Melanie Chisholm, aka Sporty Spice, unpacks her nonlinear journey toward self-acceptance while pinned under the glare of the spotlight.
Hugh Bonneville’s memoir is intriguing, breezy and full of intellect, a delicious stroll down a red carpet lined with big names and laugh-out-loud anecdotes.
Jeremiah Moss’ Feral City is an indelible portrait of New York City in transition, vibrating with eat-the-rich energy and time-marches-on poignancy.
In her debut memoir, Daniella Mestyanek Young ponders not the differences between the cult she grew up in and the U.S. Army, but their similarities.
I’ve Had to Think Up a Way to Survive is more than an artful memoir about trauma and Dolly Parton; it is thought-provoking cultural analysis.
Hua Hsu’s remarkable memoir examines the reverberations of a friendship frozen in time by untimely death.
Ander Monson’s exploration of the 1987 film Predator has the rampant energy and good-natured, aw-shucks humility of a lively conversation in a movie theater lobby.
Ander Monson’s exploration of the 1987 film Predator has the rampant energy and good-natured, aw-shucks humility of a lively conversation in a movie theater lobby.
Ander Monson’s exploration of the 1987 film Predator has the rampant energy and good-natured, aw-shucks humility of a lively conversation in a movie theater lobby.
A relationship is a living thing, and as Elizabeth Crane writes her way through the end of her marriage, she reveals pleasures mingled with pain.
Fruit Punch is a startling, unique and deeply poetic meditation on sexuality and violence. Kendra Allen is a writer on the rise.
In Paul Newman’s posthumous memoir, his upbringing, military service, marriages, children and professional endeavors are all laid out on the table.
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