Samantha Silva’s attention to period detail creates a worthy elegy to one of the world’s most influential feminist thinkers, Mary Wollstonecraft.
The Rose Code is a terrific story, brilliantly performed by Saskia Maarleveld. Or as Osla would say, it’s a real corker!
After listening to this incredible audiobook, if you didn’t know better, you’d rush out to scour your local music store for Opal & Nev’s long-lost albums.
The audiobook of Imbolo Mbue’s second novel is not for multitasking or to provide background noise. It’s palpable, intense and exquisite.
Don’t listen to the audiobook of Jen Spyra’s story collection anywhere it’s not socially acceptable to laugh out loud.
Never going too dark, The Guncle is a sweet family story of an uncle trying to bring color and light into his niece’s and nephew’s lives.
The biggest message of Francis Spufford’s second novel is that a road might lead to a dead end, but the journey could still be worthwhile.
Natasha Pulley balances the topsy-turvy nature of time travel by grounding her story in naval history and a gradually unfolding queer love story.
Monica West’s language is downright musical, pulling readers into this novel of religion, belief and transformation.
Mieko Kawakami’s novel is not a cruel story, but rather one that understands hurt and pain for what it is: universal, unjust and material for new life.
Even in the face of death’s inevitability, friendship can be found, forgiveness can flourish and fun can ease fear.
Brilliantly positioned at the intersection of satire and social horror, Zakiya Dalila Harris’ debut novel is a genre-bending creative triumph.
With the ease of a master, Nana Nkweti shifts between points of view, between American and African slang, and between the straightforward and the avant-garde.
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