Even Though I Knew the End is a stylish magical noir with a heartbreakingly human love story at the center.
By C.L. Polk
Even Though I Knew the End is a stylish magical noir with a heartbreakingly human love story at the center.
Even Though I Knew the End is a stylish magical noir with a heartbreakingly human love story at the center.
Freya Marske’s follow-up to A Marvellous Light is a stunning, sensual love story wrapped in an exciting murder mystery.
S.T. Gibson’s queer, feminist reimagining of Dracula explores how immortal life would affect a once-mortal mind.
Babel, R.F. Kuang’s standalone follow-up to her acclaimed Poppy War trilogy, is an unforgiving examination of the cost of power.
The Monsters We Defy is a well-crafted fantasy romp set in the elite Black circles of 1920s Washington, D.C.
Mary McMyne’s debut novel is dark and moody, full of distrust, doubt and more than a little bit of drama.
Christina Henry’s Horseman is an atmospheric and haunting reimagining of Washington Irving’s “The Legend of Sleepy Hollow.”
This vital and beautifully executed new contribution to the Arthurian canon turns the spotlight on Elaine Astolat, the Lady of Shalott.
If you’re a fan of epic fantasy, you can’t miss this one.
Vampires stalk the streets of 19th century Europe in Nicole Jarvis’ arresting historical fantasy, The Lights of Prague.
The wajinru dwell beneath the sea and are descended from pregnant African women who were cast overboard by slave traders.
Wendy, Darling is a feminist reexamination of Peter Pan that explores the story’s dark implications.
Nghi Vo has utterly transformed The Great Gatsby by highlighting one of Fitzgerald’s core characters that was the least heard: Jordan Baker.
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