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The difficult task of establishing a government for the United States required the development of a stable national economy that could deal effectively with a huge debt and other critical concerns. William Hogeland chronicles the twists and turns of the early years of the new republic in his drama-filled and insightful The Hamilton Scheme: An Epic Tale of Money and Power in the American Founding. The nation’s first treasury secretary, Alexander Hamilton, welcomed the challenge and had an approach he thought could not only save the country from catastrophe but also move it to become an imperial power. Hamilton’s plan, however, favored the elite, and failed to benefit the broader population that sacrificed much in the war. A scheme, Hogeland notes, “can mean simply a plan or design. But it can also mean a secret plan or design for nefarious ends.”

Hogeland writes of Hamilton’s biggest boosters and adversaries. Readers will not be surprised to see George Washington, who was “first and foremost a politically well-connected businessman,” among Hamilton’s supporters. On the other hand, the “flamboyant war profiteer” Robert Morris may be new to many readers. Coining the term “money connection,” Morris believed that the key to national greatness was “a consolidation of wealth and government.” His influence on the young treasury secretary was so strong that Hogeland contends that “without him the United States probably wouldn’t exist.”

Among those who disagreed with Hamilton was Albert Gallatin, “a brilliant, abstemious Genevan émigré” and treasury secretary to Jefferson and Madison who “[wore] himself down to the nub in the fetid summers of barely built Washington, D.C., trying to discover the antidote to Hamiltonianism.” Another was Herman Husband, an idealist, abolitionist and objector to the conquest of Indigenous North Americans’ land who was “so highly regarded by ordinary people in the remote western regions where he lived that he was . . . ranked by Hamilton as a danger above all others.” These finely drawn characters bring The Hamilton Scheme to life and show the divisions in postwar economic philosophy that are still at play today.

The Hamilton Scheme covers a lot of ground, sometimes at too fast a pace. However, it should be of special interest to readers who want to know about the beginnings of America’s economic history.

Drama-filled and insightful, The Hamilton Scheme chronicles the beginnings of America’s economic history.
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It should come as no surprise that a book about the legendary Mississippi River covers centuries of history, tons of mud, hundreds of levees and a rogues’ gallery of characters. Boyce Upholt turns it all into an absorbing tale in The Great River: The Making and Unmaking of the Mississippi.

When Upholt took on a writing assignment about a paddler and tourist guide in 2015, he had no experience with the Mississippi. In the following years, he would go on to catch rides in oyster boats, tour the delta with a parish councilman and absorb the worries of the president of the Louisiana Shrimp Association.

Of course, many before Upholt were also drawn to the river. Spanish explorers are credited with “discovering” the river on a mission to plunder the riches of Indigenous people—a historical narrative Upholt calls “that tired idea that a white man can discover something that has already been used as a watery highway for thousands of years.” Enslaved and free Black people and generations of restless migrating white settlers found their way to the territory alongside the river. Mark Twain and his iconic character, Huck Finn, lured cramped, disillusioned city dwellers to the wild river’s endless spaces. Flatboats gave way to steamboats, and railroads hauled people to the river’s banks in droves. Property battles, poverty, greed, murders and graft ensued.

The Army Corps of Engineers built the longest levee in the world along the lower Mississippi—the second largest human-made structure on Earth, only after the Great Wall of China. Local and federal commissions, boards and agencies would attend to the political wants and economic needs of those invested in the river (especially the powerful and wealthy) ever since. Climate change heightens the river’s many challenges. In 2005, Hurricane Katrina “woke the world,” Upholt writes, as it “ripped through the marshland and put much of New Orleans underwater.” But the life of the river goes on. Mud is dredged here and moved there. Industrial pollutants irrevocably change ecosystems. Engineers continue to construct, deconstruct, rearrange, recreate, divert and revert the waterway. Our attempts to control the wild Mississippi are an endless pursuit.

Upholt manages to wrestle a staggering amount of details into a narrative that is at times a challenge to read. But thanks to his concise yet lively writing style, The Great River is worth the effort. It compellingly pays homage to a waterway worthy of its moniker.

Boyce Upholt wrangles the geological, political and cultural history of the wild Mississippi River in a compelling, lively narrative.
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Adam Higginbotham’s international bestseller, Midnight in Chernobyl, chronicled the disastrous 1986 nuclear reactor explosion in Ukraine that was caused by a Soviet program plagued with a toxic combination of unrealistic timelines and dangerous cost cutting. His new book, Challenger: A True Story of Heroism and Disaster on the Edge of Space, describes a surprisingly similar catastrophe that very same year, this time at the hands of NASA: the explosion of the space shuttle Challenger that killed all seven people aboard. Hefty, compelling and propulsive, Challenger overflows with revelatory details.

Reading this book is like watching a train wreck unfold in slow motion. One can’t help but hear a drumbeat of dread while getting to know the astronauts—Christa McAuliffe, Gregory Jarvis, Ron McNair, Ellison Onizuka, Judith Resnik, Dick Scobee and Michael Smith—and their families. Details will stay with readers long after they close the book: McAuliffe’s appearance on The Tonight Show, her husband’s increasing anxiety at launch time, the horror and disbelief of the families as they watch their loved ones die, the grim details of the recovery efforts and the attempts of professionals both to warn against the mission and to bring to light why it failed.

Among the latter is engineer Roger Boisjoly, who, over a year before the explosion, wrote a memo voicing fears to senior management, stating, “It is my honest and very real fear that if we do not take immediate action . . . we stand in jeopardy of losing a flight along with all the launch facilities.” Unbelievably, in the hours just before the mission commenced, Boisjoly and a team of 13 other engineers unanimously advised against the launch, yet their concerns were not even voiced up the command chain. After the explosion, physicist Richard Feynman sought to bring clarity to the commission tasked with investigating the tragedy. The scientist noted that “the management of NASA exaggerates the reliability of its product to the point of fantasy.”

Higginbotham excels at delineating not only the science, technology and history of NASA’s Space Shuttle program, but also the bureaucratic snafus and mismanagement that led to the catastrophe, including economic pressures and a nonstop race to get people into space. As with Midnight in Chernobyl, Challenger proves Higginbotham is a master chronicler of disasters, demonstrating an unflinching ability to pierce through politics, power and bureaucracies with laser-sharp focus.

Challenger proves Adam Higginbotham is a master chronicler of disasters, piercing through politics, power and bureaucracies with laser-sharp focus.
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There’s no such thing as a spoiler alert when a story’s subject is taught in most every American history class across the country. Injecting hold-your-breath suspense into a narrative history, particularly one in which we already know the story’s ending, is a task that Erik Larson has mastered. In the Garden of the Beasts took on Nazi Germany on the cusp of war; The Splendid and the Vile explored Winston Churchill’s stewardship of under-siege England. In his new book, The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War, Larson turns his attention to the immediate aftermath of the election of Abraham Lincoln and the unlanced boil where the war began: Fort Sumter.

Larson covers just a few months of American history—but perhaps the most consequential few months. Lincoln, Jefferson Davis and other well-known figures from the period play key roles, but so too do a British journalist on assignment, a young private stuck in the besieged fort and a Southern society woman watching the events unfold. They aren’t key characters in the grand arc of the Civil War or the country’s history, but they did write a lot down. Their accounts help Larson propel the narrative without relying entirely on the stories of people who have already been the subject of hundreds or thousands of other books.

There are obvious parallels to the current moment: a refusal to accept the results of a presidential election, threats to march on the Capitol, a tendency toward civility and appeasement in the face of existential threat and other more subtle links to the present. Some of the connections are unavoidable and necessary; others, Larson perhaps injects as a result of recency bias.

Even after a century and a half of books about the subject, it remains remarkably unclear what course of action key figures should or could have taken to avoid America’s bloodiest war. Maybe we’ll never figure that out, but The Demon of Unrest is a damn good read.

In The Demon of Unrest, Erik Larson crafts a tale of hold-your-breath suspense about the crucial three months leading up to the Civil War.
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Hell Put to Shame: The 1921 Murder Farm Massacre and the Horror of America’s Second Slavery is the type of history that can be hard to pick up because it forces the reader to confront a tragic injustice. How can something so horrible have been forgotten to history? Like David Grann’s Killers of the Flower Moon, this book tells the story of a century-old series of murders, committed by or at the behest of white power brokers seeking a dollar—a tale as old as time.

Journalist and author Earl Swift’s book is set in rural Georgia in the 1910s and ’20s, where wealthy plantation owner John S. Williams entrapped and kept Black people against their will and forced them to work his plantation. The murders in this story were highly publicized at the time, dubbed the Murder Farm case in newspapers across the country. But this narrative transcends the true crime genre. In telling the story of the killings, Hell Put to Shame offers a look at the unkept promises of the Civil War and Reconstruction, a preview of the Civil Rights battles to come, a Southern courtroom drama akin to John Grisham and a character study of complicated people like Georgia Gov. Hugh Dorsey and crusading NAACP investigator Walter White. It reminds the reader of a cruel system of near-slavery that persisted for decades after the Emancipation Proclamation, unchecked by various white power centers.

Several key figures in the story died or had scattered to the wind soon after the murders were exposed. Swift tracks down descendants who had little or flawed information about their relatives’ roles in the crimes. But limited records and eyewitness accounts can at times limit the storytelling, as, for example, the reader gets to know the prominent Dorsey and White better than the central figures, who left a daintier paper trail.

Swift’s frustrated search for the paupers cemetery where some of the victims were allegedly buried is representative both of the challenge of telling a 100-year-old story and our culture’s willingness to actively forget events that make us uncomfortable. There is no monument or plaque to recognize the victims’ lives or deaths. Though incomplete, Hell Put to Shame provides a vital look at a neglected history.

Hell Put to Shame is a courtroom drama, a true crime tale and a finger in the eye of those who sweep our ancestors’ shame under the rug.
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Jonna Mendez sums up her extraordinary 25 years at the CIA thusly: “It was a career I loved. I was doing work that mattered, work that made a difference—making history in some small way. It wasn’t a path I’d ever imagined for myself. I was, after all, just a girl from Wichita, Kansas, seeking adventure, never dreaming that would translate into a life that was both covert and trailblazing.”

But it was not easy. She tells her engaging and enlightening story of service, primarily during the Cold War years, in In True Face: A Woman’s Life in the CIA, Unmasked. The challenges of the work itself were great. And although against official policy, misogyny was the way of life in the agency, and Mendez’s experience with gender discrimination provides a look into that environment. CIA historian and journalist Tim Weiner wrote that “apart from the Marines, there is no branch of service in the United States government as hostile to women as the clandestine services of the CIA.” Despite the efforts of some men who went out of their way to undermine Mendez, she showed courage and fortitude, and, in time, she found male allies who were helpful and supportive.

Beginning as a secretary for her CIA agent husband, Mendez rose through the ranks of the organization. Her skills with photography and disguise eventually led to extremely important roles, including Chief of Disguise, in operations around the world. In True Face includes fascinating accounts of the wide range of her activities. She trained couples, usually married, for work as agents in Moscow; disguised a prime minister; and “match[ed] wits” with Russia’s KGB, East Germany’s Stasi, and Chinese and Cuban intelligence. Mendez, in disguise, even visited the White House to meet with President George H.W. Bush.

This consistently absorbing book is a wonderful memoir that offers more than simply a compelling life story. Mendez says discussions with other women in the early stages of the project convinced her that her experiences should be understood “in the larger context of women in the CIA and indeed, women in the American workplace.” So we have “two stories—one in the world of espionage, the other in the world of women.” And both of them are very well told.

In True Face recounts Jonna Mendez’s experience rising through the ranks of the CIA, from disguising spies and planning special operations to grappling with gender discrimination.
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As a 19-year-old undergraduate, Antonia Hylton read an academic paper that mentioned Crownsville State Hospital, known at its founding as the Hospital for the Negro Insane. That reference triggered an obsession with the hospital’s bleak history that has carried her through the 10 years it took to produce Madness: Race and Insanity in a Jim Crow Asylum. Hylton brings both her journalistic talent and a deep, personal engagement to something she unabashedly describes as a “passion project.” In it, she recounts the 93-year life of Crownsville, tying that painful history to the story of the treatment of mental illness in the United States, especially in communities of color, and to her own family’s experiences with mental health.

Speaking via video from a conference room at NBC headquarters in New York City, Hylton brims with energy and enthusiasm. “If I could understand everything there was to know about Crownsville,” she says, “I would understand my family and my country better.” In her mind, “doing this would be cathartic; it would help me have conversations or fill in blanks that I was struggling to fill in otherwise.”

Hylton calls her book a “tribute to oral history,” and the more than 40 interviews she conducted with former staff and patients—some of them in their 80s or older—and her own family members deeply enrich the story. “This book came to life because of the stories people shared with me,” she says.

One of the greatest challenges in collecting those stories was gaining access to the patients, many of them deeply traumatized by their experiences at Crownsville. “To find patients who were ready to go on the record comfortably was an incredible challenge,” Hylton says, “and it took a lot of trust-building and community outreach. I really had to accept that it was going to be a one-person-at-a-time kind of thing.”

“In addition to putting years of reporting on the page, I put my heart out there.”

Thankfully, there are few people better prepared for this specific kind of work than Hylton. In less than a decade following her graduation from Harvard University, Hylton has already accumulated an impressive set of professional credentials and honors, including Emmy and Peabody awards. After several years as a correspondent and producer for VICE Media, she joined NBC News and MSNBC, where she works as a correspondent on stories at the intersection of politics, education and civil rights.

Book jacket image for Madness by Antonia HyltonBeginning in 2014, she spent long hours in the Maryland State Archives combing through Crownsville’s files, woefully incomplete thanks to shoddy record keeping and the destruction of decades of documents by the state. The paucity of documents would have been far worse had it not been for the efforts of Paul Lurz, a longtime Crownsville staff member who served as an unofficial preservationist. Hylton acknowledges feeling “really angry” that “no one had thought to dignify or track this information in the first place.”

Hylton follows the history of the hospital from its inception in 1911, when 12 Black men were transported to rural Maryland to begin constructing the facility that eventually would house them as its patients, to its closure in 2004. It’s a story of an institution where treatment was often crude and callous, though there were, at times, some who tried to treat their patients with humanity. Most notable among the latter was Jacob Morgenstern, a Holocaust survivor who became Crownsville’s superintendent in 1947, and who recruited a group of fellow survivors to serve as staff.

It’s hard not to read Madness without a mingled sense of anger and sadness, as Hylton patiently chronicles the decades when Black patients received substandard care in an overcrowded, understaffed hospital that deemed them less worthy of quality treatment than Maryland’s white mentally ill, even using some patients as subjects in scientific studies without their consent. The hospital was not desegregated until 1963, but in the ’60s and ’70s, as the approach to treating mental illness focused on shifting patients from large institutions like Crownsville to community mental health centers, its former patients were released into the population without access to the resources they needed to make that transition successfully.

Hylton says that what kept driving her to tell Crownsville’s anguished history was the door it opened into her own family’s painful past. She twines an institutional story with a deeply personal one, unearthing the stories of her cousin Maynard and great-grandfather Clarence, whose lives were tragically impacted by mental illness and then largely written out of her family’s history. “I’m going to resurrect Maynard and Clarence,” she says. “I’m going to give their lives some dignity. I’m going to give their struggles some context that wasn’t there decades ago.” Indeed, Hylton reveals, excavating these stories encouraged some family members to seek therapy to heal their own psychological wounds.

Read our starred review of Madness by Antonia Hylton.

The Maryland legislature has appropriated an initial $30 million for Anne Arundel County to turn the hospital grounds into a memorial, park and museum. Local historian and community organizer Janice Hayes-Williams has created an annual service she calls “Say My Name” at the site, to recall the some 1,700 patients buried there.

Hylton brings Madness to a moving climax with a scene she says “just poured out of me,” describing the 2022 commemoration at the onsite cemetery. On an April morning, she followed in the steps of community elders, clutching multicolored rose petals and a piece of paper bearing the name of Frances Clayton, a woman from Baltimore who died at Crownsville in 1924 at age 41. Kneeling down to place the petals on the ground, Hylton pressed her palm to the ground “to feel the pulse of the earth.” She writes that at that moment, she thought, “They’ve been waiting for us.”

“If I can inspire even just one family to have some of the conversations my family has been able to have as a result of this reporting, that’s what I want,” she says. The responses of some of her early readers “have already made me feel very whole, even with a story that is heartbreaking. In addition to putting years of reporting on the page, I put my heart out there.”

Photo of Antonia Hylton by Mark Clennon.

The Emmy Award-winning journalist chronicles the decades-long history of Crownsville State Hospital, where patients lived in prisonlike conditions.
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Beloved and buzzy authors such as Tia Williams, Francis Spufford and Katherine Arden took new and exciting directions in February!
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Almost from the moment it docked in Mobile Bay, Alabama, much has been written about the Clotilda, the schooner that brought 110 captive Africans to the U.S. in 1860, more than five decades after the slave trade had been outlawed. The illegal voyage was conducted with stealth, but the arrival of the ship was an open secret that drew international headlines, though no punishment for the wealthy enslavers responsible. Interest in “the last slave ship” gradually waned until the late 2010s, when the search for (and eventual discovery of) the ship’s wreckage spurred a new cycle of research and media interest, including the first publication of Zora Neale Hurston’s 1920s interviews with survivor Kossula Lewis.

Historian Hannah Durkin’s considerable scholarship draws on these sources and others in The Survivors of the Clotilda: The Lost Stories of the Last Captives of the American Slave Trade. She cuts through the myths around this notorious story while keeping a tight focus on the 103 surviving young adults and children, whose lives were forever changed by displacement, family separation and enslavement.  

Durkin has a Ph.D. in American Studies from the University of Nottingham and has long focused on the history of transatlantic slavery. In 2020, her research revealed that the last living survivor was not Lewis, as previously thought, but Matilda McCrear, who was just 2 years old when she, her mother and five siblings were kidnapped from their West African village. Matilda, her mother and sisters ended up on the Clotilda; she never saw her two brothers again. 

That is just one of many painful moments for the survivors, who endured five years of enslavement. After the Civil War, they requested repatriation to Benin, to no avail. Though they mourned their homeland, they found ways to carry on their language and traditions. Some founded Africatown, a community on the outskirts of Mobile that became a thriving all-Black enclave. Others ended up elsewhere in the Black Belt, including Gee’s Bend, a famous wellspring of quilting art that draws heavily from West African influences. 

Because it tells the stories of so many people in so much detail, The Survivors of the Clotilda is dense and can lack a clear narrative thread. Yet this multitude of stories allows readers to see a variety of reactions to and experiences of enslavement, turning the Clotilda survivors into a microcosm of the nearly 13 million Africans who were kidnapped during the transatlantic slave trade. This authoritative work will be appreciated by anyone looking for a comprehensive account of one of history’s most infamous moments.

Hannah Durkin’s authoritative The Survivors of the Clotilda cuts through the myths around the notorious last slave ship to dock in the United States.

Like his mentor Martin Luther King Jr., John Lewis had a dream. Amid the turmoil and violence of a segregated South and a nation embroiled in the struggle for racial reconciliation, Lewis envisioned and championed what he called a “Beloved Community” in America, “a society based on simple justice that values the dignity and the worth of every human being.” In his captivating John Lewis: In Search of Beloved Community, Raymond Arsenault narrates the mesmerizing story of Lewis’ evolution from a Civil Rights activist to an eminent congressman who never lost sight of his vision for a just and equitable society.

Drawing on archival materials and interviews with Lewis and his friends, family and associates, Arsenault traces Lewis from his childhood in Troy, Alabama, where he daily witnessed the indignities and violence of racial segregation. Steeled and inspired by the Montgomery Bus Boycott, he entered American Baptist Theological Seminary in Nashville, Tennessee, and began his storied activism in earnest. Lewis and his contemporaries incorporated the principles of rightness and righteousness—what their teacher James Lawson called “soul force”—with methods of nonviolent resistance. Arsenault documents Lewis’ participation in the Freedom Rides, the Student Nonviolent Coordinating Committee, the Selma to Montgomery marches and his advocacy for the Voting Rights Act. After King’s 1968 assassination, Lewis’ optimism turned to despair; he had a feeling, Arsenault writes, that “maybe, just maybe, we would not overcome.”

But that didn’t last. Elected to Congress in 1986, Lewis went to Washington with a legacy to uphold and a commitment to carry on the spirit, goals and principles of nonviolence and social action. He was always disillusioned by self-serving politicians and their infighting, and he devoted his career to building coalitions among opponents. In a 2020 speech, Lewis uttered the remarks that cemented his legacy: “We cannot give up now. We cannot give in. . . . Go out there, speak up, speak out, get in the way. Get in good trouble, necessary trouble.”

With John Lewis Arsenault offers the first comprehensive biography of the icon and serves as a fitting bookend to Lewis’ own autobiography, Walking With the Wind. The work provides an inspiring portrait of a man whose vision and moral courage propelled him to share his belief in the Beloved Community and inspire generations.

Raymond Arsenault’s mesmerizing biography of John Lewis chronicles the life of the Civil Rights icon and congressman whose vision of a just and equitable society has inspired generations.

In telling the story of Maryland’s Crownsville Hospital, Emmy Award-winning NBC News correspondent Antonia Hylton illuminates a troubling chapter in America’s treatment of its Black citizens. Readers of Madness: Race and Insanity in a Jim Crow Asylum will come away from Hylton’s disquieting book with a keen knowledge of our country’s profound historical failings in mental health care, as well as the persistence of these failings when they are compounded with racism today.

In March 1911, 12 Black men were delivered to a forest in rural Maryland just northwest of the city of Annapolis. For the next three years, their task was to construct the asylum that would house them, then called the State Hospital for the Negro Insane. At the hospital’s height in the mid-20th century, some 2,700 patients, including children, lived in “prisonlike conditions,” overcrowded and understaffed, at times with “one doctor per 225 patients.” Hylton traces the history of Crownsville over 93 years until its closure in 2004, revealing that even as some of its leaders strove to implement more humane policies, the hospital’s fundamental flaws persisted.

Hylton began work on the project that became this book a decade ago while a student at Harvard University. In 2014, she first accessed records stored in the Maryland State Archives, but these only partially revealed Crownsville’s dismal history—any records dating before 1960 were allegedly destroyed. To supplement her extensive archival research, she relied on reporting from Black-owned publications and conducted more than 40 interviews. Among her most fruitful conversations were ones with Paul Lurz, a former chief of social services who became an unofficial records preservationist, especially as the institution approached its final days; and Sonia King, a onetime patient who finished her education after her recovery and returned to Crownsville as a therapeutic recreation specialist.

In Hylton’s author’s note, she is candid about her inspiration for this research: Her own family history of mental illness motivated her to uncover where racial injustice and mental illness intersect. She interviewed family members in the process, writing, “I wanted to model the kind of self-exploration and judgment-free discussion that I hope my book inspires in others.”

Hylton’s account of the mistreatment of generations of Black patients at Crownsville and the callous approach of many caregivers and public officials makes for painful, but essential, reading. Madness is an unsparing reckoning with a fraught past and a clear-eyed call for a more responsible, compassionate future.

Read our interview with Antonia Hylton.

Antonia Hylton’s Madness offers an unsparing reckoning with history as it excavates an infamous mental hospital for Black patients.
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Ilyon Woo’s Master Slave Husband Wife: An Epic Journey from Slavery to Freedom tells the story of Ellen and William Craft, an enslaved husband and wife who—thanks to a courageous plan—fled Georgia in 1848. Ellen disguised herself as a white enslaver, while William pretended to be her captive, and together, they traveled to the Northern free states while successfully evading the authorities. News of their escape made them famous even as they faced new obstacles. Thoroughly researched and beautifully executed, Woo’s narrative explores themes of loyalty, courage and identity, making it a rewarding pick for book clubs.

Gateway to Freedom: The Hidden History of the Underground Railroad by Pulitzer Prize winner Eric Foner traces the development of the antislavery movement in the early 1800s, especially in New York City, which gave rise to the underground railroad—the secret system that allowed scores of enslaved people to escape the South prior to the Civil War. Foner writes with authority and an eye for detail. Drawing upon new source materials, he documents the efforts of underground railroad agents, courageous abolitionists and determined freedom seekers to provide a revelatory look at a seminal chapter in American history.  

In Be Free or Die: The Amazing Story of Robert Smalls’ Escape from Slavery to Union Hero, journalist Cate Lineberry chronicles the extraordinary achievements of Robert Smalls. In 1862, Smalls, an enslaved man in South Carolina, took over a Confederate ship in Charleston Harbor, secretly brought his family members aboard and delivered the boat to Union forces, thereby securing their release from slavery. Smalls later participated in naval actions and went on to serve in the House of Representatives. Lineberry pays tribute to a remarkable leader in this meticulous account of Smalls’ life.

Andrew Delbanco’s The War Before the War: Fugitive Slaves and the Struggle for America’s Soul from the Revolution to the Civil War assesses the rise of slavery and the rift it caused across the nation, demonstrating that freedom seekers were instrumental in bringing attention to the horrors of the institution. Delbanco looks at watershed moments, like the passage of the Fugitive Slave Act in 1850, offering fresh perspectives on how they affected the country. Reading groups can dig into rich discussion topics like the notion of justice and slavery’s lasting impact on society.

Commemorate Black History Month with these odes to freedom.
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Winston Churchill’s close ties with the United States began with his mother, Jennie Jerome, who at age 20 married Lord Randolph Churchill. As an author and prominent public figure, Winston developed an extraordinary relationship with the United States, and a keen interest in the Civil War. Over the years he had two basic goals related to the U.S. First, he believed it was in Britain’s national interest for the two countries, with their shared purposes and similar concerns, to stay close. The second was personal. He lived extravagantly and was always looking for ways to expand his resources. His books were published and reviewed in the U.S. and he was paid well for his lectures and magazine and newspaper work. Like his mother, who had used her influence to advance his early career, he became a world-class networker himself as he met American leaders.

How this developed is the subject of Cita Stelzer’s fascinating Churchill’s American Network: Winston Churchill and the Forging of the Special Relationship. In Churchill’s age, the public got the news from newspapers and magazines. Stelzer’s research largely is sourced from “rich and relatively underutilized” local and national press reports of Churchill’s U.S. visits—ranging from where he went and with whom, to local responses at his public lectures, his humorous quips, what he ate for lunch and how he found his accommodations. Stelzer brings to life a cast of characters Churchill brought into his network, among them media giant William Randolph Hearst, actor and director Charlie Chaplin, journalist Edward R. Murrow, steel magnate Charles M. Schwab and socialite and suffragist Daisy Harriman.

While Stelzer does not claim Churchill single-handedly influenced Roosevelt’s decision to come to Britain’s aid during World War II, she makes clear that his relationships with American politicians and leading thinkers “were a helpful offset to the noninterventionist and isolationist, even pro-German background of public opinion.” Churchill’s network “reenforced the favorable view of Britain,” Stelzer writes, “and enlisted others in support of his view that the Anglo-American alliance . . . was key to a stable, prosperous, and peaceful world.”

Stelzer’s scholarship on Churchill has been highly praised: 2019’s Working With Winston explores the world of Churchill’s secretaries, and 2013’s Dinner With Churchill focuses on the prime minister’s dinner table diplomacy. Churchill’s American Network is another enlightening look at the statesman, one with an even broader scope.

Cita Stelzer’s enlightening Churchill’s American Network explores the statesman’s nexus of influencers in a country he loved.

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