If you’ve ever been curious about how an idea turns into a piece of art, you’ll love The Work of Art: How Something Comes From Nothing. This visionary book’s first two pages lay out its thesis in surprisingly simple terms. First, there’s a sketch of a prescription pad with a physician’s signature at the bottom. Turn the page and you’ll see what that doodle became: the famous Guggenheim Museum in Bilbao, Spain. But how exactly did Frank Gehry’s messy sketch become the architectural masterpiece? That’s the process writer Adam Moss is concerned with; the “work” in his book’s title is a verb. Moss has been the editor of New York magazine and the New York Times Magazine, and his love for conversational, witty storytelling is clear here. The Work of Art collects conversations with some of the most lauded, interesting artists working—from Kara Walker, who takes readers through the creation of her 2014 public sculpture “A Subtlety,” to Gay Talese, who pores over the copious notes he took to write “Frank Sinatra Has a Cold” in 1966. No minutia is too small to examine. In fact, it seems like the smaller the detail, the more information Moss is able to extract. Alongside each story, Moss includes images of the works in various stages of completion. You see Twyla Tharp’s massive choreographic sketches, and the first stages of a Will Shortz crossword. The images elevate the book to a compendium of precious ephemera. It’s possible that Moss has invented a new literary genre that merges self-help, art history and journalism. However it’s classified, you’ll read it cover to cover.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
