Sleek, deadly and paced like a runaway train, Victorian Psycho is an absolutely delectable mashup of horror sensibilities.
Sleek, deadly and paced like a runaway train, Victorian Psycho is an absolutely delectable mashup of horror sensibilities.
Sleek, deadly and paced like a runaway train, Victorian Psycho is an absolutely delectable mashup of horror sensibilities.
With a sharp sense of dark humor and a stunning voice, Neena Viel uses well-worn horror tropes in deliciously terrifying ways in her debut, Listen to Your Sister.
Camilla Bruce’s cathartic At the Bottom of the Garden uses the trappings of gothic horror to wrestle with the meaning of death.
Readers are enamored with the bookish, blunt Miss Wilde and her dashing fiancé, fellow academic and secret Faerie prince Wendell Barnaby. The pair’s latest adventure sees them taking the throne of Wendell’s kingdom, only to find out that his evil stepmother has placed a curse on the realm.
The book world can be a bit like a pendulum when it comes to trends: For every rom-com revival, there’s a rise in dark romance. Hopepunk and cozy fantasy have reigned supreme for the last few years in SFF, so does that mean we’ll see grimdark rise again? Joe Abercrombie, one of the original purveyors of that gritty, ruthless approach to high fantasy, may kickstart a new wave with The Devils. Set in an alternate version of medieval Europe, The Devils sounds, honest to god, like a fantasy take on The Suicide Squad: The team is made up of a werewolf, a vampire, an elf, an immortal warrior and a monk, and according to Abercrombie, they’ve been tasked with solving “problems the righteous are not equipped to tackle.”
Silliness abounds in the sci-fi novels of John Scalzi lately, and honestly, we wouldn’t have it any other way. We’ve had kaiju, we’ve had supervillains with all-cat staffs and now we have a whole book dedicated to what would happen if the moon suddenly turned into an enormous orb of cheese. We haven’t a clue how seriously Scalzi will take this premise, but we can’t wait to find out.
Murderbot creator Martha Wells made her grand return to fantasy with 2023’s Witch King, and Queen Demon continues the story of Kai, a demon prince who was incapacitated and imprisoned for centuries before finally freeing himself, and must now face a world radically changed in his absence.
The Lady Astronaut series takes place in an alternate midcentury Earth, where a meteor strike in 1952 radically accelerated the planet’s various space programs, opening the doors for women to play a large part in the exploration of the stars. In the fourth book of the series, humanity has colonized the moon and is about to begin the process on Mars. Trailblazing astronaut Elma York lands on the red planet eager to begin, but soon uncovers troubling hints that there was some sort of disaster during the first expedition to Mars, a disaster that the current authorities seem anxious to cover up.
We loved both of S.A. Barnes’ previous sci-fi horror novels and cannot wait for her next terrifying excursion into the black. Cold Eternity’s setting is terrifying even by Barnes’ high standards: a space barge full of cryogenically frozen people, populated only by one woman on the run and the barge’s creepy AI hologram “hosts.”
With the rise of the dark academia aesthetic, there have been a whole passel of fantasy novels set at magical schools. If anyone can take the trope in a new and terrifying direction, it’s horror author Cassandra Khaw, the bloodthirsty genius behind Nothing But Blackened Teeth and The Dead Take the A Train.
It’s been more than eight years since Joe Hill published a novel, but fans of the Locus and Eisner Award-winning writer can look forward to a fifth full-length work of fiction in 2025. (And for Hill, “full-length” is likely to be at least 500 pages—he is, after all, a son of Stephen King.) While plot details are scant this early on, King Sorrow sounds like a fantasy-horror hybrid, a la Hill’s debut, Horns, as it tells the story of six friends who dabble in the occult and summon something rather unexpected.
We’re big fans here at BookPage HQ of Parry’s joyously nerdy approach to historical fantasy, whether she’s dreaming up a French Revolution but with sorcerers or a World War I fought with faerie magic. A Far Better Thing sounds like a combination of all of Parry’s books to date: faeries, the French Revolution and the classic literature revisionism of The Unlikely Escape of Uriah Heep. In a brilliant spin on A Tale of Two Cities, Parry transforms coincidental lookalikes Sidney Carton and Charles Darnay into a boy kidnapped by faeries and the changeling left in his place, respectively. And as the book opens, the now-grown Sidney is out for revenge.
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