Claire Keegan’s writing is spare but never austere, and the hour spent in Foster’s quiet world will change you.
Claire Keegan’s writing is spare but never austere, and the hour spent in Foster’s quiet world will change you.
Claire Keegan’s writing is spare but never austere, and the hour spent in Foster’s quiet world will change you.
It’s truly a wonder that Denis Johnson’s engrossing Train Dreams can fit so much vibrancy within so few pages.
Karissa Chen’s Homeseeking is both a love story and a family story, capturing the ever-present yearning for “people, people who shared the same ghosts as you, of folks long gone, places long disappeared.”
Woo Woo tells the story of self-obsessed conceptual artist Sabine Rossi’s brush with a stalker, while deftly sending up that subtype of conceptual art that is, as one critic writes of Sabine’s work, “contrived, boring, and egotistical.”
Niall Williams demonstrates his genius for making you laugh out loud while breaking your heart at the same time in Time of the Child, his follow-up to This Is Happiness.
Sacha Naspini’s The Bishop’s Villa is a gut-wrenching story of survival set in Grosseto, a Catholic diocese in Tuscany which was rented out by its bishop as a prison camp during the Holocaust.
Weike Wang’s excellent dialogue, especially in scenes with in-laws, will make you laugh out loud as her third novel, Rental House, examines what grown children and aging parents owe one another.
Juhea Kim’s City of Night Birds reverently celebrates dance, describing ballet technique, culture and history so vividly that they will quickly become meaningful to an unfamiliar reader.
Tom Newlands’ Only Here, Only Now is a winning coming-of-age story distinguished by Newlands’ sympathy for his characters, among them Scottish teen Cora, her wheelchair-using mother, and her mother’s shifty but kind boyfriend.
Rio and Gibraltar, a successful Black couple, leave behind the world of Boston academia to build a new life in Gabriel Bump’s electrifying book The New Naturals.
Alia Trabucco Zeran’s Clean is the story of a live-in servant who is involved in a child’s tragic death. This well-drawn character study’s sadness lingers in the mind.
Our Evenings is a masterful accomplishment: an intricate vision of the conflict between an open, generous Britain and a clenched, intolerant one from Booker Prize-winner Alan Hollinghurst.
Tony Tulathimutte’s facility with verbal stunt-piloting borders on the dazzling in Rejection, a novel in seven stories that chronicles vivid responses to the experience of being turned down, or turned away.
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