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A title wave of beach paperbacks Whether you’re contemplating a trip to an exotic beach, or planning to spend the warm weather months in the back yard, you’ll want to bring along that most necessary of seasonal accouterments. No, not sunscreen. We’re talking summer reading. Especially the easy-to-tote paperback variety. A hardcover sensation, John Berendt’s Midnight in the Garden of Good and Evil: A Savannah Story, literally spent years on bestseller lists. This month the 1994 title at last debuts in soft cover (Vintage, $12, 0679751521). Never mind that Clint Eastwood’s movie version has come and gone. If you haven’t read this account of life and death and murder Savannah-style, replete with its parade of beguiling eccentrics, you’re in for a mint-julep-flavored treat. Southern accents and sensibilities also abound in Rebecca Wells’s Divine Secrets of the Ya-Ya Sisterhood. Flashing back and forth from the 1990s to the 1960s, the book explores Siddalee’s efforts to understand her seemingly incomprehensible mother, the Louisiana magnolia Viviane, and her three chums. Booted out of a Shirley Temple lookalike contest when they were just six, the girls spent their college years blazing a bourbon-splattered trail, buffered by the motto (from a Billie Holiday tune), smoke, drink, don’t think. As much a paean to sisterhood as it is a mother-daughter tale, Ya-Ya is a kind of follow-up to Wells’s much darker first novel, Little Altars Everywhere, (HarperCollins, $13, 0060976845), and is being developed for a movie by Bette Midler’s production company. Yet another girly story is recounted in Bridget Jones’s Diary (Penguin, $12.95, 014028009X). Helen Fielding’s book which originated as a column in a London newspaper is the first-person odyssey of the thirtysomething Bridget, who is obsessed with such ’90s issues as learning to program her VCR, finding Mr. Right, and, of course, weight loss (in one year she manages to lose 72 pounds . . . and to gain 74). The producers of the quirky Four Weddings and a Funeral plan a movie version of the quirky Bridget.

Memoirs of a Geisha: A Novel, by first-time novelist Arthur S. Golden, may also be headed for the screen with Steven Spielberg’s involvement. For now, enjoy it in print (Vintage, $14, 0679781587), as the geisha Sayuri details her metamorphosis from peasant child she was nine when her widowed father sold her to a geisha house to her prewar rise as a leading geisha and on to her role as mistress to a power-broker. Golden spent nine years researching and writing this intricately detailed saga, which takes us on a memorable, eye-opening journey.

And last but not least, we mustn’t forget Margaret Mitchell’s monumental (and perennially best-selling) classic, Gone with the Wind (Warner Books, $7.99, 0446365386).

Hollywood journalist Pat H. Broeske is also a biographer who has chronicled the lives of Howard Hughes and Elvis Presley.

A title wave of beach paperbacks Whether you're contemplating a trip to an exotic beach, or planning to spend the warm weather months in the back yard, you'll want to bring along that most necessary of seasonal accouterments. No, not sunscreen. We're talking summer reading.…

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It’s hard to believe that author Dawn Turner isn’t the narrator of her memoir, Three Girls From Bronzeville: A Uniquely American Memoir of Race, Fate, and Sisterhood (12 hours); the woman reading the audiobook sounds so honest as she recalls growing up in the historic Bronzeville section of Chicago that surely she must be Turner. But award-winning voice actor Janina Edwards’ confident storytelling commands attention and enhances the tale. Her wise, knowing tone allows the listener to fall under the spell of the story, envisioning each episode and trusting that the details will weave together meaningfully.

The listener is transported into the past to experience the closeness of Turner’s family, the excitement of growing up together and the emotional toll of their disparate fates. With a range of tones and speech patterns, Edwards acts out the truths of Turner’s life, from the memorable words of both child and adult personalities to the clear, precise diction of a person raised with strict insistence upon proper speech. This remarkable audio production intrigues and entertains.

Listeners will fall under the spell of Dawn Turner’s memoir through Janina Edwards’ confident storytelling and wise, knowing tone.

In Travels With George: In Search of Washington and His Legacy (9.5 hours), author and narrator Nathaniel Philbrick retraces his adventure, beginning in the fall of 2018, to follow the trail of George Washington’s presidential excursions after his 1789 inauguration. Through observing the landscapes and towns he visits and interviewing the people he meets, Philbrick compares and contrasts our history with our present moment, and ponders the strengths and fragility of our nation. As he recounts his travels, including fond anecdotes of his dog, Dora, Philbrick examines who Washington was—as a man, a plantation owner dependent on the labor of enslaved people and a reluctant president facing complex social issues.

A natural storyteller, Philbrick switches seamlessly between Washington’s voice and his own personal reflections, revealing a profound respect for the country, its history and the lessons it imparts to us. His fascinating journey will appeal to travelers and historians, but his likable performance as an audiobook narrator will engage even those typically averse to historical narratives. Travels With George is as insightful and thought provoking as John Steinbeck’s Travels With Charley.

Read our review of the print edition of ‘Travels With George.’

Tracing the trail of Washington’s presidential excursions, Nathaniel Philbrick reveals a profound respect for the country, its history and the lessons it imparts to us.

In Vanderbilt: The Rise and Fall of an American Dynasty (9 hours), broadcast journalist Anderson Cooper joins historian and novelist Katherine Howe to recount the rich and tumultuous history of his mother’s family, the Vanderbilts. The engaging and detailed narrative explores the chaos and charm of the Vanderbilt name and the family’s social status from the 19th to the 21st century.

Cooper’s narration is even, his voice distinctly resonant and professional throughout, yet there is a notably heartfelt quality to his memories of his mother, Gloria Vanderbilt. His tender descriptions of her dignity and optimistic spirit—in spite of the public and media scrutiny that came with being a Vanderbilt—lend a touching and respectful tone to this in-depth look at an American dynasty.

This revealing family history will be especially interesting to readers who loved Cooper’s The Rainbow Comes and Goes, a book of letters between Cooper and his mother, and those who enjoy celebrity memoirs such as The Boys by Ron and Clint Howard.

Anderson Cooper’s tender descriptions of his mother’s optimistic spirit lend a touching and respectful tone to this in-depth look at the Vanderbilt dynasty.
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Cloud Cuckoo Land (15 hours) by Anthony Doerr chronicles the intersecting lives of an orphaned teenage girl and a village boy living in 15th-century Constantinople, an elderly librarian and a troubled teenager in present-day Idaho, and a young passenger aboard an interstellar ship generations into the future. It’s a dreamy, dynamic interweaving of stories about conflict, grief and hope.

Narrators Marin Ireland and Simon Jones make each character’s story feel personal, valid and alive—a challenging task with a cast this extensive and settings that span hundreds of years and miles. Ireland’s performances anchor every chapter in a myriad of voices and accents, surrounding the listener with an immersive experience. Between chapters, Jones playfully narrates excerpts from a fictional ancient Greek text whose relevance to each storyline is revealed gradually.

Listening to Cloud Cuckoo Land will transport you. It is magical and comforting, and likely to leave you with a new perspective on the power of resilience and the meaning of human connection.

Read our starred review of the print edition of ‘Cloud Cuckoo Land.’

As an audiobook, Cloud Cuckoo Land is a transportive experience, likely to leave listeners with a new perspective on the power of human connections.
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Like her hit 2020 debut, Migrations, Charlotte McConaghy’s second novel spirals into the recesses of the heart, exploring climate change and human behavior through the story of one woman’s fraught life.

In Once There Were Wolves (8.5 hours), Inti keeps more company with animals than with people. Her work involves releasing wolves into the Scottish Highlands, a controversial venture that arouses suspicion—and then violence—from farmers. The wolves’ presence will allow forests to regrow by forcing deer to keep moving, but the local villagers can’t see beyond the threat to their lives and livestock. Having grown up between a hardline, back-to-the-land father and a mother whose professional expertise is in domestic abuse, Inti’s nurtured cynicism competes with the kindness and goodness she experiences from her sister and a handful of other close relationships.

In the audiobook, master voice actor Saskia Maarleveld keeps the book’s intrigue high. Her breathless delivery captures Inti’s sensitivity and other characters’ misgivings of one another, heightening the tension between domesticity and wildness. Maarleveld also drives home the book’s global expanse through a medley of expert accents, including Canadian, Australian and Scottish.

ALSO IN BOOKPAGE: Read our starred review of the print edition of ‘Once There Were Wolves’.

Master voice actor Saskia Maarleveld keeps the intrigue high in Charlotte McConaghy’s second novel, which spirals into the recesses of the heart.
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In her autobiography, All In (18 hours), Billie Jean King tells of her triumphs and struggles both on and off the tennis court, from her hardscrabble childhood in Long Beach, California, to her present-day life in New York City.

Growing up in the 1960s, King’s inquisitive and rebellious spirit reflected the era, as she refused to wear white skirts as a young player. Later, she launched the Women’s Tennis Association and built a career with her husband and business partner. But years of keeping her sexual orientation a secret took a toll on King, physically and emotionally. Her book celebrates the honesty, hard work and love that bolstered her and encouraged her to fight for inclusion and equity.  

In the energetic audio production, King brings her punchy, passionate personality to her percussive narration. Her voice is compassionate and down-to-earth as she relates her experiences of forging relationships with a colorful cast of characters who have joined her in her journey. In moments of pain and joy, King connects deeply with her audience through audible tears and laughter, culminating in an inspiring and cathartic listening experience.

In the energetic audiobook edition of her autobiography, Billie Jean King connects deeply with her audience through audible tears and laughter.
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A Carnival of Snackery (17 hours) collects highlights from David Sedaris’ diaries from 2003–2020, read by the author and British-born actor Tracey Ullman. Sedaris’ diary entries reflect much of what we love most about his short stories and essays—observations about the unusual people he meets on his travels, anecdotes about awkward situations and tales about his family—all filtered through the lens of the last two decades, with backdrops that range from Brexit to protests against the Iraq War and George Floyd’s murder.

In the introduction, Sedaris explains that Ullman will narrate the portions of the audiobook set in England, to capture the local charm in a way he cannot. She does a wonderful job portraying Sedaris and the broad range of accents he encounters while across the pond, from a haughty horseback rider to a teenage troublemaker. Sedaris hardly needs help: He doesn’t perform as many voices in his sections, but his emphasis and timing get right to the humor at the heart of his diaries.

ALSO IN BOOKPAGE: Read our starred review of the print edition of ‘A Carnival of Snackery.’

David Sedaris and actor Tracey Ullman get right to the humor at the heart of his diaries in the audio edition of A Carnival of Snackery.
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A Spanish queen. A Florentine printer. An English wool merchant. A disgruntled German monk. A Genoese explorer. According to Patrick Wyman, author and narrator of The Verge: Reformation, Renaissance, and Forty Years that Shook the World (11.5 hours), these are among the actors who gave birth to the modern world. Wyman argues that from 1490 to 1530, a series of economic, religious and state-building revolutions transformed Europe from a backwater into the dominant global power. And like the song says, it was money—in the form of increasingly available credit—that made the world go round.

Creator of the podcast series Tides of History and Fall of Rome, Wyman is a skilled performer with obvious enthusiasm for his subject. His reading is also enhanced by the book’s structure: Each chapter focuses on a particular historical figure who in some way acted as a midwife to the new age, and Wyman’s narration emphasizes their humanity, warts and all. As a result, he makes this economic history of Europe an entertaining and informative audiobook.

Podcaster Patrick Wyman skillfully narrates his engaging economic history of Europe.
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Thirteen-year-old Weldon Applegate (as remembered by 99-year-old Weldon Applegate) is the unlikely hero of Josh Ritter’s The Great Glorious Goddamn of It All (7 hours). Set in Cordelia, Idaho, a lumber town at the end of the lumberjack era, and populated by ghosts, witches and demons, this rollicking tall tale is as true and honest as the honed edge of a jack’s favorite ax.  

Ritter is a renowned singer-songwriter, and his language is exquisite, especially when describing the grandeur of a winter forest or the subtle evil of a greedy man. His nuanced narration gives an authentic voice to both young and ancient Weldon, endowing him with wisdom, humor and valor while never losing sight of the terrible beauty of his vanished world. Ritter’s talents as a ballad singer make this audiobook, which includes an original song, a special pleasure.

Josh Ritter’s talents as a ballad singer make this audiobook, which includes an original song, a special pleasure.
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Frank O’Connell had been struggling with his lot in life since he married Moira. As a young lawyer with a bright future, beautiful wife and son, and a partnership in his wealthy and powerful father-in-law’s practice, Frank seemed to have everything. Then something changes. He begins searching for that one thing that defines a person’s powerful sense of self-worth. He could no longer find it at home or at the office. So he gives up his perfect life to become a court-appointed attorney at the beck-and-call of drug-users and petty criminals. After experiencing life at the opposite end of the spectrum, however, Frank isn’t so sure he has made the right decision.

Welcome to Stephen Horn’s debut legal thriller, In Her Defense. As a former prosecutor for the Justice Department, Horn has lived the stuff of which the very best legal thrillers are made. He’s quick to point out there are many things he can’t reveal about his career. But what he can glean from his experience, he does in this incredible story of one man’s struggle to bring justice into the world, and maybe even find himself along the way.

Horn’s lead character is pondering his life-changing decision one day as he enters the cellblock that houses one of his clients another defendant in a drug case. That’s where Frank meets Ashley Bronson, a gorgeous socialite in prison for the murder of former Agriculture Secretary and long-time family friend, Raymond Garvey. Ashley decides she wants Frank to plead her case. She is convinced that Garvey’s actions drove her father to commit suicide. Before the trial ends, Frank will reveal to Ashley the truth about her father, his invention, and a life-long friend, and some shocking history about the United States government.

Horn’s main characters are at odds, at times, with issues of right and wrong. Some are naive to the ways of the justice system; others, long since jaded. But they all blend to make this story riveting. We want Frank to save Ashley and we want him to save himself, too. After all, if he can, maybe there’s hope for the rest of us. Sonya Beasley, a native Mississippian, is hopelessly devoted to her husband Scott, and her hamster Penelope.

Frank O'Connell had been struggling with his lot in life since he married Moira. As a young lawyer with a bright future, beautiful wife and son, and a partnership in his wealthy and powerful father-in-law's practice, Frank seemed to have everything. Then something changes. He…
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Lily’s Crossing (3.5 hours), performed by Mia Dillon, is a Newbery Honor Book for children ages 8-12, but it’s the kind of audio that even parents will enjoy. It’s set in the summer of 1944, at Rockaway Beach, where Lily watches troop ships begin their trek across the Atlantic — one, perhaps, carrying her beloved father — and where she meets a boy her own age, a refugee from Hungary, whose parents were killed by the Nazis and whose sister is somewhere in France. They become constant companions, sharing their fears about loss and separation, the war and the future, discovering that love and friendship make a world of difference in a very troubling world. Author Patricia Reilly Giff tells this story with simplicity, honesty, and a refreshingly clear understanding of childhood.

Lily's Crossing (3.5 hours), performed by Mia Dillon, is a Newbery Honor Book for children ages 8-12, but it's the kind of audio that even parents will enjoy. It's set in the summer of 1944, at Rockaway Beach, where Lily watches troop ships begin their…
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Harper Lee’s To Kill a Mockingbird is more than a literary classic; it’s a 50-year testament to the ways a well-told story can inspire readers and impact a culture.

Oprah Winfrey has called it America’s “national novel,” and Tom Brokaw remembers the “electrifying effect” it had on the country the year it debuted. The book won the Pulitzer Prize for fiction in 1961, and in 1962 a movie adaptation garnered three Academy Awards (having been nominated for eight). Today, this treasured gem has sold more than 30 million copies.

To Kill a Mockingbird was first published in the summer of 1960 when its author, Nelle Harper Lee, was 35 years old. Living in a cold-water flat in New York City’s Yorkville neighborhood, she had been supporting herself with a series of odd jobs, from sales clerk in a bookstore to ticket agent for Eastern Airlines. For years, her ambition had been to become a writer. Her childhood friend Truman Capote (who appears in the book as the character Dill) had done it, but for Lee, any future literary success was contingent upon her ability to carve out time in the evenings after work to write.

Those close to Lee, like best friends Joy and Michael Martin Brown, believed in her though, and on Christmas Day, 1956, they presented Lee with an envelope. Inside was a note reading, “You have one year off from your job to write whatever you please. Merry Christmas.” Free to devote herself full time to her writing, Lee produced a bestseller.

To honor Lee’s achievement and celebrate the novel’s 50 years of enduring popularity, publisher HarperCollins is organizing events across the country—from readings to live re-enactments—and publishing several new editions of the classic. There’s an elegance to the To Kill a Mockingbird slipcased edition, while the 50th-anniversary hardcover is especially lovely with its vintage reproduction of the original book jacket. Also available is a mass market paperback.

Paying tribute to the novel’s lasting legacy is Mary McDonagh Murphy’s Scout, Atticus & Boo, a collection of 26 interviews with mostly well-known Americans reflecting on how the book has touched their lives. Included are Anna Quindlen, Jon Meacham, Allan Gurganus, Mary Badham (the actress who played Scout in the movie) and even Lee’s sister, Alice Lee.

Gaining a million more readers every year, To Kill a Mockingbird’s enduring success can be traced both to the novel’s subjects—Scout’s coming-of-age, the trial of Tom Robinson—and to Lee’s storytelling. The book tackles the injustice of racism, takes a stand for what is right, yet thankfully lacks any tone of self-righteousness or high-minded piety. Lee’s characters are wonderfully crafted, so vivid and alive. Her prose is beautifully languid, her descriptions sharp-eyed and her humor smart.

Harper Lee accomplished something great with To Kill a Mockingbird, and with every passing decade, another generation of readers is wholly, and completely, captivated by its magic.

Harper Lee’s To Kill a Mockingbird is more than a literary classic; it’s a 50-year testament to the ways a well-told story can inspire readers and impact a culture.

Oprah Winfrey has called it America’s “national novel,” and Tom Brokaw remembers the “electrifying effect” it…

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