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Yet another volume distinguished by marvelous photography is Porsche 911: Perfection by Design. Car historian Randy Leffingwell provides the ample text, but he also shares the photo-taking duties with David Newhardt. The result is around 300 color and black-and-white shots of this hot-blooded Porsche sports car, from the early forerunners that first appeared in the 1950s, to the beginning of its distinctively long 40-year run in the 1960s (with the Type 901), on to the present 2005 models. Leffingwell’s words provide the inside scoop on the vision behind the inspired aesthetic and technical design of the 911, drawing upon interviews with dozens of Porsche engineers and executives as well as competitors who were admittedly influenced by the automobile’s powerful, sleek image and its nonpareil manual-shift high performance. Casual car buffs might get a little daunted by Leffingwell’s discussion of things like digital engine management systems, while full-blown gearheads will be solidly engaged. But everyone will revel in the views of the various incarnations of this incredibly stylish car through the decades, distinguished by subtle, tasteful body tweaks and carefully thought-out mechanical enhancements, resulting in ultra-cool specific models such as the Turbo, the Carrera, the Cabriolet and the Speedster, many produced in limited editions and carrying price tags of upwards of $200,000. If you could afford one, you’d surely buy it, and this gorgeous volume shows why.

Martin Brady is making out his Christmas list at home in Nashville.

Yet another volume distinguished by marvelous photography is Porsche 911: Perfection by Design. Car historian Randy Leffingwell provides the ample text, but he also shares the photo-taking duties with David Newhardt. The result is around 300 color and black-and-white shots of this hot-blooded Porsche sports…
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The photographer’s lens magnifies both personality and era, the seen and unseen. Richard Avedon, staff photographer for Harper’s Bazaar, Vogue and The New Yorker, was one of the most influential photographers of the 20th century, famous for his revealing portraits of women. About 125 tritone and color photographs shot during his decades-long career are compiled in Woman in the Mirror 1945-2004. Avedon redefined the fashion photograph, making clothes another prop in his layered, staged scenarios where even the flare of a tulle skirt acted as punctuation. His photographs of fashion models in the ’40s and ’50s embody that formal and glamorous sartorial age in highly dramatic scenes mixing high and low, like his picture of a model clad in Balenciaga standing in a brick-lined alley in Le Marais, Paris, as acrobats perform tricks above her well-coiffed head. His portraits during the ’60s (Janis Joplin, Brigitte Bardot, Claude and Paloma Picasso), ’70s and ’80s (fashion editor Polly Mellen in a too-tight skirt, the writer Marguerite Duras shrugging in ankle boots and a lumberjack shirt) continued to capture women ever more candidly at the intersection of fascinating and dangerous. That mood is summed up by a shot of leggy model Stephanie Seymour caught in mid-fall off high heels and still luminous in a Karl Lagerfeld dress for Chanel in a moment that surely broke a bone.

The photographer's lens magnifies both personality and era, the seen and unseen. Richard Avedon, staff photographer for Harper's Bazaar, Vogue and The New Yorker, was one of the most influential photographers of the 20th century, famous for his revealing portraits of women. About 125 tritone…
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Sunset, evening star, good red wine and a view of a great bend in the Cumberland River brought recollections one evening of traveling the mountains of Wyoming with Lucius. We had a yen for a book a book to jog our memory and, in these uncertain days, give a clue to the question, “What would Lucius say?” By coincidence, I had recently read a prospectus of Cold Tree Press, a high-quality, print-on-demand publishing business based in Nashville. If they could and would do what they promised, such a book would be do-able, even for people like us, who knew nothing about publishing.

We started the process in early May 2003 and wanted to have books ready by Christmas. (I didn’t want to do any Christmas shopping and had promised someone that they would have a book for Christmas a rash move, perhaps.) No narrative can depict a man’s life as accurately as his own words. I had stacks of Lucius’ papers given to me over the years speeches, articles, letters. With the miracle of a computer and help from technically adept friends, these papers were scanned to my laptop, arranged, minimal connective material was added and final editing was completed. We turned in a disk to Cold Tree Press on October 1. They printed a double-sided, unbound copy so we could see what it would look like as a book. We found some typos on this proof and were allowed to make corrections. Unlike traditional publishing, we discovered that authors are involved throughout the process and are able to participate in important decisions.

And, voilˆ, just in time for Christmas, we had our first book. Peter Honsberger, the Cold Tree partner who worked with us, handled the project with good humor. Even more, his experience in advertising and graphics is evident in the excellent formatting and design. The quality of the paper is what I first notice in any book, and when I saw the quality of paper they used, I knew we had made the right choice. We were also pleased by the remarkably reasonable cost and the fact that we will never be burdened with too many books only as many as we need.

The result is a beautiful book, worthy of its subject. Start with “Recollections of a Bounty Hunter,” the only published account of shooting eagles, wolves and hair seals for bounty during the Great Depression of the early ’30s paid by the Territory of Alaska and encouraged by the U.S. Biological Survey. “Dromahair” is Everyman’s dream of owning a castle in Ireland. Searching for the wrecks of the Armada off the wild northern coast of Scotland and Ireland leads to the raising and dedication of three cannons of the Dutch island in the Caribbean, St. Eustatius, which fired the first salute to an American warship, thus recognizing the United States as an independent nation. Of the practice of law, Lucius writes, “I should like to convince you that no activity surpasses the practice of law in social usefulness. Second, of all professions, it permits more freedom, is more conducive to living an expansive personal life, and, finally, that no way of life is more stimulating and challenging.” Also included is an abridged transcript of successful federal court proceedings to lift an injunction against a protest march led by Martin Luther King Jr. on the day he was shot in Memphis. Ambassador Andrew Young, who served as King’s aide, says, “During the times of social unrest, many of the unsung heroes of the South were lawyers and judges. To me, Lucius Burch was the best. His writings confirm the courage and intelligence of a great man who made a difference.” Through the tenets of conservation, the law and equal opportunity for all people, there run through Lucius’ life whimsical and optimistic tying rods of personal freedom and life lived to the utmost. His life was divided, at his will, between advocating unpopular causes and exploring the wilderness of the earth, usually on foot, either alone or with those who loved him. Now we can vicariously roam his world and, in days of diminishing private rights, read his thoughts, which leave no doubt as to “what would Lucius say?” Lucius: Writings of Lucius Burch (Cold Tree Press, $26.95, ISBN 1583850198) was edited by Shirley Caldwell-Patterson, Cissy Caldwell Akers, Bill Coble and John Noel.

 

Sunset, evening star, good red wine and a view of a great bend in the Cumberland River brought recollections one evening of traveling the mountains of Wyoming with Lucius. We had a yen for a book a book to jog our memory and, in…

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<B>The tumultuous times of England’s greatest writer</B> While the works of William Shakespeare are for the ages, they were written in a particular place and time. We can better appreciate the Bard’s achievement if we are aware of events and profound changes that took place during the Elizabethan era, particularly in London, that significantly influenced him. Frank Kermode, the eminent British literary critic and historian of 16th and 17th-century literature, provides this important context in <B>The Age of Shakespeare</B>. This gem of a book gives us an historical overview of national politics, the place of religion, the development of professional drama and theater and changes at many levels of society in the early stages of capitalism, as well as the little we know for certain about Shakespeare’s life, conjectures about it and insights into the plays.

Kermode characterizes Shakespeare as "only the grandest of the poets" during a time when the arts, especially poetry and theater, flourished. While his importance cannot be underestimated, Shakespeare’s "was an age of vast and various poetic achievement, a period unparalleled in the history of anglophone poetry." Many of these poets wrote for the theater as well, although those who did not included Edmund Spenser, usually regarded as the master poet of the period. It may be that Shakespeare’s original intent was to be a page-poet rather than a poet for the stage. He may have turned to the theater to make a living.

<B>The Age of Shakespeare</B> also explores in some detail the fascinating subject of the development of dramatic blank verse, the writing format that Shakespeare preferred and perfected. With regard to the poet’s influence on language, Kermode states, "it is hardly too much to call it a revolutionary change in dramatic language, even a transformation of English itself, now alive to a new range of poetic possibilities." Still, Kermode doesn’t discount the acting skills of Richard Burbage and other veteran actors, who enabled Shakespeare to create his many complex characters; he devotes much attention to the development of acting styles of the time.

Shakespeare’s history plays represent a fourth of his total theatrical output. Despite the possibility of censorship, they dealt with the sensitive subject of royal secession, on the minds of many people during the Tudor period. In those days, Kermode asserts, "the whole issue was bound up inseparably with religious differences, and religion could mean war." Many English Catholics, for example, believed that Elizabeth was not a legitimate ruler and should therefore be ousted from the throne. <I>Macbeth</I>, of all the great tragedies, is considered by Kermode to be most relevant to current events in early 17th-century England. Kermode highlights the allusions to the Gunpowder Plot of 1605 and the interrogation of the conspirators involved, while tagging the Weird Sisters as a reference to the King’s well-known interest in witchcraft. This authoritative companion to William Shakespeare’s works, life and times is consistently enlightening and entertaining. <I>Roger Bishop is a bookseller in Nashville and a contributing editor to BookPage.</I>

<B>The tumultuous times of England's greatest writer</B> While the works of William Shakespeare are for the ages, they were written in a particular place and time. We can better appreciate the Bard's achievement if we are aware of events and profound changes that took place…

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Richard Lederer is a language maven. He’s written 30 books on the subject, has a syndicated newspaper column called “Looking at Language” and hosts a weekly show on San Diego Public Radio. For Lederer, language is a thing to be celebrated, and rather than adopt a critical tone or bother to chastise the illiterate he opts for lucid and enthusiastic reportage on words and their development and usage. A Man of My Words: Reflections on the English Language is a feast for the “verbivore” (as Lederer calls himself), featuring dozens of chapters revolving around reflections on the writing life (his own and others much more famous) and touting the wonders of English, the world’s largest, most diverse and amazingly eclectic language, which contains nearly four times the number of words (616,500, according to the Oxford English Dictionary) as its nearest competitor, German. Other topics up for discussion in Lederer’s comprehensive collection include word origins, American dialects, proverbs, “fadspeak” (words derived from pop, social and business cultures), discussions on pronunciation (including the dreaded “NOO-kyuh-lur” for “nuclear,” botched by politicians from Eisenhower to the present day) and the important effect of regionalisms on language.

With unswerving faith in humankind’s innate expressive adaptability, Lederer seeks to make sense of the natural progression of word and usage development and catalog its change and growth with intelligence and delight. By and by, Lederer also shares some personal reminiscences on family life and his travels and work all word-related, of course including his interesting duties as an interpreter of the exact legal meaning of a ballot-box political referendum for the state of Maine. Challenging quizzes make for diverting reading or even for light gamesmanship with fellow word-fanatical friends. This thoughtful, rigorously literate volume engages from first page to last but works just as well as an item for random browsing. Martin Brady writes from Nashville.

 

Richard Lederer is a language maven. He's written 30 books on the subject, has a syndicated newspaper column called "Looking at Language" and hosts a weekly show on San Diego Public Radio. For Lederer, language is a thing to be celebrated, and rather than…

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Ain’t got nothin’ but love babe: the Beatles invade America<p> Whether you’re old enough to have lived through Beatlemania or young enough to know only that one of these guys went on to play in Wings, Martin Goldsmith offers new twists on a fascinating subject in <b>The Beatles Come to America</b>. In this reflective account of the Beatles’ explosive arrival on the U.S. music scene in 1964, Goldsmith digs into the tale with such attention to detail that its freshness seems never to have faded. Discovering what went into designing the stage set for the Beatles’ first appearance on <i>The Ed Sullivan Show</i>, for instance, makes clear how portentous that broadcast turned out to be.<br />
<br />
The story is put into a personal context as the author inserts himself into the narrative, both as a teenager bearing witness and an adult now looking back with some perspective. The opening pages, for example, take us along on his pilgrimage to Liverpool on a recent summer day. Where the Britney generation might see an unremarkable urban panorama, Goldsmith finds evidence of miracles a street called Penny Lane, a dank reliquary in the shadows of the Cavern Club and, briefly but gloriously, bonds with a couple of Russians drawn on their own <i>hadj</i> to the center of Strawberry Fields.<br />
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This magic blows through the book, past delightfully obscure anecdotes and insightful reflections that present the Beatles as both a tonic for the malaise that followed the Kennedy assassination and a harbinger of the feminist revolution. When the Fab Four, a little bewildered at what they had just unleashed, wave goodbye to America and fly back home, Ringo wonders, &quot;How in the world are we ever going to top this?&quot; Even the four &quot;mop-topped lads&quot; themselves had no idea how lasting their appeal would be. In the last chapter, Goldsmith takes us back to where it all began, to an epiphany so unexpected and yet so appropriate that we are left wondering how it could have been any other way than it was a world changed, forever and for better, by song. <i>Robert L. Doerschuk of Nashville is the former editor of Musician magazine.</i> </p>
<p>&nbsp;</p>

Ain't got nothin' but love babe: the Beatles invade America<p> Whether you're old enough to have lived through Beatlemania or young enough to know only that one of these guys went on to play in Wings, Martin Goldsmith offers new twists on a fascinating subject…
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Blues musician B.B. King turned 80 in September, and The B.B. King Treasures: Photos, Mementos &and Music from B. B. King’s Collection is a warm tribute to this legendary American performer who, with guitar Lucille, has traveled the road entertaining audiences for nearly 60 years. Born Riley B. King to sharecropper parents in Itta Bena, Mississippi, King’s lived a real rags-to-riches story. But the book is also a love song to the blues, and a testament to hard work and respect for others. Says a colleague, “if we had pictures instead of words in the dictionary, under the word Ôgraciousâ’ would have to be B.B. King.” B.

B. King Treasures is a montage scrapbook that traces King’s first Delta days through his musical odyssey to Memphis, Chicago and into mainstream America. It is an intriguing collection of biography, interviews, photography, a CD and memorabilia (reproductions inserted in the book via parchment sleeves), such as concert promotional ephemera, contracts and booking sheets there’s even B.B.’s business card, which proclaims “Blues is King King is Soul.” Though B.

B. King Treasures is mainly King’s biography, the book reveals tangential stories of the cutthroat music business, of struggles for racial equality and of the spread of the blues into the musical mainstream and across the globe. Co-author Dick Waterman, who has known King for nearly 40 years, marvels at his tenacity, about which has been said: “He’s just a tough, tough dude.”

Blues musician B.B. King turned 80 in September, and The B.B. King Treasures: Photos, Mementos &and Music from B. B. King's Collection is a warm tribute to this legendary American performer who, with guitar Lucille, has traveled the road entertaining audiences for nearly 60…
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In the heart of New York City stands iconic Rockefeller Center, a haven of commerce and industry, art, history and ice skating. Center archivist and author Christine Roussel’s gorgeous The Art of Rockefeller Center is an orderly catalogue of the Center’s history, art and artists. This oversized volume is lavished with exquisite attention to detail; the book’s design and typography, writing and photography are employed in shining homage to the artifice and artistry within and without the Center’s venerable walls. Rockefeller Center emerged during the Depression from the idealistic vision of John D. Rockefeller, Jr. Where there were once grimy tenements, the Center rose as a cohesive melding of art, architecture and American ideals. Before construction could begin, Rockefeller spent two years planning a “modern, self-contained urban center” that would be “a mecca for lovers of art.” Together with an art advisory group (including his wife, Abby Aldrich, and son, Nelson), he identified art sites, standards, themes and artists, allocating $1 million to fund the enterprise in 1931. Artists commissioned included Gaston Lachaise, Lee Lawrie, Paul Manship and Diego Rivera (although his finished artwork, considered fascist, was destroyed). Each chapter of The Art of Rockefeller Center explicates the history and art of a single building of the complex, interpreting its art deco and art moderne treasures in exceptionally lucid prose and pristine photography. Especially interesting are explanations of the artistic processes used in creating public art and stories of the artists. The book also includes many historic photos, an index of artists and a color-coded map of the Rockefeller Center for reference.

In the heart of New York City stands iconic Rockefeller Center, a haven of commerce and industry, art, history and ice skating. Center archivist and author Christine Roussel's gorgeous The Art of Rockefeller Center is an orderly catalogue of the Center's history, art and…
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For a more literary approach to Lewis’ work, take a look at Inside Narnia: A Guide to Exploring The Lion, the Witch and the Wardrobe by Devin Brown, which purports to be the first in-depth literary analysis of Lewis’ first children’s book. Brown proceeds chapter-by-chapter through the novel, examining not only the more obvious mythological, religious and cultural origins of Lewis’ story, but also his far subtler genius for using descriptive imagery to highlight character traits and philosophies. In one insightful passage, Brown compares the Beavers’ hut and its humble, homey contents to the outwardly grand but inwardly cold and empty palace of the White Witch a metaphor for the spiritual states of the inhabitants. Inside Narnia is well-written and readable, even for those to whom “literary analysis” brings back horrific memories of freshman English classes.

For a more literary approach to Lewis' work, take a look at Inside Narnia: A Guide to Exploring The Lion, the Witch and the Wardrobe by Devin Brown, which purports to be the first in-depth literary analysis of Lewis' first children's book. Brown proceeds…
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Christian themes and philosophy pervade Lewis’ works, and the Chronicles are no exception. Jonathan Rogers’ The World According to Narnia: Christian Meaning in C.S. Lewis’ Beloved Chronicles explores the spiritual truths in each of the seven Narnia books. Rogers has a gift for revealing subtleties of meaning, theme and character that might go unnoticed even after many readings. Whether it is Prince Caspian’s theme of seeing the evidence for faith when others don’t, or The Silver Chair’s message about standing firm for Christ when evidence seems to point the other way, Rogers reveals how the characters of the Chronicles, including the villains, represent aspects of human faith and frailty. The World According to Narnia can be read for both curiosity and inspiration; if it has a flaw, it is that it ends too quickly.

Christian themes and philosophy pervade Lewis' works, and the Chronicles are no exception. Jonathan Rogers' The World According to Narnia: Christian Meaning in C.S. Lewis' Beloved Chronicles explores the spiritual truths in each of the seven Narnia books. Rogers has a gift for revealing…

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Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the history that has come after it. And of course, certain photographic images have the ability to burn into our imaginations, transform our individual and collective psyches and become part of our makeup. Who can forget seeing the Earth photographed for the first time from space, or the image of President Kennedy riding confidently in the open motorcar? Here are four books packed with stunning photographs that will sit handsomely and disarmingly on a coffee table until someone opens them, beholds their pages and unleashes their latent power.

A provocative retrospective of the last half-century, Harry Benson: Fifty Years in Pictures by Harry Benson, gives insight into the renowned photographer’s world. A gutsy, tenacious and award-winning photojournalist, Benson’s career includes numerous covers for magazines such as Life, People and Vanity Fair. Here are portraits of the people who once captured the headlines the Beatles, the presidents, sports figures like Cassius Clay (Muhammad Ali) and a young O.J. Simpson images sure to evoke a mixture of emotions, from joy and angst to nostalgia. One of the more poignant photographs is Benson’s shot of President Nixon giving his farewell speech to his Cabinet and White House staff. The anguished faces of his wife and children as they stand loyally by his side speak as eloquently about that agonizing moment as any prose document could. Benson’s first-hand captions and behind-the-scenes stories add an exciting element to the visual chronicles. If there’s a historian, "culture-as-art" buff or budding photojournalist in your life, Benson’s book would be a wonderful inspiration. Another career spanning 50 years is celebrated in Ansel Adams at 100 by John Szarkowski, which marks the 100th anniversary of the birth of one of America’s foremost landscape photographers. Szarkowski, director of the Centennial Exhibition of Adams’ work, (which will be on tour through fall 2003) has chosen 114 of the artist’s characteristically striking black and white landscape photographs, in which, as he puts it, "each element is articulated with perfect precision." Ansel Adams is best known for his photos of Yosemite National Park, the California coast and other wilderness areas of the American West and this hefty volume contains many of his signature prints. A master at conveying both the enormous grandeur and the fragile details of a landscape, Adams had a tremendous impact not only on the art world, but on the environmental movement as well. For black and white film aficionados or nature lovers, this book is a treasure, and it even includes a reproduction print, suitable for framing a gift within a gift! Allowing nature to be its own best advocate is also the idea behind Remains of a Rainbow: Rare Plants and Animals of Hawaii by David Liittschwager and Susan Middleton. Liittschwager and Middleton have been photographing endangered animals and plants since 1986, but this volume is the result of a four-year collaborative effort dedicated to the ecosystem of Hawaii. Many of the state’s endangered flora and fauna species are so rare they do not exist anywhere else on earth. The authors have showcased 142 of these singular species in exquisite, individual photos to accentuate the magnificence of each and bring attention to the tragedy of declining biodiversity on the island and in the world at large. What at first seems just a lovely picture book of exotic plants and animals is also an urgent exhortation to save one of the richest natural environments on the planet. This book is a call to action; seeing these photos is sure to evoke a response in even the most unwilling environmentalist.

And for the environmentalist who doesn’t need much prodding, consider a beautiful new version of A Sand County Almanac by Aldo Leopold, with photographs by Michael Sewell. Leopold’s Almanac is a classic of nature writing that should be on the main shelf of any environmentalist’s library, right next to Thoreau’s Walden and Rachel Carson’s Silent Spring.

First published in 1949, a year after the author’s death, the Almanac takes readers on a seasonal journey as Leopold works to restore the land at his small homestead in Sand County, Wisconsin. In this new edition, Sewell’s photography illustrates the time-honored text with splendid color photographs taken on location at Leopold’s property. This is a great book to read snuggled under a blanket (treat yourself!) or to give to anyone on your list who could use a closer communication with the natural world.

Linda Stankard is a writer in Cookeville, Tennessee.

Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the history…

Review by

Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the history that has come after it. And of course, certain photographic images have the ability to burn into our imaginations, transform our individual and collective psyches and become part of our makeup. Who can forget seeing the Earth photographed for the first time from space, or the image of President Kennedy riding confidently in the open motorcar? Here are four books packed with stunning photographs that will sit handsomely and disarmingly on a coffee table until someone opens them, beholds their pages and unleashes their latent power.

A provocative retrospective of the last half-century, Harry Benson: Fifty Years in Pictures by Harry Benson, gives insight into the renowned photographer’s world. A gutsy, tenacious and award-winning photojournalist, Benson’s career includes numerous covers for magazines such as Life, People and Vanity Fair. Here are portraits of the people who once captured the headlines the Beatles, the presidents, sports figures like Cassius Clay (Muhammad Ali) and a young O.J. Simpson images sure to evoke a mixture of emotions, from joy and angst to nostalgia. One of the more poignant photographs is Benson’s shot of President Nixon giving his farewell speech to his Cabinet and White House staff. The anguished faces of his wife and children as they stand loyally by his side speak as eloquently about that agonizing moment as any prose document could. Benson’s first-hand captions and behind-the-scenes stories add an exciting element to the visual chronicles. If there’s a historian, "culture-as-art" buff or budding photojournalist in your life, Benson’s book would be a wonderful inspiration. Another career spanning 50 years is celebrated in Ansel Adams at 100 by John Szarkowski, which marks the 100th anniversary of the birth of one of America’s foremost landscape photographers. Szarkowski, director of the Centennial Exhibition of Adams’ work, (which will be on tour through fall 2003) has chosen 114 of the artist’s characteristically striking black and white landscape photographs, in which, as he puts it, "each element is articulated with perfect precision." Ansel Adams is best known for his photos of Yosemite National Park, the California coast and other wilderness areas of the American West and this hefty volume contains many of his signature prints. A master at conveying both the enormous grandeur and the fragile details of a landscape, Adams had a tremendous impact not only on the art world, but on the environmental movement as well. For black and white film aficionados or nature lovers, this book is a treasure, and it even includes a reproduction print, suitable for framing a gift within a gift! Allowing nature to be its own best advocate is also the idea behind Remains of a Rainbow: Rare Plants and Animals of Hawaii by David Liittschwager and Susan Middleton. Liittschwager and Middleton have been photographing endangered animals and plants since 1986, but this volume is the result of a four-year collaborative effort dedicated to the ecosystem of Hawaii. Many of the state’s endangered flora and fauna species are so rare they do not exist anywhere else on earth. The authors have showcased 142 of these singular species in exquisite, individual photos to accentuate the magnificence of each and bring attention to the tragedy of declining biodiversity on the island and in the world at large. What at first seems just a lovely picture book of exotic plants and animals is also an urgent exhortation to save one of the richest natural environments on the planet. This book is a call to action; seeing these photos is sure to evoke a response in even the most unwilling environmentalist.

And for the environmentalist who doesn’t need much prodding, consider a beautiful new version of A Sand County Almanac by Aldo Leopold, with photographs by Michael Sewell. Leopold’s Almanac is a classic of nature writing that should be on the main shelf of any environmentalist’s library, right next to Thoreau’s Walden and Rachel Carson’s Silent Spring.

First published in 1949, a year after the author’s death, the Almanac takes readers on a seasonal journey as Leopold works to restore the land at his small homestead in Sand County, Wisconsin. In this new edition, Sewell’s photography illustrates the time-honored text with splendid color photographs taken on location at Leopold’s property. This is a great book to read snuggled under a blanket (treat yourself!) or to give to anyone on your list who could use a closer communication with the natural world.

Linda Stankard is a writer in Cookeville, Tennessee.

 

Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the…

Review by

Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the history that has come after it. And of course, certain photographic images have the ability to burn into our imaginations, transform our individual and collective psyches and become part of our makeup. Who can forget seeing the Earth photographed for the first time from space, or the image of President Kennedy riding confidently in the open motorcar? Here are four books packed with stunning photographs that will sit handsomely and disarmingly on a coffee table until someone opens them, beholds their pages and unleashes their latent power.

A provocative retrospective of the last half-century, Harry Benson: Fifty Years in Pictures by Harry Benson, gives insight into the renowned photographer’s world. A gutsy, tenacious and award-winning photojournalist, Benson’s career includes numerous covers for magazines such as Life, People and Vanity Fair. Here are portraits of the people who once captured the headlines the Beatles, the presidents, sports figures like Cassius Clay (Muhammad Ali) and a young O.J. Simpson images sure to evoke a mixture of emotions, from joy and angst to nostalgia. One of the more poignant photographs is Benson’s shot of President Nixon giving his farewell speech to his Cabinet and White House staff. The anguished faces of his wife and children as they stand loyally by his side speak as eloquently about that agonizing moment as any prose document could. Benson’s first-hand captions and behind-the-scenes stories add an exciting element to the visual chronicles. If there’s a historian, "culture-as-art" buff or budding photojournalist in your life, Benson’s book would be a wonderful inspiration. Another career spanning 50 years is celebrated in Ansel Adams at 100 by John Szarkowski, which marks the 100th anniversary of the birth of one of America’s foremost landscape photographers. Szarkowski, director of the Centennial Exhibition of Adams’ work, (which will be on tour through fall 2003) has chosen 114 of the artist’s characteristically striking black and white landscape photographs, in which, as he puts it, "each element is articulated with perfect precision." Ansel Adams is best known for his photos of Yosemite National Park, the California coast and other wilderness areas of the American West and this hefty volume contains many of his signature prints. A master at conveying both the enormous grandeur and the fragile details of a landscape, Adams had a tremendous impact not only on the art world, but on the environmental movement as well. For black and white film aficionados or nature lovers, this book is a treasure, and it even includes a reproduction print, suitable for framing a gift within a gift! Allowing nature to be its own best advocate is also the idea behind Remains of a Rainbow: Rare Plants and Animals of Hawaii by David Liittschwager and Susan Middleton. Liittschwager and Middleton have been photographing endangered animals and plants since 1986, but this volume is the result of a four-year collaborative effort dedicated to the ecosystem of Hawaii. Many of the state’s endangered flora and fauna species are so rare they do not exist anywhere else on earth. The authors have showcased 142 of these singular species in exquisite, individual photos to accentuate the magnificence of each and bring attention to the tragedy of declining biodiversity on the island and in the world at large. What at first seems just a lovely picture book of exotic plants and animals is also an urgent exhortation to save one of the richest natural environments on the planet. This book is a call to action; seeing these photos is sure to evoke a response in even the most unwilling environmentalist.

And for the environmentalist who doesn’t need much prodding, consider a beautiful new version of A Sand County Almanac by Aldo Leopold, with photographs by Michael Sewell. Leopold’s Almanac is a classic of nature writing that should be on the main shelf of any environmentalist’s library, right next to Thoreau’s Walden and Rachel Carson’s Silent Spring.

First published in 1949, a year after the author’s death, the Almanac takes readers on a seasonal journey as Leopold works to restore the land at his small homestead in Sand County, Wisconsin. In this new edition, Sewell’s photography illustrates the time-honored text with splendid color photographs taken on location at Leopold’s property. This is a great book to read snuggled under a blanket (treat yourself!) or to give to anyone on your list who could use a closer communication with the natural world.

Linda Stankard is a writer in Cookeville, Tennessee.

Photography is an amazing thing. It takes a real-time moment and captures it in a two-dimensional image we can look at again and again. It is the chronicle of a split second that contains all the history that went before it and all the…

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