A Good Girl’s Guide to Murder is a gripping story of families, community and the ways a crisis can turn them against one another in the blink of an eye.
Yes No Maybe So is an earnest and engrossing of-the-political-moment story, a lovely romance and a compassionate exploration of what’s worth fighting for.
A young woman learns that politics and love can be ruthless games in Alexa Donne’s The Stars We Steal; it’s one heck of an interstellar ride.
Self-proclaimed space nerd Phil Stamper’s The Gravity of Us is so interesting and well crafted that it’s hard to believe it’s his first novel.
In Not So Pure and Simple, Lamar Giles successfully explores social justice themes while maintaining an engaging and often hilarious tone.
We Used to Be Friends is a perceptive and truthful friendship breakup story elevated by an innovative narrative structure.
Betty Culley’s debut novel in verse is a moving testament to the power of resilience, full of courage and authenticity.
In Lucky Caller, Emma Mills delivers a quietly heartwarming story of complicated family dynamics, forgotten friends and first loves.
A tenuous relationship develops between two seemingly mismatched teens in this gripping, authentic novel about hope in the face of adversity.
Identities shift and glittering surfaces reveal decay at the root in Scavenge the Stars, a ferocious and twisty new take on The Count of Monte Cristo.
Woven in Moonlight is a confident, subtle and inspiring debut about what it takes to move a divided society forward.
Heartwarming, honest and at times hilarious, Loveboat, Taipei is a story of learning and growth over the course of one incredible summer.
Dark and Deepest Red, an insightful reimagining of “The Red Shoes,” is a powerful demonstration of Anna-Marie McLemore’s immense talent.
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