The latest book from Pulitzer Prize-winning sociologist Matthew Desmond examines the pervasiveness and conditions of poverty in the United States. Thoroughly researched and grounded in both historical research and original reporting, Poverty, by America (5.5 hours) provides readers with an avenue to think critically and compassionately about one of the most pressing social issues we face.
In the audiobook, performed by award-winning voice actor Dion Graham, the questions posed in Poverty, by America become even more visceral and undeniable. With a disarming, conversational tone, Graham guides us through a harrowing topic while also bringing a sense of urgency and reflection, amplifying Desmond’s empathy and curiosity in such a way that invites listeners to lean in and pay attention. Together, Desmond and Graham urge listeners to heed the book’s call to action and become, as Desmond writes, “poverty abolitionists.”
Through this audiobook, performed by award-winning voice actor Dion Graham, the questions posed in Poverty, by America become even more visceral and undeniable.
Time is often viewed as structured, chronological and profit-driven—but it doesn’t have to be this way. In Saving Time: Discovering a Life Beyond the Clock (11.5 hours), Jenny Odell dissects the cultural underpinnings of our perceptions of time, wealth and value, and offers a fresh perspective that cultivates hope, not anxiety.
Saving Time is a smooth listen that’s simultaneously thought-provoking and gentle. Kristen Sieh’s narration is emphatic but peaceful, lending further authority to Odell’s writing. It feels like an experienced mentor is sharing her wisdom, and listeners will likely find themselves nodding along, surprised by the simple yet paradigm-shifting ideas presented within.
Odell’s book reminds us that we are allowed to slow down, to find joy in the moment, and listening to this audiobook can be a practice in the very principles it explores.
Listeners of the Saving Time audiobook will likely find themselves nodding along, surprised by the simple yet paradigm-shifting ideas presented within.
Margot Douaihy’s heartfelt crime novel, Scorched Grace (10 hours), follows a tattooed queer nun named Sister Holiday after an arson attack on her school in New Orleans. The devastating events at Saint Sebastian’s activate the unconventional nun’s already determined nature, compelling her to uncover the culprit—but in order to do so, she must reckon with the life she left behind.
Actor Mara Wilson (best known for her roles in Matilda and Mrs. Doubtfire) brings a buoyant spirit to her performance of Sister Holiday, accentuating the nun’s sardonic nature. In a steady, sometimes sensuous tone that shifts seamlessly into a New Orleans accent when needed, Wilson delivers Sister Holiday’s fierce sensibility, leans into the emotional landscape created by Douaihy’s gorgeous, descriptive language and emphasizes the well-paced novel’s intimacies and contradictions. Gripping, subversive and sincere, Scorched Grace is sure to captivate listeners.
In a great book, building complexity into characters and evoking places both near and far is the job of the author. But in an audiobook, an impeccable performance can make these elements shine, so choosing the right narrator—or narrators—is of the highest importance. The narrators of these four audiobooks imbue their stories with real magic, allowing us to appreciate the commonality of our emotions even across a diversity of experiences.
Hijab Butch Blues
In her memoir in essays, Hijab Butch Blues (7.5 hours), author Lamya H shares her incredible story of growing up a queer person with a devout Muslim faith. Each chapter of the book is titled after a surah of the Quran and explores a key figure in Islamic scripture alongside moments in the author’s own life. Her story begins at 14 years old, when she found kinship in the Quranic story of Maryam, a virgin mother who very well may have been a lesbian.
Narrator Ashraf Shirazi brings palpable sincerity and youthful energy to sections set in college and after the author’s immigration to the United States. Both author and narrator have used pseudonyms; for Lamya H, the reasons are obviously privacy and safety. The reasons may be similar for Shirazi, or perhaps her anonymity is a nod of respect to the author’s choice—bittersweet as it is, for a memoir about the perseverance to discover your identity.
Patricia Engel, author of Infinite Country, sets the 10 short stories in her collection, The Faraway World (7 hours), in the not-so-faraway worlds of New York City, Cuba and Colombia. The stories and their multifarious characters are voiced by a cast composed primarily of bilingual Latinx narrators, including the author. Their performances project glimmers of light, irony and warmth into haunting stories that tread into such dark topics as kidnapping, sexual assault and bizarre familial relationships. Due to the nature of some stories, there are scenes that listeners may find disturbing. The grit of these realities will get in your eyes—and ears.
The World and All That It Holds
Bosnian American novelist Aleksandar Hemon’s The World and All That It Holds (11.5 hours) conjures up the personal odyssey of a Jewish man, Rafael Pinto, beginning with the shot that started World War I and led to his relationship with Osman, a Muslim soldier in his unit. The audiobook is performed in epic fashion by Bosnian actor Aleksandar Mikic, whose accents and syntax embody the many people Rafael meets as he journeys from Sarajevo to Shanghai in his quest to escape war and persecution. Quiet, poetic descriptions of his relationship with Osman are particularly striking. When the two men steal kisses from each other, Mikic’s timing and tone bring out the paradoxical balance of bleakness and brightness in life’s little moments.
Chinese Indonesian author Jesse Q. Sutanto (Dial A for Aunties) serves up a sleuthing Chinese mother and her suspects in Vera Wong’s Unsolicited Advice for Murderers (10.5 hours), a thoroughly charming murder mystery set in San Francisco’s Chinatown. Vera Wong Zhuzhu is struggling to maintain a relationship with her uninvolved son and keep her teahouse afloat. She may be lonely, but she likes to watch the TV show “CSI” and—internet savvy as she is—frequently looks things up on “the Google.” All this comes in handy when she discovers a dead body in her teahouse, along with four murder suspects.
Eunice Wong, a Juilliard-trained Chinese Canadian voice actor, delivers a repertoire of delicious voices to celebrate the patchwork of cultures and personalities in this thoroughly moving, heartwarming story about finding friendship and creating family.
The only thing more exciting than the fact that author Angeline Boulley has followed up her bestselling, award-winning debut, Firekeeper’s Daughter, with a companion novel is that actor Isabella Star LaBlanc narrates the audiobook. LaBlanc, a member of the Sisseton Wahpeton Dakota tribal nation, takes a break from filming season four of “True Detective” (in Iceland!) to share her thoughts on the communal power of audiobooks like Warrior Girl Unearthed (11.5 hours), and the joys and challenges of bringing the story of Perry Firekeeper-Birch to life.
You also narrated Angeline Boulley’s first book, Firekeeper’s Daughter. How did you feel about Warrior Girl Unearthed as you began to read it for the first time? I’m a Firekeeper’s Daughter superfan first, and a Firekeeper’s Daughter audiobook narrator second. And as soon as I started reading Warrior Girl Unearthed, I knew Angeline had done it again. It felt like returning home. I fell in love with Perry immediately. From the first chapter, I was excited to go on this journey with her.
What is your relationship with author Angeline Boulley like, especially in the time since you’ve recorded Firekeeper’s Daughter? Angeline is the best! After my first day of recording Warrior Girl Unearthed, I texted her a little selfie and let her know how thrilled I was to be back in the saddle. When it comes down to it, I really am just trying to do right by her. Angeline is such a special person and writer. Her energy is infectious. We had so much fun doing press for Firekeeper’s Daughter. I count myself lucky to be in her orbit and to benefit from her support. I really owe her so much.
Tell me a bit about transforming Warrior Girl Unearthed into an audiobook. How did you prepare, and what did you most enjoy about the preparation? I was so honored when I was asked back to narrate Warrior Girl Unearthed, but I knew logistically it was going to be a challenge. I’m currently shooting a TV series in Iceland, which has my schedule packed and unpredictable. I really wanted to make it work, so after lots of back and forth with my manager and Steve Wagner from Macmillan, we were able to figure out a remote recording setup and scheduled sessions on the days I’m not on set. So I guess the first big preparation was scheduling, which is not very exciting, but it did feel like a miracle that it worked out.
After we got the logistics ironed out, I really dove in—which for me means spending a lot of time with pronunciation and starting to identify voices. I find a lot of joy in the preparation leading up to recording. It’s always a little daunting, but there’s something so exhilarating about hearing the story in my head for the first time and figuring out how to actually make it sound like that.
What did you feel most strongly that it was important to get “right” as you narrated Boulley’s words in Warrior Girl Unearthed? Definitely the language. The Anishinaabemowin is important not only to the storytelling but also to the characters and to the people these characters represent. I want my Ojibwe relatives to hear themselves in this. So I feel a huge responsibility to do the best I can to represent the language in a good way. Angeline and Macmillan, along with Michele Wellman-Teeple from Michigan State University, set me up with some amazing pronunciation resources.
I think the language is just as much a character as Perry, and I want to honor it that way. Before we began recording, I put out some tobacco to thank the language for letting me spend this time with it. That felt like the right place to begin.
“Before we began recording, I put out some tobacco to thank the language for letting me spend this time with it. That felt like the right place to begin.”
What do you believe is the most rewarding thing that your performance brings to the listening experience of Warrior Girl Unearthed? Firekeeper’s Daughter was my first ever audiobook. I had never narrated anything before that, and going in I knew pretty much nothing about the whole process. I have a lot more books and experience under my belt for this one, and it feels so rewarding to get to return to this world where it all began for me, and to now be able to offer up everything I’ve learned. I feel more in control of my work this time around, and my hope is that listeners will be able to hear that.
To listeners, it can sometimes feel like magic to hear a narrator move between dialogue and a lead character’s inner thoughts. What is your process when moving from Perry’s inner world to external interactions? Perry is a teenager, and I think being a teenager is a lot about reconciling your inner and outer worlds. Something I notice with Perry is that her external interactions often exude confidence in a way her internal monologue doesn’t. I think there’s something really vulnerable in the way she talks to herself, and something really powerful in the way she interacts with the world. I really try to let both those parts of her peek through and to be heard in conversation with each other.
As you read Warrior Girl Unearthed, what did you take away from the experience? Did you discover anything, either about the world Boulley depicts or about yourself? I found myself left with big feelings about how the ways in which we take care of ourselves help us take care of our people. I love how the characters Angeline writes have very unique passions and strengths they honor and offer to the world. Some might argue that I’m already grown, but I want to be Perry and Daunis when I grow up.
“So much of the culture I come from is centered on gathering together and sharing stories. Audiobooks feel like a new medium to do that.”
Boulley’s books reflect an exciting shift in children’s and teen literature toward diversifying which stories are published and who gets to write them. What would books like Firekeeper’s Daughter and Warrior Girl Unearthed have meant to you when you were growing up? I think it’s hard to overstate how much of an impact these books would have had on me as a young reader. It really is a gift to see not only yourself but also your community represented with so much heart. As a young Indigenous person it’s easy to feel lonely, like so much of the world doesn’t understand what matters to you. I know I would have devoured these books, and I would have held them with me as companions while I navigated a lot of the things these characters experience. How lovely it would’ve been to have these reminders that girls like me get to be exceptional, and be loved, and save the world.
With Warrior Girl Unearthed in mind, what do audiobooks offer that a book can’t? I think there’s something communal about audiobooks. Whereas reading can feel beautifully individual, there’s something special about the idea that with an audiobook, each listener is hearing the same voices come alive. It’s almost an equalizer between listeners; it creates an inherently shared experience.
I loved hearing that people listened to Firekeeper’s Daughter with their families. So much of the culture I come from is centered on gathering together and sharing stories. Audiobooks feel like a new medium to do that. We can listen to stories together, whether we’re in the same room or miles apart.
In addition to your work as an audiobook narrator, you’ve also acted on stage and in movies and TV. What are some of the unique challenges and pleasures of audiobooks as compared to those other types of performing? How do you feel your work in other media informs your narration work? I think all of my work informs each other. I feel like if I removed even one piece of the puzzle, one tool from the toolbox, I wouldn’t be the same artist. I’ve played all sorts of characters with different dialects, different ages, different dispositions. I feel like I draw on them to flesh out these books. So many of the voices I use to narrate come from characters I’ve played.
And now I feel my narration feeding back to my acting. I think one of the most challenging parts when I started narrating was learning how to act without being seen. So many character choices in visual mediums can be solely in your body. Narrating has allowed me to explore my voice, and in doing so has offered a tool to do more with less. I’m able to find a lot more stillness in my work on screen now.
What’s one thing people might not expect about your role as narrator? That I get to redo as much as I want! When people hear I do audiobooks, the first question is usually, “How can you read without messing up?” The answer is, I mess up a lot, and then a lovely engineer punches me back in and I do it again, and sometimes again after that. So the job actually has very little to do with reading a lot of words perfectly in one go.
Who in your life has had the biggest impact on your work as a narrator? I don’t think I can pick just one. I think most of the people in my life turn up in my narration in some way. You’ll probably hear them in this book.
What do you believe is your greatest strength as a narrator? My cultural vocabulary. What I might not know about technical voice acting, I do know about Native people. I can hear our voices, our rhythms, our laughter. I know about our ways of connecting to one another across tribes and regions. I find so much joy in narrating specifically for Native authors, because it feels like I was born for it. I grew up with these stories.
Voice actor Isabella Star LaBlanc returns for an encore after her powerful performance of Angeline Boulley’s bestselling, award-winning debut novel, Firekeeper’s Daughter. As LaBlanc reveals in our interview for Audiobook Month, performing Warrior Girl Unearthed required a deep understanding of the Anishinaabemowin, or Ojibwe language.
If you’re lighting out for the open road, we recommend queuing up one of these audiobooks to help keep your eyes on the road but your brain entertained.
When his beloved older brother was diagnosed with terminal cancer, Patrick Bringley sought a refuge—and found it at the Metropolitan Museum of Art, where he took a job as a security guard. He worked there for 10 years, watching both people and art, and all the while noticing fine details that others were too busy or preoccupied to see. His memoir of his career at the Met, All the Beauty in the World: The Metropolitan Museum of Art and Me (6 hours), is a moving reflection on not only art but also all the messy, mundane, tragic, glorious and moving aspects of our lives.
Bringley’s reading of his book is sensitive and gentle. His soft-spoken narration reflects the profundity that comes from years of humbly observing and interacting with this magnificent museum, the works it houses, the people who serve it and the visitors who explore it. The accompanying PDF contains lovely sketches of the works Bringley reflects on, adding extra layers of enjoyment to this extraordinary audiobook.
Patrick Bringley’s soft-spoken narration reflects his years of humbly observing and interacting with the Met, the works it houses, the people who serve it and the visitors who explore it.
Rose Josten feels like something’s missing from her life, even though she’s got her family, a consultant career on the fast track and a successful ASMR video channel. (ASMR stands for “autonomous sensory meridian response” and refers to a calming, tingly reaction to auditory stimulation.) Ash Stewart is a struggling filmmaker wrestling with heartbreak when she gets the chance to pitch a film concept to a major investor. Brought together by chance, Rose and Ash might be able to make the movie a reality—and find love along the way.
Memories and conversations drive Karelia Stetz-Waters’ romance novel, Behind the Scenes (10 hours), making sound an incredibly important part of the book. Narrator Lori Prince rises to this challenge with creativity and flexibility, giving the large cast of characters distinct voices with unique timbres and tones. She also performs Rose’s ASMR videos, pulling the reader into the story.
Prince brings this story to life and makes it easy to follow the fun. If you’re looking for an immersive, mature romance, go Behind the Scenes.
Lori Prince brings Karelia Stetz-Waters’ novel to life and makes it easy to follow the fun. If you’re looking for an immersive, mature romance, go Behind the Scenes.
Jojo Moyes’ novel Someone Else’s Shoes (12.5 hours) starts with a lighthearted premise—the accidental swap of two nearly identical bags belonging to two very different women, Sam and Nisha—but soon takes on weightier themes. These include explorations of the ebb and flow of both long marriages and female friendships, as well as considerations of mental and physical illness and emotional abuse.
With excellent pacing and expression, British actor Daisy Ridley (whose deep alto voice will be familiar from her role as Rey in the Star Wars saga) capably narrates both the humor and serious undertones in Moyes’ novel. Ridley pulls off Nisha’s American accent and brings to life a range of voices for a well-rounded cast of secondary characters, including Sam’s longtime best friend and her clinically depressed husband, and both women’s professional colleagues.
Although the novel is long, the story breezes by, propelled by the plot’s steadily mounting tension that’s relieved by moments of levity and even some slapstick elements. Listeners will relish this uplifting story of transformation and second chances.
British actor Daisy Ridley (whose deep alto voice will be most familiar from her role as Rey in the Star Wars saga) capably narrates both the humor and serious undertones in Jojo Moyes’ novel.
Jessica George’s debut novel, Maame (10 hours), explores the complexities of immigrant families through the story of Maddie, who lives in London with her Ghanaian family and seeks to balance responsibility and self-discovery. Maddie is her father’s primary caretaker while her mother spends most of the year in Ghana. At work, Maddie deals with an impossible boss and an environment where she is consistently the only Black person in the room.
Maame grapples with cultural contradictions, familial expectations, xenophobia and racism while exploring the power to be found in kinship and pleasure. In the audiobook, George’s delightfully delicate command of language is enlivened by visual artist and actor Heather Agyepong’s brilliant narration, which brings the characters to life with nuanced voices that reveal not only variations in Ghanaian and British accents but also emotional worlds. Agyepong animates the distance and desire for closeness in these relationships, allowing listeners to feel the full scope of familial bonds in diaspora.
Together, George’s words and Agyepong’s voice encourage listeners to approach Maame with openness, and as they melt into this complicated world, they will discover a riveting story.
Jessica George’s words and Heather Agyepong’s voice encourage listeners to approach Maame with openness, and as they melt into this complicated world, they will discover a riveting story.
In the midst of a messy divorce and plagued by writer’s block, Emily accepts an invitation from her longtime best friend, Chess (now a lifestyle guru), to spend the summer at a luxurious Italian villa. It turns out, however, that the villa has a sordid history: Nearly 50 years earlier, in the mid-1970s, it was the site of a scandalous celebrity murder that in turn inspired a bestselling feminist horror novel. Emily’s growing obsession with the villa’s history inspires her to write at long last—but investigating that long-ago crime and its aftermath opens up old fissures in her relationship with Chess. Will the villa’s dark history repeat itself?
Rachel Hawkins’ gothic novel The Villa (8 hours) has a wonderfully complicated narrative: Inspired by everything from Fleetwood Mac and Mary Shelley to the Manson murders, it includes not only two separate narratives with two sets of characters but also a novel-within-a-novel, podcast episodes, blog posts and more. Aided in some moments by music, the talented narrators—Shiromi Arserio, Julia Whelan and Kimberly M. Wetherell—prove more than up to the task of guiding listeners through the emotional atmosphere that Hawkins has so superbly created.
Three talented narrators guide listeners through the complicated emotional atmosphere that Rachel Hawkins has so superbly created in The Villa.
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If you’re lighting out on the open road this summer, we recommend queuing up one of these audiobooks to help keep your eyes on the road but your brain entertained.
In Caldecott Medalist Brian Selznick’s Big Tree (2.5 hours), sibling sycamore seeds Merwin and Louise learn that even the tiniest among us have the power to save the world. This is a gentle, smart fable that introduces young children to the web of life and the cycle of life, death and renewal.
Academy Award winner Meryl Streep brings charm and depth to her performance of the audiobook. She endows each character, including the baby seeds, their wise mama and even time itself, with a distinct and memorable voice, and her narration is as warm as a soft blanket. The audiobook lacks the print edition’s 300 illustrations, but Ernest Troost’s orchestral music re-creates the actions and emotions of the story, enhancing Streep’s narration without overpowering it. The result is a production that preserves the accessibility and enjoyability of Selznick’s complex (and sometimes scary) story for young readers.
The Wager: A Tale of Shipwreck, Mutiny and Murder (8.5 hours), the latest work of narrative nonfiction from David Grann (Killers of the Flower Moon), details the gruesome experiences of 18th-century British sailors who were marooned on an island off the coast of Patagonia, living for months on the verge of starvation. Their harrowing tale of survival, which plummets to the very depths of desperation, is rendered with such visceral realism that you feel a hair’s breadth from experiencing it for yourself. Only a fraction of the original crew survived to return to Britain to tell their story, which became a source of inspiration for centuries of fictional shipwreck narratives.
Grann reads the author’s note and acknowledgments, but the rest of the audiobook is performed by prolific narrator and actor Dion Graham (Malcolm X, “The Wire”), whose clear, powerful voice provides a strong backbone for the story. As an American, he could be seen as representing the modern historian looking back on this captivating saga.
The seven reimagined fairy tales in Kelly Link’s White Cat, Black Dog (8 hours) are so convincing that we don’t merely suspend our sense of disbelief; rather, we drop it like a hot potato. We accept without question, for example, the enchanted prince and the extraordinarily resourceful cat because Link makes the implausible seem utterly natural.
The audiobook’s seven narrators (Rebecca Lowman, Dan Stevens, Dominic Hoffman, Kristen Sieh, Ish Klein, Tanya Cubric and Patton Oswalt) understand how important this plausibility is to making Link’s fairy tales work. In these performances, the fact that a bear might be telling a story matters far less than the story being told, and therein lies the wonder of a fairy tale. All of the actors do an excellent job, but Lowman, Stevens and Oswalt stand out for their ability to convince the listener that the magic is real—and the real, magical.
In the audiobook of Kelly Link’s story collection, the fact that a bear might be telling a story matters far less than the story being told, and therein lies the wonder of a fairy tale.
Athena Liu and June Hayward are fellow Yale University graduates and authors, but while Athena’s debut novel soars to the top of bestseller lists, June’s quietly fades into obscurity. June feels like everything is stacked against her until, by accident, she is present at Athena’s death—and in the chaotic aftermath, she steals Athena’s final manuscript to edit and publish as her own. In Yellowface (8.5 hours), R.F. Kuang tells a darkly funny story about culture and media that will resonate with readers and writers alike.
Helen Laser’s narration brings June’s cutting inner voice to life, immersing listeners in her bitter emotions about a writer’s role in contemporary publishing. Laser’s performance of June’s frantic, defensive first-person perspective renders the sarcasm so biting, the reasoning so desperate, that listeners will find it difficult to turn away from the scandal of the story.
Outrageous and highly relevant, Yellowface is a provocative listen that turns a critical eye on modern publishing. As listeners barrel through this audiobook, they’ll find themselves asking the core question of the novel: Who has the right to tell a story, and why.
Helen Laser’s performance of R.F. Kuang's frantic, defensive first-person narrator will make it difficult for readers to turn away from this scandalous story.
Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.
Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.
With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.
Charon is Titus’s home and his heart. But where faith and violence meet, there will be a reckoning.
Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. Audiobook read by Adam Lazarre-White.
Humorist Samantha Irby’s fourth collection of essays, Quietly Hostile (9.5 hours), delivers another winning blend of hilarious observations and emotional insights, combined with a charming aura of disbelief over no longer being just a humble blogger. According to hate mail from angry fans, she’s now ruining the “Sex and the City” reboot as one of its newest writers.
In 17 short essays, Irby addresses topics that range from her unapologetic love for the Cheesecake Factory and the Dave Matthews Band to her misadventures in pandemic pet adoption. Some essays—especially those focused on her parents and her estranged brother—are emotionally affecting, while others (such as one essay consisting of her descriptions of various porn video tags, or another structured as an FAQ about bathroom etiquette) are gleefully crude. Regardless of the mood of each piece, Irby’s narration, with matter-of-fact delivery and flawless comic timing, amps up the intended effect, making the listener feel like they’re just having a nice long hang with their funniest friend.
Samantha Irby’s narration, with matter-of-fact delivery and flawless comic timing, makes listeners of her fourth essay collection feel like they’re having a nice long hang with their funniest friend.
There’s a conversational charm to Jamie Loftus’ narration of her book, Raw Dog (9.5 hours), in which she shares the results of her travels around the United States, one hot dog at a time.
The history of the hot dog is rich and filled with surprises, from its European roots as wienerschnitzel to its iconic status at Coney Island and baseball games. Loftus gives advance warning about the book’s discussion of slaughterhouses and how hot dogs are made, but even with such unsavory topics, there’s something terribly irresistible about her narration, which is often incredibly funny. In addition to offering a unique glimpse at the hot dog’s impact on Americana, Loftus provides much food for thought about the people and places that have contributed to its ability to transcend socioeconomic levels, as its appeal ranges from affordable meal to gourmet delicacy.
This is an ideal listen for those who enjoy the frank food truths of Mark Bittman’s Animal, Vegetable, Junk and Eric Schlosser’s Fast Food Nation.
Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
