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A North Texas-based athletic wear company gets shaken up when the “bad man list” is passed around in Chandler Baker’s Whisper Network. When one of those bad men is up for a promotion to CEO of the company, enough is enough. Four very different women—from high-powered lawyers to a member of the custodial staff—come together to stand up to him and to the company willing to overlook his history of sexual harassment. This #MeToo revenge fantasy makes for a fun listen with a bit of mystery, exploring women’s lives, their relationships to work and how they deal with the bad men they are forced to answer to. Narrator Almarie Guerra does a nimble job portraying the different women with honesty and sympathy.

A North Texas-based athletic wear company gets shaken up when the “bad man list” is passed around in Chandler Baker’s Whisper Network. When one of those bad men is up for a promotion to CEO of the company, enough is enough. Four very different women—from…
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Taffy Brodesser-Akner’s stunning debut novel explores middle age, parenthood, divorce and the subjective nature of how we perceive other people, even those closest to us. Toby Fleishman is going through a divorce and discovers he’s a hot commodity on all the new dating apps. But when his ex-wife, Rachel, doesn’t pick up the kids when it’s her turn, he’s forced to navigate parenthood and dating while wondering what happened to his marriage—and to Rachel. He paints her as a neglectful mother and ruthless social climber with little care for his input. She makes more money, and he feels like he put his career on the back burner for her. But wait till you see her point of view. Read by Allyson Ryan with humor and attitude, Fleishman Is in Trouble is a ruthless look at class and relationships in modern-day Manhattan.

Taffy Brodesser-Akner’s stunning debut novel explores middle age, parenthood, divorce and the subjective nature of how we perceive other people, even those closest to us. Toby Fleishman is going through a divorce and discovers he’s a hot commodity on all the new dating apps. But…
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All the characters in James Gregor’s debut novel are horrible people, but I couldn’t help but root for them. Richard is a Ph.D. candidate struggling with writer’s block. His classmate Anne helps him by doing his work for him, buying him fancy meals and paying for taxis. In return, she expects a romantic relationship, and he is happy to oblige—despite being gay. It all comes to a head when things get serious between Richard and a former online fling. He is forced to choose between the handsome lawyer, who’s definitely husband material (even if he’s a little too into Ayn Rand), and the woman who holds the key to his academic success. Going Dutch pokes fun at online dating, New York intellectuals, money and manners. Narrator Michael David Axtell infuses Richard’s inner monologues with wry humor, making his observations even more biting.

All the characters in James Gregor’s debut novel are horrible people, but I couldn’t help but root for them. Richard is a Ph.D. candidate struggling with writer’s block. His classmate Anne helps him by doing his work for him, buying him fancy meals and paying…
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In Never Have I Ever, Amy’s blissful, suburban Florida life is turned upside down when new neighbor Roux shows up at her book club and turns the discussion toward everyone’s deepest, darkest secrets. Roux earns a living through blackmail, and Amy gets tangled up in something far beyond a party game. This is a fun thriller grounded in textured relationships that include a controlling best friend and a quirky teenage stepdaughter. I kept thinking I knew where the story was going, but there were twists upon twists I truly could not see coming. Author Joshilyn Jackson does a pitch-perfect job narrating her own novel. The Alabama-born writer gets the pretend-nice, passive-aggressive, classically Southern voice just right.

In Never Have I Ever, Amy’s blissful, suburban Florida life is turned upside down when new neighbor Roux shows up at her book club and turns the discussion toward everyone’s deepest, darkest secrets. Roux earns a living through blackmail, and Amy gets tangled up in…
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Part memoir, part pop culture criticism, Mr. Know-It-All (10 hours) is one of those books that you definitely should listen to on audiobook over reading the printed book. Director and screenwriter John Waters is a fantastic storyteller and spends much of his time these days giving talks across the country. My favorite parts of his new book are when he digs really deep into tiny niches of popular culture, breaking down the teenage death pop songs of the 1950s and ’60s and suggesting, “Aren’t all country songs novelty songs in a way?” Waters also gives great background on his guerrilla filmmaking career and reveals how he convinced studios to give him funding after so many box-office misses. He even provides details about some of his movie pitches that never got made. I’m still holding out for the mod Hairspray sequel!

Part memoir, part pop culture criticism, Mr. Know-It-All (10 hours) is one of those books that you definitely should listen to on audiobook over reading the printed book. Director and screenwriter John Waters is a fantastic storyteller and spends much of his time these days giving talks…
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A strong debut from Cadwell Turnbull, The Lesson does what all the best science fiction does: It uses the supernatural to reveal something true about our world. The book is set in the U.S. Virgin Islands five years after the Ynaa, an advanced alien race, arrived to study humans. The Ynaa live mostly peacefully with humans, at least for the time being. Most people are willing to put up with the occasional killing at the hands of the Ynaa in exchange for their science and medicine, but eventually enough is enough. Narrators Janina Edwards and Ron Butler do a fantastic job setting us in the islands, and their accents draw extra attention to the colonial elements of alien invasion that mirror our own history. It’s worth a listen for anyone with an interest in sci-fi.

A strong debut from Cadwell Turnbull, The Lesson does what all the best science fiction does: It uses the supernatural to reveal something true about our world. The book is set in the U.S. Virgin Islands five years after the Ynaa, an advanced alien race, arrived to…
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Out East is a memoir about one summer in the Long Island beach town of Montauk, where John Glynn, his friends and some loose acquaintances go in together on a summer home. Glynn feels like the odd man out in a group mostly populated by women, gay men and Wall Street bros. But as feelings develop for one of his new friends, it turns out he might fit in better than he thought. Glynn has a knack for details, is skilled at place-setting and displays a true love of language, which he deploys effortlessly. It’s a small, personal story about Glynn figuring out who he truly is over one wild summer of weekends away from the city. Michael Crouch lends an earnestness to the narration. As focused as the story is, he makes everything feel big and new.

Out East is a memoir about one summer in the Long Island beach town of Montauk, where John Glynn, his friends and some loose acquaintances go in together on a summer home. Glynn feels like the odd man out in a group mostly populated by women,…
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In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an everyman who believes in love at first sight and maybe even lives on a houseboat à la Sleepless in Seattle. In contrast, Annie lives with her Dungeons & Dragons-loving uncle, and her dating prospects are looking grim. When a movie production takes over her neighborhood, it brings with it several men who vie for her attention. Will she end up with the grip who checks all her boxes, or with the handsome movie star she keeps bumping into but couldn’t possibly have a chance with? With fun, engaging narration from Rachel L. Jacobs, Waiting for Tom Hanks is a pure delight from beginning to end.

In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an…
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Beth O’Leary’s debut novel is a cute, cozy work of British pop fiction that’s hard to put down. After a bad breakup, Tiffy moves in with Leon, a nurse who works the night shift, because he only needs his flat during the day. She can’t afford her own place in London, and he needs the extra cash for his brother’s legal fees. They share a bed at opposite hours but don’t meet for months, communicating through notes left around the apartment. Tiffy publishes craft books, and she throws a bit of quirky chaos into Leon’s orderly apartment and life. The Flatshare switches perspectives between Tiffy and Leon, with narrators Carrie Hope Fletcher and Kwaku Fortune providing their voices. Fletcher and Fortune each do their own versions of all the characters’ voices, as heard from Tiffy’s or Leon’s point of view, which takes getting used to but totally works. It’s a sweet, charming love story.

Beth O’Leary’s debut novel is a cute, cozy work of British pop fiction that’s hard to put down.
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Top Pick in Audio, December 2018

In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.” To make our past more knowable, Lepore has penned an astonishingly concise, exuberant and elegant one-volume American history that begins with Columbus and ends with Trump. Lepore questions, as Alexander Hamilton did, “whether societies of men are really capable or not of establishing good government from reflection and choice.” Lepore tells us upfront that much historical detail is left out; this is a political history, an explanation of the origins of our democratic institutions, and it lets history’s vast array of characters speak in their own words when possible. It also makes clear that slavery is an intimate, inextricable part of the American story. This is the past we need to know. Listen closely as Lepore reads with unexpected pizazz.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.”

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Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer. The White Darkness, originally published in The New Yorker, is David Grann’s cogent, intensely drawn portrait of Worsley, his fascinating life, his lifelong obsession with the Antarctic and his relentless passion to follow in Shackleton’s footsteps and succeed where he didn’t: crossing Antarctica on foot, alone. Only two and a half hours long, The White Darkness is one of the most powerful audios of the year, made so by Grann’s deftly crafted prose and Will Patton’s unwavering performance, delivered with conviction and calm urgency. Worsley eventually made two successful Antarctic expeditions with teams in 2008 and 2011 and went back for a fateful third expedition alone in 2015. You’ll feel the icy cold, his exhaustion, courage and formidable will as he battles the “obliterating conditions” on his transcontinental quest. Perhaps you’ll come to understand what drove him and the brave few among us to challenge frontiers, regardless of risk.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer.

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After completing the Harry Potter series, J.K. Rowling started writing a mystery series under the pseudonym Robert Galbraith. And happily, her virtuosic talent as a spinner of stories with intricate plots and singular characters is front and center again. Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents. In Lethal White, Strike, a London private investigator with a reputation for unraveling high-profile cases, and his able, lovely (yes, their attraction thrums below the surface) assistant, Robin, are in the thick of it, investigating political blackmail and the murder of a Tory minister, all wrapped in a blur of populist politics, replete with a wild cast that includes radical lefties, conservative snobs and a mentally ill young man who desperately wants Strike’s help. After this 22-hour treat, I can’t wait for Strike five.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents.

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Top Pick in Audio, November 2018

The United States imprisons a higher portion of its population than any other country in the world, and roughly 130,000 inmates are in privately owned, for-profit prisons. Less than a decade ago, Shane Bauer, a senior reporter for Mother Jones, unknowingly crossed into Iran while hiking and was held for 26 months in an Iranian jail. In 2014, to investigate life inside a corporately run penitentiary, Bauer took a low-paying job as a guard at a facility in Winnfield, Louisiana, owned by the Corrections Corporation of America (now rebranded as CoreCivic). His on-the-ground reporting in American Prison: A Reporter’s Undercover Journey into the Business of Punishment is powerful and disturbing. The conditions he experienced at Winnfield were horrendous, from dangerous understaffing that left prisoners with no classes and few activities, to subminimal medical care, unbridled sexual harassment and pervasive violence. And Bauer’s incisive examination of how the profit motive has shaped our prison system since the end of slavery amplifies his indictment. James Fouhey expertly narrates this vital exposé.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

The United States imprisons a higher portion of its population than any other country in the world, and roughly 130,000 inmates are in privately owned, for-profit prisons. Less than a decade ago, Shane Bauer, a senior reporter for Mother Jones, unknowingly crossed into Iran while hiking and was held for 26 months in an Iranian jail.

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