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Bestselling author Rebecca Serle’s stirring novel One Italian Summer (6.5 hours) follows a young woman’s journey of discovery, acceptance and forgiveness. The audiobook is read by “Gilmore Girls” actor Lauren Graham, who brings sincere tenderness to the heartwarming tale.

Katy is shattered after the death of her mother and best friend, Carol, and Graham captures Katy’s numbness and grief through deliberate pacing and a voice that often breaks with emotion. Feeling lost in life and in her marriage, Katy decides to take a pilgrimage of sorts, traveling to Italy’s Amalfi Coast on the trip that her mother had planned to take for years. Katy is shocked when, upon arriving in beautiful Positano, she meets a vibrant woman who seems to be a younger version of Carol. In her moving performance, Graham evokes Katy’s conflicted emotions surrounding her mother and her marriage, drawing readers into the process of rediscovering her most important relationships.

Read our review of the print edition of ‘One Italian Summer.’

Actor Lauren Graham brings sincere tenderness to the audiobook edition of Rebecca Serle’s heartwarming novel One Italian Summer.

Bestselling author John Darnielle’s most bizarre novel to date, Devil House (11.5 hours), is an odd amalgam of crime fiction, buried memories and investigative journalism. As the audiobook’s narrator, Darnielle performs the story in a steady voice, combining the otherwise disjointed series of events into a cohesive, fascinating whole.

Assuming the voice of true crime writer Gage Chandler, Darnielle describes a 1980s cold case involving a pair of satanic murders that occurred at a decrepit house in Milpitas, California. While researching the crime for his next book, Gage has moved into the house as part of a thinly disguised publicity stunt to bolster sales. But the deeper he delves into the house’s illustrious and mysterious history, the more its story takes on a life of its own, affecting Gage, and by turns the listener, in unique ways.

Shirking a linear structure, the novel slowly weaves from past to present and from character to character before coming together at the end. A singer-songwriter for the Mountain Goats, Darnielle brings a lyrical, literary tone to a novel that’s part true crime, part horror and wholly original.

Read our starred review of the print edition of ‘Devil House.’

John Darnielle reads the audiobook for his most bizarre novel to date, combining a seemingly disjointed series of events into a cohesive, fascinating whole.
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Like a game of hide-and-seek, Kathryn Schulz’s memoir is both whimsical and a little terrifying. In three seemingly innocuous sections, titled “Lose,” “Find” and “And,” the Pulitzer Prize-winning author develops a fugue, incorporating etymology, personal narrative, philosophy and even a meteorite. But the heart of Lost & Found (7.5 hours) is Schulz’s focus on herself, the father she loses and the partner she finds.

With the same exquisite precision as her New Yorker articles about the Pacific Northwest and other topics, Schulz explores settings ranging from Cleveland hospital rooms to Maryland’s Eastern Shore, but her heart and mind are the real landscapes to discover, and she does so with tenderness, humor and aplomb. She reads her own audiobook, delivered with a slight lisp and certain breathlessness, and nearly every sentence comes through in a meditative, soothing cadence.

Schulz invites listeners into a bittersweetness that’s as mundane as it is cosmic. Like a childhood game, no one will want it to end.

Read our starred review of the print edition of ‘Lost & Found.’

In Lost & Found, read by author Kathryn Schulz, listeners are invited to discover a bittersweetness that’s as mundane as it is cosmic.
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In bestselling author Sarah Jio’s novel With Love From London (11.5 hours), a recently divorced Seattle librarian named Valentina heads to London to settle the estate of her late, estranged mother, Eloise. Valentina is unsure about both the inheritance and her feelings toward Eloise, but she gets drawn in by the quaint bookstore her mother owned in Primrose Hill, her mother’s friends and neighbors, and a scavenger hunt arranged by Eloise that references both points around London and literary works beloved by Valentina and her mother.

In chapters that alternate between Valentina’s experiences in 2013 and Eloise’s life from the 1960s to the ’90s, voice actors Brittany Pressley (Valentina) and Gabrielle Glaister (Eloise) animate daughter and mother with equal warmth and exuberance. Their American and British accents lead listeners into a cozy world that’s alive with intrigue, female camaraderie and the fellowship of book lovers. Eloise’s scavenger hunt not only directs the suspenseful plot but also points to the message at the heart of With Love From London: Books can act as portals to the human soul.

As Valentina finds a fulfilled life in Primrose Hill, readers find a retreat from a harried world.

In the audiobook With Love From London, voice actors Brittany Pressley and Gabrielle Glaister animate daughter and mother with equal warmth and exuberance.
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Silvia Vasquez-Lavado is a truly impressive individual: She’s a philanthropist who’s worked in Silicon Valley’s tech industry, and she’s one of the few women to have climbed all Seven Summits, the Earth’s highest mountain peaks. But as her immersive, inspiring memoir, In the Shadow of the Mountain: A Memoir of Courage (15.5 hours), makes clear, her accomplished resume only hints at her remarkable story. Scenes from her life—including her childhood in Peru, her sexual abuse by a trusted adult and her later estrangement from her mother following her coming out as a lesbian—are interspersed with scenes from a climb on Mount Everest, where she’s accompanied by fellow sexual violence survivors who, like the author, have found healing and empowerment through physical challenges.

Through her narration, Vasquez-Lavado, whose first language is Spanish, conveys a lifetime of warmth, humor and steely determination.

Read our starred review of the print edition of ‘In the Shadow of the Mountain.’

Silvia Vasquez-Lavado narrates her memoir, In the Shadow of the Mountain, with warmth, humor and steely determination.
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British author Bernardine Evaristo narrates the audiobook of her inspirational memoir, Manifesto: On Never Giving Up (6 hours). She reads in a measured, clear voice and steady, unwavering tone that serve some parts of the book more than others. When she tells stories—episodes of her childhood in a biracial home, for example—or connects identity, politics and creativity with truths that resonate especially with creatives of color, the clarity of her narration enhances the listening experience. However, her slow pace and lack of variation in tone cause other sections to drag, especially when they’re not as relevant to the inspirational theme at the heart of the book. Some listeners may prefer to play this audiobook at an increased speed, perhaps while engaged in other activities, so as not to lose momentum.

For focused listeners seeking an audiobook for edification, not for leisure or relaxation, Manifesto is a smart choice.

Read our review of the print edition of ‘Manifesto.’

For focused listeners seeking an audiobook for edification, not for leisure or relaxation, Manifesto is a smart choice.
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Novelist Jami Attenberg invites readers to join her in reflecting on relationships, creativity and the nature of home in her first essay collection, I Came All This Way to Meet You (6.5 hours). Her vignettes intertwine stories of her growth as an author with funny and honest ruminations on a life filled with travel and art.

Attenberg’s vulnerability in these essays, paired with narrator Xe Sands’ quiet, confident voice, makes listening to I Came All This Way to Meet You an intensely personal experience. Sands adds a shade of wistfulness to Attenberg’s wisdom with cool vocal tones, and elevates the author’s witty quips with a cheeky sensibility. Listeners will lean in to enjoy the full range of sentimentality and playfulness. It’s like sitting down with a clever friend to hear stories over cups of tea—nostalgic, conspiratorial and comfortable.

I Came All This Way to Meet You is a relaxing audiobook that will incline the listener toward restful reflection, encouraging them to discover inspiration in even the smallest moments of everyday life.

Read our starred review of the print edition of ‘I Came All This Way to Meet You.’

Nostalgic and conspiratorial, I Came All This Way to Meet You is a relaxing audiobook that will incline the listener toward restful reflection.
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When James Lee Burke’s Cimarron Rose came out last year, his hardcore fans (me included) were disappointed that it did not feature Cajun cop Dave Robicheaux. Turns out we needn’t have worried; Cimarron Rose was excellent in its own right, and nominated for the prestigious Edgar Award for Best Mystery of 1997.

This year, Robicheaux is back in Sunset Limited, a darkly atmospheric tale of racism, greed, and revenge. Some 40 years back as a boy in school, Robicheaux had been acquainted with a girl named Megan Flynn, the daughter of a radical labor organizer. Robicheaux and his father had the sobering experience of discovering Megan’s father Jack Flynn crucified with 16-penny nails against a barn wall. The killers were never found. In the intervening years, Robicheaux went to Vietnam, returned more or less intact, and became a police officer in the Louisiana bayou country. Megan Flynn bounced in and out of foster homes and picked fruit with the migrant workers before finding her niche as a photojournalist. Drawn to controversial stories, Megan has now come back to New Iberia Parish to investigate an alleged case of prison abuse, but it soon becomes clear that she has another agenda in mind: stirring up ghosts.

In his previous novels, Burke has woven a bayou tapestry of past and present, drawing on the rich history of the region: the Civil War, the offshore oil boom, segregation, and the good ol’ boy network. Sunset Limited is no exception. In many respects, the past lives on in the children; the privilege (or the lack thereof) leaves scars that become part of the genetic material, passing from generation to generation. Old scores, some dating back to the Lincoln era, fester in the bayou milieu.

In Robicheaux, Burke has created a complex hero: unbendingly loyal to those who have earned his trust; strong, yet tender and sensitive; the aesthete jock who finds sustenance in his surroundings, his wife, and his adopted daughter. Any new James Lee Burke novel is cause for a visit to your local bookstore or library; a Dave Robicheaux story is doubly so. Sunset Limited should be on the short list for 1998’s Edgar Award consideration.

When James Lee Burke's Cimarron Rose came out last year, his hardcore fans (me included) were disappointed that it did not feature Cajun cop Dave Robicheaux. Turns out we needn't have worried; Cimarron Rose was excellent in its own right, and nominated for the prestigious…

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In African Town (7 hours), co-authors Charles Waters and Irene Latham use a series of first-person narrative poems to tell the story of the Clotilda—the last American slave ship—and to reveal the fates of the enslaved passengers and their captors.

Each character’s perspective unfolds in a particular poetic structure that reflects their personality, and the audiobook cast members incorporate the cadence of these poems into their performances without ever sounding forced or contrived. Consequently, the listener experiences not only an epic story of terror, grief and heroism but also the unique humanity of each character, including the Clotilda—a ship that is infinitely more humane than her masters.

The accompanying downloadable PDF is packed with valuable information, including a glossary, timeline and additional information about the characters. African Town is an emotionally complex, searingly honest and extremely rewarding experience for teen and adult listeners alike.

Irene Latham and Charles Waters discuss ‘African Town,’ their novel in verse about the last group of Africans brought to America and enslaved.

African Town is an emotionally complex, searingly honest and extremely rewarding experience for listeners of all ages.
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In How to Be Perfect: The Correct Answer to Every Moral Question (9 hours), Michael Schur, creator of “The Good Place” and co-creator of “Parks and Recreation,” explores philosophical questions about how humans define good character and behavior and how to achieve it. The audiobook is read mostly by the author, whose well-paced, attentive narration keeps his humorous, personality-driven (albeit sometimes meandering) content clear and engaging.

Actors from “The Good Place” comprise the audiobook’s remaining cast, with Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil and even philosophy professor Todd May (who had a cameo on the show) bringing distinctive tones, attitudes and comedic gravitas to their performances.

This is a lively audio production for thoughtful readers interested in questions of goodness (“Should I punch my friend in the face for no reason?”), and it’s perfect for listening in both spurts or over a single long stretch. How to Be Perfect turns serious questions into playful thought exercises to aid in making better decisions with less angst.

With guest appearances from the cast of “The Good Place,” this is a lively audio production for thoughtful readers interested in moral dilemmas.

How can anyone take this man seriously? Answer: You can’t. Nor should you. And nor does he, for that matter. Mel Brooks—the multiple Tony, Academy Award and Emmy Award-winning comedian, writer, filmmaker and Broadway showman—has found reasons to laugh all his life and, thankfully, has shared that laughter with the public. Now he’s doing it again, this time with his memoir, All About Me! My Remarkable Life in Show Business (15 hours).

In his raspy, unmistakable voice, Brooks reveals his enduring passion for such comedy classics as Young Frankenstein, Spaceballs and History of the World, Part I, as well as his respect for his relationships with showbiz luminaries Sid Caesar, Gene Wilder, Anne Bancroft and more. Even Brooks’ most personal memories of growing up in Brooklyn are peppered with his trademark sense of humor.

It’s easy to hear that Brooks had fun telling these stories, which clearly hold a distinct place in his heart. They’ll find a way into yours, too.

Mel Brooks has found reasons to laugh all his life and has shared that laughter with the public. Now he’s doing it again, this time with his memoir.
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In Xochitl Gonzalez’s novel, Olga Dies Dreaming (11.5 hours), successful wedding planner Olga navigates the world of wealthy New Yorkers while pursuing answers about her Puerto Rican heritage, her mother’s history and her own future love.

Olga attends her cousin’s wedding while in love for the first time, but the ominous reappearance of her mother’s presence clouds the possibilities laid before her. Meanwhile, Olga’s congressman brother holds big stakes in a bill that addresses Puerto Rico’s debt to the United States.

Opposing forces—Puerto Rican and American identities, wealth and poverty, religion and activism—rule the narrative. Three bilingual actors of Puerto Rican descent—Almarie Guerra, Armando Riesco and Inés del Castillo—give voice to Olga, her brother and mother, their stories unfolding through a multifaceted plot layered with political, financial and personal dramas. The narrators’ accents and code-shifting create a vibrant auditory experience. In particular, Guerra’s luscious voice conveys Olga’s transformation from fighter to a compassionate woman as she overcomes dualities and finds wholeness within herself.

Xochitl Gonzalez unpacks her striking debut, ‘Olga Dies Dreaming.’

Three bilingual actors give voice to Xochitl Gonzalez’s multifaceted novel, which is layered with political, financial and personal drama.
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Actor and rapper Will Smith considered himself a coward for many years. As a boy, he was scared of his abusive, perfectionist dad from whom he wished he could protect his mom. He discovered that performing, both musically and as an actor, mitigated the risk of vulnerability with the chance to gain everything. His onstage humor, charm and originality won him worldwide fame and love—but also cost him. In Will (16.5 hours), Smith tells his incredible true story of rising, falling and discovering himself.

In the same way he studies his TV and film characters, Smith analyzes himself through vivid, theatrical anecdotes and stark metaphors. Rickety basement stairs become a descent into hell, and a game of Monopoly turns into a contest between success and death. Through his clear narration, Smith becomes not just a character but also himself, and the listener can easily “get” him.

As Smith relates his story of learning how to move beyond simply surviving to thriving, his delivery is spot on, with masterful imitations of family members, friends and colleagues. Musical interludes and background music create a soundscape from which epiphanies burst brilliantly. Smith’s autobiography is a hero myth for readers seeking self-awareness.

Will Smith’s autobiography is a hero myth for readers seeking self-awareness.

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