For those just dipping their toes into speculative fiction, Helen Phillips’ prescient dystopia Hum is relatable enough not to make you feel like a stranger in a strange land.
Nathan Newman’s debut is a bawdy tale of the unseriousness of existence and the impossibility of knowing our neighbors, set in a small town over the course of 24 hours.
Peter Heller’s seventh novel, Burn, is one of his best: It’s full of heart and soul amid the bleak landscape, and even those who don’t normally turn to dystopian novels are likely to be completely captivated.
Matt Haig’s The Life Impossible is part fantasy, part travel saga and part romance with one’s self, and that makes it well worth reading for anyone seeking a hopeful, warm journey that crackles with magic.
Nobel laureate Olga Tokarczuk looses her deft, dark satirical wit on the rigid patriarchal world of pre-World War I Europe. The result is an enchanting, unsettling bildungsroman like nothing you’ve read before.
The careful balance between Intermezzo’s brisk pace and its quite fearless exploration of sexual desire makes Sally Rooney’s fourth novel her most ambitious yet.
Centered on a teen love triangle in a North Dakota community dominated by sugar beet farming, Louise Erdrich’s The Mighty Red might just be a new American classic.
A Thousand Times Before is a riveting magical family saga examining the indelible yet complicated bonds between mothers and daughters while transporting readers through major moments in 20th-century Indian history.
Like the women of Sex and the City, Humor Me’s protagonist Presley Fry breezes through connections with near-boyfriends, drinks with gal pals and career-enhancing forays in NYC, but the specter of her late mother haunts her at every step.
In Ethan Joella’s gentle third novel, Jack Schmidt must weigh a lucrative offer to purchase the family business, a popular restaurant on the beachfront of Rehoboth Beach, against his uncertainty about the future and his loyalty to his staff.
Prepare to lose yourself in Marjan Kamali’s The Lion Women of Tehran, a historical drama that evokes the sights and sounds of Tehran’s Grand Bazaar while artfully exploring the labyrinthian complexities of deep friendship.
Set in the summer of 1975 at a sleepaway camp in upstate New York, Liz Moore’s The God of the Woods is a devilishly clever work full of nerve-shredding suspense.
This cleverly plotted story unravels in a series of flashbacks as our protagonist, Teddy, tries to set the record straight to Italian detectives in the aftermath of an embassy party gone wrong.
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