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These books jump out of the oven and onto your shelf.


The holidays are galloping upon us like so many overachieving reindeer, and that means many of us are in vapor lock, wondering what to get our gastronaut (please, NOT “foodie”) friends and family. The possibilities run into the thousands, if not millions, but we’ve trekked off the road more traveled to discover some volumes that will surprise and delight.

Anthony Bourdain: The Last Interview edited by Melville House
In Anthony Bourdain: The Last Interview, the late chef, author, journalist and raconteur, never shy about expressing his opinion, states his case about food: “Well, there’s nothing more political. There’s nothing more revealing of the situation on the ground, whether a system works or not.” His words serve as a good guide through all these books, and in a person’s wider eating life.

Women on Food edited by Charlotte Druckman
Historically speaking, the “system,” especially as it pertains to women in restaurants, hasn’t always worked all that well. While the Irma Rombauers and Julia Childs and M.F.K. Fishers of the world were given wide berth in waxing poetic while guiding homemakers, in the pro kitchens of the world they were often overlooked or demeaned (or worse). No more. In Women on Food, editor Charlotte Druckman enlists the aid of a talented brigade, including the likes of Nigella Lawson, Dorie Greenspan and Julee Rosso, to articulate the state of the food world from a female perspective. As the joke goes, “What do you call a woman chef?” “Chef.” I am in sympathy with the authors in hoping for a day, and soon, when we look back on a book like this and wonder why it was necessary. 

Chicken Genius by Bernard Radfar
Moving from the political to the aesthetic, Japan, perhaps more than any nation, has given life to the adage that “we eat with our eyes first.” And so it is with Bernard Radfar’s Chicken Genius: The Art of Toshi Sakamaki’s Yakitori Cuisine. Aram Radfar’s informative, imaginative photography, alongside the book’s step-by-step recipes and techniques, is a delight to the eye as well as the appetite. It may take you a while to bring your knife skills up to pro level, but this book will aid you at every step, starting with the proper way to disassemble a whole chicken with some degree of craft, and just possibly art.

Delicious Metropolis by Wayne Thiebaud
Speaking of art, let’s turn to Wayne Thiebaud. He couldn’t have grown up anywhere other than Southern California for his canvasses to look the way they do. In Delicious Metropolis, he rolls out a dessert cart overflowing with pinwheel lollipops, pastel-frosted pastries and the promise of an endless summer, not a cloud in sight . . . unless it’s made from whipped cream.

Eat Joy edited by Natalie Eve Garrett
And if every picture tells a story, it’s also true of every recipe, as Natalie Eve Garrett and her contributors prove in Eat Joy: Stories & Comfort Food From 31 Celebrated Writers. From Anthony Doerr’s hilarious recipe for brownie mix (“Sit on floor. Cut open bag of brownie mix. Add water. Stir. Eat with fingers. Repeat when necessary.”) to Rosie Schaap’s moving tale of her first Passover Seder as a widow in New Mexico, Garrett has gathered not only the “what” of her talented essayists’ relationships with food, but more importantly the tragedies and triumphs behind the “why.”

Vignette by Jane Lopes
If I were able to offer only one book to someone who cares to know about wine, it would be Jane Lopes’ Vignette: Stories of Life & Wine in 100 Bottles. Light and frizzante as a moscato but thoroughly researched, the book walks you through the often confusing world of viniculture with recommendations that will give you the confidence to peruse any carte du vin with authority.

Ruffage by Abra Berens
At a time when many of us are moving toward a more plant-based diet, Abra Berens’ Ruffage: A Practical Guide to Vegetables provides a veg-by-veg road map studded with tips, techniques and recipes geared toward getting the most out of the stuff we grow. Sure, you’ve grilled corn, but have you puréed it? Have you ever braised celery? Have you marinated peas? Berens not only shows you how but also explains why you should. It’s not strictly vegetarian, but it does place the plant at the center of the plate, rather than as an afterthought or mere side dish.

As Bourdain says in The Last Interview, “There are no secret recipes. There are no secret techniques. Everything that you learn in a kitchen you are either told, open-source . . . or you have learned it over time, painfully.” With these books, you can sidestep some of those missteps—or just look at the pretty pictures. Either way, you’ll come away with a greater appreciation of the culinary arts, both visual and practical.

 

Thane Tierney lives in Inglewood, California, and writes extensively on food-related topics both in magazines and on his blog, templeofthetongue.com.

These books jump out of the oven and onto your shelf.

A glamorous person deserves a glamorous present.


These four books, created by cinephiles for cinephiles, are perfect picks for the film buff in your life: They usher readers behind the scenes and offer a bit of dish, a lot of insight and plenty of glam Old Hollywood fun.

The Hollywood Book Club by Steven Rea
Steven Rea’s The Hollywood Book Club: Reading with the Stars is filled with black-and-white photos of actors from Tinseltown of yore reading at home and on set, poolside and at kitchen tables. The stars’ artful poses and occasional sly grins keep things interesting, a la Gregory Peck looking up from To Kill a Mockingbird. Film critic and photo archivist Rea’s witty captions add color and context. He explains the meaning behind the featured books and offers insider details (Edward G. Robinson collected French Impressionist art; Bette Davis’ husband wanted a divorce because she read too much). This fascinating dive into Hollywood history is a splendidly starry way to add to your TBR pile.

Letters from Hollywood by Rocky Land & Barbara Hall
Rocky Lang and Barbara Hall know movies. Lang, son of a studio executive, is a producer, director and writer; Hall is a film historian and archivist. Their compendium Letters from Hollywood: Inside the Private World of Classic American Moviemaking is an excellent reference and engrossing exploration of American film from the silent era through the 1970s. Letters to and from famous actors, directors and more (Bela Lugosi, Katharine Hepburn, Claudia McNeil, Irving Berlin, Tom Hanks) are augmented by photos and other ephemera. Film buffs will revel in flipping to favorite luminaries, checking out surprising pen pals, admiring vintage stationery design and pondering the vanished art of writing letters. As Peter Bogdanovich writes in the foreword, “What a great idea!”

The Movie Musical! by Jeanine Basinger
At the beginning of The Movie Musical! Jeanine Basinger writes, “I was raised on musicals, and I love them.” That affection is evident in this 650-plus-page master class and love letter to the form and its practitioners. The author, a film historian and author of 11 other film books, takes readers on an edifying journey through the evolution of Hollywood musicals, from “the arrival of sound” in 1927’s The Jazz Singer to present-day extravaganzas like Bohemian Rhapsody (and La La Land, which she Does Not Like). She offers insight on what makes a musical, reveals the ways in which art and business collide and assesses the appeal of everyone from Gene Kelly to Diana Ross to Channing Tatum. Devotees will delight in revisiting beloved films—and making a list of musicals to watch ASAP.

Home Work by Julie Andrews
In this follow-up to 2008’s Home, Julie Andrews and her daughter Emma Walton Hamilton dive into Andrews’ movie-making era, which began in 1962 when Walt Disney offered her the lead role in Mary Poppins. In Home Work: A Memoir of My Hollywood Years, the authors bring us along on Andrews’ thrilling movie star journey with fascinating revelations about films like The Sound of Music, Hitchcock’s Torn Curtain, and Andrews’ second husband Blake Edwards’ 10 and That’s Life (the latter was their final film together; he died in 2010 after a 41-year marriage). Andrews was initially insecure in front of the cameras, but that soon gave way to using stage-honed instincts to inhabit characters from the outside in—via costumes and wigs, as well as, say, giving Ms. Poppins stiffly turned-out feet “to punctuate the impression of Mary’s character when flying.” Andrews shares diary entries, too, as she muses on the perpetual tug-of-war between family and work; the depression that plagued so many colleagues, including Edwards; and memorable trips abroad. Home Work is a multifaceted and absorbing 20-year tour of Hollywood through the eyes of one of its most beloved players.

These four books, created by cinephiles for cinephiles, are perfect picks for the film buff in your life.

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Find your way home with these special books.


The cold and dark of winter can lead to neglected boots and seriously unrequited wanderlust for trekkers of a certain latitude. Although they might not fit into an ultralight pack, these five books will inspire the avid hiker in your life to plan their next adventure.

National Geographic Atlas of the National Parks by Jon Waterman
Any outdoor lover will appreciate the lush and comprehensive National Geographic Atlas of the National Parks. Former ranger Jon Waterman profiles 60 national parks, from the Gates of the Arctic to American Samoa’s jungles, with detailed maps, photographs and plenty of stories of the parks’ histories and ecosystems that are perfect for omnivorous readers. The information is practical for planning a visit, but more importantly it’ll make you itch to see them all. It’s hard to read a book like this without being awed by the enormous treasure these parks represent. (Send copies to your elected officials.) There’s no substitute for visiting, but this atlas is a fine alternative.

Hiker Trash by Sarah Kaizar
Sarah Kaizar’s unique Hiker Trash is neither a guidebook nor a personal memoir, but rather a collage of the places and personalities along the Appalachian Trail. Although it celebrates the beauty of the landscapes with Nicholas Reichard’s photographs and Kaizar’s graceful illustrations of the trail’s iconic shelters, the real star of the book is the community of tired, inspired hikers who have built a network of communication through the shelters’ trail logs. Through their handwritten messages, this eclectic group of modern nomads (with trail names like Food Truck and Dr. Pickles) tell their stories: jokes, lamentations, triumphs, shout-outs to friends ahead and behind. Evocative scenes of hikers in repose—with Sawyer filters, socks and snacks—feel instantly relatable to anyone already seasoned on long-distance trails, but these images will also resonate with anyone looking for a glimpse into a sometimes smelly, always fascinating hiking subculture.

She Explores by Gale Straub
The digital community She Explores, created by author Gale Straub through her website and podcast of the same name, comes into gorgeous, tangible form in a new book. With personal vignettes by outdoorswomen and stirring photography, Straub curates stories that challenge the one-size-fits-all archetype of what it means to be “outdoorsy.” Nomads, entrepreneurs, mothers, activists and artists all share space in these pages. Tucked between their anecdotes are tips on skills from solo hiking to how to stay creatively inspired. Unlike outdoor narratives that focus on elite extremes, She Explores feels accessible, inspiring and affirming that the outdoors is for all. You’ll find yourself wanting to connect with these women and write your own story, too.

Expeditions Unpacked by Ed Stafford
Spend too long with a group of outdoor nuts, and talk will inevitably turn to gear. You’ll watch a dreamy look come into someone’s eyes as they wax poetic about the weight of their favorite tent. British explorer Ed Stafford’s fascinating Expeditions Unpacked details the stories of 25 adventurers and their famed expeditions by analyzing their gear. Poring over beautiful flat-lay illustrations for each expedition, armchair travelers can compare the kits of pioneers like Roald Amundsen, Amelia Earhart and Thor Heyerdahl, as well as lesser-known adventurers like Clärenore Stinnes, the first woman to circumnavigate the world by car. In each chapter, Stafford examines how the chosen gear impacted the expedition. The minutiae of the selections reveals not only the hazards of their journeys but also the explorers’ personalities, as with Percy Fawcett’s accordion in the Amazon and contemporary balloonist Fedor Konyukhov’s religious icons. Curious outdoor lovers of any stripe will find something to inspire them here.

An American Sunrise by Joy Harjo
U.S. Poet Laureate Joy Harjo’s An American Sunrise is an important companion for the thoughtful hiker ready to wrestle with complex questions of land ownership and stewardship. Harjo, the first Native American laureate, synthesizes history, memory and contemporary issues in her collection of poetry that laments the treatment of Native peoples and sings tribute to her Muscogee Creek heritage and ancestors. The legacy of the Trail of Tears and its echoes in today’s political landscape weave together with her personal experiences, benedictions and exhortations for us to care for the earth—and to listen. Leave the other books on your nightstand; this one is slim but powerful, with plenty of complexity to unravel as it keeps you company on a solo trail. It deserves to be appreciated in the wild spaces that Harjo celebrates: “for even the land is a singer, a lover of poetry.”

Find your way home with these special books.
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From fashion to flowers to foodie comforts, this month's best lifestyles books are here to inform, delight and soothe.

★ Mend!

I am not a big sewer (OK, I am not a sewer at all), but I can’t stop poring over Kate Sekules’ Mend! A Refashioning Manual and Manifesto. A seasoned travel editor and writer, Sekules brings a refreshingly fierce voice to an assemblage of topics: the wastefulness and exploitative practices of the fashion industry, the sustainability of slow fashion, the history of clothing, stars of the mending scene and more. Visible mending, or VM, is her chief cause. “To stitch or sport a VM is to declare independence from consumer culture with a beautiful scar and badge of honor,” she writes. A prim sewing guide this is not, and I am here for it. If you want sewing basics, Sekules does offer them, but along the way she will school you on where fashion has been and where it’s going (to the grave?).

Floriography

For some time now I have been a big admirer of Jessica Roux’s illustrations, which feel rooted in a time that’s decidedly not the present. So I was thrilled to discover her new book, Floriography, an A to Z of flowers and the meanings they were given by flower-mad Victorians. Back then, people weren’t so quick to emote socially; rather, they let petals do the talking for them. Roux provides a brief but fascinating history of this coded discourse and then shows us the flowers, in her distinct style, from amaryllis (pride) to zinnia (everlasting friendship). A final section illustrates bouquets—for new beginnings, bitter ends, warnings and more—and an index lists the flowers by meaning.

The Art of Cake

Alice Oehr’s The Art of Cake is not a cake cookbook—just a whimsically illustrated book about cake, with precise physical descriptions of and historical and cultural context for 50 cakes, such as Pavlova, linzertorte, charlotte and pound cake. “I am not a professional baker by any stretch of the imagination,” Oehr writes in a note about the final section of the book, in which she provides recipes (the only ones in the book) for six cakes. I’m intrigued by Oehr’s inclusion of banoffee pie, a dessert that she describes as “pie” twice in addition to its name. But particularly in these times, such quibbles are minor, and we could all use a bit more cake.

From fashion to flowers to foodie comforts, this month's best lifestyles books are here to inform, delight and soothe.

★ Mend!

I am not a big sewer (OK, I am not a sewer at all), but I can’t stop poring over Kate Sekules’ Mend! A Refashioning…

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Four fresh art and design books inspire, enlighten and cultivate creativity. Perfect for accomplished artists, occasional dabblers or anyone in search of a new hobby, these terrific titles provide instant inspiration.

The 99% Invisible City

Roman Mars and Kurt Kohlstedt are the dynamic duo behind the architecture and design podcast “99% Invisible,” and their intriguing book, The 99% Invisible City: A Field Guide to the Hidden World of Everyday Design, draws upon the podcast’s concepts by picking out smartly conceived, frequently overlooked components of the urban landscape and explaining how they contribute to a thriving civic environment.

From traffic lights, public signage and historical plaques to manhole covers and city monuments, the book examines design elements big and small, revealing the ways in which they bring clarity to the chaos of modern life. The volume is organized into brief, easy-to-process sections, and it touches down in boroughs around the globe. Filled with nifty line illustrations in bold black and white, this eye-opening book will give readers a fresh appreciation for the beauty and functionality that are inherent—but not immediately apparent—in the urban world.

Open StudioOpen Studio

Open Studio: Do-It-Yourself Art Projects by Contemporary Artists gives readers the chance to craft along with major makers. The authors, curator Sharon Coplan Hurowitz and journalist-filmmaker Amanda Benchley, recruited a group of A-list participants for the volume (Marina Abramovic, William Wegman, Maya Lin—the list goes on), which is packed with brilliant photography, including candid shots of the artists at work.

The book’s 17 wide-ranging projects offer something for everyone. Sculptor Rachel Feinstein’s “Rococo Hut” is a small-scale architectural wonder that you can recreate with cutouts, while multimedia artist Wangechi Mutu’s “Earth Androids,” composed of paper pulp, soil, ink and paint, are simply out of this world. Painter Will Cotton’s foil-paper “The Royal Crown of Candyland” will bring out the kid in any crafter. The step-by-step instructions and how-to photos that accompany each project make staying on track a snap. Open Studio shows that getting creative is easy—especially when you can take cues from world-class artists.

Life in the StudioLife in the Studio

Stimulation, motivation and encouragement—that’s what artistic minds will find in Life in the Studio: Inspiration and Lessons on Creativity, Frances Palmer’s guide to starting—and maintaining—a creative practice. In this beautifully photographed book, Palmer, a celebrated ceramics artist, art historian and successful businesswoman, delivers big-picture advice without neglecting the small details. She shares tips on how to establish a creative routine, identify sources of inspiration and stay engaged. She also provides guidance on hands-on matters such as setting up a studio, with an overview of must-have tools and more.

Throughout the volume, Palmer reflects on how her skills and methods have evolved over her 30-year career. Through pottery projects, flower-arranging tutorials and recipes, she proves that creativity can manifest itself in unexpected ways. Both the seasoned artist and the beginner will be enriched by this stunning guide.

Truth BombTruth Bomb

Abigail Crompton’s Truth Bomb: Inspiration From the Mouths and Minds of Women Artists is as provocative as the title suggests. With a design that combines audacious colors and not-to-be-ignored graphics, the volume spotlights 22 prominent female artists—women from diverse backgrounds working in a wide range of media, including photography, video, painting and performance art.

Crompton, an artist and design-studio entrepreneur, assembled a stellar lineup for the book: Judy Chicago, Mickalene Thomas, Miranda July, Yayoi Kusama and the Guerrilla Girls are among the featured makers. She provides profiles of each, delving into their creative processes and techniques. Along the way, these extraordinary women share bits of hard-won wisdom, words of encouragement and practical advice. The book is also filled with beautifully reproduced examples of their work. Truth Bomb is an invaluable resource for anyone with creative inclinations. From start to finish, it’s a spirited homage to the artistic life.

Four fresh art and design books inspire, enlighten and cultivate creativity.
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The Caldecott has been the Emmy of children's book illustrating since 1938, recognizing the year's most artistic and innovative picture book. Where do artists get their ideas? How do they translate these ideas into actual books? What changes do the original story and art undergo? How do illustrators feel when they hear they've won the big prize?

A Caldecott Celebration lets readers step into the studios of Robert McCloskey (Make Way for Ducklings), Marcia Brown (Cinderella), Maurice Sendak (Where the Wild Things Are), William Steig (Sylvester and the Magic Pebble), Chris Van Allsburg (Jumanji), and David Wiesner (Tuesday). Adding historical overview to the individual profiles, historian Leonard Marcus selected artists who represent different decades, starting with McCloskey in the 1940s to Wiesner in the 1990s. The volume also includes a complete list of Caldecott winners as well as a glossary explaining a few technical terms.

Art is the major focus here, including photos of each author and their dummies, preliminary sketches, and finished artwork. The transformations that take place between concept and final book are intriguing. For example, Where the Wild Things Are began as an odd, narrow little book shaped like a ruler, entitled Where the Wild Horses Are. At one point, Sendak wrote in his notebook, "ABANDON!!!! dreadful story!!" Thankfully, he didn't heed his own advice. He decided he didn't draw horses well, however, and enjoyed letting his imagination run free with Wild Things.

Marcus's short but wide-ranging discussion of each artist will appeal to both older school-age children as well as adults. Who couldn't help but be charmed to hear that for Make Way for Ducklings, McCloskey consulted with duck experts, studied duck specimens, and brought 16 ducks home for up-close study? (My friend, Elizabeth Orton Jones, the Caldecott winner for 1945, confirmed this.) And who would guess that the members of McCloskey's beloved Mallard family were not originally called Jack, Kack, Lack, Mack, Nack, Ouack, Pack, and Quack? Instead, they started out as Mary, Martha, Phillys, Theodore, Beatrice, Alice, George, and John. Would that family of ducks have won the Caldecott? Maybe not.

My only gripe about this lovely little book is that it isn't longer!

The Caldecott has been the Emmy of children's book illustrating since 1938, recognizing the year's most artistic and innovative picture book. Where do artists get their ideas? How do they translate these ideas into actual books? What changes do the original story and art undergo?…

Art can redeem suffering, but it can also reveal brutalities that degrade the human spirit. Art can capture the hopelessness of individuals hemmed in by fences not of their own making, even as it portrays the hopefulness of scaling those barriers and strolling in the expansive paths beyond. In Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South, Winfred Rembert recounts to co-author Erin I. Kelly his own gripping, often harrowing stories of growing up in Cuthbert, Georgia, and of turning to painting to represent the atrocities and celebrations of his life.

Rembert opens his memoir by recalling the journey to find his birth mother, who gave him away as a baby. He stole away from Cuthbert and walked up the railroad tracks 40 miles to Leslie, Georgia, where he found his mother but discovered she was none too happy to see him. Back in Cuthbert, Rembert celebrates the bustling juke joints and stores on Hamilton Avenue, depicting flourishing scenes of Black men and women going about their daily lives.

Life turned bleak when Rembert was arrested while fleeing a civil rights demonstration in 1965. He was brutalized and nearly lynched by law enforcement officers and a gang of white men. Eventually Rembert was sent to a chain gang, which he describes as being “like slavery. You have to meet all those demands and keep a sense of yourself as well.” In a stroke of good fortune, Rembert met a young woman named Patsy, whom he eventually married when he was released from prison.

While imprisoned, Rembert developed his artistic skills, and he continued to carve and paint on leather until his death in 2021. His art, which is reproduced throughout the book, depicts the people of Cuthbert, his family and his time on the chain gang. “With my paintings I tried to make a bad situation look good,” Rembert writes. “You can’t make the chain gang look good in any way besides by painting it in art.”

Chasing Me to My Grave is a testament to the ways one man used his art to educate, delight and depict the trauma that arises out of memory.

Winfred Rembert recounts gripping, often harrowing stories of growing up in Georgia, surviving a lynching and discovering art while imprisoned in a chain gang.
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“I had a happy childhood, and my parents were junkies,” writes Lilly Dancyger. “Both of these things are true.” Her father, Joe Schactman, was not a famous artist, but he was prolific and left deep impressions on those who knew him. His sudden death when Dancyger was 12 threw her into a tailspin but also cemented Schactman as an artistic idol in her mind.

In her memoir, Negative Space, Dancyger carries us back to New York City’s gritty East Village in the 1980s as she investigates Schactman’s tumultuous life. She pages through her father’s old notebooks that she saved after his death. She studies his often strange artwork (depicted throughout the book) made from found objects and roadkill. And she interviews Schactman’s friends, colleagues and even her own mother to learn how and why he descended into heroin addiction.

Dancyger’s struggle to escape the need to prove herself to everyone, including her dead father, is moving. Mourning is not linear, and she skillfully shows how grief mutates during different stages of life. The phantasm of closure stalks all of us who have experienced loss, as both Dancyger’s writing and Schactman’s artwork make clear.

The strongest portions of Negative Space explore Dancyger’s experience as the child of addicts. She largely parented herself, and when she builds a more stable adulthood than the one modeled by her parents, it’s a hard-won victory. Other children of addicts who experienced difficult transitions into adulthood will find much to relate to here.

To this end, Dancyger’s bravery in the face of negative revelations about her dad is admirable. She wants the whole truth, no matter how painful it is to reopen these wounds. Dancyger knew little about Schactman’s addiction when she was young, and she knew nothing about his sometimes abusive relationships with women. But in Negative Space, Dancyger allows her father to be an imperfect and much loved person—her idol still, but a troubled and complicated one.

Lilly Dancyger sets out to uncover the whole truth about her late father’s art, relationships and addiction, no matter how painful.

In The Woman Who Stole Vermeer: The True Story of Rose Dugdale and the Russborough House Art Heist, Anthony M. Amore expertly combines extraordinary history with gripping true crime. Amore, author of The Art of the Con and director of security at the Isabella Stewart Gardner Museum in Boston, is an authority on art crimes and homeland security. His new book recounts the life of heiress Rose Dugdale, one of few women in the world to pull off a great art heist. The book starts with her privileged beginnings in England and college years at Oxford studying philosophy and economics, and progresses through her radical transformation into an incredible art thief.

Rich in tantalizing details, The Woman Who Stole Vermeer is filled with personal anecdotes from those who knew Dugdale the best— old college friends, colleagues and political compatriots who all remember her as wholly original and completely fearless. Several dramatic events in Dugdale’s life led her to follow revolutionary politics, but none affected her more than Bloody Sunday in 1972, when British soldiers killed more than two dozen demonstrators at a protest march in Northern Ireland. From then on, she became dedicated to ending British imperialism and helping the Irish Liberation Army.

The reasons for Dugdale’s prolific art heists were complicated and surprising, but they were never selfish. In 1973, to help fund her political causes, Dugdale stole valuable artwork from her family’s estate. As her crimes escalated, she stole a helicopter and attempted to bomb a police station. In 1974, along with three other people, she entered Ireland’s Russborough House, which was then the home of a British Member of Parliament, and stole 19 priceless paintings, including Johannes Vermeer’s “The Lady Writing a Letter With Her Maid.” In striking detail, Amore describes how Dugdale was identified as the one who orchestrated the heist. Her subsequent arrest, theatrical trial and most dramatic crimes are also vividly explained. This exciting biography of a singular woman is for anyone who loves true crime, art, politics and history.

In The Woman Who Stole Vermeer: The True Story of Rose Dugdale and the Russborough House Art Heist, Anthony M. Amore expertly combines extraordinary history with gripping true crime. Amore, author of The Art of the Con and director of security at the Isabella Stewart…

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In 2014, award-winning essayist William Deresiewicz roiled the placid ponds of academia with his controversial attack on American elite education in his book Excellent Sheep. Prepare yourself, because he’s back. His wide-ranging, vividly written new book focuses on how big tech and big money—the new economy—are devastating artists and the arts.

In The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech, one of Deresiewicz’s key points—and the object of much of his diatribe—is that it isn’t necessarily a good thing that the internet allows unmediated access to audiences and artists. Sure, there are benefits, but it also “starves professional production [and] fosters the amateur kind.” Big tech has also convinced us that we can all be artists and has given us the tools (but not the talent) to believe it, with questionable results. He writes, “Have you seen your cousin’s improv troupe? Is that the only kind of art you want to have available, not only for the rest of your life but for the rest of the foreseeable future?”

William Deresiewicz’s wide-ranging, vividly written new book focuses on how big tech and big money—the new economy—are devastating artists and the arts.

How and why we may be on the verge of this eventuality—in music, writing, visual arts, film and television—is the thrust of his inquiry. In his research, Deresiewicz interviews roughly 140 artists, most of whom we might call midlevel, midcareer artists, who make up the broad ecosystem from which great work arises, and the very people likely to disappear in a new economy that favors the few. “Bestselling books have gotten bestier; blockbuster movies have gotten bustier,” Deresiewicz pointedly observes.

In the end, he argues that a new economic paradigm has arisen, and artists must respond to it. Some of his recommendations are oddly old school. For one, artists who are now asked to work for free to build an online audience, a following, must demand to be paid. “I cannot think of another field in which people feel guilty about being paid for their work—and even guiltier for wanting to be paid,” he writes. “Arts and artists must be in the market but not of it,” which is of course easier said than done these days.

But Deresiewicz’s most profound recommendations—a breakup of tech monopolies and the end to extreme inequality—are revolutionary and perhaps impossible to achieve. So there is much to think about and even more to argue with in The Death of the Artist. And that is its point.

In 2014, award-winning essayist William Deresiewicz roiled the placid ponds of academia with his controversial attack on American elite education in his book Excellent Sheep. Prepare yourself, because he’s back. His wide-ranging, vividly written new book focuses on how big tech and big money—the new…

In the middle of this book, I received an exasperated text from a friend. A male acquaintance, she said, had posted a comment under a picture on her social media in which he remarked that she looked “so much slimmer!” The post was about her Ph.D. work. “Isn’t it wonderful that we’re all just here to be commented on by men?” she said. “He has probably never been confronted with the idea that his opinion might not be inherently valuable.”

Indeed, this seems like a stunt that would earn the offender his own shining ribbon from Shelby Lorman in her new book. Funny, intelligent, weary and based on her popular Instagram account, Awards for Good Boys takes a critical look at the men whose actual treatment of women doesn’t quite jibe with the feminist politics they parrot. That male acquaintance that knows all the #MeToo jargon but feels entitled to a little something “more” after buying you a drink? He’s a Good Boy. The ex who texts you “just to check in” after you told him you needed space? Another Good Boy. The guy you’ve been seeing who insists that labeling human relationships is somehow ethically and morally wrong? A Good Boy several times over.

Though full of the cartoons that populate Lorman’s Instagram, the book resists simply being a pithy ode to the many potholes that exist in the female experience. Lorman writes sensitively about the behaviors that these acts of marginalization often prompt in women, conditioned as we are to make ourselves small. It can get a little uncomfortable when she describes back to you the many ways you’ve taken up the emotional labor for men, but she does so while speaking in the tones of your most sympathetic, self-aware friend. Drawing it all together at the end is an emotionally intelligent and compassionate conclusion to an argument you didn’t even realize that you were reading. The gift of Awards for Good Boys lies in the way it lightly bops you on the head with the clarity you need to see through the madness disguising itself as acceptable.

Funny, intelligent, weary and based on her popular Instagram account, Awards for Good Boys takes a critical look at the men whose actual treatment of women doesn’t quite jibe with the feminist politics they parrot.
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Imagine reading an issue of BookPage—in fact, reading all the books reviewed—in a volume the size of a matchbox. Then imagine reading even tinier illustrated books—not just the best-known poems of Shakespeare, but his entire folio. Now imagine reading something so small that it requires a microscope.

Simon Garfield, whose previous book explored the creation and variety of movable type fonts, turns his relaxed, fireside-chatty tone (and a sprinkling of puns) to the human fascination with not size, but scale. In Miniature: How Small Things Illuminate the World is a charming collage of historical vignettes and commentary, wandering from tiny volumes and flea circuses to miniature railroads, both the hugely commercial layouts and the private escapes of such enthusiasts as Rod Stewart, Neil Young and Roger Daltrey (rock stars and railroading—who knew?).

Model villages—and the single-minded artists who created them—are monuments to imagination (Chinese human hair is used for roof thatching) and sheer doggedness (a one-inch clematis vine features 201 minuscule leaves). A photo of then-Princess Elizabeth towering over her future domain at Bekonscot Model Village is oddly gripping—her face is presciently grave, as war has not come to either Bekonscot or Britain.

Garfield has a particular fascination with the Eiffel Tower, which appears throughout the book in various forms and sizes, from a man-size toothpick model and the half-sized tower in Las Vegas to the merely 76-foot version in Walt Disney World, plus dozens of others around the globe. They are designed to, as Garfield puts it, “shrink the world.” But while the 1889 view from nearly 1,000 feet up gave some visitors an almost celestial vision of the city of boulevards and cathedrals, others found their own “shrinking” somewhat disorienting. Art critic Robert Hughes compared the experience to the first view of Earth from the moon, but do we become greater or tinier? Is that an issue of size, or of scale?

And is there a reason why the pharaohs of ancient Egypt buried hundreds of miniature statuettes in their tombs to serve them in the afterlife, while the Emperor Qin had more than 8,000 life-size warriors and cavalry buried in his? Conviction or mere convenience? Weigh that on your philosophical scale.

Simon Garfield, whose previous book explored the creation and variety of movable type fonts, turns his relaxed, fireside-chatty tone (and a sprinkling of puns) to the human fascination with not size, but scale. In Miniature: How Small Things Illuminate the World is a charming collage of historical vignettes and commentary, wandering from tiny volumes and flea circuses to miniature railroads, both the hugely commercial layouts and the private escapes of such enthusiasts as Rod Stewart, Neil Young and Roger Daltrey (rock stars and railroading—who knew?).

Welcome to Memphis, Tennessee. It’s a city known for its music and the soulful sounds that came from Sun and Stax Records. But it’s not an industry town, nor is it part of the music factory in the way of New York, Los Angeles and even its neighbor to the east, Nashville. Memphis is a city that has lived its blues.

Longtime music journalist Robert Gordon shares the city’s tales in Memphis Rent Party, a collection of his past work. Though much of this material is previously published, each piece is injected with new life by Gordon’s introductions, in which he offers a reflection on the essay’s inception.

Gordon isn’t afraid to reveal some of the complicated workings behind the curtain. The rent parties of the book’s title were affairs during which a host would push their furniture aside, crank up some music, and partygoers would contribute some cash to help the host make rent. Gordon was close enough to the Memphis music scene to find his way to some of these gatherings when he was younger, but there was sometimes a divide. In an essay about Junior Kimbrough, Gordon writes, “I captured the good times, but there was another side. At Junior’s, we all escaped into the blues, but our escapes were not the same. At day’s end, I would go home to my comfy bed in an insulated house, romanticizing the missed opportunities of fruit beer. And Junior and all his friends would go home to shacks where the wind blows through.”

The collection is loosely autobiographical, as Gordon appears as a character in many of these portraits. He’s a man who was raised by the city, who discovered within its boundaries the music that would drive his life forward. Readers may find hope and inspiration, just as Gordon did, in the drive and passion of these musicians.

Welcome to Memphis, Tennessee. It’s a city known for its music and the soulful sounds that came from Sun and Stax Records. But it’s not an industry town, nor is it part of the music factory in the way of New York, Los Angeles and even its neighbor to the east, Nashville. Memphis is a city that has lived its blues.

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