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Aside from "holocaust," there is no uglier term to the Jewish people than "blood libel," the historical canard that Jews murdered Christian children in order to use their blood for ritualistic purposes. Throughout the ages, anti-Semites have leveled such accusations to justify their evil behavior.

Helmut Walser Smith examines one of the most contentious examples of this ugly phenomenon in <B>The Butcher’s Tale: Murder and Anti-Semitism in a German Town</B>.

The case in question involves the murder and mutilation of an 18-year-old boy in the town of Konitz, Germany, at the turn of the century. The boy’s body was found, in several pieces, by a nearby river. (A warning to readers: Smith is extremely graphic in his depictions of the crime.) Because the remains were devoid of blood (religious laws dictate that all blood must be drained in order for meat to be considered kosher), the townspeople resurrected "blood libel" as the explanation and looked for someone who had the knowledge to perpetrate such a heinous crime. Suspicion fell on Adolph Lewy, a Jewish butcher. As the investigation into the young man’s death progressed, more and more people came forth to offer "testimony," or more accurately, their own hare-brained notions of what happened and how. Anti-Semitic journalists arrived to cover the various hearings and trials, fanning the flames of unrest.

The author, an associate professor of history at Vanderbilt University, offers a brief explanation of the "blood libel" concept and the tragic consequences it often held for the Jews of Europe. He portrays the townspeople of Konitz who offered statements against Lewy as being of such low quality (drunkards or "mental defectives") that it’s amazing anyone in a position of authority could take their testimony seriously. Smith does a fascinating job of trying to prove Levy’s innocence and identify a likely culprit. His book may make readers uncomfortable. If so, it has served a valuable purpose.

<I>Ron Kaplan writes from Montclair, New Jersey</I>.

Aside from "holocaust," there is no uglier term to the Jewish people than "blood libel," the historical canard that Jews murdered Christian children in order to use their blood for ritualistic purposes. Throughout the ages, anti-Semites have leveled such accusations to justify their evil behavior.

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She has, quite possibly, the most famous face in the entire world. Just as beguiling as Mona Lisa’s smile, however, is her long and captivating history. Particularly notable is the two-year period when one of the world’s most valuable paintings . . . just disappeared. R.A. Scotti explores this fascinating incident in Vanished Smile: The Mysterious Theft of Mona Lisa, an engaging nonfiction study that’s as full of twists, turns and suspense as any mystery novel.

Anyone who’s seen the painting behind bulletproof glass in its high-security room at the Louvre would be surprised at how lax the Paris museum’s security was in August 1911, when the painting seemed to simply vanish into thin air. When the theft was uncovered, however, virtually all of Paris was paralyzed; the museum shut down for a week so that police could mount a full investigation, and every newspaper was full of speculation on the painting’s whereabouts. Everyone was under suspicion, from the museum’s staff to the young upstart painter Pablo Picasso and his anti-establishment circle of friends.

Despite the sensational nature of the crime, Scotti’s exploration of the theft of the painting would be fairly humdrum if it merely recounted events—especially since the details of the thief’s means and motives are still not fully understood today. Scotti skillfully heightens the suspense by frequently personifying the painting, almost as if it were a real kidnap victim or runaway: “Mona Lisa had been spotted crossing the border . . . and slinking out of France.”

This approach will delight mystery lovers; of more interest to art history buffs, however, is the way Scotti positions the painting’s disappearance at the crossroads of tradition and modernity. The Parisian police force uses cutting-edge forensic science to find clues; the public’s fascination with the missing lady (even paying to stare at the empty hooks where she once hung) foreshadows the irreverence and self-commentary of modern art; the reproduction of the lady on countless souvenirs previews later 20th-century mass production of cultural artifacts. Placed in these contexts, the theft of the world’s most beloved painting makes the Mona Lisa’s story even more significant—and her smile even more alluring.

Norah Piehl is a writer and editor who lives near Boston.

She has, quite possibly, the most famous face in the entire world. Just as beguiling as Mona Lisa’s smile, however, is her long and captivating history. Particularly notable is the two-year period when one of the world’s most valuable paintings . . . just disappeared.…

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It can be fairly argued that only three rock icons from the hippy-dippy ’60s have really endured: Bob Dylan, The Rolling Stones and Neil Young, who is the subject of the massive, keenly detailed and anecdote-laden authorized biography Shakey.

With style and intelligence, veteran music journalist Jimmy McDonough tells the amazing tale of Young’s emergence from the Canadian folkie scene into the wild post-Beatles, pre-psychedelic mayhem of mid-1960s L.A., where he first made his mark as a member of the legendary (and legendarily dysfunctional) pop-rock group Buffalo Springfield. Hailed as a songwriter of genius, Young struggled a bit thereafter, mostly in the face of criticism of his reedy, strangely iconoclastic vocal stylings. Yet a string of groundbreaking solo albums Everybody Knows This Is Nowhere, After the Gold Rush, Harvest were followed by a highly publicized stint as a member of the acclaimed Crosby Stills Nash and Young, and superstardom was his, with all the attendant professional madness and personal heartache. While most of Young’s contemporaries dropped off the industry road map due to natural attrition, he continued to produce music through the ’70s, ’80s and ’90s, building new audiences and maintaining a touring presence while also retooling his act through seemingly unlikely alliances with bands such as Devo and Pearl Jam.

McDonough’s analysis of Young’s musical vision and brilliance is matched with fascinating insights into the life of a man who has certainly experienced his share of physical and psychic pain his parents’ early breakup, childhood polio, extended bouts with epilepsy, failed relationships and marriages (including his very public liaison with actress Carrie Snodgrass), the premature deaths of musical friends from drug overdoses, and the birth of a son with cerebral palsy.

On the surface, Young has always been perceived as a somewhat frail, introspective and private individual. Yet, if nothing else, McDonough’s exhaustive, eminently readable account serves as testament to one man’s abilities to survive the dog-eat-dog music business and triumph through his art.

It can be fairly argued that only three rock icons from the hippy-dippy '60s have really endured: Bob Dylan, The Rolling Stones and Neil Young, who is the subject of the massive, keenly detailed and anecdote-laden authorized biography Shakey.

With style and…
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Reza War + Peace: a Photographer's Journey is a look at the human impact of war through the eyes of the renowned photojournalist Reza Deghati, known by his first name. This book is a three – decade retrospective of his war photography for National Geographic, Time and Newsweek, in locations around the world. Reza captures the ravages of war in Iran, Afghanistan, Pakistan, Bosnia, Rwanda, Cambodia and other countries. The images sometimes are of the frontline soldiers in battle, but just as often, they are pictures of the citizens who are affected by the war. There are images of violence and death, but there are also photos of courage and strength, as ordinary people struggle to make a better life amid the surrounding tumult. As a result, Reza War + Peace presents a message of both sorrow and hope.

In stark contrast to this worldview is The Oxford Project, which focuses on the roughly 700 residents of Oxford, a peaceful, rural community in eastern Iowa. A young photographer named Peter Feldstein came to Oxford in 1984 after landing a teaching job at the nearby University of Iowa. He soon set out on an ambitious project: to photograph every resident in town. His studio portraits of the modest townsfolk were displayed in galleries and exhibitions, then filed away until 2005, when Feldstein decided to return to Oxford to photograph his subjects again.

The resulting images are a fascinating look at how people age and develop, a kind of real – life "before" and "after" experiment. What makes The Oxford Project more interesting is that Feldstein brings along writer Stephen G. Bloom to interview and write about the subjects to see how their lives have changed over the 21 years between the shots. This informal sociological study works largely because most of the residents of Oxford chose to stay there, making it an intriguing look at small – town America.

The best picture show

Give Encyclopedia Britannica and Getty Images credit for ambition in the publication of History of the World in Photographs: 1850 to the Present Day. This thick edition is a comprehensive look at the development of photography, from the grainy sepia portraits of the late 19th century to the colorful, high – resolution digital images of the early 21st century. The book presents a year – by – year exploration of the most important photos in history, including images of the Civil War, World War II, Tiananmen Square and 9/11. It also includes a DVD with 20,000 additional photos. This volume is a must for any serious photography buff.

This book is something to see

Visions of Paradise is a compilation of some of the best images found in National Geographic, chosen by its award – winning photographers. Each photographer was asked: "Where – or what – is heaven on Earth?" The answers were as varied as the parts of the world where the pictures were snapped. Chris Johns' image of paradise is four bushmen walking in the arid desert of Namibia. O. Louis Mazzatenta's picture is of a lone white wolf crossing the Arctic tundra. Robert Clark's definition of paradise is an early – morning shot of a worker checking the rails of the wooden roller coaster at King's Island in Ohio. These and hundreds of other photographs transport readers to some of the most beautiful places around the globe.

Reza War + Peace: a Photographer's Journey is a look at the human impact of war through the eyes of the renowned photojournalist Reza Deghati, known by his first name. This book is a three - decade retrospective of his war photography for National Geographic,…

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Does the thought of Christmas shopping get you down? Put yourself at the top of the list and pick up a copy of Rick Warren's The Purpose of Christmas. Warren, the founder of the mega Saddleback Church and author of The Purpose – Driven Life, is all for celebrating the holiday. In fact, he's been having a birthday party for Jesus on Christmas Eve since before he was three; five decades later, it's a family tradition. But he sees the purpose of Christmas lost in the frenzy surrounding this holiday. Warren aims his book at both new believers and those who have just gotten distracted by life: "Because of today's pace of life, we quickly forget all the good things God does for us, and we move on to the next challenge." The short chapters are ideal for reading in those unanticipated free moments, and the book is prettily illustrated. The closing section is about peace and reconciliation, giving readers a helpful boost into the New Year.

Pictures worth 1,000 words

Those longing to visit the Holy Land have two new books to pore over this holiday. Reflections of God's Holy Land is by Christian writer Eva Marie Everson and Miriam Feinberg Vamosh, a tour educator specializing in Christian pilgrimages to the Holy Land. The women traveled together, although Vamosh, being Jewish, could not enter some sites. Each section covers an area of Israel and, in addition to the narrative, usually written by Everson, includes Scriptures, rabbinic quotations from various sources and wonderful photographs. It's an excellent armchair book, filled with history, beauty and Everson's joy at finally fulfilling her goal of seeing Israel.

In the Footsteps of Abraham: The Holy Land in Hand – Painted Photographs covers much of the same ground, quite literally, but it's an altogether different kind of book. The photographs, of Christians, Jews and Muslims and their homes and villages, were commissioned in the 1920s by Ari Speelman, a devout Dutch Christian. All of them have been hand – colored, which sometimes involved painting with a single human hair. There are excellent short essays providing information about the photographs, Speelman and the collection, and brief introductions of each image, but otherwise the story is told entirely by the photographs. And they are grand, full of rich detail and without the spooky aspects that often mar hand – painted photographs.

Monasteries and Monastic Orders: 2000 Years of Christian Art and Culture, a coffee – table book only in the sense that it is far too heavy to hold, is absolutely dazzling. The photographs, by Achim Bednorz, are extensive and accompanied by all manner of other helpful and fascinating illustrations, including maps, building layouts, interiors and images of various kinds of art. Kristina Kruger provides extensive text on the history of monasteries, their influence on the development of Europe and the different orders. This is not a book for everyone, given both the subject and the price, but it could provide the right person with a wonderful reading experience during the coming winter (and do wonders for his or her biceps).

Meeting your maker

God Stories: Inspiring Encounters with the Divine lives up to its title. I found many of these stories, collected by former CNN reporter and producer Jennifer Skiff, encouraging. Skiff, who has her own God story, transcribes the reports she has collected from a website she developed for the purpose; there's no editorializing. Divided into sections like "Listening to the Voice," "Accepting the Warning" and "Coming Back from the Other Side," the stories can seem similar, but can also be surprising and, in one notable case, humorous. It's a good devotional book: short testimonies by all kinds of people with one thing in common.

Return of the prodigal

The authors of two current spiritual memoirs, Anne Rice and Joe Eszterhas, don't have much in common beyond returning to the Roman Catholic Church after years away from it. In Called Out of Darkness, Rice recounts her long struggles with her religion – though in this reviewer's opinion, she never totally left it. Rice bought a former church to live in and surrounded herself with Catholic memorabilia (even her most famous novels, the Vampire Chronicles, seem tied to religion). Though her reasons for going back don't seem as persuasive as her reasons for leaving, this is a fascinating book in its own, very weird way, and Rice fans should enjoy it.

Joe Eszterhas, best known for his screenplays for Basic Instinct and Showgirls, had a serious cancer scare. Afterward, he moved with his wife and four young sons back to their native Ohio and became active in their local parish, only to see the priest they loved and respected caught up in a sexual abuse scandal. But they stay, and Crossbearer tells of Eszterhas' daily struggles to be a good Christian and a good Catholic and still make a living, not such an easy thing, especially in his line of work. He's heroic in an everyday kind of way and his memoir is a celebration of how positive change is possible for those with faith.

Does the thought of Christmas shopping get you down? Put yourself at the top of the list and pick up a copy of Rick Warren's The Purpose of Christmas. Warren, the founder of the mega Saddleback Church and author of The Purpose - Driven Life,…

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At the top of the holiday wish list for many music lovers is With Strings Attached: The Art and Beauty of Vintage Guitars by Jonathan Kellerman. Yes, it’s that Jonathan Kellerman, the best – selling suspense novelist, who also happens to be a foremost guitar collector. Gorgeous multi – view color photos of each of the 120 – plus guitars in Kellerman’s personal collection are the big draw here, but the author also provides marvelous rundowns of how he came to acquire each instrument and what is so special about its design and musical properties. There are acoustics and electrics of various shapes and sizes, brand names like Gibson, Martin, Fender and Rickenbacker, plus particularly rare instruments crafted by independent artisans, including a double – necked 17 – stringer. A foreword by former Police guitarist Andy Summers testifies to the jaw – dropping experience of viewing the Kellerman collection in person.

Roots music

Country star and longtime Grand Ole Opry member Marty Stuart has been hanging with legends since he was a teenager. During that time, Stuart has amassed a considerable collection of music – biz memorabilia, including his own on – the – road photographs and informal portraits, all of which are gathered in Country Music: The Masters. Stuart’s coverage of the greats and near – greats is comprehensive and often very candid, and even his blurred, snapped – on – the run photos have historic value. There are also pictures of elaborate costumes, tour buses, concert posters, song lyrics, instruments, album covers, etc. Perhaps best of all is Stuart’s gallery of gifted but generally little – known country music sidemen, whose talents have infused thousands of important recordings. The book’s cover shot of

Richard Carlin’s Worlds of Sound: The Story of Smithsonian Folkways tells of Folkways Records, which from 1948 to 1986 was the foremost source of seminal U.S. jazz, blues and folk recordings. Pete Seeger, Woody Guthrie, Leadbelly and children’s entertainer Ella Jenkins were the label’s leading artists, but founder Moses Asch and his team of traveling producers also searched the world over to record African, Asian and island music; animals; the sounds of cities and rural areas; poetry and political events. Asch ran things on a shoestring from his Manhattan office, but he provided opportunity and freedom to writers, singers and instrumentalists and developed a treasured catalog, all of which was purchased by the Smithsonian in 1987. This remarkable volume features noteworthy black – and – white and color photos of the artists plus fascinating album – cover reproductions and catalog lists. It also includes a CD sampler of representative Folkways cuts.

A lifetime playlist

With a virtually impossible task before him, music writer Tom Moon set out to select 1,000 Recordings to Hear Before You Die: A Listener’s Life List. This all – styles wander through the greatest recorded music of all time finds Moon doing an honest job of trying to isolate the important artists and their work. His alphabetically arranged text is by artist, by composer (in the case of classical recordings), or by individual album title or song. In order to extend the coverage, Moon offers references to related important artists who don’t get a main entry. Hence, Burl Ives and Charles Ives sit side by side having made the grade, yet Moon can’t muster even a passing reference to the pop group The Four Seasons, whose incredible string of classic ’60s recordings certainly might earn a mention above the work of the Beau Brummels or sultry jazz/pop songstress Julie London. Meanwhile, the Smashing Pumpkins are only a footnote, which just seems wrong given the other contemporary groups who earned main entries. There’s probably too much Bart

Icons remembered

Already the author of a biography of Kurt Cobain – Heavier Than Heaven (2001) – Charles R. Cross now offers the late grunge rocker’s many fans Cobain Unseen, described as “a secret visual history of the things [Cobain] created and collected.” Cross’ text tends mostly to explore the youthful pain, obsessions, emotional difficulties and addictions that plagued Cobain but were also key motivators in the emergence of his powerful rebellious image and musical anthems. The book features many previously unseen Cobain family photographs plus reproductions of personal memorabilia including Cobain’s offbeat artwork, his informal writings and letters, song lyrics, early concert posters and samplings of the eccentric things he deemed collectible. The book includes an audio CD on which Cobain recites spoken-word material along with an interview with Cross about his research experience.

The Elvis Encyclopedia, by Adam Victor, is a valuable one – stop source of all things informational about The King. The A-to-Z reference covers seemingly every person, place and thing that touched Elvis’ eventful life, and it’s nothing if not exhaustive. There’s also a bevy of photos, many printed full-page, of Elvis onstage, in front of the movie camera or hobnobbing with family, friends and fans. Occasional typos creep into the text, yet Victor has certainly cast his net widely in search of rarely seen pictures, and on that nostalgic note alone his is a regal book – fit for a king.

The Complete Quincy Jones: My Journey & Passions is yet another paean of praise to a huge musical figure. This colorful, well – illustrated hagiography is generally chronological, from Jones’ early life in Chicago and Seattle, through his growing career as a horn player for ensembles led by Lionel Hampton and Dizzy Gillespie, to his stint as producer of pop hits like Lesley Gore’s “It’s My Party” plus award-winning albums by Sinatra, Streisand and, of course, Michael Jackson (Thriller). The text also covers Jones’ work as a composer of TV and movie scores, plus his role as the mastermind behind “We Are the World.” Jones’ private life – three marriages, two notable affairs, seven children – is rarely discussed, but there is frank coverage of his life – threatening 1974 brain aneurysm and discussion of his humanitarian work. Big names provide the prefatory essays – Maya Angelou, Clint Eastwood and Bono – and Sidney Poitier’s afterword closes the book.

Hear my words

Paul Simon is one of America’s great popular songwriters of the past half century, and Lyrics 1964 – 2008 pays tribute by comprehensively collecting his songs, from the early days of Simon & Garfunkel (“The Sound of Silence”) through his solo period (“Kodachrome”) and on to his later ethnic experimentations (“Diamonds on the Soles of Her Shoes”). It’s a treasure trove for Simon’s legion of fans.

Grander still is The Complete Lyrics of Oscar Hammerstein II, a stoutly elegant compilation of 850 of the theatrical master’s song lyrics, arranged chronologically from early efforts and revue contributions through his incredible collaborative output with composers such as Jerome Kern (Show Boat, etc.) and Richard Rodgers (Oklahoma!, etc.). The text offers cast lists for Hammerstein’s many Broadway musicals, along with revealing tidbits about show history, song origins and lyrics that were cut from opening night or went unused altogether. Of equal note are the wonderfully printed production stills from stage and movie versions of the Hammerstein oeuvre, sheet music covers and photos of Hammerstein himself, hanging with family members and his composer buddies.

At the top of the holiday wish list for many music lovers is With Strings Attached: The Art and Beauty of Vintage Guitars by Jonathan Kellerman. Yes, it's that Jonathan Kellerman, the best - selling suspense novelist, who also happens to be a foremost guitar…
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A special holiday gift from a picture-book master, Eric Carle's Dream Snow Pop-up Advent Calendar. In this scene from Carle's bright, colorful world, a tree stands in the snow with presents underneath and Santa nearby – and a field of windows hiding trinkets to be added to the tree. (Meanwhile, the calendar's cover, sleeve and dimensions will likely trigger a visceral reaction in those old enough to remember when music came on vinyl!)

From the heavens

Two chance encounters inspired Chuck Fischer's move away from the holiday themes of his two previous books: a 1960s children's Bible in New York, and a daytrip during a stint at the American Academy in Rome. Fischer's paintings are always gorgeous, but In the Beginning: The Art of Genesis, features especially outstanding works, inspired by and based on religious masterpieces (all of which are listed on a pullout at the end of the book). Working again with paper engineer Bruce Foster, Fischer includes a stunning mosaic – like spread recounting the saga of Adam and Eve, a monumental Tower of Babel and a Tiffany-esque depiction of Jacob's Ladder. Text by Curtis Flowers retells the stories and discusses symbolism in the images, making ample use of mini books and pullouts.

Cosmic: The Ultimate 3-D Guide to the Universe starts with a bang – a pop-up of the Big Bang, complete with sound. From there, it's off on a journey through planets, asteroids and other space – bound objects, including the Hubble Telescope and the Space Shuttle. As spectacular as paper engineer Richard Ferguson's pop – ups of the planets and the Apollo 15 lunar lander are – and they really are incredible – author Giles Sparrow's text makes it a great gift for space fans, whether they love pop – ups or not.

You might as well make it a twofer with Moon Landing, by Richard Platt and paper engineer David Hawcock. Published in advance of the 40th anniversary of the Apollo 11 moon landing, the book is also loaded with history on space flight, referencing the people, politics and technology that put men on the Moon. The representations of the spacecraft – a command module and lunar module that dock (!), a super-long Saturn V, a Gemini capsule – are beyond cool. Lucky ones who receive both Moon Landing and Cosmic will end up with two pop-up lunar landers.

Children's tales

Big brother Charlie was able to convince the irascible Lola to try peas and other foods in I Will Never Not Ever Eat a Tomato; now he faces another seemingly impossible task in Lauren Child's made-for-bedtime story Charlie and Lola's I Am Not Sleepy and I Will Not Go to Bed Pop-up!. This year the pops are even better, with twirling pajama-clad dogs, Laura up a tree and milk-sipping tigers. Flaps, dials and oozing toothpaste will help wear out little tykes trying to resist sleep (maybe even Lola).

Robert Sabuda and Matthew Reinhart released the first book in their new Encyclopedia Mythologica series, Fairies and Magical Creatures, this summer. In Brava Strega Nona!, the pop-up wizards interpret Tomie dePaola's Caldecott Honor – winning depiction of a magical grandma as only they can. Spreads of a sea of pasta, a courtyard full of celebrating villagers, and a meal served al fresco under an arbor bring the beloved tale to life.

Nonfiction pops

With Sabuda and Reinhart having left beasts behind, Lucio and Meera Santoro, the husband-and-wife team who soared to great heights in 2007's Journey to the Moon, take on Predators. They start with a gigantic spider, even more menacing rendered in the Santoros' trademarked swing pop-ups; pull out the informative mini-pops if you dare. Much pleasanter – even if the actual animals might be just as dangerous – are the bald eagle rising majestically from a navy-blue background, a scaly crocodile and snow – white (naturally) polar bears. Clever mini flaps advise on distinguishing between crocodiles and alligators (here's an idea: stay away from both); discuss how a species hunts and whether it's endangered and how to tell a leopard by its spots (a tiger by its stripes, etc.)

For the past few years, Robert Crowther has explored various transportation options, Trains in 2006 and Flight the following year. Now he's onto Ships and he starts at the beginning of the story, with Egyptians, Romans and Vikings. Crowther's books pack a lot of information into a deceptively simple, accessible design that combines pulls and flaps with large – and small – scale pops of vessels. He explains everything from propellers to ports, poles to oars, simple sailing craft to complex ocean liners and aircraft carriers.

As easy as . . .

The cover of French designer Marion Bataille's ABC3D alone – a hologram that cycles through the first four letters of the alphabet – is worth the price of admission. Inside is no less enchanting: letters spring, unfold or flip into place as the pages are turned. "C" flips to become "D," conjoined lowercase "i" and "j" share a red spiraled dot, appropriated angled black strokes on vellum change "O" and "P" to their successors, and so on.

David A. Carter's Yellow Square continues his inventive pop – up puzzles. Using his signature palette, he challenges readers to find the graphic element, in this case a yellow square, hidden amid a pull – up "swirligig," net – encased Seuss – like towers, a Mondrian – inspired construction and a jiggly tree.

Do it yourself

If reading the above has left you inspired to try your own pop – ups, you won't find a better resource than The Pocket Paper Engineer, the second work by renowned instructor Carol Barton. The book is a step – by – step guide to 10 projects exploring two essential pop – up elements: platforms and props (spirals, tabs, etc.). Barton's own works are in collections such as the Getty Museum, the Museum of Modern Art and the Victoria & Albert Museum.

A special holiday gift from a picture-book master, Eric Carle's Dream Snow Pop-up Advent Calendar. In this scene from Carle's bright, colorful world, a tree stands in the snow with presents underneath and Santa nearby - and a field of windows hiding trinkets to be…

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Outta the park

The baseball books lead off with Harvey Frommer's timely Remembering Yankee Stadium: An Oral and Narrative History of the House That Ruth Built. Frommer provides a nostalgic, factually keen description of the formidable ball yard through its many baseball seasons, 1923 through 2008 (set to be replaced in 2009 by a new facility). He also interpolates hundreds of quotable quotes from dozens of ballplayers and managers (Yankees and otherwise), front – office executives, broadcasters, newspaper writers, team employees and even garden – variety fans, all of whom share their unique perspectives on the great games they witnessed and the specialness of the Yankee Stadium baseball experience. The photographs are even more gratifying: black – and – white and color stills stirringly evoke the Yankee legacy, from Ruth and Gehrig through Rodriguez and Rivera. The foreword is by longtime stadium PA announcer Bob Sheppard, a legend in his own right, who observed the Bronx Bombers firsthand for some 50 years, through good times and bad.

In a similar vein, but loaded with fan – friendly extras, comes Babe Ruth: Remembering the Bambino in Stories, Photos & Memorabilia. Co – authored by Julia Ruth Stevens (Ruth's adopted daughter) and versatile journalist Bill Gilbert, this volume basically avoids the Bambino's legendary excesses, instead focusing on his humble Baltimore youth, his meteoric rise as home – run king, his iconic Yankee status, his role as baseball ombudsman, his life as a family man, and his eventual decline and widely mourned death. The archival photos, some rarely seen, are fabulous, dramatically capturing Ruth the ballplayer at various career stages but just as often portraying his lovable self with loved ones, friends and fans (especially the kids). The book includes captivating reproductions of Ruth memorabilia, including his birth certificate, player contracts, game tickets and programs, and a signed team photo of the famed 1927 Yankees ballclub.

When World War II broke out, FDR made it a point to keep major league baseball going for morale purposes, never mind the hostilities' eventual impact on the game's talent pool. When Baseball Went to War, edited by Bill Nowlin and Todd Anton, serves as a tribute to those who traded the playing fields of America's pastime for the killing fields of Europe and Asia. The text primarily pulls together individual player profiles – Yogi Berra, Ted Williams, Bob Feller, Warren Spahn, etc. – detailing their war service and pre – and postwar careers. Even more interesting are the stories of lesser – known individuals such as Lou Brissie, who rebounded from war – related injuries to make the grade as a pro. Ancillary essays focus on the home front during wartime, including Merrie A. Fidler's piece on the All – American Girls Base Ball League, which sheds some factual light on an era immortalized in the film A League of Their Own. The book concludes with lists of major –

Pass the ball

Two seasons ago, Tom Callahan's excellent biography Johnny U included an exciting blow – by – blow account of the historic 1958 NFL sudden – death title game between the Baltimore Colts and New York Giants. In The Glory Game: How the 1958 NFL Championship Changed Football Forever, Hall of Famer and former sportscaster Frank Gifford, with an assist from Peter Richmond, attempts the same idea but with an elaborate twist. Gifford, a Giants receiver and running back and member of the '58 squad, uses the game itself more as a jumping – off point to interview surviving members of the two teams and to reminisce about his own career and those of players who have passed on. The narrative toggles between personal reflections and game specifics, and Gifford brings in the memories of reporters, wives and other onlookers to help create a detailed and contextual overview of the contest itself. Recommended for "old school" football fans.

With the advent of the Web has come outr

Pop culture heroes

Devotees of the TV show "How I Met Your Mother" may best appreciate the humor of The Bro Code, compiled by sitcom screenwriter Matt Kuhn under the guise of the character Barney Stinson (as portrayed by actor Neil Patrick Harris). Yet it's definitely funny stuff, with Kuhn laying out all the do's and don'ts of contemporary brotherhood – with much of it having to do with the opposite sex. For example: "A Bro will drop whatever he's doing and rush to help his Bro dump a chick." Or, "A Bro shall never rack jack his wingman." (Translation: Steal a buddy's girl.) Much of this – etiquette on grooming, clothes, sports, channel – surfing, pizza – ordering, drinking and so on – will read like common sense to most regular stand – up guys, but it's codified here with hip style and features some humorous graphics. Bottom line? It's all about supporting one another, however best and most realistically possible. Article #1: "Bros before ho's."

Finally, for that guy who just may not want to grow up, there's The DC Vault: A Museum-in-a-Book Featuring Rare Collectibles from the DC Universe. Author Martin Pasko has fashioned an interesting, nuanced history of the comic – book giant, founded during the Great Depression and the eventual purveyor of beloved American superheroes – Superman, Batman, Wonder Woman, etc. – as well as a long string of Westerns, Army adventures ("Sgt. Rock"), sci – fi tales and pop – culture – inspired ephemera. The main draw in this sturdy, ring – bound showcase are the marvelous photos – of cover art, story pages, early pencil sketches, company correspondence, internal memos, etc. – plus production stills from spinoff movies and TV shows. Hardcore fans will particularly relish the plastic – wrapped inserts containing reproduced memorabilia from the company's long history, including public service comics, promotional items, greetings cards, posters, bookmarks, stickers, etc. Pasko's final chapter tells of DC's corporate repositioning in 1989 as a part of the Warner Bros. movie studio, with a discussion of the marketing and new – media development that has gone on since. Paul Levitz, DC's current president and publisher, provides the foreword.

 

Outta the park

The baseball books lead off with Harvey Frommer's timely Remembering Yankee Stadium: An Oral and Narrative History of the House That Ruth Built. Frommer provides a nostalgic, factually keen description of the formidable ball yard through its many baseball seasons, 1923 through 2008…

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Romances with books can be just as rocky as the human variety. Critic Laura Miller, who writes about literature for publications like Salon and the New York Times, discovered that the hard way. She fell in love with C.S. Lewis’ Narnia as a child—and then felt betrayed and duped when, as a teen, she realized that the stories she adored could be read as Christian allegories. Still, when asked to write about a book that changed her life, she returned to The Lion, the Witch and the Wardrobe—and, to her surprise, discovered that she could still get lost in Lewis’ world.

In The Magician’s Book: A Skeptic’s Adventures in Narnia, Miller delves into Lewis’ biography, the tradition of children’s literature, the power of myth and the history of fairy tales. She also talks to fellow Narnia fans, from personal friends to well-known writers like Neil Gaiman, Susanna Clarke and Jonathan Franzen. The thoughtful, incisive essays explore every aspect of these novels, which, in Miller’s words, “are far larger than they seem from the outside.”

“I can’t read the Chronicles the way I once did, with the same absolute belief,” writes Miller, yet in The Magician’s Book, she vividly portrays that feeling of enchantment. More than a literary critique or an exercise in nostalgia, these essays are a tribute to the power and depth of story and imagination, and to the pure joy of reading. Though the grown critic realizes how the magician does his tricks, something of the childhood magic remains.

Romances with books can be just as rocky as the human variety. Critic Laura Miller, who writes about literature for publications like Salon and the New York Times, discovered that the hard way. She fell in love with C.S. Lewis' Narnia as a child—and then…
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Classics re-imagined

Translator Burton Raffel gives new life to Geoffrey Chaucer's The Canterbury Tales. The epic poem has long been celebrated for its satiric wit and humor; together on a pilgrimage to Canterbury, 30 strangers pass the time by telling two stories apiece.

Raffel is a celebrated scholar whose previous translation of Beowulf has sold more than a million copies. Retaining the joy and irreverent fun of the original, he brings the Canterbury Tales' 14th-century Middle English to the 21st century. While many versions of the poem have existed, this edition is, in the truest sense, unabridged and complete; for the first time, stories such as "Melibe" and "The Parson's Tale" are translated in their entirety. The Canterbury Tales has entertained readers for centuries, and this handsome and beautifully done edition is the perfect gift for someone looking to add the best of the classics to their bookshelves.

Wake Up: A Life of the Buddha by Jack Kerouac is a classic of a different sort. Written in 1955, it's a history of the life of the Buddha, and until now, it has never been released in book form. Raised a Catholic, Kerouac was drawn to the Indian Mahayana Buddhist tradition, a school "sweeter" and less rigorous than Zen Buddhism. Kerouac's novels Mexico City Blues, Tristessa, Visions of Gerard and, most notably, The Dharma Bums, are heavily influenced by Buddhist teaching; Wake Up is the prelude text, the book Kerouac wrote first, the one to influence everything after.

It was while sitting in a California public library that Kerouac initially came across a book of Buddhist and Taoist translations. Reading texts such as the Diamond Sutra and the Lankavatara Scriptures, he was transfixed and changed by the words before him. As Robert Thurman remarks in his introduction to Wake Up, "mercy and compassion were the facets of the wisdom of enlightenment that most spoke to Kerouac's Christo – Buddhist heart."

Classic collections

Though known for his novels 1984 and Animal Farm, George Orwell was also a prolific essayist and literary critic. All Art Is Propaganda: Critical Essays and Facing Unpleasant Facts: Narrative Essays are two new collections – published in tandem – that showcase Orwell's sometimes overlooked talents as a nonfiction writer. Compiled by New Yorker staff writer George Packer, the pieces are "the work Orwell started doing to pay the bills while he wrote fiction," he says, And yet, Packer writes, Orwell's "reviews, sketches, polemics, columns … turned out to be the purest expression of his originality."Born Eric Arthur Blair in 1903 in India, where his father was a British civil servant, Orwell served with the Imperial Police in Burma and fought on the side of the Republicans in the Spanish Civil War. In Facing Unpleasant Facts he tells of tramps ("The Spike"), mad elephants ("Shooting an Elephant") and the cruelties of childhood ("Such, Such Were the Joys"). In All Art Is Propaganda, he takes on the culture at large, reviewing Charlie Chaplin's The Great Dictator and T.S. Eliot's poetry, and providing incisive commentary in pieces such as "Politics and the English Language," "Confessions of a Book Reviewer" and "Reflections on Gandhi."The work assembled in these two collections proves the breadth of Orwell's talent. As Packer states in his introduction, "Orwell shows, again and for the last time, that a great work of art can emerge from the simple act of seeing oneself and the world clearly, honestly, and without fear."

A contemporary of Orwell's, Graham Greene wrote a stream of classic novels, including The Power and the Glory, The End of the Affair and The Quiet American, before his death in 1991. Graham Greene: A Life in Letters is an exhaustive collection of the author's correspondence. Edited by Richard Greene (no relation), it marks the first time such a volume has been put together. Greene once estimated that in the course of a year, he wrote at least 2,000 letters. He corresponded with brothers and sisters, wives and girlfriends, children and grand – children. There are letters here to fans, business associates and literary figures of the day such as Evelyn Waugh, Muriel Spark, V.S. Pritchett and Elizabeth Bowen. Many have only recently been discovered; for years they were hidden, stashed inside the hollow of a book. Comprehensive in scope, the letters are an insightful look at one man's varied – and very well lived – life.

Classic variety

Turn to any page in Once Again to Zelda: The Stories Behind Literature's Most Intriguing Dedications by Marlene Wagman – Geller and there will be a story of romance, passion, drama or inspiration. With an international roster of authors, and a list of titles running from the contemporary to the canonical, Once Again to Zelda (the title is taken from the dedication of F. Scott Fitzgerald's The Great Gatsby) is a delight. Inspiration for the book came by way of Grace Metalious' Peyton Place. When Wagman – Geller read the dedication, "To George, for all of the reasons he knows so well," she had to learn the story behind the story. One juicy detail led to another, and now Wagman – Geller is what she calls a "Dedication Detective."In Once Again to Zelda, she reveals how Ayn Rand's husband shares his Atlas Shrugged dedication with his wife's lover, and explains the moving tale behind John le Carre

1001 Books for Every Mood by Hallie Ephron, Ph.D., is the one guide sure to help a reader navigate the aisles of any bookstore or library. The daughter and sister of screenwriters, Ephron writes detective novels and reviews books for the Boston Globe, and the titles she's chosen are an eclectic mix. There isn't a table of contents but rather a "Table of Moods" with such options as books "to Laugh and Cry at the Same Time," books "to March into Battle," and books "to Bend Your Mind." There's even a category for those readers in the mood "to Join the Circus."In addition to determining a book's status as fictional or true, literary or a page – turner, Ephron includes such important factors as whether a book is brainy, family – friendly, movie – related or, yes, a good read for the bathroom. Ephron provides quick plot summaries for each entry, and with 1,001 options from which to choose, the chances are high of finding the perfect book for that perfect someone.

Classics re-imagined

Translator Burton Raffel gives new life to Geoffrey Chaucer's The Canterbury Tales. The epic poem has long been celebrated for its satiric wit and humor; together on a pilgrimage to Canterbury, 30 strangers pass the time by telling two stories apiece.

Raffel is a celebrated…

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Leading men tell all

There are similarities to the careers and lives of Robert Wagner and Tony Curtis. Both were contract players who went on to 1950s – era stardom and a cool '60s ride. Each reaped the rewards of fame by paling with starry names – and enjoying women galore. After wedding famous actresses, both were in "storybook" marriages breathlessly covered by fan magazines.

That's where the similarities end, as detailed in Wagner's Pieces of My Heart, written with Scott Eyman. This holiday tell-all delivers the goods. Wagner grew up privileged, just off the Bel – Air Country Club golf course, where he caddied for the likes of Clark Gable and Fred Astaire. Just 22 when he began a four – year affair with the much older Barbara Stanwyck (she was 45) he later famously married and divorced and remarried Natalie Wood. Her 1981 death in the waters off Catalina Island continues to haunt him. Yet Wagner, who went on to find fame as a TV stalwart and is now married to Jill St. John, knows he's had an amazing ride.

A star is born

Tony Curtis enjoyed all the amenities a life in the Hollywood spotlight can bring – but you wouldn't know it to read his story, told in American Prince: A Memoir, written with Peter Golenbock. But then, the former Bernie Schwartz had a hardscrabble New York childhood: he's always been quick to use his fists. Curtis came to Hollywood by way of acting school, following a Navy stint. His pretty boy looks were his calling card-and date bait. Opening with a tryst with young Marilyn Monroe, his book does considerable bed – hopping. It was an affair with a 17 -year-old leading lady that put an end to his marriage to popular actress Janet Leigh. (Curtis says Leigh's treatment of him had left him "emotionally vulnerable.") The ugly split may have turned some of Hollywood's powerful figures against Curtis. Or so he believes. He had a string of marriages and saw his career spiral downward, despite starring in bona fide classics, including Some Like It Hot and Sweet Smell of Success.

He left Hollywood when the phone stopped ringing. Now living in Las Vegas, he's been happily married for 10 years (wife Jill has a horse ranch). For the record, he's not on the greatest terms with daughter Jamie Lee Curtis. But he's working on it.

Inside a curious mind

Alfred Hitchcock didn't go for happy endings, but he sure liked blondes. But what was behind the master of suspense's obsession with actresses including Grace Kelly, Ingrid Bergman, Kim Novak, Doris Day, Janet Leigh and Tippi Hedren? In Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies, Donald Spoto offers a compelling psychological examination. As the author of two other Hitchcock tomes, Spoto has the credentials and sources to explore how Hitchcock's psyche impacted his films and their casting. Self – loathing and friendless with unresolved issues toward women, Hitchcock could be a cruel taskmaster. What he did to Hedren (mother of actress Melanie Griffith) during the making of The Birds and especially Marnie, was nothing short of sexual harassment – even physical abuse. (Class act that she is, Hedren eventually made her peace with Hitchcock.) The plot of Vertigo (in which James Stewart "remakes" Kim Novak into his dream woman) played to his habit of making actresses "to his dream ideal of blonde perfection." Of course, those blondes often wound up in nightmarish situations in Hitchcock's iconic films.

The Hollywood lifestyle

In the world of show business, some of the hottest properties aren't on the screen but, rather, in the rarefied worlds of Beverly Hills, Bel-Air and Holmby Hills. Leading Beverly Hills real estate broker Jeffrey Hyland knows that terrain better than anyone, as revealed in the massive, lushly illustrated The Legendary Estates of Beverly Hills. This amazingly researched and illustrated history of nearly 50 incredible estates, from the ground up (as they were built), includes a who's who of notables involved, as well as an authoritative look at the convergence of architectural styles (and audacity) that are as integral to Southern California as palm trees – and it comes in a carrying case with attached handle. For looky – loos, this may be the ultimate home tour.

A studio revealed

If you saw and enjoyed PBS's five-hour documentary about Warner Bros. Studios that aired in September, you only skimmed the surface. You Must Remember This: The Warner Bros. Story by Richard Schickel and George Perry, gives the complete saga, with a wealth of images from the archives of the 85 – year – old studio. Founded by four brothers, Warner Bros. famously popularized sound with 1927's The Jazz Singer. Its first big star was Rin Tin Tin. The studio also claimed the esteemed John Barrymore (grandfather of Drew Barrymore). But its key performers were as gritty as the movies that became the studio signatures. James Cagney, Edward G. Robinson and Humphrey Bogart were among those who made their mark here. Moving decade by decade (the '70s were as exciting as the '30s), the book takes us right up to The Dark Knight and Sweeney Todd, and charts the evolution of modern legends, including Clint Eastwood, who penned the foreword.

Eastwood's own metamorphosis is captured in Clint Eastwood: A Life in Pictures. Edited by Pierre – Henri Verlhac, with a foreword by Peter Bogdanovich, it follows his journey from hubba – hubba beefcake model to his status as a revered filmmaker – actor, accepting accolades and statuettes at Cannes and the Oscars. Now there's a Hollywood ending.

Beyond the best

The B-List: The National Society of Film Critics on the Low-Budget Beauties, Genre – Bending Mavericks, and Cult Classics We Love is edited by David Sterritt and John Anderson. The National Society of Film Critics is known for highbrow taste (in 2002 they turned out The A-List: 100 Essential Films). But in this entry, the members fess up about the guilty pleasures on their DVD shelves. A chapter on "Provocation and Perversity" goes bonkers for Nic Cage's loony tunes performance in Vampire's Kiss. Another on "Dark and Disturbing Dreams" salutes The Rage: Carrie 2. Here and there, a title's inclusion gives pause; Platoon a B-movie? But the bulk of the lineup reminds us why it's OK to love movies that have never made a "10 best" list.

Some of the B-titles are included in David Thomson's "Have You Seen… ?": A Personal Introduction to 1,000 Films. It's a welcome companion to his authoritative Biographical Dictionary of Film. Arranged alphabetically, titles from 1895 to 2007 are examined on varying levels (audacious themes, forgotten performances, the tenor of the day, etc.). The erudite Thomson isn't without a sense of humor. Of Liz Taylor in Cleopatra, he notes, "Her eyelashes needed cranes!"

Leading men tell all

There are similarities to the careers and lives of Robert Wagner and Tony Curtis. Both were contract players who went on to 1950s - era stardom and a cool '60s ride. Each reaped the rewards of fame by paling with starry names…

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects. The book is arranged in chronological order, from the first Americans to the new millennium. Commentary and captions accompany the 300-plus reproductions, from paintings to photos, political posters to objets d'art. Social, political, economic and geographic context are explored in detail, too. For example, regarding Caltrans 7 (a Los Angeles Department of Transportation building completed in 2004), Scheller notes that, just as the architectural firm's name, Morphosis, doesn't include "meta" as a way to indicate design is changeable and fluid like our surroundings, the building itself is wrapped in a sheath that opens or closes based on the heat and light that touches it. Scheller writes, "The United States has been since its inception … a study in the balance of pragmatism and idealism; of stubborn cultural independence and slavish devotion to the foreign; of conservatism and experimentation." The artists represented here shore up that assertion: looking at America through the lens of creations by Currier & Ives, Georgia O'Keeffe, Dorothea Lange, Andy Warhol and scores of lesser-known talents is a history lesson indeed.

A CELEBRATION OF DANCE
Ailey Ascending: A Portrait in Motion
is a gorgeous, heartfelt celebration of the Alvin Ailey American Dance Theater's 50th anniversary. Photographer Andrew Eccles writes in the afterword that he met Ailey in 1989 and that Ailey "choreographed our session, he kept it alive, he made it move." Ailey died three months after that encounter, but his energy and vision live on. In addition to the Dance Theater, which grew from a small troupe that had its 1958 debut at Manhattan's 92nd Street Y to a 30-member company that tours the world, there is the Alvin Ailey Dance Foundation, The Ailey School, the Ailey II repertory ensemble and numerous community and outreach programs. Ailey Ascending's large format and its text/image combination enhance the feeling of experiencing the dancers' world. Introductory pieces by Judith Jamison, artistic director and former lead dancer; Anna Deavere Smith; Khephra Burns and former Essence editor Susan L. Taylor describe Ailey's gifts, dedication and influence on the world of dance. The photos capture the grace of the Ailey dancers, and the range of compositions—close-ups of sculpted faces and bodies, a quartet onstage, a lone dancer stretching in front of a window as the city races by behind her—encourage contemplation and appreciation. This book is a fitting tribute to Ailey's work, which, as Burns and Taylor write, "was dance and theater, black and universal and wholly American."

PRESIDENTIAL LEGACIES
The Kunhardt family has been maintaining a collection of Lincoln memorabilia and writing about him for five generations. Now, the authors of Lincoln: An Illustrated Biography are back with the follow-up volume Looking for Lincoln: The Making of an American Icon, published to commemorate the bicentennial of our 16th president's birth. It's an "exploration of how Lincoln was remembered and memorialized in the first six decades after his life," as Doris Kearns Goodwin writes in the introduction. Accordingly, the book begins on the day of Lincoln's assassination; readers may pore over eyewitness accounts, photos of Ford's Theatre and other materials associated with April 14, 1865. The book's exhaustive attention to detail continues apace – it includes photos of Lincoln's family and friends; wartime remembrances; Frederick Douglass' recollections of his first and last encounters with the president; and more. A photo gallery makes a fitting conclusion: the book offers a variety of perspectives on Lincoln's legacy, and the images show different aspects of one of our most revered presidents.

History and architecture buffs, as well as those with a penchant for artfully done pop-up books (or perhaps the Griffin & Sabine trilogy), will delight in Chuck Wills' Thomas Jefferson, Architect: The Interactive Portfolio. Packaged in a sturdy protective sleeve, the book is filled with reproductions of architectural drawings, letters and sketches nestled in translucent pockets or secured behind flaps bearing photos of the structures in which Jefferson had a hand. This volume focuses on four in Virginia: his home at Monticello, the Virginia State Capitol, the University of Virginia and his retreat at Poplar Forest. "Jefferson has rightly been called 'the author of America,' but he can just as accurately be called 'the architect of America'," Wills says, making his case via well-written text on Jefferson's education, creations and influence on U.S. architecture. The opportunity to examine drawings, photos and descriptions of various structures makes for a heightened reading experience, one that surely will spark or renew interest in this American icon.

FIRST FAMILY TO YOURS
It's been 45 years since John F. Kennedy's presidency was tragically cut short, but the national fascination with his family remains strong. The Kennedy Family Album: Personal Photos of America's First Family will delight Kennedy-philes and photography fans with a peek into the family's daily life. The photos, by Bob Davidoff—who for 50 years was photographer-in residence at the family's Palm Beach home, until his death in 2004—depict things readers might expect: stylish adults shopping at high – end stores; cousins frolicking outdoors; and every holiday a festive event. Text by Linda Corley, a longtime producer for PBS, brings context, color and life to the images. 

There are poignant ones—JFK a few days before he was killed; matriarch Rose over the years, as she grew frail but retained her sparkle—and funny ones, from a young Maria Shriver conducting her first interview (she turned the tables on an inquisitive journalist) to Caroline Kennedy wrestling with her cousins. The Kennedy Family Album is a lovely keepsake of an important era in American history.

MAKING ART
Scrapbooking supplies—stickers, colored paper, ribbon, adhesives—line the aisles of craft and general merchandise stores, but scrapbooking, while wildly popular now, is hardly a new trend. In Scrapbooks: An American History, designer, writer and scrapbook-collector Jessica Helfand presents a visual history of these "ephemeral portraits," from the 19th century to the present. The books featured here had to meet Helfand's five criteria: they must be beautiful, tell a story, be eclectic and American, and represent celebrities and ordinary folk alike. As such, readers can explore the pages of scrapbooks created by Zelda Fitzgerald (photos, magazine covers, reviews) and Lillian Hellman (correspondence, drafts of her radio broadcasts), as well as civilians Dorothy Abraham (valentines, calling cards, a piece of school chalk) and Lawrence Metzger (invitations, canceled stamps). Pre-manufactured memory and baby books began to appear in the early 1900s, representing what the author calls a "significant cultural shift," noting "the anticipation of memory as a core emotional need … was a uniquely twentieth-century conceit." Just as Helfand worked to display and offer insight into these revealing keepsakes, she has succeeded in making Scrapbooks a valuable cultural artifact in its own right.

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects

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October 1843 was the worst of times for Charles Dickens, Les Standiford explains in The Man Who Invented Christmas: How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits. Despite early successes and a secure place in the literary canon, at 31, Dickens found his career, finances and marriage at low points. And yet, he rallied to write one of the most enduring tales of all time in just six weeks. Showing how the Carol (as Dickens referred to the novella) developed in Dickens' mind—inspired by a lifelong love of Christmas, a belief in social responsibility and a hope of quick financial rewar—is just one of the accomplishments of Standiford's entertaining book. He also covers the publishing and copyright industry of the mid-1800s, the history of the Christmas holiday and provides a view of life in England during the Victorian Age. Standiford includes a succinct paraphrasing of A Christmas Carol as well as a rundown of some of the thousands of adaptations and parodies of the work.

As an antidote to the more saccharine expressions of holiday cheer, turn to John Grossman's fourth holiday book, Christmas Curiosities: Odd, Dark, and Forgotten Christmas. Culled from the author's collection of antique postcards and advertisements, this parade of evil spirits, surly Santas and bad children also has a (slightly) softer side, showing the evolution of the old elf from European figure to all-American icon.

Christmastime in the city
Whether you use A Very New York Christmas as a planner for Christmases future or memory book of Christmases past, this little book makes a delightful Christmas present. Featuring the beautiful artwork found on Michael Storrings' NYC-themed holiday ornaments, the book takes readers on a colorful watercolor tour of Manhattan and the other boroughs, starting with the Macy's parade. Snowflakes—Swarovski at Saks and Baccarat at 57th Street and Fifth Avenue—follow, along with St. Patrick's Cathedral, the Plaza, the Guggenheim, scenes of Central Park and a giant menorah. Then it's on to the American Museum of Natural History's Origami Tree and the tricked out Dyker Heights neighborhood before returning to Times Square for New Year's Eve. A map at book's end (rendered in watercolor, of course) shows the location of all the pictured sites.

Visions of gingerbread

If decorating a tree isn't enough of a challenge, try the confectionary wonders in Susan Matheson and Lauren Chattman's witty The Gingerbread Architect: Recipes and Blueprints for Twelve Classic American Homes. For each of the architectural styles, architect Matheson and former pastry chef Chattman include ingredients, step – by – step instructions, a dollop of history and suggestions for even more elaborate decoration. Even those of us who lack patience or coordination may be tempted to try the structures, which include an urban brownstone, an art deco gem, a Corbusier – esque "modern" house, a Victorian farmhouse and a Cape Cod.

Simpler gingerbread creations are described in Yvonne Jeffery's The Everything Family Christmas Book, along with a Spirit of Christmas Present-worthy bounty of holiday-themed games, lists of Christmas movies and TV shows, party ideas, decorating tips, etc. This is a great resource for new families or households, someone hosting the family Christmas for the first time or otherwise seeking to establish new traditions. Among the treats Jeffery includes: suggestions for reducing holiday stress and dealing with guests; the top gifts of various decades and how much they cost; and how the holiday is observed around the world.

Holidays on nice

Have a box of tissues handy when you sit down with Ed Butchart's More Pages from the Red Suit Diaries; David Sedaris, he ain't. Butchart was the official Santa at Georgia's Stone Mountain Park for 18 years and in this follow-up to 2003's Red Suit Diaries, he shares more heartwarming stories of his adventures as a real-bearded Santa. In vignettes familiar to viewers of made-for-TV holiday movies (and a couple reminiscent of Miracle on 34th Street), Butchart astounds little kids with his insider knowledge, puts parents at ease and delights in seeing second-generation visitors. He also makes a few miracles happen through the ministry he founded with his late wife, Friends of Disabled Adults and Children (FODAC).

October 1843 was the worst of times for Charles Dickens, Les Standiford explains in The Man Who Invented Christmas: How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits. Despite early successes and a secure place in the…

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