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Retired FBI investigator Terry McCaleb is a man with a heart. A brand-new heart, actually.

His job chasing down serial killers for the Bureau had quickly worn out his old heart, and now Terry, recovering from transplant surgery, is determined to take it easy. But the first twist in Michael Connelly's latest thriller, Blood Work, is the discovery that Terry's life-saving new organ originally belonged to a healthy young woman named Gloria Torres who was senselessly gunned down during a grocery store robbery.

There are no leads, no clues, and despite the existence of a videotape that recorded the whole horrifying sequence of events, there are no suspects either.

It's Gloria's sister, Graciela, who approaches Terry with this information, and requests that he look into Gloria's murder. This type of crime isn't really his area of expertise, Terry explains to Graciela. Before his damaged heart forced him to quit the Bureau, Terry specialized in serial murders, which was a whole different ball game from the random killings associated with small-time robberies. Furthermore, Terry knows perfectly well that crime-solving, particularly in this case, will involve both physical and mental stress that could cause his new heart to malfunction. And Terry's surgeon, when she hears of his plan, warns him she will immediately drop his case if he goes ahead with it. Nevertheless, Terry decides to find Gloria's killer, or (literally) die in the attempt.

This is the framework around which Connelly (Trunk Music, The Poet) builds his lively and engrossing plot. Of course, nothing turns out as expected: The random killing begins to look less random; the police block Terry's efforts at every turn and eventually close in on the wrong suspect; and Terry begins to fall in love with Graciela. The only predictable development is that, despite a post-op regimen that involves piles of pills and frequent temperature-taking, Terry begins to experience serious setbacks in his recovery.

Although Terry is a new protagonist for Connelly, there are important references in Blood Work to the villains of Connelly's previous novels. This doesn't mean you need to read the other books first: Connelly does a good job of filling in the necessary background information.

If Blood Work has a flaw, it's that some of its mysteries are less than mystifying; this reader had one of the key clues nailed down a couple hundred pages before Terry figured it out. Still, the end is a shocker, and the story hangs together flawlessly.

Terry is an appealing character clever, gutsy, and very human. And despite his medical condition, I suspect he could be persuaded to take on more cases in the future. At least I hope so.

Retired FBI investigator Terry McCaleb is a man with a heart. A brand-new heart, actually. His job chasing down serial killers for the Bureau had quickly worn out his old heart, and now Terry, recovering from transplant surgery, is determined to take it easy. But the first twist in Michael Connelly's latest thriller, Blood Work, […]
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One of the great enigmas of the music world is at last telling her story at least those parts she wants us to know. Widely publicized at the time it was announced, Aretha: From These Roots is actually more tantalizing than tell-all. Yet if it doesn't deliver a full portrait of one of this era's divas, it offers enough intriguing glimpses of Aretha Franklin to make the read worthwhile and eye-opening.

She is certainly a dichotomy. There is the Aretha who loves staying home where she cooks, crochets, and delights in gardening. The devoted soap opera fan also remains faithful to her favorite teenage movie, the tear-jerking A Summer Place, which starred Sandra Dee. Why, after she found her own fame, Franklin even had a gown designed by the great Jean Louis who'd created wardrobes for Miss Dee.

Which leads us to the other Aretha. Superstars are a special breed, emboldened by ego as well as talent. They also like to control their press. Franklin is determined to put an end to the oft-reported story that her mother abandoned the family. And she rebuffs unflattering tales told elsewhere by Cissy Houston and Gladys Knight. She also emphasizes the significance of her father, Reverend C.L. Franklin. He certainly was understanding. In defiance of the day's conventions, Franklin became an unwed mother at 14 and again at 17. Her father, she stresses, remained supportive.

Though she doesn't always name names, Franklin details a hearty appetite for men. There are flirtations with Sam Cooke, a relationship with Temptations member Dennis Edwards, a romance (and yet another child) with a black entrepreneur, and several failed marriages. She likewise recounts her romance with food including where and when she was introduced to the BLT and Russian dressing.

And yes, she charts her extraordinary career and the soul sound that became a career signature. This book may not give us all the answers, but there is no question that it puts us in the company of a regal presence. Aretha is, after all, the undisputed Queen of Soul.

One of the great enigmas of the music world is at last telling her story at least those parts she wants us to know. Widely publicized at the time it was announced, Aretha: From These Roots is actually more tantalizing than tell-all. Yet if it doesn't deliver a full portrait of one of this era's […]
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Frances Mayes, the Peter Mayle of Italy, has done a difficult thing. Bella Tuscany, her second book is even better than her best-selling first. After seven summers of restoration, Mayes's beloved villa, Bramasole, needs only a few finishing touches and she can spend more time pondering The Sweet Life in Italy. Mayes looks at the world with an artist's eye and writes with a poet's lyricism; you see the verdant spring green that so enchants her, smell the lush roses, taste the fava beans fresh from the garden. As before, Mayes reads, and her Georgia-accented voice, now familiar, is a pleasure to hear again. If this doesn't make you yearn for an Italian idyll, nothing will.

Frances Mayes is, first and foremost, a poet. She once said, "When I wrote the last line of Under the Tuscan Sun, I wrote the first line of Bella Tuscany. I knew I was not through writing about Italy." She writes about the Tuscan countryside with such powerful description and sensuality, the reader is transported to the slow pace of Cortona, Italy, where one simply breathes, notices, and appreciates life's small pleasures.

Bella Tuscany continues the story of Frances and Ed's restoration of Bramasole, a 200-year-old Italian farmhouse, and their subsequent awakening to Italian culture. Every day holds a new adventure whether it be pruning olive trees, cooking mushroom ravioli, hosting house guests, traveling to Venice or Sicily, or browsing an antique market. Though Mayes is in Italy, the lesson to be learned here is that anyone, anywhere, can find amazement in the smallest object or in the most mundane place.

Mayes covers almost every aspect of Italian culture art, landscape, food, language, and history. She visits museums and reflects on the meaning and beauty of art. She buys old monogrammed linens and imagines who made them. She uncovers frescoes on the walls, wondering whose rough hands painted them. When she visits ancient monasteries she finds a spiritual kinship with those people who came before her. The sights and sounds of Tuscany often trigger Mayes's remembrance of her Southern roots, where she first realized this sense of place. The smell of lilacs or lavender in Italy take her back to her childhood in Fitzgerald, Georgia.

Bella Tuscany urges the reader to form an appreciation for the sometimes overlooked enjoyments of life from dipping weary feet in a cool Etruscan fountain on an August day, to sipping an afternoon cappuccino in a sidewalk cafe. The book evokes a series of images, paintings that capture the essence of the green, sweet, slow life in Italy. It is for anyone who has ever desired the romance of a faraway place or longed for a season of renewed possibility.

Frances Mayes, the Peter Mayle of Italy, has done a difficult thing. Bella Tuscany, her second book is even better than her best-selling first. After seven summers of restoration, Mayes's beloved villa, Bramasole, needs only a few finishing touches and she can spend more time pondering The Sweet Life in Italy. Mayes looks at the […]
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Belong to Me, Marisa de los Santos’ latest, is unabashedly and wholeheartedly a woman’s book, and in this audio incarnation, read with warmth and understanding by Julia Gibson, it’s the perfect summer listen. It’s the kind of guilty pleasure that ranks with a pint of Haagen Dazs chocolate chocolate chip, a not-too-dainty spoon and no one to share it with. The characters, save the few irredeemably unlikable, are all people that grow on you in the best way. Front and center is Cornelia, a petite, plucky, thirtysomething with enormous generosity of heart, and a husband to die for, who leaves the urban hubbub of Manhattan for the kinder, gentler suburbs. Sidelined by her perfectly coiffed, perfectly dressed, scathingly judgmental new neighbor, Cornelia befriends an elusive single mom with a brilliant, lovable teenage son I’d be more than happy to adopt. There seem to be subplots galore, but as loves and losses, yearnings and secrets surface, the threads of the subplots begin to mesh, weaving into a wonderfully patterned tale, one I wished would go on for many more hours.

Belong to Me, Marisa de los Santos’ latest, is unabashedly and wholeheartedly a woman’s book, and in this audio incarnation, read with warmth and understanding by Julia Gibson, it’s the perfect summer listen. It’s the kind of guilty pleasure that ranks with a pint of Haagen Dazs chocolate chocolate chip, a not-too-dainty spoon and no […]
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Don’t confuse Tana French’s skillful debut In the Woods with Harlan Coben’s latest, The Woods, though there are a few grisly similarities. French serves up an intriguing, genre-bending psychological thriller in the form of a solid police procedural. Dublin murder squad detective Rob Ryan narrates as he and his bright, buoyant partner, and closest friend, Cassie Maddox, investigate the murder and rape of a 12-year-old girl, whose body was left on a Bronze Age altar at an archeological site in the woods near Knocknaree. Twenty years before, detective Ryan had played in these very woods until the ghastly day when his two best mates disappeared and he was found in blood-soaked sneakers, mute, never able to remember what happened. Keeping his childhood trauma a secret from everyone but Cassie, he works this increasingly complex case, looking for links to the past, hoping that lost memories might surface.

Reader Steven Crossley gets the voices right, gives the characters depth and keeps you involved.

Don’t confuse Tana French’s skillful debut In the Woods with Harlan Coben’s latest, The Woods, though there are a few grisly similarities. French serves up an intriguing, genre-bending psychological thriller in the form of a solid police procedural. Dublin murder squad detective Rob Ryan narrates as he and his bright, buoyant partner, and closest friend, Cassie Maddox, […]
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This dazzling debut from the 24-year-old Foer explores the dark legacy of World War II in Eastern Europe while recounting the quest of a smart young Jewish American (named Jonathan Safran Foer). Accompanied by Alex, his Ukrainian translator, a scrappy dog named Sammy Davis Jr. and Alex’s grandfather, Foer travels to Eastern Europe in search of the woman who rescued his own grandfather from the Nazis. Alex narrates the bulk of the book through a series of letters written in fragmented English and filled with his unworldly, often hilarious observations. Foer fills in the rest with a detailed historical portrait of Jewish life in the Ukraine before the Germans invaded. A smart, humorous tribute to Jewish history and culture, this best-selling novel is the work of a whiz-kid.

This dazzling debut from the 24-year-old Foer explores the dark legacy of World War II in Eastern Europe while recounting the quest of a smart young Jewish American (named Jonathan Safran Foer). Accompanied by Alex, his Ukrainian translator, a scrappy dog named Sammy Davis Jr. and Alex’s grandfather, Foer travels to Eastern Europe in search […]

Actor William DeMeritt’s deep, measured narration enhances the elegant, evocative prose of Nathan Harris’ debut novel, The Sweetness of Water (12 hours). 

In the waning blood-filled days of the Civil War, Georgia farmer George Walker hires formerly enslaved brothers Landry and Prentiss to work his peanut farm—and perhaps to ease his restless soul. When George’s Confederate soldier son, Caleb, unexpectedly returns home, and Caleb’s romantic relationship with another soldier comes to light, tensions between George’s family and the town’s disapproving residents boil over. Only the cool, determined leadership of George’s wife, Isabelle, offers a path to healing.

DeMeritt’s performance of this Southern cast of characters reveals an actor in full control of his range. Particularly for the male roles, DeMeritt narrates with such skill that the listener can envision some of the characters’ faces just by the way their voices sound. Amid this world of unbridled change, DeMeritt illuminates subtle yearnings, quiet dangers and a persistent sense of hope.

 

ALSO IN BOOKPAGE: Read our starred review of the print edition of The Sweetness of Water.

William DeMeritt performs with such skill that the listener will be able to envision Nathan Harris’ character’s faces just by the way their voices sound.
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One fine day in 1944, a German V-2 rocket hits a South London Woolworths. Among the civilians incinerated by the bomb are five children. But in Light Perpetual (12.5 hours), Francis Spufford explores the tantalizing question: What if? What if these children had been war survivors instead of victims?

With such vibrant characters, all of whom have rich interior lives, Spufford’s novel is perfect for audio. Light Perpetual is an anthem to ordinary life—the joy and sorrow, the triumph and loneliness. Scottish-born actor Imogen Church, known for her performances of Ruth Ware’s audiobooks, gives a wonderful voice to each of the five as they progress from childhood to old age. 

The ending, when the now elderly characters confront their own what-ifs, faces the sorrow of death with true honesty while celebrating love-filled lives. Told with humor, affection and compassion, this audiobook is a powerful reminder that no life is futile.

 

ALSO IN BOOKPAGE: Read our starred review of the print edition of Light Perpetual.

Featuring vibrant characters, all of whom have rich interior lives, Francis Spufford’s novel is perfect for audio.
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Louise Penny tackles social unrest in a post-pandemic world in The Madness of Crowds (15 hours), the 17th novel in the Chief Inspector Armand Gamache series. Part whodunit, part cultural commentary, this latest installment finds Gamache at a crossroads between his personal ethics and the requirements of his position.

The audiobook is performed by Robert Bathurst, who has lent his voice to several of the most recent books in the series. Bathurst’s narration is calm and collected yet also earnest, reflecting the blend of emotion and professionalism that Gamache embodies as an investigator. While Bathurst’s voice is subdued, it is also engaging, bringing the story’s mystery, relationships and ethical introspections to life in a straightforward but heartfelt way. He also provides a variety of voices for the wider cast of characters, keeping the plot moving through the flowing cadence of conversations.

Positioned at the intersection of science and humanity, The Madness of Crowds draws in its readers with murder but keeps them listening through its challenging moral conundrums. It’s perfect for listeners seeking both captivating intrigue and insightful reflection.

ALSO IN BOOKPAGE: Read our starred review of the print edition of The Madness of Crowds.

Robert Bathurst’s narration is calm yet earnest, reflecting the blend of emotion and professionalism that Armand Gamache embodies as an investigator.
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If you think minimalism is a one-size-fits-all lifestyle and aesthetic, you clearly haven’t encountered Christine Platt, known on social media as the Afrominimalist. In her clearly written, approachable guide, The Afrominimalist’s Guide to Living With Less (5.5 hours), Platt traces her journey—including plenty of initial resistance and more than a few missteps—toward deliberately choosing to live with fewer objects. The author’s calm, careful narration is both relatable and ressuring, and it’s punctuated by real-life, sometimes humorous anecdotes delivered by a cast of additional narrators. 

Platt’s guidance is enriched by sections titled “For the Culture,” in which she acknowledges how the history of racial oppression and systemic racism has, in many ways, made Black and other historically marginalized people of color more vulnerable to overconsumption and conspicuous consumption. She also notes that the Scandinavian aesthetic that permeates most mainstream minimalist guidebooks doesn’t come close to representing everybody. Platt’s friendly, flexible approach urges listeners to embrace a minimalism that celebrates cultural heritage and comes in all colors.

 

ALSO IN BOOKPAGE: Read our starred review of print edition of The Afrominimalist’s Guide to Living With Less.

Afrominimalist Christine Platt’s calm, careful narration of her journey toward living with less is both relatable and reassuring.

​​You know those motivational posters that hang in your place of work? The ones with the simple messages about teamwork, friendship, success and excellence? Carry On (2.5 hours), the new audiobook from late, great civil rights icon Representative John Lewis, is like that—only better, because his aphorisms are punchy yet never cliched, and you can take his inspirational words with you and play them anytime you need a lift.

Actor Don Cheadle narrates each of Lewis’ 43 short essays with clarity and passion, knowing just where to put the right amount of emphasis. While Lewis was unable to record the audiobook himself, Cheadle more than succeeds in embodying the congressman’s message of hope.

Ruminating on topics that range from justice and conscience to hobbies and humor, Lewis has blessed us with a timeless collection of wisdom and knowledge from a lifetime of “good trouble” in his nonviolent quest for equality. “A good day,” Lewis tells us, “is waking up and being alive.”

 

ALSO IN BOOKPAGE: Read our review of the print edition of Carry On.

While John Lewis was unable to record his essays himself, Don Cheadle more than succeeds in embodying the congressman’s message of hope.

Helen Ellis, author of American Housewife and Southern Lady Code, once again unleashes her irreverent outlook on life in a warm and funny collection of essays. In Bring Your Baggage and Don’t Pack Light (3 hours), 40-something Ellis’ exuberant narration is cheeky and comedic, powered by a Southern drawl that adds charm to even her most unabashed discussions of sex and toilet habits, as well as her observations on meds, marriage and menopause.

Packed into these 12 essays on living, aging, food and fashion is a lifetime’s worth of lessons on resilience and gratitude. While Ellis' reflections are often outrageous and punchy, they also have a down-to-earth quality that is relatable and touching, especially when describing her longtime, tightknit friendships with women who have unreservedly shouldered each other’s weighty, deeply private experiences, including cancer treatment. 

Ellis’ embracing, uplifting and energetic performance delivers a perfect listening experience for readers who enjoyed How Y’all Doing? by Leslie Jordan and Why Not Me? by Mindy Kaling.

Helen Ellis’ energetic narration offers a perfect listening experience for readers who have enjoyed the audiobooks of Leslie Jordan and Mindy Kaling.
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In You Are Your Best Thing: Vulnerability, Shame Resilience, and the Black Experience (6.5 hours), Tarana Burke (creator of the #MeToo movement) and Dr. Brené Brown curate a collection of personal essays by Black writers and activists in an effort to apply Brown’s work on shame, resilience and vulnerability to the Black experience in America. Burke and Brown’s conversational preface feels like an engaging podcast as they explain the process of their collaboration.

The contributors, who include Jason Reynolds, Austin Channing Brown, Kiese Laymon, Laverne Cox and Imani Perry, read their own essays, infusing the listening experience with a range of voices and styles. These performances require the listener to reckon with poignant, often painful experiences that speak to the ways in which white supremacy adds an extra barrier to the process of overcoming shame. By narrating their personal stories, the contributors, along with Brown and Burke, demonstrate what is gained by bringing one’s authentic self to the work of deconstructing oppressive power structures. At the end of each essay, the authors’ biographies are read by actors Mirron Willis, Bahni Turpin, J.D. Jackson or L. Morgan Lee.

The production of this audiobook allows the listener to feel that the political is personal.

Tarana Burke and Brené Brown demonstrate the power of bringing one’s authentic self to the work of deconstructing oppressive power structures.

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