The stories of Andrea Lee’s Red Island House are vibrant and enchanting despite the current of dread that runs through the novel from the start.
Constance Sayers’ second novel is just as much about the secrets we keep in the name of family as it is about the spells we cast in the name of love.
In her beautifully written debut, Gabriela Garcia presents a new classic of mother-daughter literature.
In his innovative and urgent first collection, British Jamaican poet Raymond Antrobus reflects on finding his place in poetry as a deaf person.
Passionate and brilliantly written, Kaitlyn Greenidge’s novel shines a light on a part of history still unknown by far too many.
Throughout her epic, gripping novel, Stephanie Dray reminds us of the undervalued contributions of women throughout history.
Kirstin Valdez Quade’s novel is a knife-sharp study of what happens to a family when accountability to other people goes out the window.
Shakespeare cautioned that all that glitters is not gold. This lesson runs deep in Sanjena Sathian’s debut novel.
In a time where everyone is looking for something solid to hold on to, a young woman’s relationship to an elephant keeps her from falling into total despair.
Helen Oyeyemi’s latest is like the work of a hypnotist: Those open to its allure will inevitably fall under its thrall.
Alexander Graham Bell is best known as the brilliant inventor of the telephone, yet there was a darker side to him, obscured by the glow of his genius.
You can’t have a conversation about literary fiction of the past 50 years without mentioning Haruki Murakami, and First Person Singular reminds us why.
The intriguing opening of Jeff VanderMeer’s eco-thriller leads to an unraveling, deadly mystery.
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