Few novelists make an impression as quickly and effectively as Micah Nemerever does in his stirring debut, an explosively erotic and erudite thriller.
Calling attention to the ordinary, hard-won joys of real people, M.O. Walsh’s second novel is a feel-good read in a down-home setting, with serious undertones.
In this powerful coming-of-age story, Elena Ferrante’s ability to draw in her reader remains unparalleled.
Jaime Jo Wright entertains with fast pacing, great writing, deep spiritual truths and just the right amount of spookiness.
Inspired by a true story, Jane Kirkpatrick’s uplifting novel introduces a determined pioneer woman who defies opposition to fight for women’s rights.
Alice Randall’s latest novel is a genre-bending series of profiles of the dazzling residents of Black Bottom, the heart of Detroit’s Black community.
In Rosalind, Jennie Fields has created an anxious yet gutsy heroine who carries her Shakespearian name with aplomb.
‘The Last Great Road Bum’ is brilliant in its contemplation of a particularly American restlessness, innocence and foolishness.
‘Transcendent Kingdom’ has an expansive scope that ranges into fresh, relevant territories.
If this is not Sue Miller’s best novel, it is surely among her very best. One measure of that is how the experience of it deepens with each reading.
Come for the horror and survival story, stay for the incredible voice cast.
Pain propels us, but so do offerings of love. Aria accepts both in her life, and they develop into the will and perseverance she needs to survive.
‘Evening’ spins a complicated web of loving, twisted relationships in which the ties that bind are weakening and there is no center.
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