There’s humor and grace in Really Good, Actually—a lightness of touch, a wry wit. Maggie is a woman disembarking from traditional romance to find herself, and her journey is engaging, surprising and fresh.
Echoing America’s dark history of settlers forcing their religion on Indigenous peoples, The End of Drum-Time will leave a lasting impression on all readers of historical fiction.
Aleksandar Hemon’s ambitious, elegantly wrought novel melds two love stories that play out amid the devastating global conflicts of the first half of the 20th century.
Tomb of Sand is a tale of borders—of politics, gender, religion, behavior and relationships—and one woman’s resolute unwillingness to accept them as a restriction.
Like Helen Fielding’s Bridget Jones, Candice Carty-Williams’ Queenie Jenkins and Gail Honeyman’s Eleanor Oliphant, Maddie is a good reminder that we can be the authors of our own happy endings, and it is never too late to become who you might have been.
Gothataone Moeng’s stories delve into the divide between rural and urban life, the constraints of marriage, the role of education in shaping how people think about the world and so much more.
Rich in historical detail and told in tight, endearing prose, Essex Dogs is a historical fiction triumph for both longtime Jones fans and newcomers, and belongs on the reading list of every medieval history buff.
Kevin Jared Hosein Hosein captures Trinidad’s lush flora and fauna, as well as its explosive mix of cultures, races and religions, within a novel that slowly but steadily builds toward a climax of Shakespearean proportions.
Victory City is accessible in a way that suggests Salman Rushdie had fun writing it, but this is no lightweight novel.
Kimberly Duffy’s remarkable mother-daughter tale is set in the intriguing world of turn-of-the-century circus performers.
Ayobami Adebayo has a sprightly writing style that’s pleasurably at odds with the devastating story she tells in A Spell of Good Things.
Though set in the early 2000s, Endpapers still feels timely, leading us to reflect on how far we’ve come in accepting differences and how far we still have to go.
Immigrant and refugee experiences can be surreal and nightmarish, but for those lucky enough to reach their destination, life can be filled with a sudden Kafkaesque dark humor. Such is the case for Nazli Koca’s protagonist, Leyla.
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