Ander Monson’s exploration of the 1987 film Predator has the rampant energy and good-natured, aw-shucks humility of a lively conversation in a movie theater lobby.
Ander Monson’s exploration of the 1987 film Predator has the rampant energy and good-natured, aw-shucks humility of a lively conversation in a movie theater lobby.
A relationship is a living thing, and as Elizabeth Crane writes her way through the end of her marriage, she reveals pleasures mingled with pain.
Fruit Punch is a startling, unique and deeply poetic meditation on sexuality and violence. Kendra Allen is a writer on the rise.
In Paul Newman’s posthumous memoir, his upbringing, military service, marriages, children and professional endeavors are all laid out on the table.
The 12 essays in Isaac Fitzgerald’s Dirtbag, Massachusetts offer heaping helpings of humor, joy, pain, sorrow, grace and insight.
Ellyn Gaydos‘ debut memoir, Pig Years, is a poetic meditation on fertility, loss and the pleasures and perils of life and work on a small farm.
Ingrid Rojas Contreras makes the recent history of Columbia immediate, personal and magical, with prose that in itself is enchantingly poetic.
Sutanya Dacres‘ memoir about recovering from heartbreak in Paris is hopeful, salubrious and, like a meal served with love, a balm for the spirit.
Is there anything original left to say about surviving a dysfunctional upbringing? Normal Family by Chrysta Bilton takes this question almost as a dare.
In The Crane Wife, CJ Hauser excavates her past loves and losses, thoughtfully examines their aftermath and declares the pain of love to be worth the risk.
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