. There’s only one thing for Barry to do: run away.

So he does, tossing his smartphone and black AmEx to the wayside and boarding a Greyhound in his Citibank vest. Maybe, Barry thinks, reuniting with his college girlfriend is the answer to his problems. Juxtaposed with Barry’s picaresque journey is Seema’s more mundane—if life in a luxurious Manhattan apartment can be said to be mundane—set of challenges as she tries to accept Shiva’s limitations and embarks on an affair with a neighbor.

Caught up in the chaos of the 2016 presidential campaign, the fractured country reflects the fractures in Barry’s soul, and as ever, Shteyngart reveals America’s frailties with darkly mocking humor that never swerves into nihilism. He is likewise forgiving of his characters’ many failings. In the case of Barry, that indulgence is occasionally frustrating: Given his many privileges and avoidance of responsibility, the self-pity and lack of self-awareness Barry demonstrates for nearly the entire novel becomes tiresome. Nevertheless, the verve of Shteyngart’s writing keeps the pages turning and makes Lake Success an overall winner for readers.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Uneven and slightly indulgent, Gary Shteyngart’s fourth novel, Lake Success, nevertheless charms thanks to the author’s trademark warm-hearted humor and practiced satirical eye. Hedge fund manager Barry Cohen hasn’t been a success in work or family life. Though the fund he manages has hit the $2 billion mark, he’s being questioned about insider trading; his younger wife, Seema, is growing less interested in him by the day; and his 3-year-old son, Shiva, is autistic. There’s only one thing for Barry to do: run away.

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A resourceful, resilient teen heroine is at the heart of Meghan MacLean Weir’s propulsive debut novel. Demure and obedient, 17-year-old Essie has played the perfect preacher’s daughter for years—she’s the youngest of the brood that makes up “Six for Hicks,” a hit reality TV show starring her family. But now Essie is pregnant, and she won’t name the father. As the novel opens, Essie’s image-first mother is debating whether to arrange an abortion or secret adoption, or somehow try to pass off her grandchild as her own.

Essie, however, has other plans: After all, what gets better ratings than a wedding? Essie already has her eye on a groom: Roarke Richards, an athletic high school senior. The two barely know each other, and Roarke is skeptical—but once he realizes the deal includes enough money to save his parents’ business and pay for his dream college, he’s in. As Roarke and Essie try to sell their sudden wedding as a fairy tale and not a shotgun, the reader (and Roarke) gradually realizes that there’s more to Essie’s story (and her plan) than it first appears.

Weir, a doctor whose first book was a memoir about her pediatric residency, doles out the details of Essie’s past slowly but steadily, gaining a momentum that keeps the pages turning. As a pastor’s daughter, Weir is also adept at using the language of evangelical life, lending an authenticity that takes the book beyond a Duggar-family pastiche. The tentative trust that grows between Essie and Roarke gives The Book of Essie emotional depth, and the questions at its center have a surprising moral weight. Readers will root for Essie through every twist and turn of her story.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

A resourceful, resilient teen heroine is at the heart of Meghan MacLean Weir’s propulsive debut novel. Demure and obedient, 17-year-old Essie has played the perfect preacher’s daughter for years—she’s the youngest of the brood that makes up “Six for Hicks,” a hit reality TV show starring her family. But now Essie is pregnant, and she won’t name the father. As the novel opens, Essie’s image-first mother is debating whether to arrange an abortion or secret adoption, or somehow try to pass off her grandchild as her own.

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Fractured family dynamics and the search for a missing fortune are the main threads of this textured debut, set mostly in Cleveland, Ohio, over the course of three decades.

The Comedown centers on the families of two men: Leland Bloom-Mittwoch and his drug dealer, Reggie Marshall. Reggie sees Leland as an unstable client; Leland, however, considers Reggie his best friend. Leland is present the day Reggie is shot, and he flees the scene, distraught, with a briefcase full of money. Over the ensuing years, Leland struggles with addiction and mental illness, wrecks his first marriage, enters into a second and has a damaging affair, while Reggie’s wife, who was once a promising student, is left to raise their two boys in poverty, alone. Through several tantalizing plot twists, the lives of the Bloom-Mittwoch and Marshall clans remain intertwined in a network of simmering tension, blame and guilt.

First-time author Rebekah Frumkin, a graduate of the Iowa Writers’ Workshop, is generous with her characters and their frailties. Each point of view (and there are many) feels distinct; often, the same events are shown through the eyes of different characters, adding dimension. Although some readers might find it disorienting to be launched into another point of view just when they’ve settled into the current one, the novel’s nonlinear, fragmented structure reflects its themes of disconnection and the uneasy mental states of most of the characters.

Messy, meandering and occasionally illuminating, The Comedown is a family saga that recalls real life.

 

This article was originally published in the May 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Fractured family dynamics and the search for a missing fortune are the main threads of this textured debut, set mostly in Cleveland, Ohio, over the course of three decades.

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Madeline Miller’s enthralling second novel may be about a goddess, but it has a lot to say about what it means to be a woman. In Circe, the acclaimed author of The Song of Achilles (which won the Orange Prize in 2012) unfurls the story of the legendary witch from Homer’s Odyssey with lyric intensity.

Circe grows up in the palace of her father, the sun god Helios, listening to stories of the legendary fall of the Titans and conflicts among the gods. Like all immortals, Helios is ruthless, capricious and obsessed with maintaining his status. Circe, a goddess without exceptional beauty or discernible power, is sidelined in his court, unworthy of even being married off. It isn’t until Circe falls in love with a mortal that she realizes she has the ability to bless or harm others through transfiguration—a discovery that causes her to be labeled a threat. Helios exiles her to a remote island; there, she is able to further develop her skills with pharmakeia, the art of using plants and herbs to perform magic.

Though sailors occasionally attempt to seek shelter on her island’s shores, Circe protects herself by transforming any men with bad intentions into pigs. As centuries roll by, key encounters with gods and humans alike punctuate her isolated existence—a meeting with Medea and a shocking midwifery scene are particularly mesmerizing. Eventually, Circe’s connections with others force her to embrace her powers, breach her exile and choose her destiny.

Miller, who studied classics at Brown University and teaches high school Greek and Latin, paints a vivid picture of classical Greece: the mindset of its people, the beauty of its landscapes, the details of daily tasks. The elemental allure of mythology, with its magic and mystery and questions of fate and free will, is presented here with added freshness that comes from seeing this world from a female perspective. Like its heroine, this is a novel to underestimate at your peril.

ALSO IN BOOKPAGE: Read a Q&A with Madeline Miller for Circe.

The acclaimed author of The Song of Achilles unfurls the story of the legendary witch from Homer’s Odyssey with lyric intensity.

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