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Out East is a memoir about one summer in the Long Island beach town of Montauk, where John Glynn, his friends and some loose acquaintances go in together on a summer home. Glynn feels like the odd man out in a group mostly populated by women, gay men and Wall Street bros. But as feelings develop for one of his new friends, it turns out he might fit in better than he thought. Glynn has a knack for details, is skilled at place-setting and displays a true love of language, which he deploys effortlessly. It’s a small, personal story about Glynn figuring out who he truly is over one wild summer of weekends away from the city. Michael Crouch lends an earnestness to the narration. As focused as the story is, he makes everything feel big and new.

Out East is a memoir about one summer in the Long Island beach town of Montauk, where John Glynn, his friends and some loose acquaintances go in together on a summer home. Glynn feels like the odd man out in a group mostly populated by women,…
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In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an everyman who believes in love at first sight and maybe even lives on a houseboat à la Sleepless in Seattle. In contrast, Annie lives with her Dungeons & Dragons-loving uncle, and her dating prospects are looking grim. When a movie production takes over her neighborhood, it brings with it several men who vie for her attention. Will she end up with the grip who checks all her boxes, or with the handsome movie star she keeps bumping into but couldn’t possibly have a chance with? With fun, engaging narration from Rachel L. Jacobs, Waiting for Tom Hanks is a pure delight from beginning to end.

In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an…
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Beth O’Leary’s debut novel is a cute, cozy work of British pop fiction that’s hard to put down. After a bad breakup, Tiffy moves in with Leon, a nurse who works the night shift, because he only needs his flat during the day. She can’t afford her own place in London, and he needs the extra cash for his brother’s legal fees. They share a bed at opposite hours but don’t meet for months, communicating through notes left around the apartment. Tiffy publishes craft books, and she throws a bit of quirky chaos into Leon’s orderly apartment and life. The Flatshare switches perspectives between Tiffy and Leon, with narrators Carrie Hope Fletcher and Kwaku Fortune providing their voices. Fletcher and Fortune each do their own versions of all the characters’ voices, as heard from Tiffy’s or Leon’s point of view, which takes getting used to but totally works. It’s a sweet, charming love story.

Beth O’Leary’s debut novel is a cute, cozy work of British pop fiction that’s hard to put down.
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Top Pick in Audio, December 2018

In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.” To make our past more knowable, Lepore has penned an astonishingly concise, exuberant and elegant one-volume American history that begins with Columbus and ends with Trump. Lepore questions, as Alexander Hamilton did, “whether societies of men are really capable or not of establishing good government from reflection and choice.” Lepore tells us upfront that much historical detail is left out; this is a political history, an explanation of the origins of our democratic institutions, and it lets history’s vast array of characters speak in their own words when possible. It also makes clear that slavery is an intimate, inextricable part of the American story. This is the past we need to know. Listen closely as Lepore reads with unexpected pizazz.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.”

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Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer. The White Darkness, originally published in The New Yorker, is David Grann’s cogent, intensely drawn portrait of Worsley, his fascinating life, his lifelong obsession with the Antarctic and his relentless passion to follow in Shackleton’s footsteps and succeed where he didn’t: crossing Antarctica on foot, alone. Only two and a half hours long, The White Darkness is one of the most powerful audios of the year, made so by Grann’s deftly crafted prose and Will Patton’s unwavering performance, delivered with conviction and calm urgency. Worsley eventually made two successful Antarctic expeditions with teams in 2008 and 2011 and went back for a fateful third expedition alone in 2015. You’ll feel the icy cold, his exhaustion, courage and formidable will as he battles the “obliterating conditions” on his transcontinental quest. Perhaps you’ll come to understand what drove him and the brave few among us to challenge frontiers, regardless of risk.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer.

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After completing the Harry Potter series, J.K. Rowling started writing a mystery series under the pseudonym Robert Galbraith. And happily, her virtuosic talent as a spinner of stories with intricate plots and singular characters is front and center again. Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents. In Lethal White, Strike, a London private investigator with a reputation for unraveling high-profile cases, and his able, lovely (yes, their attraction thrums below the surface) assistant, Robin, are in the thick of it, investigating political blackmail and the murder of a Tory minister, all wrapped in a blur of populist politics, replete with a wild cast that includes radical lefties, conservative snobs and a mentally ill young man who desperately wants Strike’s help. After this 22-hour treat, I can’t wait for Strike five.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents.

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Top Pick in Audio, November 2018

The United States imprisons a higher portion of its population than any other country in the world, and roughly 130,000 inmates are in privately owned, for-profit prisons. Less than a decade ago, Shane Bauer, a senior reporter for Mother Jones, unknowingly crossed into Iran while hiking and was held for 26 months in an Iranian jail. In 2014, to investigate life inside a corporately run penitentiary, Bauer took a low-paying job as a guard at a facility in Winnfield, Louisiana, owned by the Corrections Corporation of America (now rebranded as CoreCivic). His on-the-ground reporting in American Prison: A Reporter’s Undercover Journey into the Business of Punishment is powerful and disturbing. The conditions he experienced at Winnfield were horrendous, from dangerous understaffing that left prisoners with no classes and few activities, to subminimal medical care, unbridled sexual harassment and pervasive violence. And Bauer’s incisive examination of how the profit motive has shaped our prison system since the end of slavery amplifies his indictment. James Fouhey expertly narrates this vital exposé.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

The United States imprisons a higher portion of its population than any other country in the world, and roughly 130,000 inmates are in privately owned, for-profit prisons. Less than a decade ago, Shane Bauer, a senior reporter for Mother Jones, unknowingly crossed into Iran while hiking and was held for 26 months in an Iranian jail.

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I’m not a big fan of paranormal fiction, but Rose Gallagher, the protagonist of Erin Lindsey’s Gilded Age thriller Murder on Millionaires’ Row, is so disarmingly charming and fabulously feisty that I happily followed the spectral happenings that swirl around her from the get-go. Though 19-year-old Rose grew up in the rough-and-tumble Five Points, a notorious Dickensian slum in Lower Manhattan, she’s now a maid in a Fifth Avenue townhouse owned by Thomas Wiltshire, an elegant, eligible young Englishman. Rose, of course, has a full-throttle crush on her boss, and when he goes missing, she uses all her grit and innate talent to solve the mystery of his disappearance. When that’s achieved, she finds herself in Thomas’ world, in which special Pinkerton operatives investigate supernatural events, work with witches and return errant shades to the afterlife. This engagingly fun first installment in Lindsey’s new series is delightfully performed by Barrie Kreinik.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

I’m not a big fan of paranormal fiction, but Rose Gallagher, the protagonist of Erin Lindsey’s Gilded Age thriller Murder on Millionaires’ Row, is so disarmingly charming and fabulously feisty that I happily followed the spectral happenings that swirl around her from the get-go.

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Listener beware! Untrue is Wednesday Martin’s unvarnished, cogently argued, colorfully detailed take on women who are “untrue.” She’s talking about women’s sexuality, adultery, cheating and “stepping out,” and she doesn’t mince words or use euphemisms. So if you’re uncomfortable with sexual straight talk, this book is not for you. But if you’re perfectly OK with it, there’s much to shake up your perceptions. Martin sees the sexual double standard, with its misunderstanding of women’s hearts and libidos, as “one of our country’s foundational concepts” along with life and liberty. To explore female infidelity and sexual autonomy, she talked to and synthesized the work of experts—primatologists, anthropologists, psychologists and more—who challenge our received notions of female promiscuity and see it as a behavior with a “remarkably long tail.” Martin reads her own provocative, stereotype-slaying words with elan.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Listener beware! Untrue is Wednesday Martin’s unvarnished, cogently argued, colorfully detailed take on women who are “untrue.”

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Top Pick in Audio, October 2018

Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa. In all that time he never faltered, never gave up hope for the future and an end to apartheid, never stopped fighting for his own dignity and that of his fellow prisoners, never stopped yearning for his wife, family and friends. How he endured and persevered is made clearer in the many letters he wrote during that time. The 255 published in The Prison Letters of Nelson Mandela, edited by Sahm Venter, are now available on audio, perfectly rendered by Atandwa Kani, whose flawless pronunciation of Xhosa names and phrases makes listening a totally engaging experience. There is lawyerly composure in Mandela’s letters describing his unrelenting quest for the rights of political prisoners. Yet also evident in these powerful and inspiring letters is the raw emotion and deep love of a man determined, against all odds, to remain a strong father and husband.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa.

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Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora. At 17, Belinda leaves her village and her mother behind to work as a housegirl for a wealthy couple who returned to their native Ghana to retire in luxury after making their fortune in London. Belinda finds solace in the daily domestic grind and in Mary, the charming, irrepressible 11-year-old housegirl-in-training who becomes like a little sister to her. But Belinda is uprooted again when close Ghanaian friends of her employers take Belinda to London, where she is tasked with befriending and providing a positive influence on their sullen teenage daughter, a student at an exclusive, mostly white private school. Surprisingly, their friendship blossoms after a few bumps, just as tragedy takes Belinda back to her homeland. At its core, Housegirl is a warmly perceptive look at female friendship as well as the angst, melodrama and confusion of coming of age in two clashing cultures.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora.

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Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all. A career law enforcement officer, he spent 28 years at the federal and local levels, ultimately becoming a senior executive at the Bureau of Alcohol, Firearms and Explosives and later a CNN contributor. In The Black and the Blue, his powerful, probing, unvarnished assessment of racial injustice in law enforcement today, he comes out as a “champion of wholesale police reform in the United States,” unafraid to offer prescriptive advice on how to address the racism, prejudices, biases and the lethal “cops don’t tell on cops” tradition ingrained in police culture. Using in-depth interviews and his own experiences, Horace presents the vivid on-the-ground actuality of police brutality, misconduct, malfeasance and the needless, heedless shootings that capture headlines and snuff out lives all over America. Horace narrates like a pro with both passion and control.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all.

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Existentialism is said to have begun in 1932 when three young philosophers sat in the Bec-de-Gaz bar on the rue du Montparnasse in Paris, getting caught up on each other’s lives and drinking the house specialty, apricot cocktails. Jean-Paul Sartre was inspired that day by talk of a new philosophy called phenomenology, concerned with life as it is experienced. His study of that approach changed the direction of his life and led to what came to be called existentialism.

In her sweeping and dazzlingly rich At the Existentialist Café: Freedom, Being, and Apricot Cocktails, Sarah Bakewell introduces us to those most closely associated with existentialism by approaching “the lives through the ideas, and the ideas through the lives.” She shows how the key thinkers disagreed so much that, however you describe them as a group, you will misrepresent or exclude someone. Some of them never met, some had close or intersecting lives, and others had major public differences.

At the center of her book are Sartre and his longtime lover, Simone de Beauvoir, whose pioneering feminist work, The Second Sex, can be considered the most influential work to come out of the existentialist movement. The lives of Martin Heidegger, Albert Camus, Maurice Merleau-Ponty, Richard Wright and Iris Murdoch, among others, are also discussed.

Bakewell, who received the 2010 National Book Critics Circle Award for biography for How to Live: A Life of Montaigne, sees her cast of characters engaged in a “big, busy café of the mind.” Their ideas remain of interest, not because they were right or wrong in their decisions, but because they dealt with real questions facing human beings.

This wonderfully readable account of one of the 20th century’s major intellectual movements offers a cornucopia of biographical detail and insights that show its relevance for our own time.

 

This article was originally published in the March 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

In her sweeping and dazzlingly rich At the Existentialist Café: Freedom, Being, and Apricot Cocktails, Sarah Bakewell introduces us to those most closely associated with existentialism by approaching “the lives through the ideas, and the ideas through the lives.” She shows how the key thinkers disagreed so much that, however you describe them as a group, you will misrepresent or exclude someone. Some of them never met, some had close or intersecting lives, and others had major public differences.

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