The author of The Reading List returns with another tale exploring the power of a shared interest as a catalyst for connection—this time, a neglected community garden.
Set in museums and piazzas across several continents, Michael Ondaatje’s poetry collection A Year of Last Things brilliantly explores its themes, reminding us that he is a master of the genre.
One of the unique strengths of Nell Freudenberger’s writing is how she integrates science in engaging, relevant ways, from the questions posed by climate change to seafloor mining to the struggle of modern medicine in the face of the unknown.
Moving from the dot com era and early tech culture of the 1990s to a highly militarized vision of New York City in the 2040s, Memory Piece traces the ways three women’s lives converge and diverge.
Insightful and hopeful, Sheila Sundar’s debut novel Habitations follows a young Indian American woman’s experiences with academia, immigrant community, marriage and motherhood.
In Shilpi Somaya Gowda’s A Great Country, an Indian American immigrant family is unexpectedly thrown into the intersection of some of the nation’s most perilous social and political fault lines.
In her groundbreaking translation of The Odyssey, Emily Wilson uses straightforward language and syntax to present a story full of suspense and pathos.
In Modern Poetry, Diane Seuss reminisces on faking it through poetry classes in college and on the complicated legacy of John Keats.
Hala Alyan’s The Moon That Turns You Back is a bountiful collection of poetry, especially for those interested in diaspora and the complexity of multinationalism.
From the first poem in With My Back to the World, the magnetism of Victoria Chang’s language will draw you in: “I learned that . . . emptiness still swarms without the / world.”
Ferdia Lennon’s unique voice sparkles with a darkly comic undertone in his debut novel, Glorious Exploits, a quirkily uplifting commentary on war, art and the surprisingly resilient spirit of humanity.
Come to Wild Houses for the nail-biting plot; stay for Colin Barrett’s gorgeous language: Here, tennis court nets are “as frayed as used dental floss” and a man has “a face on him like a vandalised church.”
Amor Towles’ latest, Table for Two, is a masterful, subtle collection of thoroughly entertaining stories.
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