What begins as a 16th-century tennis match between Spanish poet Francisco de Quevedo and Italian painter Caravaggio fractures into a far-flung historical stream of consciousness.
What begins as a 16th-century tennis match between Spanish poet Francisco de Quevedo and Italian painter Caravaggio fractures into a far-flung historical stream of consciousness.
In defiance of all they have witnessed and endured, Nuri, Afra and Mustafa struggle mightily to be “people who bring life rather than death.”
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