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The Great Glorious Goddamn of It All

Review by Deborah Mason

Thirteen-year-old Weldon Applegate (as remembered by 99-year-old Weldon Applegate) is the unlikely hero of Josh Ritter’s The Great Glorious Goddamn of It All (7 hours). Set in Cordelia, Idaho, a lumber town at the end of the lumberjack era, and populated by ghosts, witches and demons, this rollicking tall tale is as true and honest as the honed edge of a jack’s favorite ax.  

Ritter is a renowned singer-songwriter, and his language is exquisite, especially when describing the grandeur of a winter forest or the subtle evil of a greedy man. His nuanced narration gives an authentic voice to both young and ancient Weldon, endowing him with wisdom, humor and valor while never losing sight of the terrible beauty of his vanished world. Ritter’s talents as a ballad singer make this audiobook, which includes an original song, a special pleasure.

Josh Ritter’s talents as a ballad singer make this audiobook, which includes an original song, a special pleasure.
Audio

Review

Review by bookpagedev

Frank O’Connell had been struggling with his lot in life since he married Moira. As a young lawyer with a bright future, beautiful wife and son, and a partnership in his wealthy and powerful father-in-law’s practice, Frank seemed to have everything. Then something changes. He begins searching for that one thing that defines a person’s powerful sense of self-worth. He could no longer find it at home or at the office. So he gives up his perfect life to become a court-appointed attorney at the beck-and-call of drug-users and petty criminals. After experiencing life at the opposite end of the spectrum, however, Frank isn’t so sure he has made the right decision.

Welcome to Stephen Horn’s debut legal thriller, In Her Defense. As a former prosecutor for the Justice Department, Horn has lived the stuff of which the very best legal thrillers are made. He’s quick to point out there are many things he can’t reveal about his career. But what he can glean from his experience, he does in this incredible story of one man’s struggle to bring justice into the world, and maybe even find himself along the way.

Horn’s lead character is pondering his life-changing decision one day as he enters the cellblock that houses one of his clients another defendant in a drug case. That’s where Frank meets Ashley Bronson, a gorgeous socialite in prison for the murder of former Agriculture Secretary and long-time family friend, Raymond Garvey. Ashley decides she wants Frank to plead her case. She is convinced that Garvey’s actions drove her father to commit suicide. Before the trial ends, Frank will reveal to Ashley the truth about her father, his invention, and a life-long friend, and some shocking history about the United States government.

Horn’s main characters are at odds, at times, with issues of right and wrong. Some are naive to the ways of the justice system; others, long since jaded. But they all blend to make this story riveting. We want Frank to save Ashley and we want him to save himself, too. After all, if he can, maybe there’s hope for the rest of us. Sonya Beasley, a native Mississippian, is hopelessly devoted to her husband Scott, and her hamster Penelope.

Frank O'Connell had been struggling with his lot in life since he married Moira. As a young lawyer with a bright future, beautiful wife and son, and a partnership in his wealthy and powerful father-in-law's practice, Frank seemed to have everything. Then something changes. He…
Audio

Review

Review by bookpagedev

Lily’s Crossing (3.5 hours), performed by Mia Dillon, is a Newbery Honor Book for children ages 8-12, but it’s the kind of audio that even parents will enjoy. It’s set in the summer of 1944, at Rockaway Beach, where Lily watches troop ships begin their trek across the Atlantic — one, perhaps, carrying her beloved father — and where she meets a boy her own age, a refugee from Hungary, whose parents were killed by the Nazis and whose sister is somewhere in France. They become constant companions, sharing their fears about loss and separation, the war and the future, discovering that love and friendship make a world of difference in a very troubling world. Author Patricia Reilly Giff tells this story with simplicity, honesty, and a refreshingly clear understanding of childhood.

Lily's Crossing (3.5 hours), performed by Mia Dillon, is a Newbery Honor Book for children ages 8-12, but it's the kind of audio that even parents will enjoy. It's set in the summer of 1944, at Rockaway Beach, where Lily watches troop ships begin their…
FictionAudioLiterature

A seminal novel turns 50

Feature by Lacey Galbraith

Harper Lee’s To Kill a Mockingbird is more than a literary classic; it’s a 50-year testament to the ways a well-told story can inspire readers and impact a culture.

Oprah Winfrey has called it America’s “national novel,” and Tom Brokaw remembers the “electrifying effect” it had on the country the year it debuted. The book won the Pulitzer Prize for fiction in 1961, and in 1962 a movie adaptation garnered three Academy Awards (having been nominated for eight). Today, this treasured gem has sold more than 30 million copies.

To Kill a Mockingbird was first published in the summer of 1960 when its author, Nelle Harper Lee, was 35 years old. Living in a cold-water flat in New York City’s Yorkville neighborhood, she had been supporting herself with a series of odd jobs, from sales clerk in a bookstore to ticket agent for Eastern Airlines. For years, her ambition had been to become a writer. Her childhood friend Truman Capote (who appears in the book as the character Dill) had done it, but for Lee, any future literary success was contingent upon her ability to carve out time in the evenings after work to write.

Those close to Lee, like best friends Joy and Michael Martin Brown, believed in her though, and on Christmas Day, 1956, they presented Lee with an envelope. Inside was a note reading, “You have one year off from your job to write whatever you please. Merry Christmas.” Free to devote herself full time to her writing, Lee produced a bestseller.

To honor Lee’s achievement and celebrate the novel’s 50 years of enduring popularity, publisher HarperCollins is organizing events across the country—from readings to live re-enactments—and publishing several new editions of the classic. There’s an elegance to the To Kill a Mockingbird slipcased edition, while the 50th-anniversary hardcover is especially lovely with its vintage reproduction of the original book jacket. Also available is a mass market paperback.

Paying tribute to the novel’s lasting legacy is Mary McDonagh Murphy’s Scout, Atticus & Boo, a collection of 26 interviews with mostly well-known Americans reflecting on how the book has touched their lives. Included are Anna Quindlen, Jon Meacham, Allan Gurganus, Mary Badham (the actress who played Scout in the movie) and even Lee’s sister, Alice Lee.

Gaining a million more readers every year, To Kill a Mockingbird’s enduring success can be traced both to the novel’s subjects—Scout’s coming-of-age, the trial of Tom Robinson—and to Lee’s storytelling. The book tackles the injustice of racism, takes a stand for what is right, yet thankfully lacks any tone of self-righteousness or high-minded piety. Lee’s characters are wonderfully crafted, so vivid and alive. Her prose is beautifully languid, her descriptions sharp-eyed and her humor smart.

Harper Lee accomplished something great with To Kill a Mockingbird, and with every passing decade, another generation of readers is wholly, and completely, captivated by its magic.

Harper Lee’s To Kill a Mockingbird is more than a literary classic; it’s a 50-year testament to the ways a well-told story can inspire readers and impact a culture.

Oprah Winfrey has called it America’s “national novel,” and Tom Brokaw remembers the “electrifying effect” it…

Audio

Bringing a book to life with the magic of the spoken word

Feature by Adriana Trigiani

Someone once told me that the only difference between a child who grows up to make it in life and one who doesn’t is that the successful adult was read to—that’s right, someone curled up at bedtime and read aloud to her, filling her head with images, ideas and stories before she went off to dreamland and schemed her own. 

There’s a craze in the world of books right now that no one predicted: Adults are buying coloring books. They buy sleeves of colored pencils and fill in complex line drawings making their own grown-up works of art, Pre-K style. It would only stand to reason that the audiobook, sometimes called the audible, would be surging, too. We like the hands-free reading experience. We enjoy listening to a story interpreted by a skilled actor. It’s soothing, comforting, entertaining and can even be educational. And if you’re someone who has less time than chores, you can elevate your mind while you paint your house, clean your closet or make that long commute. 


Adriana Trigiani

 

Authors take the production values and narrator of the audio version of their books seriously. When your novel is edited, and around the time you are polishing the bells and testing the whistles, the subject of the selection of the narrator of the audio version of your book comes up. Through the years I’ve had some glittering stars, including my honorary brother Mario Cantone, who took the novel Rococo and turned it into his own personal opus, with the female voices conjured by him from the MGM leading lady roster during the golden age of Hollywood. 

The process of casting the reader for an audiobook is every bit as serious as casting a major Hollywood film. You are looking for the perfect match in vocal tone, cadence and delivery for the time period and setting of your story. You hope for an actor who can bring the book to life and dramatize the journey of the characters against the backdrop you’ve written. You want to feel the emotions of the characters, their longing and yearning, heartache and grief, and joy and connection. The actor has to make the story clear and lead the listener through the action. All she has is her voice and her ability to connect through that instrument—she has no props, costumes, music or fellow actors. She hasn’t a sleeve of colored pencils, only her own interpretation of the words before her and her particular ability to distill them for the listener.

It’s a one-woman show. Recording an audiobook is a camp-out under a relentless spotlight in a glass box with headphones snapped over her ears and hundreds of double-spaced pages on a music stand, read, interpreted and flipped in near silence as she digs deeply into the text. A director will stop and start the action, keeping an ear on the flow, pace and energy. The director is also looking for colors, shading, electricity in the performance when called for, and smooth endings to chapters, plus big swells to their beginnings.

For the actor, it’s intense work, a lot of consecutive days of staying in the moment, remaining focused, soothing the voice by biting into green apples and downing lemon and honey in warm water. There’s no physical release, as there is in acting onstage. Recording an audiobook is the interpretation through the voice; it’s mental, a soul connection. It’s hard work, but it can never sound like it. The characters have to dance through the air in the imagination of the listener as the actor reads their words aloud. 

When it came time to cast All the Stars in the Heavens, we needed an actor who could play a feast of great actors and actresses of all ages from the early days of American movies. I could only think of one woman who could skate between exchanges between Spencer Tracy and Loretta Young, or David Niven and Clark Gable, and bring a poor nun in a halfway house to life. We needed an actor with scope and range, but one whose voice was both velvet and gingham, who could conjure burlap and old rum. We needed youth and world weary, glorious and shabby, the kind of actor who can play it all, and frankly has. Blair Brown possesses all of these qualities, but she is also original, fresh and unwraps the words with delight. You keep listening because she is invested in the story, and you must know what happens. 

I’m the daughter of a librarian who played story-time records for us when we were children. We heard Danny Kaye read classic fairy tales, my first audiobook on an LP. When I went to college and majored in theater, I went straight to the library when studying the classics and listened to the Shakespeare plays recorded by Nigel Hawthorne and Dame Judi Dench, Sir Ian McKellen and Sir Laurence Olivier. I loved listening to plays read aloud. But it wasn’t all academia and serious drama—one of my favorite audiobook memories is picking up Underboss: Sammy the Bull Gravano’s Story of Life in the Mafia by Peter Maas at the Cracker Barrel on Route 81 in the hills of Virginia. It was read by the great Philip Bosco. I laughed in a car with my dad for eight hours straight as we listened to Mr. Bosco cuss and wheel and deal as only an organized crime rat can do. You see, audiobooks are part of the happy memories with my family. They’re wonderful, and they fill us up as only a good story can. 

A playwright, TV writer/producer and film director, Adriana Trigiani is the author of 16 books, including her beloved debut, Big Stone Gap. Trigiani’s latest novel, All the Stars in the Heavens, is a fictional take on the real-life romance between two stars of Hollywood’s golden age: Loretta Young and Clark Gable.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Someone once told me that the only difference between a child who grows up to make it in life and one who doesn’t is that the successful adult was read to—that’s right, someone curled up at bedtime and read aloud to her, filling her head with images, ideas and stories before she went off to dreamland and schemed her own.
NonfictionAudio

A chorus of celebrity voices gives life to an author’s words

Feature by Sheila Nevins

When I finally finished writing my collection of essays and poetry, You Don’t Look Your Age . . . and Other Fairy Tales, I realized there would be an audio version, and it would have to be read. But the thought of reading my own book, admitting my own stories, telling my secrets, was more than I could handle.

I discussed this problem ferociously with my friends and even let my psychiatrist in. The conclusion was that rather than keeping the audiobook so close to myself, I should ask others to read it. So who were these others to be and where would I find them?

It all started at the 80th birthday party for playwright and gay rights hero Larry Kramer. The party was in my home, and actress Christine Baranski came to celebrate this great man. A flash occurred! Why not read a poem from the book to Larry (“The Larry Kramer”) and see if he liked it, and at the same time, ensnare Christine into reading it for the audio? “What a good idea,” I thought. “How terrifying!”

At first, I read parts of the poem to Larry’s husband, David Webster: “I loved that he fought to get healthy, defying odds once again. I will not die, he seemed to say, I will not be forgotten, he seemed to say. Yet death hovered and he was challenged. . . .” David teared up and said it seemed fine and that I should give the whole poem to Larry to read. I saw Larry quietly seated, eating his birthday cake alone. I walked over to him, gave him a big kiss and handed him the entire poem. He read it and sweetly smiled. He said that he liked what I had written, that he was flattered. I kissed him again. I then took another deep breath and got the courage to find the beautiful Christine. She loves Larry as I do. I asked her if she would read my poem about Larry for the audiobook. She said of course she would! And then a bell went off in my head. If the likes of Larry liked my poem, and the likes of Christine would read my poem, maybe I could get other celebrities to read my stories. This would distance the book from me, give me a role as Madame Le Directeur, and hopefully be something special to present.

“I never called an agent, I never called a manager. I went direct. And one by one, almost all said yes.”

And so it began, this long journey seeking stardom. Why not the great Rosie O’Donnell, why not the revered gossip columnist Liz Smith, why not the authentic Alan Alda, why not the actress of all actresses, Ellen Burstyn? Why not even dare to ask Meryl Streep? And so I did—by email, by phone, by letter—ask these luminaries to be part of my first book and tell a part of my written and imaginary life. I never called an agent, I never called a manager. I went direct. And one by one, almost all said yes. And one by one, I recorded, nervously directed and always felt grateful as these special folk gave life to my musings.

This is how it came to be, this audiobook narrated by 25 stars, including: Bob Balaban, Kathy Bates, Glenn Close, Katie Couric, Blythe Danner, Lena Dunham, Edie Falco, Tovah Feldshuh, Diane von Furstenberg, Whoopi Goldberg, Gayle King, Diane Lane, Sandra Lee, Judith Light, Jenna Lyons, Audra McDonald, Janet Mock, RuPaul, Lesley Stahl, Martha Stewart, Marlo Thomas, Lily Tomlin, Gloria Steinem and Gloria Vanderbilt.

I hope this performance audio gives life to the book. I hope this feels like a theatrical presentation of the spoken word, with original music by the genius Michael Bacon and the audio perked to perfection by Scott Sherratt and my colleague Rob Forlenza. I present my orchestrated audiobook. Here it is! Voila! 

The president of HBO Documentary Films, Sheila Nevins has produced more than a thousand documentaries, many of which have been honored with Academy Awards, Emmy Awards and Peabody Awards. Her wry and poignant autobiographical collection, You Don’t Look Your Age . . . and Other Fairy Tales, charts her course from Barnard College to Hollywood with candid reflections on face-lifts, frenemies and many other topics.

 

This article was originally published in the June 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sheila Nevins tells us how she assembled the star-studded cast of readers for her collection of essays, You Don’t Look Your Age . . . and Other Fairy Tales.
NonfictionFictionAudio

Audio: policing and prejudice

Feature by Sukey Howard

Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all. A career law enforcement officer, he spent 28 years at the federal and local levels, ultimately becoming a senior executive at the Bureau of Alcohol, Firearms and Explosives and later a CNN contributor. In The Black and the Blue, his powerful, probing, unvarnished assessment of racial injustice in law enforcement today, he comes out as a “champion of wholesale police reform in the United States,” unafraid to offer prescriptive advice on how to address the racism, prejudices, biases and the lethal “cops don’t tell on cops” tradition ingrained in police culture. Using in-depth interviews and his own experiences, Horace presents the vivid on-the-ground actuality of police brutality, misconduct, malfeasance and the needless, heedless shootings that capture headlines and snuff out lives all over America. Horace narrates like a pro with both passion and control.

HOME JOURNEY
Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora. At 17, Belinda leaves her village and her mother behind to work as a housegirl for a wealthy couple who returned to their native Ghana to retire in luxury after making their fortune in London. Belinda finds solace in the daily domestic grind and in Mary, the charming, irrepressible 11-year-old housegirl-in-training who becomes like a little sister to her. But Belinda is uprooted again when close Ghanaian friends of her employers take Belinda to London, where she is tasked with befriending and providing a positive influence on their sullen teenage daughter, a student at an exclusive, mostly white private school. Surprisingly, their friendship blossoms after a few bumps, just as tragedy takes Belinda back to her homeland. At its core, Housegirl is a warmly perceptive look at female friendship as well as the angst, melodrama and confusion of coming of age in two clashing cultures.

TOP PICK IN AUDIO
Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa. In all that time he never faltered, never gave up hope for the future and an end to apartheid, never stopped fighting for his own dignity and that of his fellow prisoners, never stopped yearning for his wife, family and friends. How he endured and persevered is made clearer in the many letters he wrote during that time. The 255 published in The Prison Letters of Nelson Mandela, edited by Sahm Venter, are now available on audio, perfectly rendered by Atandwa Kani, whose flawless pronunciation of Xhosa names and phrases makes listening a totally engaging experience. There is lawyerly composure in Mandela’s letters describing his unrelenting quest for the rights of political prisoners. Yet also evident in these powerful and inspiring letters is the raw emotion and deep love of a man determined, against all odds, to remain a strong father and husband.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all.

NonfictionAudioSocial ScienceMystery

Audio: Seeing double

Feature by Sukey Howard

Listener beware! Untrue is Wednesday Martin’s unvarnished, cogently argued, colorfully detailed take on women who are “untrue.” She’s talking about women’s sexuality, adultery, cheating and “stepping out,” and she doesn’t mince words or use euphemisms. So if you’re uncomfortable with sexual straight talk, this book is not for you. But if you’re perfectly OK with it, there’s much to shake up your perceptions. Martin sees the sexual double standard, with its misunderstanding of women’s hearts and libidos, as “one of our country’s foundational concepts” along with life and liberty. To explore female infidelity and sexual autonomy, she talked to and synthesized the work of experts—primatologists, anthropologists, psychologists and more—who challenge our received notions of female promiscuity and see it as a behavior with a “remarkably long tail.” Martin reads her own provocative, stereotype-slaying words with elan.

GILDED AGE GHOSTS
I’m not a big fan of paranormal fiction, but Rose Gallagher, the protagonist of Erin Lindsey’s Gilded Age thriller Murder on Millionaires’ Row, is so disarmingly charming and fabulously feisty that I happily followed the spectral happenings that swirl around her from the get-go. Though 19-year-old Rose grew up in the rough-and-tumble Five Points, a notorious Dickensian slum in Lower Manhattan, she’s now a maid in a Fifth Avenue townhouse owned by Thomas Wiltshire, an elegant, eligible young Englishman. Rose, of course, has a full-throttle crush on her boss, and when he goes missing, she uses all her grit and innate talent to solve the mystery of his disappearance. When that’s achieved, she finds herself in Thomas’ world, in which special Pinkerton operatives investigate supernatural events, work with witches and return errant shades to the afterlife. This engagingly fun first installment in Lindsey’s new series is delightfully performed by Barrie Kreinik.

TOP PICK IN AUDIO
The United States imprisons a higher portion of its population than any other country in the world, and roughly 130,000 inmates are in privately owned, for-profit prisons. Less than a decade ago, Shane Bauer, a senior reporter for Mother Jones, unknowingly crossed into Iran while hiking and was held for 26 months in an Iranian jail. In 2014, to investigate life inside a corporately run penitentiary, Bauer took a low-paying job as a guard at a facility in Winnfield, Louisiana, owned by the Corrections Corporation of America (now rebranded as CoreCivic). His on-the-ground reporting in American Prison: A Reporter’s Undercover Journey into the Business of Punishment is powerful and disturbing. The conditions he experienced at Winnfield were horrendous, from dangerous understaffing that left prisoners with no classes and few activities, to subminimal medical care, unbridled sexual harassment and pervasive violence. And Bauer’s incisive examination of how the profit motive has shaped our prison system since the end of slavery amplifies his indictment. James Fouhey expertly narrates this vital exposé.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Get lost in two absorbing exposés, plus a delightful Gilded Age mystery in this month's Audio column.
NonfictionFictionAudioMysteryBiographyAmerican History

Audio: Strike four

Feature by Sukey Howard

After completing the Harry Potter series, J.K. Rowling started writing a mystery series under the pseudonym Robert Galbraith. And happily, her virtuosic talent as a spinner of stories with intricate plots and singular characters is front and center again. Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents. In Lethal White, Strike, a London private investigator with a reputation for unraveling high-profile cases, and his able, lovely (yes, their attraction thrums below the surface) assistant, Robin, are in the thick of it, investigating political blackmail and the murder of a Tory minister, all wrapped in a blur of populist politics, replete with a wild cast that includes radical lefties, conservative snobs and a mentally ill young man who desperately wants Strike’s help. After this 22-hour treat, I can’t wait for Strike five.

FINAL CHALLENGE
Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer. The White Darkness, originally published in The New Yorker, is David Grann’s cogent, intensely drawn portrait of Worsley, his fascinating life, his lifelong obsession with the Antarctic and his relentless passion to follow in Shackleton’s footsteps and succeed where he didn’t: crossing Antarctica on foot, alone. Only two and a half hours long, The White Darkness is one of the most powerful audios of the year, made so by Grann’s deftly crafted prose and Will Patton’s unwavering performance, delivered with conviction and calm urgency. Worsley eventually made two successful Antarctic expeditions with teams in 2008 and 2011 and went back for a fateful third expedition alone in 2015. You’ll feel the icy cold, his exhaustion, courage and formidable will as he battles the “obliterating conditions” on his transcontinental quest. Perhaps you’ll come to understand what drove him and the brave few among us to challenge frontiers, regardless of risk.

TOP PICK IN AUDIO
In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.” To make our past more knowable, Lepore has penned an astonishingly concise, exuberant and elegant one-volume American history that begins with Columbus and ends with Trump. Lepore questions, as Alexander Hamilton did, “whether societies of men are really capable or not of establishing good government from reflection and choice.” Lepore tells us upfront that much historical detail is left out; this is a political history, an explanation of the origins of our democratic institutions, and it lets history’s vast array of characters speak in their own words when possible. It also makes clear that slavery is an intimate, inextricable part of the American story. This is the past we need to know. Listen closely as Lepore reads with unexpected pizazz.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Three absorbing audiobooks for all your holiday travels.
Audio

Audio: January 2019

Feature by Sukey Howard

Six Four, Hideo Yokoyama’s U.S. debut, was a hit thriller. Seventeen, Yokoyama’s latest book, engagingly performed by Tom Lawrence, is not a thriller, but it is an extraordinarily gripping newsroom drama. It’s also an intensely personal look at a man who must deal with the ethical predicaments of journalism as well as his inner demons and perceived inadequacies. In 2003, as he’s attempting to climb a treacherous rock face, Kazumasa Yuuki, the protagonist and narrator, relives his days following the story of a catastrophic airline crash many years prior that killed almost all of the passengers. In 1985, Yuuki is a veteran reporter for the provincial newspaper in the prefecture where the plane went down, and he is made desk chief for the story. Determined to get as much information to the public and to the victims’ families as he can, he becomes embroiled in vicious office politics and power struggles that lead him to re-examine human nature. Yokoyama’s fast-paced procedural practically bristles with tension.

Lovely is not a word usually associated with Stephen King. But Elevation, his latest novella, which he narrates, is lovely. It is not a horror tale meant to provoke screaming—instead, it’s a beguiling parable with lessons our uncivil society would do well to learn. Scott Carey, a resident of Castle Rock, is losing large amounts of weight, yet his outward appearance doesn’t change, and he’s never felt better. His good friend, a retired doctor, doesn’t think there’s a medical explanation. That’s fine with Scott, who accepts his fate with grace. In the time left to him, he takes on the small-town bigotry aimed at his neighbors, a married lesbian couple. No details to spoil your fun—just know that when Scott goes into the dying of the light, he’s greeted with a rainbow of sparklers. 

Pardon the pun, but there’s a lot to reckon with in The Reckoning, John Grisham’s new thriller, including courtroom complications that of course won’t be set straight until the last few minutes of the audiobook. So settle in for a long, satisfying listen as you sift through the lives and lies, sins and secrets, grief and guilt of the proud Banning family of Clanton, Mississippi. On a fall morning in 1946, Pete Banning, husband, father, head of a prominent cotton-farming family and revered World War II hero who lived through hell, walked to town, murdered the Methodist pastor and would never say why, though his silence might mean dying in the electric chair. His reasons for the murder and its consequences for Pete’s two children unfold vividly as Michael Beck reads in a remarkable array of authentic accents.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lovely is not a word usually associated with Stephen King. But Elevation, his latest novella, which he narrates, is lovely. It is not a horror tale meant to provoke screaming—instead, it’s a beguiling parable with lessons our uncivil society would do well to learn.

AudioMysteryMemoir

Audio: February 2019

Feature by Sukey Howard

The title of Michelle Obama’s blockbuster bestseller, Becoming, lets you know that you’ll get the answers to many of the questions you’ve had about this extraordinary woman. You’ll find out how a kid who grew up in a cramped apartment on Chicago’s South Side graduated from Princeton and Harvard Law to ultimately become our first African-American first lady and one of the most admired women in the galaxy. More importantly, you’ll understand how she kept her authenticity, grace and sense of self while in the glare of an unrelenting media spotlight, where everything you say and do and wear is scrutinized. Obama is candid and frank, talking about the problems in the early years of her marriage, about being a mother, her dislike of politics and her distress with the current administration. She reads in her warm, familiar voice, and you’ll be swept up in her story, her triumphs and her trials. She’s lived a version of the American dream, but one shadowed by the very American nightmare of racism and prejudice.

It’s been much too long since I spent time with Precious Ramotswe and her colleagues at the Number 1 Ladies’ Detective Agency, and it’s always a quiet joy to return. Colors of All the Cattle, Alexander McCall Smith’s 19th installment in his bestselling series, wonderfully narrated again by the liltingly voiced Lisette Lecat, transports us to the sunny charms of Botswana and Mma Ramotswe’s unshakable belief in “old-fashioned” Botswana kindness. Though she’s taken on a difficult case for a victim of a hit-and-run accident, Mma Ramotswe has been pushed into reluctantly running for city council by her friend, the formidable matron of the local “orphan farm.” Smith and Mma Ramotswe never let us down—modesty and honesty trump bravura, and keen but gentle detecting skills solve the case.

A private investigator went missing in 2006, his body never found, the case marred by mistakes and innuendos of corruption. That cold case heats up when some kids come across a red VW in a remote, wooded park, with a handcuffed skeleton in the trunk. That’s for openers in Ian Rankin’s 24th Rebus novel, In a House of Lies, performed by James Macpherson in an authentic Scottish burr that’s still soft enough to be easily understood. Though John Rebus is officially retired from Police Scotland’s Major Crime Division, he was on the case 12 years ago and is as eager as ever to get involved again. And with his former protégé, Detective Inspector Siobhan Clarke, assigned to the investigating team, that’s not hard to accomplish. Pay close attention—Rankin’s in great form, and there’s a lot going on in this intricately plotted police procedural.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

The title of Michelle Obama’s blockbuster bestseller, Becoming, lets you know that you’ll get the answers to many of the questions you’ve had about this extraordinary woman. You’ll find out how a kid who grew up in a cramped apartment on Chicago’s South Side graduated…
FictionChildren's & YAAudioMiddle Grade

Audio: April 2019

Feature by Anna Zeitlin

Top Pick
A Malaysian woman of Chinese descent, Yangsze Choo is an enchanting storyteller, and she ably narrates her own novel, The Night Tiger, set in the melting pot of 1930s colonial Malaya. Her narration is more than a reading; Choo has a deep empathy for her characters, and these emotions come out in her telling. The book weaves together the stories of Ren, a young houseboy on a mission to find his dead master’s severed finger and reunite it with his body in time for his soul to be at peace, and Ji Lin, a dressmaker’s apprentice and dance-hall girl who dreams of being a doctor and comes to possess the finger. Meanwhile, there seems to be a pattern to a series of tiger attacks. Are they magic or something else? Part mystery, part love story, The Night Tiger is draped in folklore, as traditions of the past butt up against a modern world of hot rods and tango dances. It deals with themes of death, family, marriage and ambition and questions what we owe the dead.

The New Me follows Millie, a 30-year-old temp who starts planning a whole new life for herself when she mistakenly believes she is being offered a full-time position. Her best friend barely tolerates her, and she rubs her co-workers the wrong way. She has an acerbic sense of humor but can’t gauge when to rein it in. Halle Butler narrates her own novel with a wickedly cynical tone that adds to Millie’s characterization and helps explain why the world seems to have it out for her. With glimpses from more well-adjusted characters’ perspectives that reinforce Millie’s disillusionment, The New Me is a funny, tragic portrait of an ambitionless millennial woman, as well as a dark vision of capitalism and consumerism.

Norton Juster’s The Phantom Tollbooth broke the mold in 1961 with its humor and respect for young readers’ intelligence, curiosity and playfulness. A new audiobook of the classic begins with an introduction from the now-89-year-old author, originally penned for the 50th anniversary edition. Juster shares the story behind the book, and it feels like he’s letting you in on a secret: What began as a short story inspired by a conversation with a young boy about infinity turned into the piece of literary canon we have today. The story itself—which follows a boy named Milo on an adventure through Dictionopolis and Digitopolis and over the Mountains of Ignorance to reunite the Kingdom of Wisdom—is narrated by Rainn Wilson (Dwight from “The Office”), who does a fantastic job. His original voices for each character fit perfectly, and he adroitly navigates all the wordplay to add a richness to Juster’s imagined world. This story may have been written for children, but it merits a listen at any age.

Top Pick A Malaysian woman of Chinese descent, Yangsze Choo is an enchanting storyteller, and she ably narrates her own novel, The Night Tiger, set in the melting pot of 1930s colonial Malaya. Her narration is more than a reading; Choo has a deep empathy…
Audio

Audio: May 2019

Feature by Anna Zeitlin

TOP PICK
Mitchell S. Jackson (The Residue Years) is a stunning writer, and his personal memoir, Survival Math: Notes on an All-American Family, ties his experience of growing up in Portland, Oregon, to the stories of his family members and to the larger black experience throughout American history. None of the challenges his family faced are isolated events; they are all part of a bigger picture, wrapped up in history, tradition and laws trenched in racism. For example, he begins a section on his mom’s drug problems by taking us through the entire history of cocaine. Jackson does a beautiful job connecting all the puzzle pieces, and his rhythmic, poetic narration enhances the written word and demonstrates his mastery of language. Yes, it’s a personal memoir, but it tells a much larger story.

Aimee Sinclair is a London-based actress who is wrapping up a film shoot when her husband goes missing. The police find it suspicious when she continues to live her life as if nothing has happened, and she quickly becomes the primary suspect. But Aimee has a complicated past: She was kidnapped as a child. I Know Who You Are splits the narrative between her experience with her kidnappers and the current day, when her life is once again unraveling around her. Aimee has killed before, but she doesn’t understand how she could possibly be responsible this time. Maybe she’s going crazy. Alice Feeney’s latest thriller is a compelling listen that had me on the edge of my seat to the very end. Narrator Stephanie Racine deftly portrays characters from a variety of regions and classes across the U.K. and Ireland. She shines in this first-person narration, capturing Aimee’s self-doubt, worry and determination. 

In Too Much Is Not Enough: A Memoir of Fumbling Toward Adulthood, theater and TV star Andrew Rannells recounts his life and career from his first audition as a young boy to his first role on Broadway in his late 20s. From dinner theater in Nebraska to summer stock theater and finally Broadway, he tracks his career through a series of humorous and touching vignettes. A misguided tip to drop off his headshot at every stage door on Broadway surprisingly leads to his first Broadway audition. He shares lessons learned from failed romances, and you won’t believe which rock star he met in full Star Trek regalia during “kink night” at the bar. As a narrator, Rannells lets his peppy personality shine as he dishes about bad acting experiences and stooping to playing a stereotype in the musical adaptation of a children’s cartoon. This audiobook is a must-listen for fans of musical theater.

TOP PICK
Mitchell S. Jackson (The Residue Years) is a stunning writer, and his personal memoir, Survival Math: Notes on an All-American Family, ties his experience of growing up in Portland, Oregon, to the stories of his family members and to the larger…

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