Survivor Song is a horror narrative of the highest order, and much of it feels eerily real in light of the COVID-19 crisis.
Survivor Song is a horror narrative of the highest order, and much of it feels eerily real in light of the COVID-19 crisis.
Survivor Song is a horror narrative of the highest order, and much of it feels eerily real in light of the COVID-19 crisis.
The fun is in the thrill of the chase, and in that respect Klass delivers.
There are elements of the supernatural, or at least the not conventionally explainable, in the manner of John Connolly or T. Jefferson Parker.
Cosby’s tightfisted prose fuels this story with heart-pumping action that begs to be adapted for the big screen but never loses its compassionate edge.
Barron’s deft handling of mood and tension, along with his stunning command of language, result in a thriller with an almost cinematic precision,
With a compelling narrator and truly inventive setting, Catherine House embraces Gothic conventions even as it and utilizes them in new and exciting ways.
Cheap Heat contains no cheap thrills; there’s a big heart and quick mind at the helm.
Half cozy Miss Marple vibe, half gritty murder mystery, this genre-bender works better than you would have ever expected.
One of the finest modern spy thrillers.
Coben stretches his characters and situations paper-thin, almost to caricature, and then page by page brings the story around to a rousing conclusion.
There aren’t many happy endings in towns where meth is the leading industry, but The Familiar Dark certainly has a satisfying ending.
You wouldn’t think that a book featuring an accountant as the protagonist would make for an edge-of-your-seat read, but you would be wrong.
No Bad Deed is a delightfully Harlan Coben-esque tale of the ways in which the past can influence the present, for better or much, much worse.
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