Claire Keegan’s lapidary style demands that her work be consumed slowly, sentence by lovely sentence. Her latest collection, So Late in the Day, will only enhance her increasing regard among American readers.
Gothataone Moeng’s stories delve into the divide between rural and urban life, the constraints of marriage, the role of education in shaping how people think about the world and so much more.
One of Alejandro Varela’s many strengths is the way he uses humor to cut through all the static to get right at the heart of a character or situation.
Mirinae Lee drew inspiration from her own great-aunt, one of the oldest women to escape alone from North Korea, to create the complex protagonist of 8 Lives of a Century-Old Trickster.
The Best Possible Experience is a must for readers who loved Mohsin Hamid’s The Reluctant Fundamentalist and Samanta Schweblin’s Seven Empty Houses.
Without ranging beyond New York City, the stories in Jamel Brinkley’s exceptional second collection journey deep into the human heart through precise language and a generous spirit.
Toni Ann Johnson’s deft handling of generational trauma, colorism and class makes Light Skin Gone to Waste an engrossing, even groundbreaking read.
In his fifth story collection, George Saunders focuses his attention on how, for better or worse, we weigh the moral choices we’re called upon to make and how we live with the consequences.
Taken together, the 13 chapters in Wendell Berry’s How It Went create a tale that gently unwinds and doubles back on itself, not so much like a river but more like a flowering vine.
Through his story collection, Manuel Munoz forges a new Latinx narrative, wherein all aspects of Latinx life are displayed with richness and complexity.
Andrea Barrett has devoted vast amounts of her creative energy to vividly imagining generations of a family and their friends living in central New York, but you need not have read her earlier stories to be informed and dazzled by Natural History.
Jonathan Escoffery brings an imaginative, fresh voice to his deep exploration of what it means to be a man, son, brother, father and nonwhite immigrant in America. As his protagonist notes, “If I don’t create characters who look like me, who will? Visibility is important. Otherwise, it’s as if we don’t exist.”
In her first story collection, Jane Campbell’s witty, lean prose calls to mind the calculated directness of Ernest Hemingway and the furious expressiveness of Joyce Carol Oates.
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