In Cumming’s second memoir, he pivots easily from sassy and self-effacing to sensitive and serious, perhaps because he embodies all those qualities himself.
Like the enormous layered pasta pie that starred in the 1996 movie Big Night, Stanley Tucci’s new memoir is a gastronome’s delight.
The Speckled Beauty confirms Rick Bragg’s enduring artfulness and cracking good ability to spin memorable, affectionate tales.
A playwright with a searing voice, Sarah Ruhl excels at putting striking ideas into simple forms that vibrate with power and energy.
Journalist Albert Samaha’s investigation into his family’s decision to emigrate from the Philippines turns up some surprising and complex answers.
Winfred Rembert recounts gripping, often harrowing stories of growing up in Georgia, surviving a lynching and discovering art while imprisoned in a chain gang.
Like the experience of grief itself, Kat Chow’s memoir is meditative, fragmentary, sometimes funny and occasionally hopeful.
Qian Julie Wang courageously reveals her uniquely American trauma: a hunger that was never quite sated; a feeling that everything could be taken away.
Combining staccato prose and singsong storytelling, Saga Boy hurtles down the treacherous twists and turns of family dysfunction and social displacement.
Unbound is Tarana Burke’s unflinching, beautifully told account of founding the #MeToo movement and becoming one of the most consequential activists in America.
Readers of Below the Edge of Darkness will become staunch champions of our spectacular bioluminescent ocean. It’s an education they’ll never forget.
When Gabriel García Márquez began his long slide toward dementia, his son began taking notes for this intimate, endearing tribute to his late parents.
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