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NonfictionMemoirArt

All the Beauty in the World

Review by Anne Bartlett

The Metropolitan Museum of Art in New York City is a treasure trove of world art, with its own stately corps of guardians: the hundreds of people in blue uniforms who keep order and help perplexed visitors find the Renoirs and the restrooms. Behind their sober miens, the Met security guards are an interesting bunch. For example, there’s Joe, who fled political persecution in Togo; Emilie, a working artist with a Brooklyn studio; Mr. Haddad, who moonlights as a professor of Islamic art history; and Patrick Bringley, who has written a lovely book about all of them and their unusual workplace called All the Beauty in the World.

After college, Bringley had a promising job at The New Yorker magazine. Then his adored older brother, Tom, was diagnosed with terminal cancer. Emotionally gutted by Tom’s death, Bringley realized he needed a different path while he healed. So he applied for “the most straightforward job I could think of in the most beautiful place I knew.”

All the Beauty in the World audiobook image
Read our starred review of the audiobook, narrated by author Patrick Bringley.

Bringley liked working at the Met so much that he stayed for 10 years. A lifelong museum lover, he reveled in his daily proximity to masterpieces, formed friendships and never stopped enjoying the museum’s visitors, especially the newbies. Among the book’s most delightful passages are those detailing Bringley’s encounters with harried moms looking for dinosaurs (there aren’t any, so he sent to them to the mummies instead), rambunctious school kids who want to touch everything and stunned first-timers who can barely fathom it all.

Bringley gives readers sensitive descriptions of his personal favorite artworks, as well, and directions for how to find them. Even better, he describes what’s below ground, outside the public gaze: forklifts carting around crates of priceless art, the security command center, the locker room, the craft workshops—even a real armory.

The author eventually decided to move on from the Met, but his joyous experience there still lives within him. If you’ve been to New York, there’s a good chance you’ve been one of the Met’s millions of annual visitors. If you go back, pack this memoir; you will see the museum with new eyes.

If you’ve been to New York City, there’s a good chance you’ve been to the Metropolitan Museum of Art. This memoir by a former museum security guard will allow you to see it with new eyes.
NonfictionLifestylesFilmArt

Colors of Film

Review by Susannah Felts

Color: We can’t not see it, and yet we’re frequently unaware of the power of its strategic use, even as we feel the effects. But you’ll never take color for granted again after perusing Charles Bramesco’s Colors of Film, which explores the palettes used in 50 iconic films through four eras of cinema.

Bramesco’s discussion dives into technical developments in color reproduction as well as the symbolic and emotional currency held in the color choices for pivotal scenes. For each film, a small grid of color blocks printed adjacent to film stills, along with hex and RGB codes, makes the case visually. For 1952’s Singin’ in the Rain, “the Technicolor reds, greens, and yellows portray Broadway as a playland of exuberant fakery,” Bramesco writes, “its colors bewitching not in spite of their unnatural pop, but because of it.” A garish Pepto pink steals the show in Jamie Babbit’s queer cult classic But I’m a Cheerleader, while the soft pink of cherry blossoms characterizes Hayao Miyazaki’s Spirited Away.

This book provides a fascinating object lesson in how visual information wields power. As Bramesco puts it, “Color is the perfect hiding place for significance, most powerful when left unstated.”

You’ll never take color for granted again after perusing Charles Bramesco’s Colors of Film, which explores the palettes used in 50 iconic films through four eras of cinema.
NonfictionLifestylesHistoryArt

The Madman’s Gallery

Review by Susannah Felts

First came The Madman’s Library. Now comes its weird kid sister, The Madman’s Gallery, packed with tres bizarre art through the ages.

Words won’t quite do it justice, of course, but mastermind author/curator Edward Brooke-Hitching does his best: “Here is the art of ghosts, the art of madness, imaginary art, art of dog-headed people, the first portrait of a cannibal, and a painting of the Italian monk who levitated so often he’s recognised as the patron saint of aeroplane passengers.” We’re talking giant Olmec heads, phalluses growing on trees, decaying cadavers, Hieronymus Bosch’s “The Garden of Earthly Delights,” a nude Mona Lisa, Giuseppe Arcimboldo’s fruit and veg portraits, hirsute women, Salvador Dali’s clocks, Frida Kahlo as wounded deer, AI creations and so much more. This one is occasionally disturbing, and always fascinating.

Mastermind author/curator Edward Brooke-Hitchings’ The Madman’s Gallery is packed with tres bizarre art from every period of history.
NonfictionLifestylesCrafts, Hobbies & HomeArt

Painting Calm

Review by Susannah Felts

Lately I’ve been dabbling in watercolor, which makes Painting Calm feel like a gift from the gods. It’s full of exercises and tips for creating delicate paintings of leaves, flowers and various nature-inspired patterns.

Author Inga Buividavice’s own artwork is aspirational, to say the least, occupying a dreamy space between the detailed and the abstract, with gorgeous variations in value and color that blend seamlessly one into the next. Simple exercises, such as creating color swatches, reassure a beginner like me, and these can be enough on their own if what you’re wanting from watercolor is the meditative process. If you’re ready to create full-scale paintings, her instructions also cover specific brushes, brushstrokes and color palettes. I suspect I’ll be consulting this guide for years to come.

Inga Buividavice’s Painting Calm is full of exercises and tips for creating delicate watercolor paintings of leaves, flowers and various nature-inspired patterns.
NonfictionTrue CrimeBiographyArt

The Art Thief

Review by Robert Weibezahl

Most art thefts are simply for financial gain. The thieves, often opportunistic crooks and rarely art connoisseurs themselves, view their stolen masterworks as loot to be fenced. Stéphane Breitwieser is different. Growing up in the Alsace region of France, he fell in love with art and artifacts under his grandfather’s tutelage, and by the time he was in his 20s, he had begun to steal compulsively from museums, auction houses and even churches. In eight years, often aided by his girlfriend, Anne-Catherine, he filched more than 300 irreplaceable works—including small oil paintings, silver chalices, ivory sculptures, tapestries and a historic bugle—estimated to be worth billions. When he was ultimately caught, Breitwieser said his sole motivation for stealing was to surround himself with beauty. He never sold anything he procured but instead displayed it all in a cramped attic room he and Anne-Catherine occupied in his mother’s house.

The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by journalist Michael Finkel is a fascinating account of Breitwieser’s crime spree that attempts to understand the mind of this criminal aesthete. This proves a herculean task, since Breitwieser’s singular condition has defied clear-cut diagnosis by a passel of mental health experts, but Finkel’s re-creation of the thief’s nefarious activities is nonetheless a riveting ride. As the only American journalist who was granted interviews with Breitwieser, Finkel spent some 40 hours with him, even accompanying the now ex-con on visits to some of the museums and churches from which he once stole. From this personally reported material, as well as other interviews and documentation, Finkel has fashioned an engrossing true crime narrative—mostly told in present-tense prose to heighten the drama—that takes readers along on Breitwieser and Anne-Catherine’s daring robberies, quite often carried out in plain sight. 

The Breitwieser whom Finkel deftly portrays is a social misfit, a virtuoso of stealth, an inveterate moocher and, most of all, a self-deluded hero. (He claims he is protecting and preserving the art by stealing it.) Anne-Catherine seems a complicit accomplice—a lovestruck Bonnie to her cultured Clyde—until Breitwieser is caught and the tables turn. Breitwieser’s enabling, much-in-denial mother, meanwhile, alters the course of events in a way that will shock and disturb art and history lovers. Obsessive crime, dangerous beauty, ill-fated love: The Art Thief is the stuff of noir fiction, made all the more compelling and audacious for its authenticity.

Stéphane Breitwieser stole more than 300 irreplaceable artworks. Journalist Michael Finkel now attempts to understand why this criminal aesthete hoarded those treasures in his attic.
NonfictionScienceLifestylesArt

The Cosmic Dance

Review by Susannah Felts

Stephen Ellcock has made a name for himself as a digital curator, or “image alchemist.” He ventures deep into visual art archives and surfaces with paintings, drawings, photographs and other images that inspire and intrigue. His fourth book, The Cosmic Dance, is “but a tiny sample of the fruits of ceaseless foraging,” and like his previous volume, The Book of Change, it is as curious a compendium as it is difficult to summarize.

Ellcock takes us on a magic carpet cruise through centuries of art and science via images from medieval art, abstract paintings—you name it—that invoke the cosmos, the spiritual realm, the geological and insect worlds, the human body, geometry and much more. This enchanting book invites readers to muse on the repetition of patterns and the power of symbols, and to discover illuminating connections between visual representation and meaning-making across time and place.

Stephen Ellcock journeys through centuries of art and science via images that invoke the cosmos, the spiritual realm, the human body, geometry and much more.
NonfictionLifestylesEssaysArt

Women Holding Things

Review by Susannah Felts

I’ve been in the unofficial fan club of author and illustrator Maira Kalman for years—along with many of you, no doubt. I can’t pass up the opportunity to applaud her latest work, Women Holding Things, which combines original paintings with both free verse and prose.

Women, Kalman notes in this tender and revealing book, must hold a lot, from “the children and the food” to “the sorrows / and the triumphs.” In her paintings, women hold things real and intangible: a can of worms, opinions about modern art. Sometimes she features a famous woman, such as Gertrude Stein, “holding true to herself / writing things very few people / liked or even read.” Sometimes she tells deeply personal stories about the paintings, and I love those parts best. Despite the title, there aren’t just women featured here but also a few men—and even things, holding other things. “It is hard work / to hold everything,” she writes, “and it never ends.”

Maira Kalman’s latest tender and revealing book combines free verse and prose with paintings of women holding things both real and intangible.
NonfictionSciencePhotographyHistoryBiographyArt

Giftable glimpses of history

Feature by Alice Cary

Documentary filmmaker and historian Ken Burns believes that photographs are portals “not just to a different time and space but also to dimensions and possibilities within myself.” Through photographs and illustrations, these books are guaranteed to transport you.

★ Apollo Remastered

Book jacket image for Apollo Remastered by Andy Saunders

Apollo Remastered: The Ultimate Photographic Record is a weighty, large-format coffee table book that beams readers right into its cosmic world. The original NASA film from the Apollo missions (which includes some 35,000 images) has been safely secured inside a frozen vault at the Johnson Space Center, but new technology has allowed digital restoration expert Andy Saunders to painstakingly remaster this treasure trove of photographs, many of which have never been published. The results are pure magic, full of clarity, sharpness and color that make readers feel like part of the team—a far cry from those grainy images that were broadcast on TV at the time. 

During their spaceflights, many astronauts were shocked by how moved they felt looking back at Earth, and readers will see why. Apollo 14 astronaut Edgar Mitchell notes, “You develop an instant global consciousness, a people orientation, an intense dissatisfaction with the state of the world, and a compulsion to do something about it.” Apollo 9’s Rusty Schweickart recommends reading this book at night, surrounded by darkness and silence, to allow the gleaming spacecraft and spacesuits to shimmer and shine.

★ Our America

Book jacket image for Our America by Ken Burns

In the tradition of Walker Evans’ groundbreaking 1938 book, American Photographs, Ken Burns has assembled a collection of his favorite images in Our America: A Photographic History. “I’ve needed forty-five years of telling stories in American history, of diving deep into lives and moments, places and huge events, to accrue the visual vocabulary to embark on this book,” he writes in his introduction. 

These black-and-white photographs are arranged chronologically from 1839 to 2019, with only one on each page for full visual impact. They’re labeled by date and place (at least one for each state), with fuller explanations at the back of the book, and they are mesmerizing, drawing on a multitude of personalities, emotions and events. The images depict the brutally scarred back of an enslaved man, decomposing bodies at Gettysburg, frozen Niagara Falls, a 1909 game of alley baseball in Boston, the bombing of Pearl Harbor, Elvis onstage and, finally, a stunning portrait of Congressman John Lewis from 2019.

Illustrated Black History

Book jacket image for Illustrated Black History by George McCalman

For Illustrated Black History: Honoring the Iconic and the Unseen, artist, designer and creative director George McCalman created 145 original portraits spotlighting Black pioneers in many fields, each accompanied by a short biographical essay. Moving alphabetically from Kareem Abdul-Jabbar to cinematographer Bradford Young, McCalman uses a bold array of acrylics, watercolors, pen and ink and colored pencils, to capture each personality in an individualized way. “I document body language, I document exuberance, I document pain,” he writes. “I draw like a reporter because I am a reporter.” 

McCalman began this project by challenging himself to paint one such portrait every day for a month, and the result overflows with energy and color. His choices are inspiring and well-rounded, running the gamut from Frederick Douglass and James Baldwin to activist Alicia Garza and food journalist Toni Tipton-Martin.

My Travels With Mrs. Kennedy

Book jacket image for My Travels With Mrs. Kennedy by Clint Hill

Despite the mountains of books already written about the Kennedys, I couldn’t put down My Travels With Mrs. Kennedy, a conversational memoir and very personal photo album by Clint Hill. A former Secret Service agent who served under five U.S. presidents, Hill was present during John F. Kennedy’s assassination and later assigned to the first lady and her children. He’s written other books about those experiences, including several with his wife and co-author, Lisa McCubbin Hill. 

This book was sparked by the process of cleaning out the garage of Hill’s home in Alexandria, Virginia, going through boxes of memorabilia, including a forgotten steamer trunk. Dialogue between the co-authors makes the book immensely readable as they discuss their discoveries and Hill’s memories. Numerous photos bring each scene to life, capturing intimate moments that reveal the first family’s personalities, especially that of Jackie. Of their relationship, Hill writes, “It wasn’t romantic. But it was beyond friendship. We could communicate with a look or a nod.”

The Only Woman

Book jacket image for The Only Woman by Immy Humes

The Only Woman is a unique gallery of group portraits that contain a lone female figure surrounded by men. There’s Marie Curie, for instance, with her head in her hand, looking downright bored among a group of suited scientists at a 1911 conference in Belgium. There’s 9-year-old Ab Hoffman, who earned a spot on a Canadian hockey team for one season in 1956 because her coaches hadn’t noticed her gender. In a 1982 photo, a white male U.S. Army Diver candidate sneers at Andrea Motley Crabtree, a Black woman who made the training cut when he didn’t. “Most of the men hated me being there,” Crabtree recalls. “He couldn’t understand how I was better than him.” 

Oscar-nominated documentary filmmaker Immy Humes provides concise commentary throughout her collection, which spans from 1862 to 2020. She speaks to “the pleasure of spotting them, and then, most of all, the mystery of them: What was she doing there?”

Affinities

Affinities book cover

In need of some creative downtime? Curl up with the hefty Affinities: A Journey Through Images From the Public Domain Review and lose yourself in a delightfully imaginative, visionary game. The book’s 350-plus pages contain a miscellany of images arranged to showcase unexpected similarities. For example, one section features the shapes of outstretched arms as seen in a 16th-century drawing of a mechanical arm, an image of the Borghese Gladiator sculpture, a John Singleton Copley painting and—of all things—a photo of damage sustained to the bow of the HMS Broke during a World War I battle. 

With images old and new from around the world, all selected from the archive of the Public Domain Review, this is a book designed for random perusal. Some images come with suggested paths to different pages, creating a sort of chutes-and-ladders effect. As explained in the introduction, the result is “a maze of rootlike cut-throughs that allow you to move through the book in different ways, to disrupt the sequence and carve through your own serpentine trajectory.”

The armchair historian’s wish list isn’t a tough nut to crack. Just give them a great book.
NonfictionSelf-HelpPhotographyFood & DrinkCookbooksArt

Books to help you behold the world’s beauty

Feature by Susannah Felts

★ Everything, Beautiful

In a world unspeakably darkened by crisis, it might seem trifling to even think about appreciating, cultivating or devoting our attention to beauty. Focusing on beauty might even read as an act of oblivious privilege. But perhaps a fuller contemplation of what beauty is, can be and has been, and what it can mean in our everyday lives, is in fact one step toward repairing massive-scale damage. Writer and illustrator Ella Frances Sanders believes it is. In Everything, Beautiful, she envisions learning to see beauty as a curative, even redemptive process, “like putting a delicate, very broken vase back together.” No matter how broken our world, it is nevertheless full of “tiny, beautiful things,” she writes. “Some are so invisible or silent that you may never see or understand them, but they are there.” Through text, illustration and guided prompts, Sanders upends and expands our notions of beauty and urges us to notice the ingredients for beauty that are all around us, such as “light, slowness, and the kind of air temperatures that feel like honey.”

Lost Places

I live in a boomtown where every old structure seems to either meet the wrecking ball or get a second life via adaptive reuse. Paging through the images in Lost Places, I’m swept into another world, one where the vestiges of America’s past are left, silent and uninhabited, to be transformed by weather and time. Heribert Niehues’ photographs of abandoned cars, houses, gas stations and other structures tell a story about our country’s past. They are also suffused with mystery: What lives did these places once contain? Who last passed through these doors? Scenes of decaying diner interiors are among the spookiest, with guests’ checks, condiment containers and fry baskets left behind. Car buffs will enjoy Niehues’ many images of rusted-out, early- to mid-20th-century models. Many of the abandoned edifices captured here fell victim to the interstate system when it rerouted travel in the 1950s and ’60; one wonders what of our present might be left behind a century from now, as climate change remaps the landscape.

Forever Beirut

Forever Beirut, a cookbook with accompanying essays and stunning photographs, was conceptualized by Barbara Abdeni Massaad as a way to help her beloved home country in the aftermath of a terrible 2020 explosion at the port of Beirut. In response to disaster and economic collapse, the book passionately preserves the treasures of Beirut’s culinary heritage, with recipes for favorites such as kibbeh, a dish of ground lamb, beef or vegetables kneaded together with bulgur; man’oushe, a traditional flatbread; mezze, small dishes served together such as chickpeas and yogurt; and semolina cake. This is the stuff of my culinary dreams: food that is aromatically spiced, uncomplicated and yet bursting with flavor, served to the reader within a deep, loving sociocultural context.

Look a little closer, and you’ll find beauty lurking in unexpected places. The three books in this month’s lifestyles column will help you spot it.
NonfictionHistoryCultural HistoryArt

Picasso’s War

Review by Henry L. Carrigan Jr.

By the mid-20th century, Pablo Picasso’s paintings and sculptures were turning heads in France and Germany, ushering in cubism, a new artistic style that challenged older styles. At this same moment, American art was dominated by a devotion to realism and the old masters, and therefore resistant to and repulsed by the “modern art” of Picasso. In 1939, that all changed when the newly opened Museum of Modern Art in New York City held an exhibit titled “Picasso: Forty Years of His Art,” featuring pieces that two Americans, who never met, worked tirelessly to make available to the public. Hugh Eakin’s Picasso’s War tells the scintillating tale of how John Quinn, Alfred H. Barr Jr. and others brought Picasso’s work to America and changed the face of American art.

Irish American lawyer Quinn championed modernist novels and poetry and avant-garde art, introducing Americans to William Butler Yeats and T.S. Eliot, as well as to Marcel Duchamp’s painting “Nude Descending a Staircase.” A great collector, Quinn had a “growing aversion to what he called ‘dead art,’” Eakin writes, and wanted to promote painters and writers who could “express the values and forces of his own time.” Although he personally never understood cubism, he believed that “American art needs the shock that the work of some of these men will give.” After he met Picasso, the artist started reserving his best work for Quinn, who built a modest collection. Quinn dreamed of opening a museum devoted explicitly to modern art, since the Metropolitan Museum of Art excluded such art as “degenerate.” He never saw his wish come true, however. He died of cancer in 1924.

In 1926, Barr took up Quinn’s vision for such a museum, aided by wealthy patrons who shared Quinn’s hope. Three years later, Barr opened the Museum of Modern Art using pieces from Quinn’s collection, striving to build a collection of premier work by the most important modern artists. He worked incessantly to open a show devoted to Picasso, but he was hampered at several turns by challenges from Parisian art dealers and even by Picasso himself. By the late 1930s, though, as Adolf Hitler’s campaign against so-called degenerate art ramped up and museums and galleries in Paris began removing and hiding certain paintings, Picasso and his dealer, Paul Rosenberg, tried to get as many of the artist’s paintings as possible to America. Such forces enabled Barr to put on his 1939 Picasso exhibit and to secure a place in the American cultural world not only for Picasso but also for the Museum of Modern Art, which flourished following the Picasso exhibit.

Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about this illuminating chapter in cultural history.

Hugh Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about the fight to bring Picasso’s art to America.
NonfictionFood & DrinkCookbooksArt

3 wonderful books about food, drink and other creature comforts

Feature by Susannah Felts

★ Breadsong

Kitty and Al Tait may not be the first to write of the redemption and delight that can come from watching yeast and heat transform mere water, flour and salt into beautiful, delicious creations. But their memoir-cum-cookbook, Breadsong: How Baking Changed Our Lives, is the most charming version of that story I’ve yet come across. In it, the father-daughter team tells their origin story in alternating points of view before sharing over 50 recipes, both savory and sweet. As a young teen, Kitty began experiencing terrible depression and anxiety. Nothing seemed to help, until Al baked a no-knead loaf, sparking Kitty’s curiosity. In no time at all, the duo had opened what has become a tremendously successful family bakery in their tiny village in Oxfordshire, England. Their story is as heartwarming as it gets, accentuated by Kitty’s lively voice and infectious grin splashed across the pages along with her dad’s adorable illustrations. There’s a recipe for a caramel-covered Happy Bread here, which says a lot about this joyful book. Definitely follow Kitty, who’s now 17, on Instagram @kittytaitbaker for dopamine hits, too.

Things to Look Forward To

When my daughter was young, we enjoyed many books featuring Sophie Blackall’s cozy illustrations; the Ivy & Bean series was a particularly big hit. How fun to come across Things to Look Forward To, Blackall’s new picture book for all ages (that best and rarest of all genres). Not surprisingly, this project grew out of bleak days during the COVID-19 pandemic and was nudged along by community input via social media. Some of the assembled things to look forward to are as common as the sun coming up; in fact, that is literally one of them. Who can argue with coffee, finding something you thought you’d lost or seeing the sea? Other experiences here are a bit more nuanced (doing your taxes, looking at maps) or whimsical (drawing on eggs, flowers that look like brains!). What’s certain is that you can’t page through this book without feeling a renewed sense of appreciation for the everyday, and that’s something all of us can use, every day.

Nectar of the Gods

For a decidedly elevated sort of toga party, be sure to consult Nectar of the Gods. The work of mythology podcaster Liv Albert and beverage consultant Thea Engst, and brought to colorful life by illustrator Sara Richard, this book pairs inventive cocktail recipes with soupçons of Greek and Roman myth. Take, for example, Pandora’s Jar (yes, in fact, it was originally a jar, not a box!): a gin, blueberry and creme de violette concoction. Calypso’s Island Iced Tea, designed to bring out the sexy nymph in each of us, seems like the perfect poolside sipper: hibiscus iced tea, vodka, lemon juice and simple syrup. For a more complex and decadent drink, try the Phaedra Phizz, and pour one out for its ill-fated namesake.

A warm loaf of bread, a mythologically charged tipple: These and other delights give readers something to look forward to in this month’s lifestyles column.
Arts & CultureArt

Review

Review by bookpagedev

Art, like music and literature, is valuable to humankind because it portrays life’s pathos as well as life’s joy and tells us that we are all connected, facing life together, not alone. In Sister Wendy’s 1000 Masterpieces: Sister Wendy Beckett’s Selection of the Greatest Paintings in Western Art, this well-known art historian offers us a magnificent collection of Western Art. From the stark religious subject matter of the 15th century to the free, flowing brushstrokes of the impressionists, Sister Wendy manages to capture in one paragraph the essence of each painting. She offers both their historical significance and her own unique interpretations and insights. Most importantly, Sister Wendy understands that basic human need to feel a part of something greater, and she encourages us to experience that sentiment through art.

Art, like music and literature, is valuable to humankind because it portrays life's pathos as well as life's joy and tells us that we are all connected, facing life together, not alone. In Sister Wendy's 1000 Masterpieces: Sister Wendy Beckett's Selection of the Greatest Paintings…

Arts & CultureArt

Review

Review by bookpagedev

The latest in Phaidon’s series of gorgeous oversized books is The American Art Book. In alphabetical order from Berenice Abbott’s 1930s gelatin silver print of Manhattan at night to William Zorach’s primitive-looking 1951 stone sculpture of a sleeping woman, there are 500 artists and works in this book. The breadth permits an impressive panorama of the artistic urge in America, from the continental days to the end of the millennium. Every time you turn a page, you find something wonderful photorealistic painters Ralph Goings and Richard Estes, photographers Nan Goldin and Cindy Sherman, landscape painters Frederick Church and Thomas Cole. The book is worth the price just for Horace Pippin’s classic 1946 oil Man on a Bench. You’ll also find a helpful glossary and a directory of museums and galleries.

The latest in Phaidon's series of gorgeous oversized books is The American Art Book. In alphabetical order from Berenice Abbott's 1930s gelatin silver print of Manhattan at night to William Zorach's primitive-looking 1951 stone sculpture of a sleeping woman, there are 500 artists and works…

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